Review 2700: World of Wonders

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World of Wonders is the third book of Robertson Davies’ Deptford Trilogy and the one I least got along with. All three books deal with the repercussions of a malicious act—a snowball with a rock in it that Boy Staunton threw at Dunstan Ramsay when they were boys.

To make any sense of the plot of this one, I have to recap the action of the first book, so if you are planning to read it, you might do better to just read my review of it, Fifth Business. Boy’s snowball hits, not its intended target because Ramsay ducks, but the pregnant wife of the vicar, Mrs. Dempster. Her son Paul is born prematurely, and Mrs. Dempster is not quite right thereafter. Paul disappears as a boy and reappears after years and years as Magnus Eisengrim, the world-famous magician. Fifth Business ends with Boy Staunton’s possible suicide/possible murder with the selfsame stone in his mouth just after Boy meets Magnus. Did Magnus somehow murder Boy?

In World of Wonders, Dunstan Ramsay, now an old man, is living with Magnus and his friend Liesl. Magnus is starring in a film about another magician, French illusionist Robert-Houdin, and three of the film makers are visiting. Magnus has published a largely imaginary biography through Dunstan and now he agrees to tell the true story of his life from the time he disappeared as a boy. It’s quite harrowing at first, because he was kidnapped by a small-time magician in the World of Wonders carnival, held captive, and repeatedly sodomized. That’s just the beginning of an unusual and varied life.

I thought the story of Magnus’s life was interesting, but after each segment, his friends sit around and philosophize about it, maybe the sort of discussion that is exciting and interesting when you’re engaged in it but frankly not very interesting to read, at least not to me. I thought we were leading up to some surprising exploration of Boy Stanton’s death, but that wasn’t exactly how it ended, or at least what was revealed was not surprising.

Of the three books, I really enjoyed Fifth Business. The Manticore, from the point of view of Boy’s son David, was less interesting because of its emphasis on Jungian therapy. And I found this book the least interesting. In fact, I kept putting it down and reading other things, which is not usual for me.

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#ReadingIrelandMonth26! Irish Writers Read in 2025

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Cathy of 746 Books is hosting the 12th year of Reading Ireland Month, and although I usually participate just a bit by reviewing a book or two by an Irish author, I thought I’d take her suggestion this time and make a post about books by Irish authors I’ve read or reviewed during the last year. So here goes, I think in order of the reading! These are all books read in 2025, so there’s some overlap with last year’s event.

Review 2699: The Art School Murders

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In Morosini’s floundering art school, the body of a model, Althea Greville, is found behind the dressing screen. She was apparently murdered just after the life class in which she modeled. Inspector Hugh Collier, brought into the case early on, finds that she had worked for the school the year before, causing some havoc in the hearts of men because of her attractiveness, even though not young. However, now she seemed a little desperate.

Leaving school the day of the murder are two first-year students, Betty and Cherry. Betty runs back to get her scarf and later teases Cherry about something she’s seen but won’t tell her. The next day, Betty skips school to go to the cinema and is found murdered in the balcony.

Finally, after Cherry tells Mr. Kent that Betty may have confided in Emma, her aunt’s servant, Emma is found badly injured. Collier ends up with five suspects, including Mr. Kent, Kent’s sulky nephew Arnold, and Morosini himself.

This book is entertaining and moves along quickly. It isn’t exactly fair to the readers, because there is almost no hint of the motive before the end. However, I still found it fun to read.

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WWW Wednesday!

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It’s the first Wednesday of the month, so it’s time for WWW Wednesday, an idea I borrowed from David Chazan, The Chocolate Lady, who borrowed it from someone else. For this feature, I report

  • What I am reading now
  • What I just finished reading
  • What I intend to read next

This is something you can participate in, too, if you want, by leaving comments about what you’ve been reading or plan to read.

