Review 1540: The Uninhabited House

Miss Blake is an eccentric figure whose arrival is looked forward to by the clerks in Mr. Craven’s office, including Harry Patterson, the narrator. She only arrives when the tenants have unexpectedly left her niece’s house, which is all too often. For the house has a reputation.

Miss Blake and her ward Helena have been a charge on poor, kind-hearted Mr. Craven since the death of Robert Elmsdale, Helena’s father. Thought to be wealthy, he was found to be in considerable debt when he died. Now, the house in which he died is supposedly haunted. Mr. Craven doesn’t believe in ghosts and supposes someone is trying to keep the house from being occupied.

After a disastrous lawsuit resulting from the early vacancy of the house by a tenant, Miss Blake declares she will pay £50 to anyone who can solve the mystery of the house. Although Miss Blake has never paid any of Mr. Craven’s bills, Mr. Craven is so desperate to relinquish Miss Blake’s account that he vows to pay the money to anyone who can solve the mystery.

Patterson finds himself in need of money, because he has fallen in love with Helena Elmsdale. So, he volunteers to stay in the house and try to discover its secrets.

This is a joyful little novel despite its theme. Patterson tells the story with plenty of gentle, good-natured humor, and his affection for Mr. Craven is very clear. The mystery is perhaps not too confounding, but the book itself is a pleasure to read, with eccentric characters and lots of atmosphere. Is it a ghost story as well as a mystery? I’ll never tell.

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Review 1537: The Moth Catcher

The body of a young man is discovered beside the road in a remote valley near Kimmerston. He was house sitting for Major and Mrs. Carswell while they are in Australia. When the investigative team goes to the attic apartment where he was staying, they find the body of a middle-aged man in a suit.

The house sitter was a researcher named Patrick Randle, but Vera Stanhope’s team is unable for some time to figure out the identity of the second man or the order in which the two were killed. When they finally identify the second man as Martin Benton, the IT person for a local charity, they have a hard time figuring out what the two have in common. They eventually identify an interest in moths.

In this valley, the only residents are the owners of three barn conversions nearby. Yet, the six people who live there, three sets of retirees, claim not to know either Randle or Benton.

Cleeves always presents real puzzles, and this one’s a doozy. Although the clues are there, I couldn’t figure this one out at all. There’s a slight cheat, in that information discovered 50 pages from the end isn’t divulged until the end, but frankly, even if it was, I’m not sure I’d make the connection. A good mystery, as usual.

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Review 1535: The House at Sea’s End

Forensic archaeologist Ruth Galloway is called in by DCI Harry Nelson when a group of archaeologists studying a Norfolk cliff find a collapsed cleft containing bones. There are six bodies, their hands bound. Ruth thinks they are recent, within the last hundred years, and all men.

Ruth’s university determines that the men were German, and Harry’s team begins concentrating on a time during World War II when the Home Guard of the village, Broughton Sea’s End, was preparing for a German invasion. The Home Guard men were led by Buster Hastings, father of the current owner of Sea’s End House, near where the body was found.

In the meantime, Ruth is struggling with the balance between her work, at the university and for the police, and her baby daughter, Kate. She is also concerned because Michelle, Harry’s wife, has been trying to befriend her, unaware that Kate is the result of a harrowing night during Ruth’s first case with Harry.

Aside from one ridiculously easy clue, I found this mystery much harder to guess than the first two. I continue to be interested in the characters and the setting, although it looks like we may be in for major melodrama in the next book. I like the concept of this series, which is inspired by the profession of Griffith’s husband.

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Review 1533: The Mystery of the Peacock’s Eye

A mysterious man dances with Sheila Delancy at the Hunt Ball, the same night the Crown Prince of Clorania is rumored to be there. Some months later, a young woman is murdered in a dentist’s chair in Seabourne, and Detective Bannister is called away from his vacation to take charge.

A few weeks before, Anthony Bathurst is requested by the Crown Prince of Clorania to look into a case. Someone is attempting to blackmail him over an affair with a young woman. Soon, Bathurst begins to suspect that the two cases are related.

While I enjoyed the first book in this series, I thought this one was a bit of a cheat. That’s because only one piece of information links the killer to the case, and we don’t get to hear that conversation. The plot has a clever concept, but there’s no way a reader could guess the solution.

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Review 1532: Tidelands

For years, I read Philippa Gregory’s books faithfully, but at some point I decided that she was just cranking them out, so I stopped. I felt that less attention was going to such things as fully realized setting and well-rounded characters.

Recently, however, I noticed that she was doing something different with Tidelands, so I thought I’d give her another try. This book is set in the 17th century and features a heroine living in poverty.

