Review 2329: The Warrielaw Jewel

I have read a few novels by Winifred Peck, so I was intrigued to learn she had also written some mysteries.

Betty Morrison is the newly married wife of an Edinburgh lawyer, John. She accompanies her husband on a call to the Warrielaws, an old family whose members are constantly feuding. The most recent dispute concerns the fairy jewel, a chunk of amber said to be given to an ancestor by a fairy and subsequently encrusted in jewels. Jessica Warrielaw, the old lady who was left the estate, hadn’t spent a penny on its upkeep but instead has been selling off treasures and giving the money to her nephew Noel. Shis is planning on selling the fairy jewel.

Jessica’s sister Mary as well as the other potential legatees are horrified by this. Mary, who lives with Jessica in shabby rooms divided in half by physical markers, wants the jewel to stay in the family as does niece Cora. Niece Rhoda, on the other hand, would like money to start over in America. She is horribly managing and makes the life of weaker Aunt Mary miserable. Other potential heirs are Neil, of course, and Rhoda’s much younger sister Alison.

First, there is an odd incident at the house that seems like a break-in except nothing is missing. Then Jessica leaves for London, presumably to sell the jewel—and isn’t heard from again. John, as trustee of the estate, finally hires Bob Stuart, an ex-police detective and friend, to find Jessica.

Weeks later Jessica is found dead, not in London but in the estate’s dilapidated stables. The jewel is nowhere to be found. Was Jessica murdered? How did she get back home when Betty herself saw her on the train to London?

As is often the case with mystery novels of the period (1933), this novel is more concerned with the puzzle than characterization. However, several characters do have strong personalities. The plot is rather slow moving, and once or twice just when things were getting exciting, Peck drove me crazy by inserting a several-page description. However, I liked Betty and though the novel was entertaining.

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Review 2200: Near Neighbours

The last book I read before this one was This Mournable Body, and after reading that, I felt in need of something light. So I skipped through my queue until I found this book, and it answered the purpose very well.

Unlike the other Clavering works I’ve read, which were set in small towns or villages in the Scottish borderlands, Near Neighbours is set in Edinburgh, in a once-exclusive neighborhood where stately homes are being split up into flats. The two surviving single-family homes are next to each other.

In one, elderly Miss Dorothea Balfour has been dominated all her life, first by her father and then by her older sister. But now her sister is dead, and Miss Balfour has just begun to realize that her life is her own. Still, she is lonely, as her sister considered them to be socially above their neighbors. However, she has always been interested in the activities next door, where the Lenox family, a widow with five grown or nearly grow children, live.

Young Rowan Lenox notices Miss Balfour at the window one day and decides to call on her to offer condolences. She finds the house gloomy but gets along with Miss Balfour well and invites her to tea. Everyone likes her and soon there are friendly visits back and forth.

The three oldest Lenox girls have a romantic concern. Willow is married, but because her husband is in the navy and is often away, she still lives at home. Her mother wishes they would get their own place, and Rowan is disturbed to notice Willow spending a lot of time with Mickey Grant while Archie is away.

Hazel Lenox is a level-headed nurse who is surprised to learn that the hospital heartthrob, Adam Ferrier, approves of her. He even asks her out a few times but then informs her he needs to concentrate on his career as a surgeon. Hazel hadn’t realized until then that she cares for him.

Rowan’s new Highland Dance partner is a brooding Byronic type but the best dancer in the class, Angus Todd. He is sensitive about his lack of background, being adopted, but shows an alarming tendency to be possessive of her, while she thinks of him as a friend.

Miss Balfour is surprised to receive a call from a strange man, who turns out to be the brother-in-law her sister split from six months after she married him. Mr. Milner seems not quite reputable, and Charles Frasier, Miss Balfour’s solicitor, is alarmed because the sister left her entire estate in such a way that Mr. Milner could lay claim to all of it. Through Miss Balfour, Charles meets the Lenoxes and is struck by Rowan.

The novel is a pleasant story about nice people with few real surprises, but the characters are interesting and you want to know what happens to them.

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Review 2195: Catriona

I was unaware until recently that there is a sequel to Robert Louis Stevenson’s Kidnapped, but there is, Catriona, and it begins right where the previous novel left off. (Note that apparently this novel is sometimes called David Balfour.) David Balfour has been confirmed in his estate and is ready to learn to be a gentleman, but first, he has some old business to take care of. He must arrange a ship to take his friend Alan Breck Stewart to France, and he must appear as a witness in the Appin murder case, for which he himself is wanted, to free James More, who is innocent.

The problem with this second plan, he finds when he visits the Lord Advocate’s office in Edinburgh, is that no one wants James More, who may not be guilty of Appin’s murder but is guilty of a lot else, to go free. David’s challenges are further complicated when, in the approach to the Lord Advocate’s house, he meets Catriona Macgregor, James More’s daughter, and falls instantly in love with her.

