Day 580: The Broken Road: From the Iron Gates to Mount Athos

Cover for The Broken RoadIn December 1933, eighteen-year-old Patrick Leigh Fermor began a journey on foot from Holland to Istanbul. Last year I reviewed the two books that cover the first two legs of the journey, A Time of Gifts and Between the Woods and the Water, but had to wait until this third volume was published to finish the journey.

Unfortunately, Leigh Fermor never completed this book. He actually began writing it first, about ten years after his journey, but stalled. Many years later he wrote the other two books and finally returned to this one. The editors explain in the introduction that they had to piece bits of it together from the manuscript, one of his surviving diaries (others were lost), and other documents. They did a great job, for it only seems fragmentary for a few pages in the middle.

This travelogue picks up at the Iron Gates by the Danube in Rumania but almost immediately moves to Bulgaria. Leigh Fermor spends a great deal of the book traipsing around the Bulgarian countryside meeting colorful characters before abruptly deciding to go to Bucharest. As most of this section of the book is written from his memories of what happened because of his lost diaries, I can only say that his memory must have been remarkable. He writes in a vividly descriptive style, allowing you to imagine yourself along on his trip through a world that is long gone.

It is remarkable also that almost everywhere on this journey he meets with kindness and hospitality. Only one night as he miserably hobbled along in Bulgaria after his foot was rubbed all day by a boot nail were his requests for a ride on two different passing wagons met with demands for money. Since he was living on a pound a week, wired periodically by his parents, he chose to walk. That same night his appeal for shelter at one house met no response from inhabitants who were clearly home. But farther down the road some charcoal burners cheerfully took him in.

Only at all disappointing is his description, which is almost nonexistent, of Istanbul. (He persists in calling it Constantinople.) I can only suppose his visit was in some way spoiled, as it is clear from his comments on the way there that he had romantic notions of the East. A footnote repeats his remark that he never left Constantinople without a lightening of the heart.

Leigh Fermor’s book ends where his green diary picks up, with his travels all over Mount Athos, Greece’s Holy Mountain. There he visited one Eastern Orthodox monastery after another. This section is fascinating for its glimpses into this unusual mode of life. Fermor came to love Greece so much that he lived there much of his life, and this was his first experience of it.

I actually found this book easier to read than the other two more polished efforts, as enjoyable as they are. I think it is because it was written by his younger self. For although he was kicked out of prep school before this journey and never returned to a formal education, he plainly was frightfully well read and knowledgeable and constantly lost me in the earlier books with classical or poetic allusions that I was too lazy to look up.

Apparently Leigh Fermor, who was clearly adventurous, went on to live an exciting life. I have a biography of him waiting for me in my pile.

If you have read my reviews of Leigh Fermor’s other books, you may have noticed a discrepancy. In those I say he was nineteen at the beginning of his adventures. Well, that’s what he said, but since he celebrated his 20th birthday at a monastery in February 1935 and started his journey in December more than a year before, even I can do the math. I did notice him referring to himself as twenty before he actually turned it, so that’s probably what happened in the earlier books.

Day 579: The Daughters of Mars

Cover for The Daughters of MarsNaomi and Sally Durance are sisters and Australian nurses in 1914. They are divided by old grudges and a new crime. The older Naomi deserted their home in the bush for a career in Sydney, leaving Sally stuck there with their parents. More recently, their mother was struck down with cervical cancer and suffered terribly. Sally stole enough morphine from her own hospital to help her mother die, but one day after Naomi arrived, Sally found their mother dead and the drugs gone. Sally feels guilt at her part of the crime and resentment that Naomi could do what she could not.

There is a fervor in Australia for the war, so both women decide independently to volunteer as nurses. They set out by ship for Egypt, then to serve on a hospital ship off Gallipoli, and finally to France.