What I am reading now

I write up and schedule my reviews about a month ahead, so I am already in April, but I realized I had a book on my nightstand that I got to read for Reading Ireland Month. So, I have started it now, and I’m going to squeeze it into March for the event. It’s The Land of Spices by Kate O’Brien.

What I just finished reading

I just finished another British Library Crime Classics book, Tea on Sunday by Lettice Cooper. The tricky thing about this mystery is that there are a bunch of suspects, all of whom came to the victim’s house for tea, but none of them have an alibi! How can the police sort that out?

What I will read next

A while back I got extravagant and ordered three Folio Society reprints of shabby paperbacks I have owned for years and read over and over. It’s Georgette Heyer! I haven’t picked which one to read, and they will all be re-reviews for me, but what the heck! It’s reading purely for fun. The three books are Arabella, Frederica, and Venetia.

Review 2698: Edenglassie

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I’ve been on the lookout lately for books written by indigenous authors, so when I saw this book reviewed, I was intrigued. It’s set in Brisbane, Australia, in two time periods: 1840-55 and 2024.

In 2024, Eddie Blanket, an elderly Aboriginal woman, falls and injures herself in front of the Maritime Museum. In the hospital, she is treated by Doctor Johnny Newman. When he meets Eddie’s granddaughter, Winona, a feisty activist, he falls instantly in love. But to Winona, he looks too white. Though he claims to have Aboriginal ancestors, to marry her he must establish that they’re not related and also break down her prejudices.

In 1840-55, a young Aboriginal man, Mulanyin, is growing up south of Brisbane and watching its changes, with the incoming of more and more whites, in dismay. He decides he wants to own a whale boat, so he goes to work for Tom Petrie, an unusual young man from a prominent white family who seems to have spent time learning about the Aboriginal culture and learning the language. At the home of Tom’s parents, Mulanyin meets Nita, a servant of Mrs. Petrie who was rescued from traffickers as a little girl by Tom’s father. He falls in love with her.

But the couple live in difficult times, in which the Aboriginal people can be killed with impunity and massacres of whose families take place.

Although I found the subject matter of this novel interesting, especially because I know little of Australian history, I didn’t really get involved with any of these characters. It also took a long time to link the two stories, although the linkage could be partially guessed at. There was frequent use of slang Australian or maybe Aboriginal expressions and words—no glossary—and sometimes the implications of the dialogue weren’t clear to me even if I understood what was said.

That being said, I was very interested in the beliefs and mindset of the people, and I found the ending touching.

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Review 2697: Literary Wives! Mrs. Bridge

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

We’re also welcoming a new member to our club, although she just joined, so she may not be reviewing today’s book. Our new member is Marianne of Let’s Read! You can see her bio on my Literary Wives page (link above).

My Review

For its time, Mrs. Bridge was an unusual novel, especially in its structure. It is narrated in short chunks or chapters, 117 of them and most no longer than a page. Most of them document seemingly trivial incidents, but all together, they create a detailed picture of the characters and their relationships. Nothing much seems to happen except the conduct of a certain kind of life.

Mrs. Bridge marries and moves to Kansas City. Her husband is determined to provide well for his family, and the result is that he is always working, hardly ever at home. He is successful. Soon, Mrs. Bridge is a society matron with three children, a woman very conventional and concerned with appearances and “proper” behavior, not one to face ugliness. She has servants and not much to do.

Two of her three children react against her overconcern with propriety and perhaps her lack of a sense of humor. She constantly picks on her son Doug for basically being a boy—being unconcerned with his appearance and not very worried about any of her corrections. Her oldest daughter, Ruth, just goes her own way.

Mrs. Bridge has occasionally had intentions to read more or learn Spanish or take painting lessons—improve herself—but aside from buying the tools, nothing much comes of this. Eventually she faces middle age and an empty nest and wonders what has happened to her life.

I grew up 20 to 30 years later than this novel, but I remember this same kind of life for suburban matrons, even with housework and children and no servants—the lack of mental stimulation and a feeling of lack of purpose. I found this novel sad but interesting.