Conscientious David will not agree to any of the compromises proposed by the various lawyers as alternatives to his testimony, so David finds himself kidnapped again in an attempt to prevent him from testifying. So begins another set of adventures for our hero as well as for the innocent but feisty Catriona.

Kidnapped has long been my favorite Stevenson adventure but I liked Catriona very much.

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Review 2166: In Place of Fear

It’s 1948 Edinburgh, and it’s Helen Downie’s first day in her job as almoner for the brand new National Health Service. Her bosses are young Dr. Strasser and Dr. Deuchar—previously the partner of Dr. Strasser’s father—who share a house and a practice. Although Dr. Deuchar is friendly and humorous, Dr. Strasser is abrupt and sometimes rude. However, Dr. Strasser unexpectedly gives Helen and her husband Sandy a place to live—a flat in a house that was used as a fever hospital during the war. That’s good, because just that morning Helen’s quarrelsome mother threw them out.

Helen completes her first busy day and is delighted with the upstairs flat, which is clean, bright, and has an inside bathroom. When she and Sandy are trying to pull together a few odds and ends to make the flat minimally habitable, Helen finds the body of a young woman out back in the Anderson shelter. She thinks the woman is Fiona Sinclair, the daughter of her benefactor, Mrs. Sinclair.

After she alerts the police, Dr. Deuchar says the woman died from poisoning herself. He and Helen go to notify Mrs. Sinclair, but Fiona is okay. Then Helen thinks the body might be her other daughter, Caroline. She and Dr. Deuchar try to find the misidentified body but are told it was sent to Glasgow because it was the body of a notorious Glasgow criminal. However, on a second visit to the morgue, Helen learns that the girl was hanged, not poisoned, and a famous criminal by the name she was given is unknown in Glasgow.

Persistent Helen begins to uncover widespread corruption involving leading citizens in the city. Something is going on very close to home.

It wasn’t clear to me whether this book marks the start to another series by McPherson, but it has hallmarks of it. Helen is a feisty and likable heroine, and although I thought she was blind to the identity of the killer, what was actually going on in the city was harder to figure out. If this is a series, I’m looking forward to seeing more of Helen.

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Review 1878: Edinburgh

Fee is a 12-year-old mixed race boy (Korean-American) who feels out of place in his home in small-town Maine. Not only does he not look like his peers, but he likes boys. He is deeply in love with Peter, his best friend.

When Fee joins an elite boys’ choir, he thinks he recognizes in the choir director, Big Eric, a person like himself. But he soon realizes that Big Eric is a predator, who systematically abuses the soloists and keeps them from telling by threatening to cut them from the choir.

Fee conflates his homosexuality with Big Eric’s abuse and is so ashamed that he tells no one even when Peter is given a solo part. Eventually, Big Eric approaches the wrong boy, and the truth comes out. But this also has disastrous consequences for his victims, two of whom commit suicide.

Moving forward in life, Fee continues to be haunted by these events during his teen years and early adulthood. He is finally managing a happier adulthood as a swimming teacher in his home town with a loving partner when he meets a young student who reminds him of Peter and is involved in the early events in a way neither of them understand.

I had mixed feelings about this novel, which I won from Adam of Roof Beam Reader. It is beautifully written and incorporates lore from the Korean side of his character’s background. But it also feels removed from its characters, which is probably necessary as it feels at least somewhat autobiographical. There are some times when the lyrical language doesn’t seem to mean anything and is written more for its sound and images. But mostly, I am disappointed in the ending of the book.

Read no further if you want to avoid spoilers. I don’t usually include them, but I felt I had to in order to express my opinion of the book. It seemed to me that his succumbing to the boy, even though it was mutual and the boy was much older than he had been, is still a predatory act because of the teacher-student relationship. Also, I could not believe that he could teach a student without knowing his last name. There are rosters, reports to be filled out. That was just unbelievable.

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Review 1860: Luckenbooth

I just loved Jenni Fagan’s other books, so I was expecting a lot from Luckenbooth. Unfortunately, it didn’t quite deliver.

The devil’s daughter launches herself off the island where she was born, using her own coffin for a boat. She arrives at a tenement in Edinburgh to take on the function her father has sold her for, to be the surrogate mother for Mr. Uldam’s child with his fiancée Elise.

This is the first of nine story threads that proceed up the nine floors of 10 Luckenbooth Close, a building of secrets and horrors. The novel has a specific structure. It is split into thirds, with each third featuring the tales of residents on three floors of the building, and each thread advancing a decade in time, beginning in 1910. On the second floor, a transgender woman attends a transgressive party in 1928. On the third floor, a black Southern American works in the bone library of a veterinary school in 1939, and so on. The building hides some horrors that are finally revealed in 1999, when Dot, who is squatting in the derelict building, rips out the walls of the lower floors. But these secrets are no big surprise.

