Tag: dysfunctional families

Review 2654: #NovNov25! Why Did I Ever

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Technically, Why Did I Ever is a little longer than the page limit for Novellas in November at 210. But I found it in a list of recommended contemporary novellas and read it for this event.

Part of me doesn’t want to present a cogent plot synopsis for this book, because it isn’t presented cogently. Instead, the novella is written in fairly unconnected snippets, some of them titled but in a way that seems to have nothing to do with the snippets.

So, maybe not a synopsis, but here are some of the things that are going on. Melanie Money (we don’t learn either name for quite some time) hates her job as a Hollywood script doctor. She lives somewhere in the Deep South but occasionally flies to California for bizarre meetings about an inane script.

She has two grown children. Mev, her daughter, is methadone-dependent and has trouble keeping a job. Paulie, her son, is in New York under protective custody before testifying against a man who held him prisoner and viciously abused him.

In her home in a small Southern town, she has two very odd friends—the Deaf Lady, an old lady who is not deaf, and Hollis, a driving instructor who seems to spend most of his time in Money’s house.

Money has a boyfriend in New Orleans named Dix who calls a lot but from whom for a while she is keeping her address secret. She doesn’t regard him as very smart, but he seems to care for her.

Aside from the states of her various relationships, in which every character seems to respond to what is said with a non sequitur, the ongoing plot is about the state of the script and whether Melanie will be fired and about Paulie’s situation.

Melanie herself obsessively covers everything in her house (literally everything, even her books) with a coat of paint or alphabetizes everything, seems to drive aimlessly around the South, and worries about her missing cat and her kids.

It’s a very disjointed account, but it’s quite funny at times, especially about the movie industry.

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Review 2633: The Pink House

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Some of the best stories of my life begin with an orphaned child. Here is another one.

Norah is a crippled girl, probably from polio, but at seven she is loved and taken care of. Then her mother dies, and her father, who soon will be traveling to South America for business, gets Aunt Rose to take her home. Norah, who doesn’t even understand that her mother is dead, thinks she is going for a visit. And it’s clear right away that no one wants her at her aunt’s home in central New York State.

Aunt Rose is beautiful, but she is cold and aloof. Nevertheless, she makes people love her. She lives a life of barely hidden dislike with Uncle John, yet he loves her. The children are Paul, who tries to please Rose but never does; Mary Anne, who is so beautiful that Norah can’t help staring at her; Jed, who calls Norah “Toad”; and Dosie, who comes right out and tells Norah she doesn’t like her. The children make it clear they aren’t interested in her, and only Paul is kind but removed. Aunt Poll, John’s sister, is so direct that Norah at first hates her, but it is Poll who will help her become strong, independent, and brave. At first, though, she spends most of her time alone crying.

This is a story about how a lonely, neglected orphan slowly becomes an integral and valued member of the family. But it is also about a cold, selfish, beautiful woman who attracts love without effort and without deserving it and does her best to destroy that family. It is about self-determination and growth but also about family secrets.

I absolutely loved this novel and thank the brand new imprint, Quite Literally Books, for sending me the book in exchange for a free and fair review. The first thing I did after I finished this book was look for another one by Nelia Gardner White, a new name to me.

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Review 2630: So Far Gone

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Rhys Kinnick has been leading a relatively isolated life for seven years. Back then, he lost his job as a journalist, was dumped by his girlfriend, and at a Thanksgiving dinner at his daughter’s house, got into such a big dispute with his ultra-religious, conspiracy theorist son-in-law that Bethany said she never wanted to see him again. At that point, he decided the world had no more use for him, so he moved to his grandfather’s off-the-grid shack in Eastern Washington.

But now, he finds three people on his front porch. Anna Gaines, Bethany’s neighbor from Spokane, has brought him his grandchildren—14-year-old Leah and 7-year-old Asher. Apparently, Bethany left home for somewhere unspecified, leaving instructions with Anna that if her husband, Shane, left to try to find her, she should bring the kids to her father.

Given their rocky relationship, Rhys is surprised. He has only seen his daughter and her kids once since their falling out, during Covid, when Bethany came to visit for a few minutes.