Alinor is a wise woman—a healer and a midwife who does not deal in magic and charms and is very concerned, as she has to be, about her reputation. It is in jeopardy, because her husband has disappeared, and if he has deserted her, she will be considered a loose woman. So, on Midsummer’s Eve at midnight, she goes to the church believing she will see the ghost of her husband if he is dead.

She does not see her husband but a total stranger. He is a young man, a gentleman in difficulty, who introduces himself as James Summer but is a Catholic priest in a time when Catholicism has been banned in England. He is traveling and was supposed to find refuge with Sir William Peachey, but Sir William is not home. Although she is Protestant, Alinor is not much concerned with religion, so she gives him refuge overnight in her shed and leads him through the marshes in the morning to consult with Sir William’s steward.

As a result of her actions, Sir William gives her son a place as his son’s companion. This is a step up for him, and she is grateful. James Summer masquerades as a tutor for Sir William’s son, but he is really there to help free King Charles, in prison on the Isle of Wight.

Unlikely enough, I thought, James and Alinor fall in love. James begins to lose faith in his religion and his king as events progress. But he is a priest, and Alinor is married, and on the Isle of Wight, he encounter’s Alinor’s husband, who does not intend to return.

For a long time I found the situation unconvincing and considered dropping the book. The ending, however, was surprising and affecting, so I’ve changed my mind. I’m willing to try the second book of this series.

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Review 1529: The Second Sleep

There are some authors whose books I’ll buy immediately, and Robert Harris is one of them. This means that I haven’t always read what the book is about, and I seldom read the jacket to remind myself before I begin reading, even if I did when I bought the book. Generally speaking, Harris writes excellent historical novels. So, I was reading along, thinking I was in the 15th century, when I suddenly realized I was reading a dystopian novel set far in the future.

After a cataclysmic event, the world has gone through another dark age, and England has emerged into a pre-industrial-age society ruled by the church with a culture that is superstitious and suspicious. Christopher Fairfax is a young priest who has been dispatched by the bishop of Exeter to a small village, Addison St. George, to see that the recently deceased local priest, Father Lacy, is buried.

Upon his arrival, he notices right away that Father Lacy was a heretic, for he finds a library and a collection devoted to the past, before the Apocalypse. Such studies are considered blasphemous, yet the father has a cache of such objects as plastic straws, Barbie dolls, and iPhones.

Fairfax also begins to fear that Father Lacy’s death may have been different than an accidental slip from a feared local structure called the Devil’s Chair. When he investigates, he finds a huge mass grave where Father Lacy had been digging, but it looks like Father Lacy was chased up the slope, which then collapsed.

This is an atmospheric novel, but I didn’t enjoy it as much as I have Harris’s previous novels. For one thing, the idea of the world going into a familiar religious-based Dark Age after a cataclysm isn’t exactly original. For another, the ending is quite abrupt, and I’m not sure how I’m supposed to interpret what Fairfax and the others ultimately find. It’s disturbing, yes, but what does Harris mean by it? I was also confused about something unexplained concerning the title. Harris includes a quote at the beginning of the book that tells us that Western Europeans used to sleep twice each night, waking and returning to sleep after midnight. During his first night in the village, Fairvax awakens to realize that the villagers have all gotten up and gone out, despite an apparent nationwide curfew. All along I was expecting some weird explanation for this. Instead, Fairfax himself is incurious about it, and what the villagers are doing is never explained. Yet there’s the book’s title, which I assume does not refer to this event but to the second dark age.

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Review 1528: The Janus Stone

In the second Ruth Galloway mystery, Ruth is called to a dig at a site of a mansion being converted to luxury flats, because bones are discovered under a doorway. The bones are a child’s, and Ruth is inclined to believe that the grave is more recent than otherwise.

DCI Harry Nelson begins looking at the building’s past as a children’s home. During that time, a teenage boy and his five-year-old sister disappeared. But the teeth put the death a little earlier, when the original family resided there.

This case hits Ruth a little more personally because she is pregnant. The child is Harry’s, the result of an emotional night during the last case, but Harry is married. Then someone begins leaving unpleasant surprises for Ruth.

Like with the first book, I easily guessed who the culprit was, in fact, almost as soon as the character appeared. It is hard for me to tell whether this would be obvious to most readers. I am interested in the characters, though, so I enjoyed the novel and look forward to reading more of the series.