The stories are written in modern vernacular, which I suppose is a stylistic choice, but found it grating, especially for Levi’s letters to his brother. He’s the black American from Louisiana, and besides not sounding 1939ish, he doesn’t sound American, he doesn’t sound black, and he definitely doesn’t sound Southern. In fact, the more I think about it, I feel this choice to use modern vernacular indicates a general attitude of laziness. As an example, Levi chooses to explain things to his brother that his brother would know—like the building being called tenement, as if the U. S. hasn’t had tenements for hundreds of years. In fact, Levi is unbelievably naïve for a black man from the American South. The rich get everything while the poor get nothing? What a surprise!

Another example is that for a gothic novel that is supposed to convey the dark history of Edinburgh, there is an amazing lack of a sense of place (except for in the building) until 1999. Does this suggest that the author thus evaded any research into the appearance of Edinburgh in the past?

I can go on about this, but I just want to bring up a few more things. One is the polemic passages in the novel. There are long passages of ranting about such subjects as the treatment of the poor or women. I would have thought these ideas could have been worked in differently.

Next, I don’t know anything about William S. Burroughs, for example, whether he believed what Fagan has him say. All I know is, after the first few paragraphs when he started talking, I started flipping pages.

Finally, there is a gangster standoff in 1977 where what is said is so unlikely that I could barely stand it. It seems like it might have been a juvenile idea of a “cool” scene.

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Review 1408: Love Is Blind

Although generally speaking, I love William Boyd, I should have known better than to read a book named Love Is Blind. Even from the title, I could tell it was about a man who falls in love with a woman who is trouble, a plot that I hate. Although men love to write books upon this subject, most of the women incarcerated in the United States are there because of a man. Of course, it happens for both sexes, but a man enthralled by a lethal siren is the least of it and, for me, not interesting.

In 1894 Edinburgh, Brody Moncur is a piano tuner of significant skills. He is offered a position of assistant manager in his company’s Paris office which he takes, determined to get away from his controlling father.

In a promotional effort, Brody makes a deal with John Kilbarron, a famous pianist, to play only his company’s pianos. Soon, he has fallen in love with Lika, Kilbarron’s mistress, who is an opera singer. They begin an affair, and his life becomes a series of efforts to win her away safely from Kilbarron.

Disturbingly, we get very little sense of what Lika is like as a person. She serves pretty much as Boyd’s MacGuffin. The novel just focuses on Brody’s obsession and its consequences. It’s obvious that Lika has her secrets, and to me, it was even obvious what the major one was.

As well written as it is, I simply didn’t enjoy the theme of this book. As with Boyd’s other recent books, it takes in a sweep of history and visits many places while it meanders to its denouement.

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Day 519: Northanger Abbey

Cover for Northanger AbbeyNorthanger Abbey seems to be the Austen novel people like least. Perhaps this is because Catherine Morland is an ordinary girl, naive and not overly bright, so the opportunity for witty conversation is lost. But Austen has some fun with the fad for Gothic novels at the time. One of young Catherine’s misadventures results from her dreaming up a lurid past for her new friends’ family, her imagination influenced by her choice of reading. Austen also creates some broadly comic characters in the greedy and crass Isabella and John Thorpe.

When I learned that Val McDermid was attempting an update, I was intrigued, because McDermid is better known for her chilling thrillers. She places her updated version of the novel in Edinburgh during the festival. This could have been an inspired choice if she had made more use of the setting.

Cat Morland is attending the festival as the guest of her neighbors, the wealthy Allens. She meets Bella Thorpe, who befriends her because she likes Cat’s brother James (although this is not of course obvious to Cat). Bella’s brother John in turn begins pursuing Cat. Cat, though, is already interested in Henry Tilney, son of General Tilney, the owner of Northanger Abbey.

Much of the plot of Austen’s original book rides on the Thorpes’ assumption that Catherine is the Allens’ heir. McDermid implies a similar motive for their friendliness.

McDermid has not changed the plot of Austen’s novel in any major respect, except for the reason why General Tilney throws Cat out of the house in the middle of the night. In that instance, she chooses to pursue a theme that has been cropping up a lot in her later fiction, and the choice is unfortunate. She has set us up to expect something else, and the motive she chooses doesn’t fit in well with anything that has already happened. It is clear that General Tilney is unusually friendly with Cat because he thinks she is wealthy, so to alter the reason for this dramatic scene at the last moment throws us off.

Although the novel seems promising at first, with some witty observations about the festival attendees, we soon fall into the banalities of conversation and texts between vapid young women. Cat just loves vampire fiction and actually believes vampires might exist. You can see where this might lead in terms of the original novel, if McDermid had given it a bit of a twist. I am sick of vampire fiction, but I was almost hoping one would appear in the darkness of an Edinburgh street.

http://www.netgalley.comCat and the Tilney siblings are likable, but Cat doesn’t capture my sympathy as much in her current guise. Again, I’ll stick with Austen.

Just as a side note, those wily internet marketers must have noticed my searches for Northanger Abbey, because I got an email about the Complete Northanger Horrid Novel Collection. This collection includes all of the gothic novels referred to in Austen’s novel. All mine on my iPad for a mere $.99! Well, why not? I’ll be reporting back later.