Review 2166: In Place of Fear

It’s 1948 Edinburgh, and it’s Helen Downie’s first day in her job as almoner for the brand new National Health Service. Her bosses are young Dr. Strasser and Dr. Deuchar—previously the partner of Dr. Strasser’s father—who share a house and a practice. Although Dr. Deuchar is friendly and humorous, Dr. Strasser is abrupt and sometimes rude. However, Dr. Strasser unexpectedly gives Helen and her husband Sandy a place to live—a flat in a house that was used as a fever hospital during the war. That’s good, because just that morning Helen’s quarrelsome mother threw them out.

Helen completes her first busy day and is delighted with the upstairs flat, which is clean, bright, and has an inside bathroom. When she and Sandy are trying to pull together a few odds and ends to make the flat minimally habitable, Helen finds the body of a young woman out back in the Anderson shelter. She thinks the woman is Fiona Sinclair, the daughter of her benefactor, Mrs. Sinclair.

After she alerts the police, Dr. Deuchar says the woman died from poisoning herself. He and Helen go to notify Mrs. Sinclair, but Fiona is okay. Then Helen thinks the body might be her other daughter, Caroline. She and Dr. Deuchar try to find the misidentified body but are told it was sent to Glasgow because it was the body of a notorious Glasgow criminal. However, on a second visit to the morgue, Helen learns that the girl was hanged, not poisoned, and a famous criminal by the name she was given is unknown in Glasgow.

Persistent Helen begins to uncover widespread corruption involving leading citizens in the city. Something is going on very close to home.

It wasn’t clear to me whether this book marks the start to another series by McPherson, but it has hallmarks of it. Helen is a feisty and likable heroine, and although I thought she was blind to the identity of the killer, what was actually going on in the city was harder to figure out. If this is a series, I’m looking forward to seeing more of Helen.

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Review 1825: A Gingerbread House

Catriona McPherson, in her standalone novels anyway, is a master at creating creepy situations that eventually resolve into the making of warm communities. I guess that makes her the queen of gothic cozies. In A Gingerbread House, she’s hit it with another one.

Tash Dodd has discovered that her family’s transport business is involved in trafficking. She wants to take over the business and put things right, so instead of informing the police, she lodges her proof and presents her father with an ultimatum—retire or else. Then she goes into hiding to give him a week to think it over.

While she’s been away training to turn her business to greater good, she’s caught glimpses of some women just before their lives completely change. Someone is creating elaborate hoaxes to lure one lonely woman after another into a Victorian gingerbread-style house. The first is Ivy, an older woman who would like a friend but would settle for a cat. Instead, she meets Kate, who claims her twin sister looks just like Ivy. Please come to the house to meet her. Kate has a surprise in store for Ivy.

As usual, McPherson creates likable heroines—this time four of them—and there are friendly neighbors and a hint of a love interest. I enjoyed myself very much.

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Review 1798: The Mirror Dance

It looks like Alec, Dandy Gilver’s detecting partner, is settling down at last. Dandy doesn’t like Poppy, however, and perhaps is feeling a little jealous, so she goes along with her maid Grant to meet her new client, Sandy Bissett.

Miss Bissett has explained that a Punch and Judy show in Dundee has made puppets representing characters whose copyright is owned by her magazine company. The characters are Rosy Cheeke and Freckle. She wants them to cease and desist.

Before her appointment with Miss Bissett, Dandy and Grant go along to see the puppet show. During the show, the puppets stop moving, and after a wait, Dandy goes to see what the problem is. She finds the puppeteer, Albert Mackie, murdered in his booth. Dandy can’t figure out how anyone entered or left the booth without being seen.

Returning with Alec, Dandy finds the mystery becoming more bizarre, with the puppets found in their clients’ conference room, messages in lipstick and blood, and the discovery of a similar murder 50 years ago of a man with the same name. A brother of the murdered man also appears on the scene.

Usually McPherson’s Dandy Gilver mysteries are so full of red herrings that they’re confusing. This time I figured out the murderer, although nothing else, almost immediately. However, the series is still fun.

The Turning Tide

Dandy Gilver and a Spot of Toil and Trouble

Dandy Gilver and the Unpleasantness in the Ballroom

Review 1760: The Turning Tide

I’ve started to feel as though Catriona McPherson’s approach to a mystery is to throw clues at you until you’re impossibly confused. That’s probably why I prefer her cozy thrillers. Still, I like her characters Dandy Gilver and Alec Osborne, so I keep reading.

Dandy’s daughter-in-law has given birth to twins when Dandy and Alec finally decide to respond to a third letter asking for help. One reason they decide to come is they have just heard of the death of a family friend, Peter Haslett, that seems to be connected with the case. The Reverend Hogg has asked them to find out what is wrong with Vesper, the Cramond Ferry girl, who appears to have gone mad and now blames herself for Peter’s drowning.

When they arrive in Cramond, they are confused by a meeting with three people who seem to have different agendas, Reverend Hogg, Miss Speir, who runs an uncomfortable inn, and Miss Lumley, who owns a local pub. They also hear different versions of Peter’s death. Most say he fell off the ferry and drowned, but one person says he came off the path and had his head crushed in the mill race.