I do want to say something about my Quercus paperback edition, which was not impressive. About halfway through the book, I came across a sticker that was printed over by the text of the book. Later, a half page cut zigzag fell out of the book. When I turned to that page, I found that half of the text was on the zigzag page and half was on the page fastened into the book, which was whole, leaving a zigzagged half-blank page. If the loose half page had fallen out of the book before I got it, I would not have been able to read that page.

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Review 1522: A Single Thread

Violet Speedwell’s fiancé was killed during the First World War, and twenty years later she’s one of the many single women in Winchester. Even though there are so many, they haven’t gained any respect, it seems. Violet has managed to free herself from her difficult mother by arranging a work transfer from Southampton to Winchester, but so far she hasn’t made much of a life for herself.

When she stumbles upon a private ceremony in Winchester Cathedral, she gets interested in the work of the broderers, a group of women who embroider kneelers and seat cushions for the cathedral. She joins the group and soon has made friends with an office worker because of it. Although Violet is at first hyper aware of other people’s attitudes, through her new friendships she begins to become more accepting and take more risks.

I was reasonably interested in Violet’s journey, but this novel seemed unfocused to me. For example, although people are inconsistent, Violet’s extreme awareness of what other people think does not seem to mesh well with a woman who occasionally goes out to pick up men for sex. This characteristic seems much too modern for the woman Violet was at the beginning of the book, although the affair at the end is more plausible. Also, as to the two preoccupations of the novel, embroidery and bell ringing, it was as though Chevalier couldn’t decide which to write about. She did a better job at bell ringing than did Dorothy Sayers in The Nine Tailors, which I found incomprehensible (not the mystery, just the information about the bells), but I think that perhaps two focuses is one too many.

Maybe to Chevalier the cathedral said cushions and bells to her, but she wasn’t really writing about the cathedral. In any case, I’m trying to poorly express that I found this novel mildly interesting but also unsatisfying.

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Review 1520: I’ll Never Be Young Again

Richard is a young man who has always felt his famous poet father disdained him. He is about to throw himself into the Thames when he is stopped by an older man named Jake. With Jake, he sets out as a common seaman on a Norwegian barque.

Richard is a very changeable, touchy, and selfish young man, but Jake says he will be all right, he’s just young. The pair go off traveling among the fjords and see Stockholm, with Richard changing how he feels about their experiences almost minute by minute. Ultimately, an accident sends Richard on alone to Paris, where he begins writing and meets a girl, Hesta.

I thought I had read just about everything by du Maurier, but I hadn’t come across this novel before. It is her second, and it certainly shows immaturity. Although du Maurier is good at description, this novel depends upon it too much, so that it is slow moving. In addition, the dialogue is quite crude. Du Maurier believed she had a male side that eventually led to an ability to write effectively from a male point of view, but I don’t think she’s quite there yet. She overdoes it.

Finally, Richard is so self-centered that its hard to find any sympathy for him, which made it difficult for me to finish the book. When he meets Hesta, for example, she is an independent young woman studying music. He manages to strip everything away from her so that she is totally dependent upon him. Then he takes her for granted.

So, I didn’t really enjoy this novel, although the ending lessened my dislike of it. I have to say, though, that Richard as a character is all too believable.

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Review 1517: House of Glass

Clara is born with bones so fragile that as she grows, they can snap for the slightest reason. Her mother and stepfather keep her inside a home filled with padded corners until she is an adult. When they judge that she is finally able to come out, she is slightly misshapen through injuries that didn’t heal well.

Shaken after her mother’s death, Clara finds comfort in visiting Kew Gardens and learning about the plants. Her voracious curiosity tends her to spend a lot of time talking to the foreman of the glasshouse. Eventually, he offers her a job. A wealthy man wants to establish his own glasshouse to rival that of Kew. Will she take a job overseeing the planting and establishment of this garden?

Clara decides to take the job at Shadowbrook, where she is received by the housekeeper, Mrs. Bale. The owner of the house, Mr. Fox, is often away on business, and even when he is home he doesn’t like to be disturbed in his rooms on the upper floor.

Clara finds there are rumors in the village about the house and its former occupants, the Pettigrews. Mrs. Bale seems to be under some strain, and she eventually reports that the house is haunted by Vivenne Pettigrew. Clara doesn’t believe in ghosts and begins trying to learn about the Pettigrews. Those who are willing to talk about Vivienne seem to be describing a different person than she imagines from the few words spoken by those who knew her.

Ever since Fletcher’s marvelous Corrag, I have been waiting for her to write something as good. This novel comes very close. It starts out as a ghost story but goes much farther, exploring women’s role in pre-World War I society. It is atmospheric and wonderfully written, with an assertive and appealing heroine. I recommend it highly.

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