Asher is worried about missing a chess tournament, so Rhys drives the kids into Spokane, where they find out they got the date wrong. But two big thugs appear, saying that Shane has asked them to pick up the kids and bring them back. Rhys has already learned that there is a plan in Shane’s religious group to betroth 14-year-old Leah to the pastor’s son, so he is reluctant to agree. When he tries to come along or get them to agree to call Shane, one of the men hits him in the head with a black jack.

Rhys is now determined to get the kids back, because Bethany entrusted them to him. His ex-girlfriend Lucy hooks him up with ex-cop turned P. I., Chuck Littlefield, who traces them to the Rampart, a religious compound in Northern Idaho. Rhys and Chuck set off to bring them back.

This description makes the novel sound like a thriller, but although it certainly is full of action, it’s really about Rhys trying to pull his life together and recognize his responsibilities to his family. It is also about the dangers of extremist thinking, which really strikes a chord within me these days.

I see that Walter has written quite a few more books than I have read. I need to catch up, because I always enjoy his books, and the three I’ve read have all been completely different from each other.

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Review 2542: The Scapegoat

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It’s been some years since I read du Maurier’s The Scapegoat, so when I saw it filled a hole in my A Century of Books project, I took it down from the case and placed it on my project pile. I find I remembered the plot fairly accurately.

John, an English lecturer in French history, is finishing his yearly vacation in France. This year, he feels dissatisfied with his life. He has no close connections and lives alone. He suddenly feels a lack of purpose in life and decides to drive to a monastery. But first he stops for the night in LeMans.

There, he bumps into a stranger who looks exactly like him. This man introduces himself as Jean and invites him for a drink and then to spend the night at his hotel. When John awakens, he is in the other man’s room with his things. The man is gone and so are all John’s own things, including his car. John finds a chauffeur has arrived to collect him in the new identity of Jean, Comte de Gué. He realizes that he has no proof of his own identity to convince the police, so he goes along.

At the Comte’s home, no one suspects a thing. He must guess who all these people are, but when he makes mistakes, he finds that no one expects him to behave nicely. His counterpart is apparently prone to cruel jokes.

John finds himself slowly becoming involved in the lives of the Comte’s family, who have secrets and problems from events during World War II. In addition, the family fortunes depend upon the Comte’s pregnant wife bearing a boy—or dying.

As usual with du Maurier, there aren’t very many unshadowed characters in this novel. It’s quite dark despite John’s intentions to do good for the family. The plot is interesting and involving, though.

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Review 2528: The Home

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Eleanor is moving. She’s doing this because after 26 years of marriage, her husband is leaving her. Their marriage had been an open one, which translated to her husband Graham being serially unfaithful while she had two affairs that ended in friendship because she loved Graham. The last few years have not been happy, but still it’s hard for her to accept that he has left her—without really talking about it—for a woman who is younger than her oldest daughter.

Now she is trying to make a home for children who, all but one, are adults living on their own. Nevertheless, they return in ones and groups to stay with her.

Eleanor struggles in this novel with the idea of what home is, with loneliness, with her desire to mother children who don’t really need it anymore, with desire and love for Graham, and with the need for someone to take care of her. The novel looks unflinchingly at the situation that many middle-aged women found themselves in beginning in the 1970’s, when divorce rates began to rise. For example, Graham (who in my opinion is an unrelenting jerk) supposes Eleanor can get a job when she has been trained for nothing and has no work experience for the last 26 years except being a wife and mother.

This is sometimes a rough read but always an insightful one. Mortimer has an unfailingly observant eye.

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Review 2523: The Bee Sting

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The Barnes family is having a difficult time. On the surface is a monetary issue because in the downturn no one is buying cars from the family dealership. But actually, each family member has been making poor choices.

The novel starts with Cass, the oldest child, who in the beginning is in the final year of school before starting university. She has long been best friends with Elaine, on whom she has a crush, but there are indications that Elaine is not as good a friend to her. Elaine gets interested in boys, and the two girls begin drinking at bars every night instead of studying for their leaving exams. Suddenly, Cass is sure she’s flunked her exams. If that’s not enough, she learns that her mother, Imelda, was engaged to her father’s brother and married her father soon after his brother was killed in an accident. The timing shows that her mother was pregnant for the wedding, so whose daughter is she?

