Tag: British Library Women Writers

Review 2431: Forest Silver

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Forest Silver is a love story but not the kind you might expect. It is steeped in the love of the Lake District, particularly Grasmere.

It’s early in World War II, but Wing-Commander Richard Blunt has already been invalided out. He has received the Victorian Cross but been told his heart is not up to much. He has also broken off his engagement. Aware that the engagement news will be published soon, he jumps on a train to the Lake District to get away from everything.

Arriving in Grasmere, he finds it stuffed with evacuees as well as vacationers. He manages to get a room, but noting an island in the lake, he decides he’d like to live there and asks who owns it. He is directed to Bonfire Hall to speak to Miss de Bainriggs.

Much to his astonishment, he finds his prospective landlord is a tall teenaged girl who dresses like a boy. She agrees to lease him the island, which is occupied by a sort of barn called a hogg-house. However, there is some unpleasantness because a Gypsy woman named Jownie Wife has been living there and has to be evicted.

Corys de Bainriggs takes seriously her ownership of the estate and is determined not to sell an inch of it even though she is broke and a wealthy evacuee is offering large sums, foreseeing that the local hotels will be commandeered. However, Jownie Wife takes her revenge on Corys by burning down the house of one of her dependents, Old John. Old John refuses to live anywhere but his own home, and because she’s afraid he will die, she sells some lake acreage to Mr. Lovely so that she can rebuild Old John’s house.

Blunt befriends Corys and eventually understands himself to be in love with her. But Corys is much too young for such things. Things are made more complicated by the appearance on the scene of Gerald Lovely, a university student, and of Maimie Ozzard, Richard’s ex-fianceé, whose parents have been killed by a bomb and has no one to turn to.

The descriptions of the area are beautiful and the picture of wartime life in a place that has to adjust to so many new people is interesting and different than the wartime stories I have read. Ward is an evocative writer and storyteller.

I received this book from the publishers in exchange for a free and fair review.

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Review 2291: Stories for Winter and Nights by the Fire

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Here’s an appropriate book for the first day of the new year!

Stories for Winter is British Library Women Writers’ seasonal collection of 14 stories set in winter. They are arranged chronologically (sort of), starting with a story from 1902 by Edith Wharton and ending with one by Angela Carter for which a date is not given but may have been published in 1974. Most of them deal in some way with changes to society that affect women.

In “The Reckoning” (1902) by Edith Wharton, Mrs. Clement Westall has noticed a disturbing change in her husband’s behavior. He has begun lecturing on his radical views of marriage—views the couple agreed on when they married—when before he preferred not to discuss them. The problem is that Jula no longer thinks the same way—that if one of a couple finds they no longer are happy together, they should part.

In “My Fellow Travellers” (1906) by Mary Angela Dickens, Miss Lanyon tells a girl a story about why she believes in spiritual things. This story fits right into the Christmas tradition begun by Dickens’s grandfather, Charles.

In “The Woman Who Was So Tired” (1906) by Elizabeth Banks, “the little reporter” writes an article about a poor woman supporting a large family and then becomes embarrassed when it becomes very popular. Her boss thinks she made the situation up, but that’s not exactly what’s going on.

In “A Cup of Tea” (1923) by Katherine Mansfield, Rosemary Fell thinks she’s doing a charitable act by inviting a poor woman to tea. But she soon decides she’s made a mistake, highlighting the divide between rich and poor.

In “A Motor” (1922) by Elizabeth Bibesco, Eve spots her ex-lover’s car on the street and knows he is visiting his current lover.

In “Ann Lee’s” (1926) by Elizabeth Bowen, two women visit an expensive hat store only to have a slightly disreputable man insistently interrupt their shopping.

I couldn’t really get on the same wavelength with Elizabeth in “The Snowstorm” (1935) by Violet M. McDonald. A stranger talks her into a dubious adventure even though she has only met him once and found him irritating. I couldn’t really understand what he wanted to confide in her or why he wanted to handle it the way he did or why she even agreed to go, much less what happens afterward.

“November Four/Ffair Goeaf” (1937) by Kate Roberts follows a group of Welsh workers to town for the fair, and two women also try to buy a hat, with less success than the women in “Ann Lee’s.”

“My Life with R. H. Macy” (1941) shows a different side of New York than Wharton’s story—a satiric look at Shirley Jackson’s brief employment at Macys, where the workers are so degraded that they’re known by their employee numbers rather than their names.

“The Cold” (1945) by Sylvia Townsend Warner shows how different the staff who are ill are treated from the family.