This novel shows extensive research into the conditions of World War I for nurses, and of their treatment. Although by and large they receive respect, that is not always the case. In an incident based on a true event, their hospital ship Archimedes is employed for one mission as a troop carrier, its red crosses blacked out. It is torpedoed and the survivors, including Sally and Naomi, wait in the water clinging to a raft for hours for rescue. During this traumatic wait, one soldier after another simply lets go.

After the nurses are rescued, they are put to work in a hospital on Lemnos, where the officer in charge sees no use for them and lets the orderlies treat them with disrespect. All their possessions lost, they are given local peasant dresses to wear instead of uniforms. Eventually, an orderly rapes one of the nurses and after a perfunctory investigation, gets off lightly.

The adventures of the sisters and their friends are indeed interesting and provide a different view of the war. With the few of Keneally’s books that I have read, Schindler’s List being the most well known, I have felt a certain distance from events and characters. This book is no exception, but at the same time I wanted to see what would happen.

Although told in a straightforward limited third-person narrative that moves between the point of view of the two women, Keneally offers up an alternate ending. It is not one we can choose between, but one where he tells us what might have happened and then tells us what did happen. The ending brought tears to my eyes but also seemed a little like a trick.

 

Day 578: Tethered

Cover for TetheredBest Book of the Week!
Clara Marsh has been wounded by life. She is a mortician who spends her days preparing bodies for burial, caring for them tenderly and tucking a symbolic bouquet of flowers into the coffin of each. But she herself is isolated, afraid to look people in the eye, unable to touch. Her frame is skeletal, her scalp scarred from pulling out her own hair. The only people who seem to care for her are her boss and his wife, Linus and Alma Bartholomew.

One day Clara finds a little girl in the funeral home named Trecie, who says she has been visiting Linus. When Clara asks Linus about the girl, he asks Clara to help her. Soon after, at the scene of a death, Clara finds evidence that Trecie is the victim of child pornographers. When she tells Detective Mike Sullivan that she knows Trecie, he asks her to call him when she sees Trecie again. But Trecie gets away from them.

Mike believes there is a connection between the pornographers and the death of Precious Doe, an unidentified child found murdered after being badly beaten three years before. Soon it begins to look as if he may be right. Unfortunately, a fragile friendship between Clara and Mike is threatened when Mike begins to believe that Trecie doesn’t exist.

Although this novel is framed within a mystery, its soul is within the persona of Clara and her story. Tethered is precisely and beautifully written and absolutely haunting. I was transfixed by it.

Day 577: Red Sorghum

Cover for Red SorghumRed Sorghum is absolutely brutal. It tells the story of a Chinese family during the time of the Second Sino-Japanese War. Most of the action of the book takes place in 1939 and a few years thereafter, although there are glimpses of years before and later. I say book, because it is described in some places as a series of novellas and in other places as a novel.

The two main characters are Yu Zhan’ao, the narrator’s grandfather, also known as Commander Yu, and Dai, his grandmother. The narrator’s father Douquan is a less important character. The narrator himself only makes an appearance in the last two pages.

The book begins with an ambush of the Japanese near Black Water River. But nothing here is related in a straightforward manner. The narration moves back and forth in time as Commander Yu’s preparations for the battle alternate with the story of Uncle Arhat’s kidnapping as slave labor for the Japanese and the story of how Yu Zhan’ao meets Dai. There is plenty of violence in all of these stories, and we are not spared any details of guts falling out, decapitated heads, or anything involving bodily functions.

The Chinese are at war through most of the book, of course, but various factions of Chinese fight and kill each other just as viciously. Although Commander Yu wins the battle of Black Water River, almost all of his men are killed when his ally, Detachment Leader Pocky Leng, fails to turn up at the ambush, then steals all of the captured armament.

Earlier in time but later in the book, Grandfather Yu meets Dai on her way to marry a rich man’s son. Her father’s greed has betrothed her to a leper. Yu seduces her on her way back to visit her parents after three days of marriage and then goes off to murder her husband and father-in-law, leaving her a rich widow.

