Tag: Walter Scott Historical Fiction Prize

Review 2726: The Land in Winter

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For Britain, the winter of 1962-3 was one of the coldest on record, with massive amounts of snow in some areas. Miller has set his novel in a rural area near Bristol where two young married couples are neighbors.

Eric Parry is the local doctor. His wife Irene is early in pregnancy, but he is also having an affair with a wealthy married woman. Irene, somewhat isolated in their country home, is feeling her separation from her sister Veronica, who is in the U. S.

Next door are Bill and Rita Simmons. Bill is the son of a wealthy immigrant who has left his father’s world behind to become a farmer. Rita is about the same distance along in her pregnancy as Irene. She is a lively girl with a dodgy past, but she is haunted by voices, and her father is resident at a nearby asylum.

Rita comes calling on Irene, and the two women get along well. Irene finds Rita pulling her out of herself and getting her out of the house.

Both of the households have some class differences, although they are noted rather than seeming to cause problems. Irene is quite posh in origin, whereas Eric’s father was a railroad worker. Bill has attended university and seems to be a bit ashamed of his father, who is a slum landlord, while Rita’s past hints at darker things.

This novel was more moody than anything else. For some reason, perhaps in time setting and themes, it reminded me of The Ice Storm (although that is set ten years later), the movie not the book, which I haven’t read. There’s the sterile life of the housewives, the weather, the rowdy party, and the infidelity.

Of the books I’ve read by Miller, this is not my favorite, but it is certainly atmospheric and had me genuinely worried about some of its characters. I read it for both my Walter Scott Prize project and my Booker Prize project.

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Review 2724: Ancestry

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I wasn’t looking forward to reading Ancestry, because I haven’t really enjoyed either of the other books I’ve read by Simon Mawer. However, he keeps getting shortlisted for the Walter Scott Historical Fiction prize, which is one of my projects, so I keep having to read him.

For this novel, Mawer has tracked down records about his own family, going back four generations on both sides, and written a novel trying to make sense of what he found. I have to say that I found this idea interesting, although Mawer still managed to fit in a reference, not to labia, which seems to be a fascination, but to female pubic hair, which is about the same.

In the first half of the 19th century, Isaac Block is growing up on the Suffolk coast as a subsistence agricultural worker. However, as a young teenager, he gets an opportunity to go to sea and takes it. Later, as a young man on leave, he meets Naomi Lulham, a single mother lodging with his Uncle Isaac.

This story is interesting, but Mawer was obviously able to find out more about the Mawer side, because he spends a lot more time on the story of George Mawer, a corporal in the Queen’s 50th regiment, who marries an Irish girl, Ann Scanlon. This story leads up to and spends a great deal of time on the Crimean War.

I found a lot of the details about these people’s lives interesting, but with all of Mawer’s novels, apparently, there is such distance from the characters that I didn’t get that involved with them, again.

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Review 2704: #ReadingIrelandMonth26! Glorious Exploits

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There seem to be lot of novels out recently that are set in the world of ancient history or myth. I have read a few of them, but it’s not really a time of interest for me. In fact, I am so ignorant of the Peloponnesian War that I thought it only involved Athens and Sparta. But it was a lot more widespread than I thought.

If it hadn’t been for my Walter Scott shortlist project, I wouldn’t have chosen this book to read. (For one thing, I find the cover off-putting.) And it didn’t start off very well for me. It is written completely in modern vernacular with an Irish accent, which I initially found grating. But I got used to it.

Lampo, our narrator, and Gelon are two mates, essentially layabouts. Lampo is 30 years old and still lives with his mother. They are Syracusans; it is 412 BC, a few years after the Athenians attacked Sicily. The Athenians were eventually beaten, and 7000 Athenian soldiers were imprisoned in the quarries of Syracuse, basically just left there.

Now Gelon decides to go to the quarry to feed the Athenians. He is a huge fan of the plays of Euripides, and he is afraid that with the defeat of Athens, Athenian culture will die out and Euripides’ work will be lost. So, he decides to put on a play using the Athenian soldiers for actors, paying them with food.

On the way into the quarry, Lampo and Gelon run into a grieving father, Biton, who has just beaten an Athenian to death and is working on his friend. Gelon talks Biton out of it, and this is when he announces his plan to direct Medea. They rescue the other Athenian, Paches, and Lampo decides he must be in the play. Much to Lampo’s astonishment, they manage to find funding for this project from a wealthy foreigner.

