Tag: 19th century

Review 2288: Arabella

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Merry Christmas, everyone! Here’s a romp for Christmas Day.

The vicarage children are excited to learn whether their mother’s best friend will invite their sister Arabella for a season in London, in the hopes she can make an eligible match. The invitation arrives from Lady Bridlington, and then the worry is that the upright Reverend Tallant will not allow her to go.

Soon Arabella is on her way to London from Yorkshire. But the perch of her uncle’s old carriage breaks, and she sees nothing wrong with going to the nearest house for shelter. Unfortunately, it is the hunting box of Robert Beaumarais, a leading figure in society and a very wealthy man, who assumes she is one of many girls trying to make his acquaintance. When she hears him saying this to his friend Lord Fleetwood, she says she is the rich Arabella Tallant, who hoped to be unrecognized in London.

Beaumarais sees through this lie but maliciously lets the indiscreet Lord Fleetwood think he knows about her. He also decides to make her debut a sensation. Soon, Arabella is a success but doesn’t dare accept anyone’s proposal because she realizes that they all think she is rich, whereas she has no money at all.

Although she is in an awkward position, she is enjoying herself. But then her brother Bertram, who is supposed to be at Oxford, arrives and begins to get himself into financial difficulties. To make things worse, Arabella has begun to realize she cares for Beaumarais and is afraid to admit her deceit.

Arabella is an adorable heroine, and Beaumarais a likable hero, as he fondly watches her dig herself deeper into trouble, hoping she will confide in him. Heyer is at her best and funniest with these absurd plots.

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Review 2285: The Color of Lightning

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I have read several of Paulette Jiles’s books that are set in post-Civil War Texas and depict a countryside that’s dangerous and beautiful at the same time. Another characteristic of these books is that they feature brief appearances by the main characters of her other books. I believe that The Color of Lightning is the first of these books. Unlike the others, though, it is about a person who really existed.

Britt Johnson is a black freedman who travels with his wife and children along with his ex-master and a group of fellow Kentuckians to Texas to get away from the war in 1863. They all live in a small community called Elm Creek in Young County, Texas, at the edge of the area occupied by settlers. Although they are living in the traditional raiding lands of the Kiowa and the Comanche, the older residents of the settlement say they haven’t seen a native since they moved there.

Britt has been rounding up cattle, but his real ambition is to buy teams of horses and freight wagons so he can start a freight service for the area. While the men of the settlement are on a trip to Weatherford to get supplies, a force of 700 Kiowa and Comanche attack the white and black settlers of Young County. Britt’s oldest son Jim is killed and his wife Mary and children Cherry and Jube are captured. Elizabeth Fitzgerald’s daughter Susan is killed, and Elizabeth and her granddaughter Minnie are taken.

The United States government has removed its corrupt Indian agents from Indian Territory and for a few years makes an experiment of turning the various reservations over to the administration of religious organizations. Samuel Hammond is a Quaker who reluctantly agrees to take over the Kiowa-Comanche reservation. He hopes to manage the reservation without using force or violence, but he goes to work with no understanding of these native peoples, trying to contain them on the reservation when they have always been wanderers, stop the raiding (which he didn’t even know about when he took the job), and make the natives into farmers when they consider that women’s work.

In the meantime, Britt begins a long trip north to the winter territory of the Kiowa and Comanche to trade for his wife and children. He is given unexpected help from a young Comanche brave named Tissoyo whom he befriends on his trip. While he’s on his way, the story shifts to the lives of Mary, Cherry, and Jube in the Kiowa camp.

I think this novel did a really good job of representing the viewpoints of all of its characters—the settlers, the native people, the captives, and the Indian agency administrator. The novel is exciting at times and deeply interesting. Jiles is getting to be one of my favorite writers.

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Review 2278: The Romantic

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In the 19th century, Cashel Greville grows up in Ireland under the care of his aunt, who is governess to Sir Guy Stillwell’s family. But it’s clear to the reader, if not to Cashel, that all is not what it seems. Sure enough Cashel’s aunt moves them to Oxford, where they take up residence with Sir Guy under the name of Ross, and Cashel’s aunt Elspeth gives birth to twins, Hogan and Buckley. It is not until Cashel is 15 that Elspeth reveals she is his mother and Sir Guy his father.

Outraged, Cashel runs away from home and joins the army as a drummer boy. If you think I’m giving too much away, this all happens within the first 50 pages of this 450-page book, in which Cashel is on the field at Waterloo, hangs out with the Shelleys and Lord Byron, writes a best-selling novel but is cheated by his publisher and ends up in the Marshalsea, attempts to form a commune in Massachusetts, and so on. Oh yes, he also meets the love of his life in Ravenna, Italy, but she is married to a rich old man.

Cashel’s eventful and perhaps not altogether believable life (he claims to have discovered the source of the Nile before Speke and to have thwarted an antiquities smuggling scheme with the help of Sir Richard Burton) is supposedly documented by an autobiography and other papers that came into Boyd’s possession. With this claim, Boyd begins another of his “whole life” novels, maybe the most picaresque and least believable.