He supposedly was visiting some friends, agricultural students doing an experiment with potatoes, but when Dandy and Alex meet them, the students make nothing of the fact that they have planted the potatoes upside down. When Dandy and Alec meet Vesper, she certainly seems mad, half naked and babbling about Mercury and snakes. But soon, Vesper too is dead.

I think I defy anyone to figure out McPherson’s crime novels. Still, they’re fun to read.

Dandy Gilver and a Spot of Toil and Trouble

Dandy Gilver and the Unpleasantness in the Ballroom

The Reek of Red Herrings

Review 1630: Scot & Soda

I love Catriona McPherson’s creepy psychological thrillers mostly set in small Scottish villages, and I like her Dandy McGilver mysteries set in the early 20th century, but I wasn’t that enamored with the first of her Last Ditch mysteries, set in present-day Northern California. However, I thought I’d give the second one a try before giving up.

One of the jokes of this series is a Scottish woman as fish out of water. That woman is Lexie Campbell, a therapist. She and her friends from the Last Ditch Motel are on the houseboat she inherited in the last book having a Halloween party. When Lexie tries to haul up the beer she has been cooling in the water, up comes a corpse with a wig and tam on its head. Lexie also spots a ring on his finger.

Detective Mike Rankinson is not exactly Lexie’s friend, so after Lexie has a brain wave when she reads a newspaper story about a horse having its tail cut off, Mike isn’t very receptive. Lexie thinks the events remind her of the poem “Tam O’Shanter.” In pursuit of this idea, she and some friends visit a derelict farm that has a burial mound in it, and they find some women’s clothing with blood on it.

The hallmarks of this series are Lexie’s tiffs with the police, the plethora of eccentric friends, and the confusing myriad of clues. One of the things I like about McPherson’s other books is the atmosphere of small Scottish villages, with some eccentric characters but ones that are mostly believable. In this series, McPherson has tried to create the same atmosphere with the eccentric inhabitants of the Last Ditch Motel. First, there are so many of them that I can’t keep them straight. Second, this doesn’t really work in a big city setting, even in California. Finally, I find her making mistakes about the American side of things, having her characters say things Americans wouldn’t say, for example. I think I won’t be reading more of this series.

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Review 1487: Strangers at the Gate

It seems too good to be true when Paddy Lamb returns from a job interview to report that he’s been offered a partnership at a firm in Simmerton. When his wife, Finnie, raises questions about where she is going to work and how far the commute is, he comes back with an offer of a lease on a cottage belonging to the firm’s owner and the promise of a job for her as a deacon at Simmerton Parish Church.

As soon as they arrive, things begin falling apart. Finnie can see that her help isn’t really needed at the parish church. Then, Finnie and Paddy are invited by Tuft Dudgeon, the wife of Paddy’s new boss, for dinner on the night they move in. They have a pleasant evening, and the two are walking home when Finnie realizes she left her bag. Something has been spooking her all day, so when she returns to the house and can’t raise the Dudgeons, she goes back to the kitchen. There she finds Lovatt and Tuft Dudgeon in a pool of blood, apparent suicides.

She is about to call the police when Paddy stops her, because in his past he was involved in minor criminal activity. The couple decides to wait and let someone discover the bodies, thinking that will happen shortly. But when Paddy arrives at work, he finds that someone has sent a fax saying they have left on vacation to Brazil. The only problem is that the fax was sent after Finnie saw the bodies. As Finnie and Paddy try to get someone to discover the bodies, the lies begin to pile up.

My first impression of this situation was that it was a silly one for McPherson, who usually writes good modern-day cozy thrillers. It was hard for me to believe that Finnie would agree to lie. She is a deacon, albeit an unconventional one, and she seems to take this seriously although with a light touch. However, if you can buy into the situation, it’s a fairly wild ride to the conclusion.

I really love McPherson’s thrillers, because they combine a creepy plot with a community of likable characters often featuring life in a small Scottish village. This one follows that pattern while providing loads of atmosphere in this isolated, dark village.

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Review 1427: Dandy Gilver and a Spot of Toil and Trouble

Dandy Gilver receives a note from an old school friend, Minnie Bewer, asking for her assistance, but when she and her partner Alec Osborne arrive at Castle Bewer, what exactly the family wants is more difficult to ascertain. Whatever it is, it revolves around a missing necklace they call the Cutthroat and the disappearance 30 years ago of Bluey Bewer’s father, Richard.

Minnie Bewer wants Dandy and Alec to safeguard the castle while the Bewers put on a play. Bluey wants them to search for the Cutthroat and assure inland revenue that it is not in their possession before death taxes are assessed on his father’s 100th birthday. Ottoline Bewer, Bluey’s mother, wants them to find the necklace. To do that, Dandy reckons they must find Richard. There is a lot to do, and it must be done during the disturbance of rehearsing and performing the play Macbeth.

As usual with this series, there are lots of red herrings and a lot of confusion. That usually derails me, but this time I realized almost immediately the truth of one facet of the story, and I was right. Once I had figured it out, a lot became obvious.