Sometimes the violence in this book is so extreme it is almost funny. People behave grotesquely—they are crude, barbaric, disgusting, venal, and revengeful. Commander Yu is almost more eager to kill Pocky Leng than he is the vicious Japanese, who are nearly cartoonish in their evil.

In between scenes of almost unbelievable brutality are beautiful descriptions of nature, with a strong emphasis on color. Red is consistently a symbol of life and goodness while green is its opposite. Sometimes blood is green instead of red and too the sun can be green. This use of color comes to a focus in the last pages of the novel, where Mo Yan laments the disappearance of the wonderful red sorghum (a major presence in the novel) and excoriates its green hybrid replacement.

I found very little to like in this book. I read it all, but I basically had to force myself to finish it (and beautiful descriptions or not, I got tired of reading about sorghum). I know the book has received a lot of admiration, and I do not exactly agree with the criticism that it glorifies violence, but there is a lot of very graphic violence in the novel.

Day 576: Indiscretion

Cover for IndiscretionIn Regency London, Caroline Fortune and her ex-soldier father have been surviving at the edge of poverty for a long time. When her father reports that he has lost all his money in a bad investment, Caroline decides to look for work as a governess.

Soon, her father tells her he has found her a better situation, as companion to Mrs. Catling, the widow of her father’s former colonel. In his ebulliant way, he assumes Caroline could easily be left Mrs. Catling’s fortune. Caroline is not pleased with the situation, nor does she have any hopes of Mrs. Catling’s generosity, but seeing no other option, she takes the position. With no relatives other than her father to fall back on, as her mother’s relatives disowned her mother after her marriage, Caroline moves to Brighton to wait on Mrs. Catling.

Caroline soon learns that Mrs. Catling is demanding and petulant. She treats her servants harshly. When Mrs. Catling’s niece and nephew, the Downings, come to call, Caroline witnesses how her employer manipulates Matthew Downing with the promise of her fortune. Still, Caroline manages to get along with the Downings and Mrs. Catling fairly well, even receiving unwanted confidences from Matthew. However, her dependent position unexpectedly leaves her open to an insult from an unscrupulous man.

Re-opened contact with her relatives eventually removes her to an entirely new neighborhood and life, and she makes some new friends. After awhile, though, her experiences in Brighton return to haunt her.

I don’t often read romance novels and tend to stick to the older authors I love when I do. I have found no writer who can surpass Georgette Heyer in Regency romances. But a friend recommended this novel to me, and I found it quite entertaining. It does not seem simply a copy of Heyer as some other Regency novels have. The dialogue is witty. Once Caroline leaves Brighton she meets some endearing characters, and the plot is both complex and interesting. Caroline is an intelligent and engaging heroine. For some light, escapist reading, I recommend Indiscretion.

Day 575: All the Light We Cannot See

Cover for All the Light We Cannot SeeI felt a bit of distance while I was reading All the Light We Cannot See, but by the end I was brought under its spell. It is about a German boy and a French girl who meet briefly during World War II.

Werner is growing up in an orphanage in Germany. He has always been fascinated by how things work, particularly electronics, and he is far advanced of his teachers in math. One day he discovers a broken radio set in the trash and is able to make it work. He and his sister Jutta discover a children’s broadcast from France in which a man explains science topics and plays music. This station delights them for years until it becomes dangerous to listen to under the Nazi regime.

With all his gifts, Werner is slated to work in the mines when he is old enough. He gets an opportunity, though, to attend a technical school. Against Jutta’s advice, as Werner has avoided being pulled into the orbit of Nazi politics, he takes his chance.

Marie-Laure’s father is a locksmith employed by a Paris geological museum. At the age of five she becomes blind. Her father teaches her to find her way in their neighborhood by making a model of it, which she learns by feeling her way. She loves spending time at the museum, learning about all its treasures and handling the shells. She also loves reading adventure stories in Braille.