I usually like Boyd’s novels—in fact, some of them I have loved—but I had trouble connecting with this one. I’m not sure why, especially since it received uniformly positive reviews. It is fast moving despite its length. Maybe too fast. I didn’t feel like I got to know Cashel or really any of the characters. All of the women are ciphers, even Cashels’ great love. Boyd spends more pages on a sexual encounter with her than on Cashel’s marriage and its subsequent breakup.

Given Boyd’s plans for the adventures in this novel, maybe he needed to make it a lot longer.

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Review 2236: The Sun Walks Down

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In 1883 Australia, the Wallace girls are at a wedding and Mathew Wallace is out working. Only six-year-old Denny and his mother are home when she sends him out to gather fuel. A huge dust storm comes up, and instead of staying where he is, he goes in the direction he thinks is home. And he is lost.

The family doesn’t realize he is lost right away, but when they do, Mathew takes off in the direction Denny went, along with Billy, his Aboriginal farmhand. Soon, almost everyone in the area is searching for Denny.

This novel doesn’t have a strong plot. Instead, it follows a mixture of characters during the search. There is Cissy, Denny’s headstrong sister, who joins the search; Constable Robert Manning, newly married, and his wife Minna; Foster, Manning’s superior officer, who ignores his trackers’ advice and follows the wrong trail; Karl and Bess Rapp, two painters who are traveling in the Australian bush looking for subjects to paint; and so on.

This is a beautifully written novel that shows insight into human nature and powerfully describes the Australian landscape. I read it for my Walter Scott prize project.

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Review 2235: News of the Dead

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One of the things I like about my shortlist projects is that they bring me into contact with books and authors I probably wouldn’t encounter otherwise. Certainly, I would never have run into News of the Dead if not for my Walter Scott Historical Fiction Prize project.

News of the Dead tells the story of one remote, secluded place—fictional Glen Conach—over the ages, mostly through a set of documents. The oldest is a book written in the middle ages about a Christian hermit the locals call St. Conach even though he’s not recognized as such by any authority. The Book of Conach tells the stories of lessons and miracles performed by the man, who died around 770 AD.

Another narrative is set in 1809 from the diary of Charles Gibb. Gibb is an antiquarian who has wangled himself an invitation to Glen Conach House ostensibly to study and translate The Book of Conach. His real goal, however, is to sponge off the Milnes, the current owners of Glen Conach House, for the summer. He rather cynically observes Glen Conach and his lady and daughter as they do him, at first. But slowly the situation changes.

The third narrative begins slightly pre-Covid and mostly concerns an elderly woman named Maja and her eight-year-old neighbor, Lachie, who likes to visit her. When Covid sets in, she decides to write him a letter telling the story of a girl who came to the glen as a child after World War II.

I did not have much patience for the stories about St. Conach, although it was clever how Robertson used variations of the stories to show how they change. It also, frankly, doesn’t reveal much about daily life except for superstition and wildness.

The other two narratives were a lot more interesting. Gibbs’s began at a fairly cynical level yet what we learn after it stops is surprisingly touching. And Maja’s story had me on the edge of my seat.

There were times when I wondered where this novel was going, but ultimately I found it a lovely examination of refuge. I also want to point out that all three narratives sound like they were written by different people, which they should in good fiction, and which is too often not the case.

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Review 2233: News of the World

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Shortly after the Civil War, Captain Kidd, 72-year-old veteran of three wars, rides around Texas reading the news in small towns. He was previously the owner of a print shop in San Antonio, but during the war, the Confederate government forced him to invest in their government bonds, so he ended up bankrupt.

Most of Texas is very dangerous, prone to raids by Native warriors and lawless. He is in Wichita Falls when a freight driver he knows asks him to take a girl—who was captured by the Kiowa four years earlier and has now been returned under threat—to her relatives near San Antonio. The driver has found her hard to control and has no freight to take to San Antonio. The Captain reluctantly agrees.

The girl, kidnapped from German immigrants, is named Johanna and is going to her aunt and uncle. However, she remembers nothing of her previous existence and is wild about being taken from the Kiowa.

The Captain and Johanna come to understand each other on this dangerous, difficult journey of around 400 miles. They have to cope with floods and such dangers as an attack by three men who want Johanna for a prostitution ring.

I had already seen the excellent movie starring Tom Hanks, but News of the World is even more involving. I was interested to re-encounter Simon the Fiddler, who is the main character of Jiles’s most recent book. Having looked at some of her other books, I see that she has set several of them in the same area and time, with characters who make brief appearances in each other’s novels.

I just loved this book. Jiles has created two unforgettable characters, and the novel is ultimately powerful and heart-warming. Descriptions of the land are lyrical, from its harsh aridity to its lushness.

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Review 2223: A Double Life

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Published in 1848, A Double Life is the only novel written by the Russian poet Karolina Pavlova, who was well known in her time but forgotten by the time of her death. Almost more interesting to me than the novel was the biographical information about Pavlova, who was reviled as a Russian woman for daring to consider herself a poet. I read this novel for my Classics Club list.