In the meantime, no-hoper Lampo has fallen in love with Lyra, a Lydian slave girl who works at his local bar. Her owner wants an exorbitant fee to sell her to Lampo so he can set her free, more money than he can hope to ever earn, but that’s what he vows to do. With these twin goals, Lampo begins to pull himself together.

“Riotously funny,” as the blurb calls it, this book is not, but I found Lennon to be a terrific storyteller. This novel is about the power of friendship, the importance of art, and personal loyalty. I would never have read it on my own, but it is rough, touching, and terrific.

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If I Gave the Award

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With my review of Absolutely & Forever, I have finished the shortlisted books for the 2024 Walter Scott Prize for Historical Fiction. That means it’s time for my feature, where I decide whether the judges got it right.

This year was quite an international event, with books set in England, Trinidad, Italy, Malaysia, and Canada making the shortlist. As has become my usual approach, I’ll start with the books I liked least.

It’s almost a toss-up between two books as to which I should start with, but I think that will be Hungry Ghosts by Kevin Jared Hosein, which for this year was the winning novel. Although I was interested in the setting, the brutality in the book made me comment that if I wasn’t reading it for the prize, I wouldn’t read it at all. This was a novel about a young boy growing up in 1940s Trinidad, his feud with town boys and his father’s affair with a rich woman.

The other book I didn’t like as well was The New Life by Tom Crewe. I thought the subject matter was interesting, loosely based on the lives of two collaborators on a book about sexuality, but I don’t really like explicit sex scenes, and this book had lots of them.

In the Upper Country by Kai Thomas is about Canada’s history with slavery and treatment of indigenous peoples. I commented that Thomas’s approach of telling stories to fit in as much information as possible didn’t work very well for me. I thought there were too many characters, and he was trying to fit in so much in that it got confusing.

My Father’s House by Joseph O’Connor is about a real group of people in Rome during World War II who helped Allied soldiers escape from Nazi-occupied Italy. Although the subject matter was interesting and I enjoyed the book, I commented that as the first of a trilogy, I wondered where the material was going to come from for two more books.

Now, I have got to my two favorites, and I am having a hard time deciding which one to pick. Absolutely & Forever by Rose Tremain is a coming-of-age story, sort of, set in 1960s England. I just loved the voice of its narrator and was captivated by it (although since the 15-year-old heroine was the same age as Tremain in the 1960s, it doesn’t really fit my definition of a historical novel). However, I think I’m going to pick The House of Doors by Tan Twan Eng about, among other things, Somerset Maugham’s visit to Malaysia in the 1920s.

Review 2605: Absolutely & Forever

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I have been on the fence about or even disliked some of Rose Tremain’s books, so I wasn’t really looking forward to reading Absolutely & Forever for my Walter Scott Prize Project. I especially wasn’t because I’m not that fond of coming-of-age novels in general. However, I found this little novella to be truly touching and insightful about human emotions. And the coming-of-age part is only the beginning.

It’s the late 1950s and Marianne is 15 years old. She has been in love with beautiful 18-year-old Simon Hurst for some time, and he finally pays attention to her the night of a friend’s party. He has just been given a new Morris Minor car, so he takes her for a ride and they have sex. Marianne says she will love him absolutely and forever.

I thought I knew where this was going, but it wasn’t. Simon and Marianne go off to their respective schools and plan to get married when they are older.

However, Simon fails his Oxford exam. Everyone is shocked, and the next thing Marianne knows, he has moved to Paris to be a writer. Marianne tries to buckle down to her French so that she can move there as soon as possible, but she is clearly not good at studying. Her parents tell her they are certainly not going to allow her to visit Simon in Paris when she is only 15.

Simon’s letters eventually fall off, and in the last one she gets the bad news. Simon has gotten his landlady’s daughter pregnant and married her.

The novella follows Marianne as she grows into womanhood, works at some jobs but seems to have little purpose in life. She marries her good friend Hugo (who I felt was a much better person than Simon). But she continues to love Simon.

The heart wants what it wants is the theme of this touching novel. And it tells the story beautifully, narrated by the distinctive voice of Marianne.

The book blurb hints at some secret, and it’s not very hard to guess. But that’s not the point. I found this book to be wise and deeply touching.