What does this book say about wives or about the experience of being a wife?

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Most of the information about Mrs. Bridge’s marriage is implied, since we see so little of Mr. Bridge. He is definitely in charge of the family. Mrs. Bridge does everything he tells her to, including placing her vote. Yet she seems to feel that her role is to correct the children constantly over minor things—many of which would never bother Mr. Bridge. He often seems stern, yet he seems to have a better relationship with the children than she does, and we have indications that he cares about her, only his way to show it is to buy her things. A few times she shows a sexual longing that he doesn’t seem to return. Not much affection is shown, but I believe it is felt. Whether it’s stronger than that as time goes on is not clear. Basically, the two have defined roles and they keep to them without much questioning.

Really, you have to feel sorry for Mrs. Bridge, who seems to feel vaguely that she is leading a sterile life, but it’s what everyone else of that social stratum is doing, too.

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Review 2696: Murder in Constantinople

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If you want a historical novel that reflects careful research and knowledge of the period, this isn’t it. If you want a novel with a believable plot, this isn’t it. If you want an old-fashioned adventure story, this might be closer.

In 1854 London, Ben Canaan is a Jewish tailor’s son on his way to becoming a nogoodnik. He was a scholar who wanted an academic career, but his father took him out of school to work in the family shop. On the day we meet him, he takes some clothes he is supposed to be delivering, and he and his friends wear them to an elite ball, where he pretends to be a Duke’s son. But he is discovered by the Duke’s son, and in the resulting struggle, a gun he is carrying goes off. He becomes a wanted man.

Before that, though, he helped his father measure Lord Palmerston for a suit. In his pocket, he found a photograph with a familiar face—his lover, who he believed dead, in front of Hagia Sofia in Constantinople with a cryptic message beneath. Since he has to leave town anyway, he persuades the criminal kingpin he does errands for to send him to Constantinople. He departs on a military ship on its way to the Crimean War, serving as a common sailor.

I had immediate problems with historical accuracy when he sashays up to a beautiful girl at the ball and introduces himself under his assumed name, then asks her to dance and she does. At this time, she wouldn’t have spoken or danced with him without an introduction. And where, exactly, is he supposed to have carried on his affair with his lover? He’s a very young man, basically just jerked out of college.

I have to tell myself just to judge the novel on its own terms, as an adventure. In that respect, it certainly shows some flights of fancy with its brash, very young man managing to work his way into the upper echelons of society and get involved in political intrigue.

I was very interested to find that in 19th century Turkey, almost everyone speaks English, including Kurdish street urchins and women who live in the Sultan’s harem. (You can see I’m being facetious here.)

The dialogue is supposed to be witty, but I found it cumbersome.

Judged purely as an adventure story, I still found it a bit meh.

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Review 2695: Enter Sir John

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To be frank, I bought this book because on Amazon it looked like it was part of the British Library Crime Classics series, so I thought it was. It turned out to be bare-bones, print-on-demand—but actually quite a surprise.

The amateur sleuth is Sir John Saumarez, a famous actor-manager. But he doesn’t get actively involved until after the trial.

A second- or perhaps third-rate acting company is putting on a play in a town in Wales when Magda Druce, an actress and wife of the manager, is found dead, her head bashed in by a poker. With her and holding the poker is another actress, Martella Baring, who invited Magda for a late supper. She must have murdered Magda, but she seems confused and keeps asking what happened.

At her trial, both the prosecutor and the defense assume Martella did it, but the defense posits that she was in a fugue state. John Saumarez, who vaguely recognizes her name from an interview in which he encouraged her to get more experience, has attended the entire trial. He wonders what emptied the brandy flask, since Martell testifies that neither she nor Magda had any brandy. She is found guilty, but to Sir John, it doesn’t add up.