Still, the Dandy Gilver mysteries are always fun cozies. The first one was set at the end of World War I, and this one in 1934, so it’s been a long-developing series.

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Review 1359: Go to My Grave

Cover for Go to My GraveDonna Weaver and her mother have invested everything in The Breakers, a large house on the Galloway coast that they have made available as either a self-catered or fully catered vacation rental. Donna is excitedly awaiting their first guests, an anniversary party of cousins and their spouses, while her mother attends a hospitality convention.

When the guests arrive, however, it becomes clear that they have all been there before. Twenty-five years ago, they attended a 16th birthday party for Sasha, the man whose wife, Kim, has planned this trip.

The reactions of the guests when they recognize the house make it clear that they do not relish memories of this party. Then, shortly after they arrive, things begin appearing in the house that hearken back to that occasion. What is happening in the house? Is one of the guests trying to gaslight the others?

Occasionally, we see flashbacks to 1991, when a 14-year-old local girl named Carmen is invited to the party. When she arrives, she brings along her 12-year-old sister.

This novel is truly riveting, although the answer to what is happening seems a little too contrived. Although McPherson is known for her “cozy” thrillers, this one is probably more accurately described as a modern gothic thriller. The ending to it is a bizarre mixture of cozy and chilling. I didn’t know quite what to think of it, but the best term I can come up with is “morally challenged.” We are presented with an ambiguous conclusion to tone down the ending, but I know very well what I think happened.

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Review 1317: Dandy Gilver and the Unpleasantness in the Ballroom

Cover for Dandy Gilver and the Unpleasantness in the BallroomDandy Gilver fears that her summons to a house named Balmoral in Glasgow may prove to be a humdrum affair, but she is mourning her dog, Bunty, and feels a need to get out. When she and her partner, Alec Osborne, arrive, their doubts about their customers are confirmed, for Sir Percival and Lady Stott are vulgar nouveau riche. However, they fear that their spoiled daughter, Theresa, or Tweetie, is in danger.

Tweetie is taking part in a ballroom-dancing competition. She has begun receiving veiled threats that someone wishes her harm. The Stotts have urged her to quit the competition, but she is determined to continue. So, Dandy and Alec repair to the Locarno Ballroom to investigate. It seems that only Tweetie’s partner, Roly; her cousin, Jeanne; the pianist, Miss Thwaite; or another couple, Bert and Beryl, could have access to leave some of the messages. But what Dandy and Alec can’t figure out is why everyone around the ballroom seems so terrified. Shortly, they discover that there was a similar incident the year before that resulted in a death.

Although I am gaining enthusiasm for McPherson’s contemporary thrillers, my taste for the Dandy Gilver mystery series is losing momentum. I like Dandy and Alec but feel that perhaps this series gets a little too mired in red herrings, if that makes any sense.

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Day 1295: Scot Free

Cover for Scot FreeI’ve read almost all Catriona McPherson’s books, which up to now have fallen into two categories—her historical mystery series set in post-World War I Scotland and England featuring Dandy Gilver and her stand-alone present-day cozy thrillers, set mostly in Scotland. Scot Free is the first in a new series, the Last Ditch mysteries, featuring Lexy Campbell and set in California.

Lexy is waiting to have her last meeting with clients before she returns to Scotland. Her marriage to an American dentist has turned out to be a big mistake. She is waiting at her office for the Bombaros, who hired her as a marriage counselor to help them keep their divorce amicable. After she helps them with divorce papers, she’ll be off.

But the police arrive to question her. Mr. Bombaro is dead, having been murdered with fireworks. Elderly Vi Bombaro is the chief suspect, and Lexie is suspected of being her accomplice.

Lexie can’t believe Vi is guilty, and she is even more sure of that when Vi’s niece Sparky shows up with her new husband and a couple of thuggish business associates, and they begin taking over Mr. Bombaro’s fireworks manufacturing business. So, she decides to investigate.

Lexie has her own problems, however. She is currently homeless, and her clothes are locked in her office, the pass for which has expired. So, she checks into the Last Ditch motel and into the realm of a collection of colorful characters.

Scot Free is a funny, enjoyable novel even though McPherson signaled a little too obviously the identity of the murderer. I am a little worried, though, about the change of locale. If McPherson decided to move to the United States to appeal more to American audiences, I have to say that much more appealing to me are her Scottish settings, especially the atmospheric ones of her thrillers. The Scottish fish out of water theme can be funny, but I can imagine it getting old quickly, along with the cast of eccentric characters at the Last Ditch. For one thing, Lexie makes a lot of generalizations about Americans based on the Californians she meets, and we all know that Californians aren’t that representative of average Americans. Also, she gets at least one thing wrong. The American cop catches her in a lie because she claims that someone says “I’ve got . . . ” instead of “I have . . .” I believe that most people I know are just as likely to say it one way as the other. I noticed a few other small problems as well.

These are not very big criticisms. I just hope that McPherson doesn’t drop her moody present-day stand-alones for this series, because they are my favorite.

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