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Review 2604: The Safekeep

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In 1961 Utrecht, Isabel lives in the house her uncle bought for her mother during the war. Her mother died, and Isabel is very protective of the house’s contents, although she doesn’t own them. Her uncle intends to leave the house to her oldest brother Louis.

Isabel is in her thirties—particular, with a dislike of things that are different, stiff, unfriendly, and solitary. She has no sexual experience. She doesn’t like people to touch the things in the house, and she frequently thinks the help is stealing.

Isabel, Louis, and her other brother Hendrik have periodic dinners in the house, although both men now live in The Hague. Louis often misses the dinner, though, or if he comes, he brings his latest in a long string of girls he’s been in love with. These relationships only last a short while, however, so Isabel and Hendrik resent the inclusion of the women. Isabel, though, refuses to invite Hendrik’s partner, Sebastian.

Louis comes to dinner with a new girlfriend, Eva, whom Isabel thinks is low-class and treats with hostility. To her dismay, Louis tells her he must travel for business and wants Isabel to have Eva for a guest while he is away. He points out that the house isn’t really Isabel’s but is intended for him.

So, Isabel reluctantly takes Eva in, but she is not nice about it even though Eva tries to be friendly. The atmosphere is charged.

I found a lot of this novel very interesting, especially in its revelation of how The Netherlands treated Jews returning from the concentration camps after the war. Yes, mild spoiler, this novel does have to do with the aftermath of the war. I am not a fan of explicit sex, however, no matter who it involves, and there was a lot of that going on for about 100 pages.

The novel takes an unexpected turn at the end, and I think, besides the character study of Isabel, I found that part the most interesting.

I read this book for my Walter Scott Prize Project.

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Review 2596: The Chosen

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The Chosen, which I read for my Walter Scott project, is about the weeks after the death of Thomas Hardy’s wife, Emma, and also about the writing of Tess of the D’Urbervilles. Hardy is working in his study when the maid comes to ask him to go to Emma. Although she indicates there is some urgency, Hardy is oblivious and continues working for a while before going up to his wife’s rooms in the attic. When he arrives there, she is dead.

The aging Hardy plunges into guilt that is made worse when, a few days later, he finds her diaries, in which he reads that Emma was deeply unhappy in their marriage. As he reads the diaries, he relives his own memories of the same days, realizing he had no idea of how aloof he seemed to her and how oblivious.

This is not really a novel of plot but more of feelings and realizations. Lowry explains at the end of the novel that Hardy burned the diaries soon after he found them, but she did quote from Hardy’s work and from letters. Emma’s death apparently spurred a collection of poems.

Waiting in the wings is Hardy’s secretary, Florence Dugdale, who seems to expect to take Emma’s place (and eventually did). She cannot understand why, after telling her so many times how unhappy he was, Hardy can now only talk about Emma.

For Hardy fans, especially, this is an insightful and beautifully written novel. It makes me wish I had known more about Hardy’s life before I read Maugham’s Cakes and Ale and this book. Although I read Claire Tomalin’s biography, it was so long ago that I don’t remember what it said about his home life (although I said it was interesting in my review).

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Review 2538: The New Life

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The New Life was a slow read for me. It took me almost a week, which is unusual for me with fiction. I read it for my Walter Scott Prize project.

The novel is loosely based on two men, John Addington Symonds and Havelock Ellis, who in the early 1890s wrote a book together. When I looked them up, it didn’t seem as if it was very loosely based—Crewe gives his characters almost identical names. But then I realized it is set after Symonds’ death in order to bring in the trial of Oscar Wilde.

John Addington is a gay man who is married and has three grown daughters. He is known for writing about a vast array of subjects. Henry Ellis is an idealistic, naïve younger man, a doctor. He marries a good friend, Edith, and their intention is to lead the way to the New Life. I wasn’t exactly sure what that entailed, but at minimum it seems to be that spouses are equal partners. Unfortunately for Henry, they never discussed the sexual side of marriage. He thought there would be consummation; Edith, a lesbian, did not. So, Henry continues a virgin with a fascination for the subject of sex. They live separately, and soon Edith has a new friend, Angelica.

Henry wishes to make a scientific study of sex and publish the results, and since he knows some gay friends, referred to at that time as “inverts,” he decides to start with them, having a theory that rather than an illness or perversion, inversion is natural. He decides to invite John Addington to join him in his project, not because he thinks he is gay, but because of his reputation as a writer about various topics.