The next section is about PJ, Cass’s preteen brother. He is disturbed because his parents seem to be always arguing since the business got into trouble, with his mother blaming his father. His friends have been dropping him, and a bully tells him his father ripped off his mother, so he owes him €163. PJ tries to collect the money while his attempts to talk about it to his family members are cut off by their preoccupations with their own problems.

Next is Imelda’s turn, in an unpunctuated section. Now that her husband, Dickie, is having financial problems, she begins to dwell on the past. Dickie’s brother Frank had been a golden boy—rich, handsome, good at sports, and charismatic—liked by everyone. But Imelda, although she comes from an impoverished, abusive background, didn’t love his money. She was madly in love with him. This section is more revealing about the circumstances that led to her wedding with Dickie. Now, she is furious, blaming Dickie’s poor salesmanship for their problems.

Finally, there is Dickie’s point of view. A family story that he went to Trinity only to be hit by a car on the first day and return home turns out to be completely fictitious. He had been a serious scholar and was happy in his university life. But then he was called home by his brother’s death. Now after acting the upstanding citizen for nearly 20 years, he begins to make some serious missteps.

Each section reveals more about the family secrets and the problems ensuing from this misguided marriage. This doesn’t necessarily sound like gripping material, but it really is. I was fascinated immediately. And the last 50 or so pages are unexpectedly suspenseful. Finally, the ending blew my mind. Not everyone will like it, but to me it is a great book.

I read this for my Booker Prize project.

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Review 2456: The Wren, The Wren

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Just a quick note before my review: I’ll be posting during the next three weeks from various locations in the U. S., and Europe. So, my reviews may come out at funny times or may even be sporadic. I hope not.

The Wren, The Wren is the story of three generations of an Irish family and how they are affected by the desertion of a father.

The first section of the novel is narrated by Nell, the granddaughter of the Irish poet, Phil McDaragh. At first, her section is delightful—exuberant, funny, it made me laugh out loud. But then she unfortunately falls in love with Felim, neglectful and abusive.

The next section is from the point of view of Carmel, Nell’s mother and Phil’s daughter. She has a close relationship with Nell until Nell’s teen years, but she is haunted by memories of her father, who deserted his family while Carmel’s mother Terry was ill with cancer. It is Carmel’s memory that the last thing he did before he left was throw a tantrum about a missing wristwatch, which Carmel later spots on his wrist during a TV interview.

We briefly see a few things from Phil’s point of view, mostly about his own childhood, and chapters are separated by his poetry or by old songs translated from Celtic. There is a lot of bird imagery in all the sections. The McDaraghs are conscious of birds.

This is a powerful novel about lasting damage from a harmful act and the time it can take to heal. It is often funny, with a dry humor, and just as often sad.

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Review 2445: Illyrian Spring

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This is a lovely book. In some ways, it compares to Elizabeth Von Armin’s The Enchanted April, but I think it is deeper and more thoughtful.

Grace Kilmichael has left her family. Although she is a famous painter, her husband Walter treats her art like a little hobby. He has always teased her about being stupid, but lately there seems to be an edge. He constantly makes admiring remarks about a female coworker and spends a lot of time with her.

Grace’s children are grown and don’t seem to need her, and she has lately had a poor relationship with her daughter Linnet, who no longer confides in her and acts impatient with her.

Accepting a contract for some drawings on her travels, she leaves without telling anyone where she’s going. She simply writes Walter a letter offering him the opportunity to leave her for Rose.

Lady Kilmichael has avoided meeting any of her friends in Europe, because she wants no one to know where she is. However, she runs into her friend Lady Roseneath in Venice. Lady Roseneath is traveling with her nephew, and when he appears, Grace realizes that she met him the day before on Torcello, where they had a conversation about architecture and he helped her correct a drawing of mathematical design that she plans to send to her archeologist son.

His name is Nicholas Humphries and he’s a little older than her sons. On an expedition the next day, he confides that he wants to be an artist but because he made the decision late and he wanted to be an architect as a child, his father is determined he will study architecture. The situation is made worse because his sister decided to be an artist before him, although she has little talent, and his father won’t stand for two artists in the family. When Grace sees his work, she realizes he needs to develop but has talent. So, eventually she agrees to help him learn.