As Simon Thomas points out in the Introduction, tea is very important to the British, and it is the offer of a cup of tea that begins an acquaintance in “The Prisoner” (1947) by Elizabeth Berridge. Miss Everton offers tea to a German prisoner of war, a young man who is part of a crew digging ditches near her house.

In “The Cut Finger” (1948) by Frances Bellerby, five-year-old Julia makes an upsetting discovery when she seeks help from her mother for her cut finger.

In “The Thames Spread Out” (1959) by Elizabeth Taylor, a mistress has an adventure that leads her to reconsider her relationship with her married lover while her house is flooded by the Thames.

Frankly, I had no idea what was going on with “The Smile of Winter” (1974?) by Angela Carter except someone is depressed.

Except really for one story, I very much enjoyed this collection. I received it from the publishers in exchange for a free and fair review.

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Review 2276: Classics Club Spin! The Tree of Heaven

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Although the Preface states that the tree of heaven in this novel is stripped of its false identity in the end and shows itself as merely an ash—to symbolize the stripping away of Victorian sentimentality to realism—I have to say that depicting men’s deaths in World War I as glorious isn’t a bit realistic. But never mind. The book was written in 1917, so it pretty much had to.

The novel begins in the late 19th century when Anthony and Frances Harrison are young parents and have recently bought their house. One of the things Frances loves about it is the tree of heaven, which Anthony, a timber importer, states is nothing but an ash tree. The couple have four children, Dorothy, Michael, Nicky, and John. Frances is obsessed with her children, really the boys, to the point where Anthony feels left out.

This novel is about daily life in pre-war England through the microcosm of one family. Early on, as early as the first day depicted in the novel, when Michael refuses to go to a children’s birthday party, he demonstrates a fear of what he later calls the Vortex, which seems to be giving up his individuality because of the pressure of others’ excitements. As they grow, the children encounter situations which show and determine their personalities. The family takes in Veronica, the daughter of Anthony’s brother Barty and Frances’s best friend, Vera. Although Barty is family, he has become unbearable, and Vera leaves him for her long-time friend Ferdie Cameron. But Barty refuses to give her a divorce. Nicky, by then a schoolboy, becomes close to the lonely little Veronica, and it is thinking of her situation as a young man that makes him decide to marry a woman who is pregnant by another man, not for the woman but for the sake of the child.

As a young woman, Dorothy becomes involved in the suffrage movement, but doesn’t approve of some of their tactics. She too eventually backs off from the movement because of fear of the Vortex, while Michael joins a group of avant garde poets who renounce all previous poetry.

All of this leads up to World War I and the effect it has on the family and its friends. It is an interesting and well-written novel that provides a look at an ordinary (although well-off) family in the first couple of decades of the 20th century.

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Review 2255: Introduction to Sally

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Ever since Sally Pinner was very young, her parents have tried to keep her isolated. That’s because, although she is obedient and good, she is the most beautiful creature anyone has ever seen. Crowds gather when she goes out, and Mr. Pinner views the extra profit he makes when she helps him in his small grocery store as dishonest.

After his wife dies, Mr. Pinner is at his wit’s end trying to protect her in London, so he swaps stores with a man who lives in the middle of nowhere. This plan seems to work very well at first, most of their neighbors being widows and spinsters, but Mr. Pinner gets a shock after Christmas. He lives only ten miles from Cambridge. Term has been out, but as soon as it starts, the village fills up with young men.

Jocelyn Luke, a young man with a promising future in the sciences, spots Sally and immediately loses his head. He decides to marry her, throw up his university career, and go work in London as a writer. When Mr. Pinner hears the word “marry,” he hastily agrees, because other men have wanted something from her, but it wasn’t marriage. Soon poor Sally finds herself married to a stranger, who quickly realizes that her accent and her way of expressing herself are not going to impress his mother. So, he begins trying to get her to say her h’s. Everyone she meets has plans for Sally, but no one bothers to ask her what she wants.

This novel is played mostly for laughs, but it has some serious messages about the treatment of women and people’s view of women. A Pygmalion-like story where the girl to be transformed has no aptitude for change turns that idea on its head. Chaos ensues.

I received this book from the publisher in exchange for a free and fair review.

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Review 2246: One Year’s Time

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Liza, a “bachelor girl” in 1930s London, has a job as a secretary in an office where she likes all the people and a basic flat that she’s fixing up. It’s January 2 and she’s painting the floor and feeling lonely when she gets a call from Walter, a young man she met at a party. She invites him over and they quickly become lovers.