When the Nazis are due to invade Paris, the museum gives four stones to four employees to keep safe. One of them is the museum’s most precious possession, a fabled diamond with a curse attached; the others are fakes. Marie-Laure’s father receives one of them, and the two leave the city, eventually arriving in St. Malo, where Marie-Laure’s great-uncle lives.

The diamond acts as sort of a MacGuffin in this novel. Of course, we are sure who has the real stone.

The stories of Marie-Laure and Werner’s pasts alternate with the bombing of St. Malo in 1944 by the Americans. Werner is trapped with some German soldiers in the basement of a hotel, while Marie-Laure is hiding in her great-uncle’s house from a German officer searching for the diamond.

This novel is beautifully written and shows the hardships of war from both sides of the conflict. Werner struggles with his desire to do what is expected vs. what is the right thing. Marie-Laure tries to resist the chaos of war in other ways. I felt for a long time that the novel would end predictably, but I was pleasantly surprised and delighted by how the ending opened up from a claustrophobic setting to a more universal feeling.

Day 574: Little Bee

Cover for Little BeeLittle Bee begins her story from a detention center in England, where she has been held for two years. During this time, she has been learning British English in the hopes she will be allowed to stay. After another girl seduces a guard, Little Bee is released with her and two other girls, with no papers or money, into the depths of the English countryside. Bee calls the only person she knows in England, Andrew O’Rourke, a man she met on a beach in Nigeria two years before.

Sarah O’Rourke is getting ready to attend her husband’s funeral. He had been depressed ever since that day on the beach. Then, suddenly, he committed suicide. When someone arrives at the door, Sarah is surprised to find Little Bee.

Eventually, we find out what happened that day on the beach—how Little Bee lost her sister and Sarah her finger. Sarah is posed with a problem. What can she do about Little Bee to help her stay protected in England? To the British government, Nigeria is a safe country from which Little Bee does not need refuge. The government does not know or is unwilling to learn that the oil companies are murdering entire villages to get rights to the oil beneath them.

I found Little Bee to be affecting all right, and it informed me of a situation I did not know existed. With all the bad news about various countries in Africa lately, I had not heard mention of Nigeria (at least not in this respect).

A few people have written reviews complaining about the ending. Perhaps they like their endings nicely wrapped up. I don’t mind ambiguity, but I did feel sometimes as if I was being manipulated. In addition, Little Bee’s voice, although enchanting and original, is not consistent enough. At times she is amazingly naive, sometimes convincingly so, others not so much. It is some of her more sophisticated knowledge that occasionally doesn’t ring true with the character Cleave has created and can’t be explained by two years of reading classics.

In any case, it is Sarah’s stunning naivety that is more unbelievable, both on the beach that day and when she decides to interview people in Nigeria instead of immediately contacting a lawyer or her embassy in an attempt to save Bee.

With all these caveats, I enjoyed the book, though, and give it a qualified recommendation.

Day 573: The Selected Poetry of Edna St. Vincent Millay

Cover for The Selected Poetry of Edna St. Vincent MillayPoetry is not really my expertise, so I feel awkward trying to write this. Of course, I came to this book familiar with a few of Millay’s most well-known poems, particularly “First Fig.” The poem that made Millay’s reputation was “Renascence,” about a person who is buried in the earth alive and springs back out.

I think this is an interesting book for someone not familiar with Millay. It contains most of her best-known poems from several different collections.

Although Millay was known as a master writer of sonnets and this book contains many sonnets, I think I prefer some of her less formal, cheekier poems, for example, “Thursday.” I also liked the poems that reflect her familiarity with old Celtic and British folk ballads—whose rhythms sound like someone singing a ghostly Border ballad.

After reading in Milford’s biography about Millay’s wonderful voice, I looked for a recording on YouTube. I was delighted to find an atmospheric performance of “The Ballad of the Harpweaver,” recorded for radio.

You might be interested in reading my review of the biography of her life.