Sir John summons Novello Markham, the production’s stage manager, to his office, because Markham was one of the first on the scene. Soon, he, Markham, and Markham’s wife, Doucebell Dearing, are on their way back to Wales to investigate. Sir John thinks someone else may have come into the room from the back window. It seems clear that person must be one of two young men in the company—Ion Marion or Handele Fane.

I found this novel surprisingly good. It’s not extremely complicated, as many mysteries written in 1928 seem to be, yet it’s not easy to know who the killer is. The characters are interesting, and the authors seem to know quite a bit about the theatre.

It turns out that Clemence Dane was a successful novelist and screenwriter, an Oscar winner, whereas Helen Simpson won the James Tait Black Prize for fiction in 1932. The two wrote three mysteries, and this is the first. It was made into the movie Murder! by Alfred Hitchcock.

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Review 2694: #ReadIndies! The Spring Begins

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I didn’t think a press for a large library would be considered independent, but I guess it is, so I have another book that qualifies for Reading Independent Publishers Month.

The focus of The Spring Begins is unusual, especially for when it was published in 1934. It is about the awakening, the possibility of romance, for three women. But they are the women usually behind the scenes—a young housemaid, a young nursemaid, and a middle-aged day governess.

Lottie, the nursemaid, is 19 years old and straight out of an orphanage. She loves the two little girls she’s in charge of as well as their baby brother, but she is afraid of Nurse. She knows nothing of men, but Nurse has been horrifying her with stories about how nasty they are and what horrible things they do, so that she can barely bring herself to look at them. But there is a nice young man who works around the grounds named George.

Maggie, the kitchen maid and scrubber, has even less status in the house than Lottie. But she is a fierce, strong girl who hates Cook but is confident of her own attractions. She feels a strong pull toward Maxwell, the gardener, even though she knows he is not the marrying kind.

Hessie is the daughter of a deceased clergyman who helps out the vicar’s wife and acts as governess to her children. She is obsessed by her own gentility and her hopes for Mr. Saul, the curate. But she behaves artificially with him, and it’s clear that he’s not interested. Hessie finds herself adrift when she learns that her younger sister, Hilda, is engaged to her long-time boss. Hilda is fulfilling their mother’s only ambition, and Hessie notices how their mother begins to spoil Hilda and ignore Hessie. She is eaten up with a combination of jealousy and sadness that her relationship with Hilda will never be as close. Also, she is being disturbed by her own unruly thoughts about relations between men and women.

Of the three women, I liked Hessie least because she is constantly judging other people and thinking about her own behavior as a lady. I liked her better, though, after a crucial event toward the end of the novel.

I found this novel interesting, but sometimes my attention wandered from it. It is vividly written, though, and its characters are believable.

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Review 2693: #ReadIndies! Pocket Atlas of Remote Islands

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I didn’t plan for Reading Independent Publishers Month, but it seems I have at least one book that fits the challenge, this one!

Update: It turns out that Particular Books is an imprint of Penguin/Random House, so this book doesn’t qualify for #ReadIndies after all!

I have to say that it’s seldom I get so much enjoyment from a nonfiction book. I found this one original and really interesting.

Born in East Germany, Judith Schalansky explains that she got interested in maps because she thought she would never be able to travel. For our enjoyment, she has put together this atlas of some of the most remote islands in the world.

Starting with end papers showing the world map and each island’s location, she arranges the sections by ocean. For each island, the first two pages show its data—name, ownership, size, and number of residents. Then its distance is shown from three other locations to give a sense of how isolated it is. Then there is a timeline of a few events related to the island. On the opposite page is a topographical map.

On the next two pages is a story about the island. This may be anything from a description of how desolate it is to a description of a native custom, an ecological disaster, or some other event.

The edition is lovely, with its orange cover, its edges turquoise, the color used on the maps for water.

It’s not often that I find a book interesting enough to read passages out loud to my husband, but the poor guy had to listen to several from this book.

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