Everything is smooth at first, and she quickly falls in love, but she is always trying to match his mood and to appease him. When he disappoints her, she thinks it is her fault for being disappointed. She madly wants to marry him, but he doesn’t ask.

In April, he decides to spend the summer in the country. He asks her to go, and with very little planning, she quits her job and gives up her flat.

Liza is the type of person who’s either very happy or in the depths of despair. She has high expectations for this trip, but we already know it won’t go as planned.

I hope girls have gained more self-confidence, but I’ve known girls like this who spent a lot of time waiting by the phone (which you presumably don’t have to do anymore, because you carry it with you), and even when I was young, quite a few decades after this book is set, I knew girls who were focused only on marriage. It was interesting but sometimes excruciating to observe what’s going on in Liza’s mind. When will she realize she always puts Walter first and so does he, charming as he may be?

This is an unusual novel for the 30s, showing how things have opened up a little for women sexually but not too much, as her fretting over her fake wedding ring shows. I felt both impatient with and sympathetic to Liza for most of the book.

I received this book from the publishers in exchange for a free and fair review.

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Review 2232: Sing Me Who You Are

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Harriet Cooper’s mother has died, and she is moving to a bus made into a caravan that she inherited from her aunt. She does not own the land it is on but is certain her cousin Magda won’t sell it.

Harriet is welcomed exuberantly by Magda’s husband Gregg and more reservedly by Magda, with whom she has a complex but caring relationship. As Harriet settles in, she and Gregg exchange memories of Scrubbs, a friend with whom she is still in love although he has been dead for years and preferred Magda, Harriet being younger and plain.

Although this novel was written in the 1960s, it still deals with issues from the war. Aside from Gregg and Scrubbs having been captives of the Japanese, the town council, which Magda is on, is dealing with issues of agriculture versus home development for a growing population.

I very much enjoyed this novel about a middle-aged woman trying to start a new life at the same time as trying to sort through old injuries. I found it interesting and touching.

I received this novel from the publishers in exchange for a free and fair review.

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Review 2191: Sally on the Rocks

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Sally Lunton has been living in Paris as it waits for a German invasion in 1915, and she is at her wit’s end. Her sketchy career as an artist has been finished by the war, and she is stone broke. She has changed from a blithe Bohemian to a woman nearly middle-aged (by the standards of 1915—she’s 29) who thinks her only hope is to marry someone well off.

Then Sally gets an apparently friendly letter from Miss Maggie Hopkins telling her that there is a new bachelor in her home town of Little Crampton, a bank manager, and he will soon be snapped up by a young widow with a daughter. Sally thinks Mr. Bingley will be horrible, but she goes home prepared to fight for him. She returns to the home of her guardian, the mild-mannered and affectionate Reverend Adam Lovelady.

Mr. Bingley turns out to be worse than Sally expected. He is plump and unattractive but full of himself for his lofty position in town. He is also religious and judgmental and is looking for a wife who is above reproach. He is guided by a book left by his deceased mother telling him what to look for in a wife—or rather what to avoid (hint—everyone).

Unfortunately, Sally has a skeleton in her closet. Six years ago, madly in love, she went off to Italy with Jimmy Thompkins. But after a summer in Italy, he left her. Sally has never really recovered, but it is vital that Mr. Bingley not learn of this escapade. Unfortunately, Jimmy is living in the village with his wife and two children, and he thinks Sally should not marry Mr. Bingley without telling him.

Another peril is Miss Maggie, who senses there is something between Jimmy and Sally and is determined to ferret it out.

Despite these complications, Sally’s appearance and pretenses of admiration are getting her ahead of her rival, Mrs. Dalton. However, soon there is another problem. Up on the moors, Sally meets Robert Kantyre, a disgraced former officer on the point of suicide. Sally is determined to save him from himself and from alcoholism.

This is a complex little book considering when it was written. Not only is it a satire of village life, but it makes some surprising observations about the differences in how men and women in the same circumstances are viewed and treated. Although Mr. Bingley is usually a figure of fun, he shows another side, even though his feelings for Sally fight with his yearning for his dinner at times. The only real villain is Miss Maggie, whose idea of fun is mischief making at the expense of others’ lives.

Except for tiring a little bit of Mr. Bingley’s internal battles, I found this novel very enjoyable and insightful.

I received this book from the publishers in exchange for a free and fair review.

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Review 2188: Which Way?

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Which Way? is an early speculative novel about how a small choice can affect the rest of your life. After a beginning section that introduces us to Claudia Heseltine and gets her to the age of 22, she is presented with a choice of invitations—two by letter and one by phone—for the same weekend. Then the rest of the novel is split into thirds depending upon the invitation she decides to accept.