John has been getting more tired of keeping his secret as an invert. He has confessed to his wife and occasionally has brought a man home for sex, an action that I thought was breathtakingly cruel. Now he meets Frank, a much younger, lower-class man who wants to be his friend. When John sees Henry’s proposal, he thinks such a project will change people’s ideas about inversion so that he can be free to do what he wants.

The men write the book and begin looking for a publisher. However, just at that time, Oscar Wilde is found guilty of inversion and is sentenced to jail. The backlash is such that the two fear their work is unpublishable.

If you are not a fan of graphic sex scenes, this won’t be the book for you, especially the first few hundred pages. The novel opens, for example, with a very explicit and detailed wet dream. I am not really a fan of explicit sex scenes in novels, so I found the first half of the novel hard going, despite it being well written and having vivid descriptions of life in Victorian London. (It has a wonderful description of a day that is so smoggy no one can see where they’re going.)

The novel picked up for me after the book, entitled Sexual Inversion, is published and the police go after a bookseller for selling indecent material, their book. Then it becomes about the reactions of the various characters once there is a threat to their own lives.

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Review 2508: I Am Not Your Eve

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This is an interesting yet difficult novel about one of Gauguin’s Polynesian “wives,” whom the blurb calls his muse. Although much of it is about her, Teha’amana, a very young girl, it is told with several voices—those of Gauguin’s daughter, his European wife (briefly), Teha’amana’s Foster Mother (called only that in the book), and very occasionally Gauguin himself.

The broad story is of Gauguin arranging a “marriage” on Tahiti with a very young girl. Their relationship is one-sided. She basically does what he tells her to do while he continues to talk about her as if she were free. Their relationship starts with rape and mostly consists of sex and posing for his paintings. She dislikes the food he eats. When she returns home after eight days to her mother as custom dictates, she tries to stay there.

From Denmark, Gauguin’s daughter writes about him in her diary. She seems to be the only family member who misses him. When his painting of Teha’amana arrives, her mother shoves it into the attic instead of taking it to Paris to sell, and she goes up to commune with it.

Interleaved with these stories are Polynesian creation tales and other myths.

This novel is poetically written, but it was sometimes difficult to know which narrator was speaking. There were a few times, for example, when I thought I was reading a myth but it was actually part of Teha’amana’s story. Also, I was occasionally startled by Gauguin’s point of view of Teha’amana’s behavior that seemed radically different from how she was feeling. Teha’amana’s expression of her point of view is very different from a Western way of telling things, so I didn’t always feel I understood what was going on.

The book only briefly mentions other girls, but apparently Gauguin had three very young Polynesian “wives,” hopefully one after another rather than at once. I couldn’t tell. Much of the content within the mythology sections and in Teha’amana’s story are very sexual in nature, although not graphic.

I read this book for my Walter Scott project.

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Review 2495: The House of Doors

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In 1947 South Africa, shortly after her husband Robert’s death, Lesley Hamlyn receives a package that has come a long way, through circuitous routes, to find her. It has no note and does not say who sent it, but it is a book written by Somerset Maugham more than 20 years ago.

This gift returns her memories to 1921, when she and Robert lived on the island of Penang and were visited by Maugham. The point of view shifts to that of Maugham, who soon learns that his broker has gone under and lost all his money. Although he is dreading his wife’s reaction from England, he is more afraid that Gerald, his secretary and lover, will leave him if he is broke.

He and Lesley begin to get to know each other. Eventually, she tells him about her life 10 years before. On the same day that she heard her best friend, Ethel, had been arrested for murder, she also learned her husband was having an affair.

Tan skillfully weaves the story of Lesley’s relationship with Ethel and the trial with her experiences resulting from meeting Dr. Sun Yat Sen, who has been attempting the overthrow of the Manchu dynasty in China. Lesley begins helping his organization translate its brochure and eventually has an affair with a Chinese man. They meet in the House of Doors.

I was interested in all these stories and although I know very little about Maugham, I spotted the seeds of more than one of his stories in them. For example, Ethel’s story is very similar to that of The Letter, which I am familiar with because of the movie with Bette Davis.

As much as I enjoyed The Garden of Evening Mists, I think I liked this novel even more. Although I read it for my Walter Scott Prize project, I probably would have read it anyway.

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