Cecily is a young, innocent girl in the top levels of Russian society. Her mother, Vera Vladomirovna, has brought her up strictly to be submissive and ignorant of life. Vera Vladomirovna has noticed Prince Viktor’s interest in Cecily and hopes to marry her to him. But she doesn’t realize that her friend, Madame Volitskaia, intends him for her daughter Olga, Cecily’s best friend.

Upon hearing of the death of a man she never met, Cecily dreams about him that night. These dreams, related in poetry, end each chapter.

The prose narrative is full of satire against polite society, although Cecily doesn’t understand any of it. The poetry is more romantic and mystical, and I didn’t always get the point of it except the end result of it is to awaken Cecily to what life is really like.

The novel is very short, with a strong feminist message for the times. The dream sections are written with a romantic floridity that reminded me of the works of George Sand.

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Review 2211: Horse

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This novel tells the story of a famous racehorse and the people connected to him evoked through some objects—his own skeleton and three portraits of him. Although the main characters in the novel are fictional, many of the historical characters are not. The horse, Darnley, who is renamed Lexington, is still considered one of the best racehorses of all time, and many of his offspring have been champions.

In 2019 Theo is a Nigerian graduate student of art history at Georgetown. He plucks a painting out of the trash of his neighbor. It is of a horse, and he recognizes that it is well painted, so he decides to write an article about having it cleaned and valued.

Jess is the head of a lab at the Smithsonian that cleans and articulates animal skeletons for display and study. She has recently located the skeleton of the famous race horse Lexington for a scholar studying equine bone structure when Theo brings in his cleaned painting. Jess recognizes it immediately as one of Lexington painted by Thomas J. Scott, a 19th century horse painter.

In 1850, 13-year-old Jarrett is a slave working with horses for Dr. Warfield in Lexington, Kentucky. Jarrett’s father, Harry Lewis, is a well-known horse trainer who has bought his own freedom and is saving to buy Jarrett’s. Jarrett is with Alice Carneal when she gives birth to Darnley, the horse that will be renamed Lexington. After a promise from Warfield to give Darnley to Harry instead of his yearly wage, Jarrett develops a close relationship with the horse.

Thomas J. Scott is a young artist who specializes in painting horses and is hired by Warfield to paint some of his horses. While he is there, he paints a copy of his picture of Darnley and gives it to Jarrett. Later, he returns to paint an older Lexington.

These are the characters whose points of view are used to tell the story of Lexington. Brooks’s story is based on what is known of the real horse and characters with some inventions. It’s an interesting story with vivid descriptions of the races, of 19th century New Orleans, and of the racing industry of the time. It also has strong themes of the effects of slavery, racism, and cruelty to animals.

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Review 2170: The Road

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When I briefly researched to find out what the second book in John Ehle’s Mountain series was, I came up with The Road. However, the end of the novel indicates that one other book precedes it, and Goodreads lists it as #4, the last one. (Looking back, I see I found a site that recommended they be read in that order, with the last one second.) In any case, the novels don’t seem to be closely linked, only featuring the same families.

The Road begins 100 years after The Land Breakers, in 1876. Weatherby Wright, an engineer born and raised in the mountains, has been tasked with building a railroad from the eastern part of North Carolina up the mountains to the Swannanoa Gap. This railroad will help the mountain dwellers take their crops to market and make medical and other kinds of help available to them. However, no one knows if the effort can be successful.

Most of the novel focuses on Wright and the details of this difficult project. He is dependent mostly on convict labor and hires as the project accountant Hal Cumberland. Another plot is the romance between Cumberland and a mountain girl, Henry Anna Plover.

The novel is powerful at times but at other times reads like a series of anecdotes passed down in the family that don’t really link up into a coherent story. The character of Weatherby is not always involved because of health reasons.

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Review 2169: The House on Half Moon Street

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In Victorian London, Leo Stanhope is leading a difficult existence as a clerk for a hospital mortuary. His only extravagance is a weekly trip to the whorehouse, where he meets Maria, with whom he is madly in love. She is one of only a few people who knows his secret—that he was born a girl but has always believed he’s a boy. At 15, he left a comfortable home to live as a man.

One day the body of a murdered woman arrives at the mortuary. It is Maria, who did not turn up for the date they had for Saturday. Leo is soon brought in for questioning, but he is let go, and he becomes obsessed with trying to find Maria’s killer. He believes that her death may be related to that of another corpse brought in a few days before.

Of course, Leo finds that almost nothing Maria told him about herself was true, and that leads me to the first general discomfort I had with this novel even before Maria’s body turned up. That is, I really hate the trope of a young man being obsessed with a woman who is leading him on, especially one who exhibits stalker behaviors. If that wasn’t bad enough, Reeve puts Leo through so much physical and mental torment before he’s through that it made me very uncomfortable.

I think the mystery was complex and interesting, but Leo, who is self-obsessed and humorless, reminded me a lot of C. J. Sansom’s depressing hero, Matthew Shardlake. At one point, another character tries to point out that he is not only jeopardizing his own life but hers, but he thinks only of himself and continues to go on the same way.

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