Claudia is a popular girl with intellectual and cultural interests. She has a close friendship with Hugo Lester, and at the point where the decision comes in, she has promised to visit his family home, and it is clear that he plans to propose to her. So, selecting another of the invitations means breaking her promise.

I found interesting what Benson makes of Claudia’s three fates and how these reflect the times. In two stories she marries, although only in one does she marry Hugo. In one she has a romantic (as opposed to sexual) affair with a married man and in another a full-fledged affair with the same man. All of the stories involve some pain, but Claudia herself changes with the situations she is in, so that in the story where she is faithful to her husband she seems the most superficial and frivolous.

Although, interestingly, she ends up happiest in the story where she remains single, she thinks she has missed the most important things in life—which are, of course, marriage and motherhood. There’s no happy career girl in the novel, although Simon Thomas points out in the Afterword that at her marriage she is much more innocent than he would have expected for the 1920s. In both stories in which she is married, she spends her honeymoon crying after ignoring the vaguely ominous things her mother tries to tell her.

I thought this book was most interesting as a portrait of the times, for the choices that are available and how Claudia views them.

I received this book from the publisher in exchange for a free and fair review.

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Review 2182: The Love Child

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I guess I can say I’ve been theme reading lately with no plan to do so. By this I mean that I’ve been accidentally reading books with something unusual in common within weeks of each other. For example, I never read any books set in Sri Lanka (except one historical romance I read several years ago), yet within weeks I ended up reading two literary novels set there, one in the 80s and one more recently. Similarly, last summer I read two books set in Madagascar. Now, who would think that there were two books about an imaginary person who comes to life? Yet, a few weeks ago I reviewed Miss Hargreaves for the 1940 Club, and here is another novel on the same subject.

The Love Child is a different kettle of fish from Miss Hargreaves, though. The latter is an amusing romp, while the former looks more seriously at the fate of women in post-World War I England, where there was a surplus of them by nearly two million.

With the death of her mother, Agatha Bodenham (considered middle aged at 32) finds herself unexpectedly lonely. She and her mother have been very reserved and have not engaged in society, so she has no friends.

She remembers having an imaginary friend when she was a girl, a friend named Clarissa whom she romped with until her mother told her she was too old for such things. She begins by remembering the games she played with Clarissa, and eventually Clarissa reappears as an 11-year-old girl. Clarissa is a graceful, delicate girl, completely Agatha’s opposite. Agatha plays make-believe games with her and enjoys herself. But slowly Clarissa becomes visible to others.

When called upon to account for Clarissa’s existence, Agatha is confused and says she is her “love child.” No one believes this, but everyone assumes Clarissa is some relative.

Problems begin, though, when Clarissa starts to have a mind of her own.

This novel is quite a sad story, maybe, depending on how you understand the ending. It rests on then-current beliefs about how the lack of motherhood might affect women (it was published in 1927) and in the fate of unmarried women. I found it sometimes flagging for me but was interested to see how it ended.

I received this book from the publishers in exchange for a free and fair review.

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Review 2171: Stories for Christmas and the Festive Season

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Although May is an odd time to review a collection of Christmas stories, I didn’t receive a copy of this book until much after the season. This entertaining collection is ordered by when the story occurs during the festive season and includes works by women published during the 20th century. Some of the authors are well known and others are only remembered now for a specific work. The introduction by Simon Thomas discusses each story in turn and tells something interesting about it.

The first story, “The Turkey Season” by Alice Munro, provides insight into a side of the holidays we may not have considered, factory workers processing turkeys. As usual, Munro is a masterly storyteller.

Some of the stories are amusing, such as “This Year It Will Be Different” by Maeve Binchey, about a housewife who goes on strike during the holidays, or “Skating” by Cornelia Otis Skinner, about a woman’s attempt to learn ice-skating. Others start out amusing but have a deeper meaning, for example, “The Christmas Pageant” by Barbara Robinson, about what happens when “the worst children in the world” get involved in the pageant or “Christmas in a Bavarian Village,” which subtly foreshadows World War II.

I especially liked “The Little Christmas Tree” by Stella Gibbons, about how a solitary woman’s Christmas plans are changed with the arrival of some children and “The Christmas Present” by Richmal Crompton, about an unusual gift passed down in the family from mother to daughter. The book finishes with a sprightly monologue by a black maid in “On Leavin’ Notes” by Alice Childers.

I received this book from the publishers in exchange for a free and fair review.

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