She has told Lady Roseneath she is going to Greece because she doesn’t want her family to find her, but actually she goes to Spalato (Split) on the coast of Croatia, and the boy comes with her. Grace feels that he is giving her insights into her relationship with Linnet, and Nicholas, who was sulky when she met him, begins to be more happy.

As well as containing gorgeous descriptions of the towns and countryside of 1935 Croatia, the novel thoughtfully explores the relationship between the two protagonists. It describes Grace’s own personal growth and her insights into her relationships with her family members. It’s a lovely novel about personal development.

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Review 2434: Family Ties

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The Monsoon family was once better off but now not so much. The family consists of Charles Monsoon, now an old man, and his younger wife, who seems to be always referred to as Mrs. Monsoon. They have two grown sons, George, who is a solicitor but prefers to work on a book about butterflies, and Stephen, who is a market gardener. Both sons live at home with their wives. Stephen’s is Vivienne, who helps Mrs. Monsoon keep the house, and George’s is Amy, who, now that her two boys are away at school, does nothing at all.

At first, the novel introduces so many characters that I kept confusing them. There are the Rockabys, whose daughter Lavinia is engaged to Mr. Swan, the doctor’s son, who has come to the village to handle his father’s estate. There are also the Tyces. Mrs. Tyce has become eccentric, so her son Rupert has been summoned to take care of some problems. Then there is the vicar and various other characters. However, the novel eventually settles down to being mostly about the Monsoons, particularly Amy.

Amy is finding herself dissatisfied, not wanting to be thought of as only a wife and mother. She wants some other identity but doesn’t really do anything about it except mope. The time period is not specified, but later it is clear that it’s 20 years or so before the time the novel was written in 1952, so there probably isn’t much she could do, and Mr. Monsoon and the other characters keep making remarks about a woman’s place. Then she meets Rupert Tyce, who is surprised to find her reading Baudelaire in French. Rupert fancies himself a cultured man about town, so they begin spending time together.

George and Amy drift apart, and eventually the question becomes whether the marriage will survive.

This isn’t a serious novel, though. The characters are eccentric, and most of them do very little. A lot of attention goes to a stinking ditch and the excess of pigeons on the property. Mr. Monsoon does less and less, and when he hands the household affairs to his sons, they are shocked at how he has mismanaged them. Mrs. Monsoon is unappreciated and keeps taking to her bed. It’s all fairly silly in an entertaining way.

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Review 2428: The Green Road

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The Madigan family centers its activities around Rosaleen, the mother. At the beginning of the novel, she takes to her bed, assuming the horizontal, after she learns her favorite son Dan is planning to become a priest. The family has to run itself around her until youngest daughter Hanna, the narrator of this chapter, returns from a visit to her brother with information that gets Rosaleen out of bed and on the attack.

In that chapter we learn of the tangled history of the village. The Considines, Rosalee’s family, always looked down on the Madigans, Rosaleen mocks other families for their pretentions, but it’s true that she married below her, and the Madigans have never made very much money. But Rosaleen doesn’t care about money. She would like her husband to fix a few things around the house, but he generally doesn’t.

The next chapter picks up eleven years later in 1991 New York City. This chapter is narrated by Greg Savalas, a gay man deeply in love with a man named Billy. Dan Madigan comes on the scene, and although he is not out, he begins an affair with Billy. This is the time when men are dying of AIDS, and Billy is suddenly stricken. Dan is not helpful.

Eleven years later we encounter oldest son Emmett, who is an aid worker in Mali. This chapter details his insufficiencies in his relationship with his girlfriend Alice.

The Madigans all seem to reserve themselves from deep attachments. The second half of the novel is set in 2005, when they all gather together for Christmas for the first time in years because Rosaleen decides to sell the house. It’s clear that everything is still revolving around her. We get more insight into Constance, the oldest daughter, who has her own family but is the only one left in the area to meet Rosaleen’s demands. Finally, there is Hanna, an actress who is not coping well with motherhood.

I always feel that Enright’s characters are absolutely believable and her families fraught with realistic complications. Her descriptions, too, of the Western Ireland scenery are gorgeous.

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