Tag: England

Day 893: Classics Club Spin! A Wreath of Roses

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wreath-of-rosesToday is another Classics Club Spin, and the book that was chosen for me from my Classics Club list is A Wreath of Roses by Elizabeth Taylor. Compared to the other two books I’ve read by Elizabeth Taylor, this novel seems less blighted in its setting. It takes place in a countryside that is lushly described. But before we get there, a shocking event occurs in the railway station that foreshadows the atmosphere and events to come.

Camilla is on her way for her annual holiday, which she has spent for years with her closest friend Liz and Liz’s former governess, Frances. Frances has become a famous painter, and they stay with her in her home. But this year things are different. First, Camilla has met a man, Richard Elton, on the train. Although she ordinarily wouldn’t have even spoken to him, categorizing him as a certain type, the incident at the train station has shocked them both. Then, Liz has brought along her baby Henry. Liz’s marriage to Arthur, whom Camilla dislikes, has created distance between the two women, and Camilla isn’t interested in the baby. Finally, Frances is looking like an old woman. She has difficulty painting, and has radically changed her style.

But the focus of the novel is on Camilla’s relationship with Richard Elton. When we see him on his own, we realize he is a liar who has difficulty telling his own lies from the truth. He may also be dangerous. He has told Camilla stories about violent activities during the war, but they seem unlikely. And he keeps reading in the paper about the murder of a woman.

Camilla is both repelled by and attracted to Richard. At first, she agrees to see him only to irritate Liz, but then she begins to feel sorry for him. Also, she sees herself drawing ever closer to a sort of dried-up spinsterhood, while Liz is positively blooming in her fecundity.

Although some of Taylor’s other novels are depressing in their realism, A Wreath of Roses is much darker. It juxtaposes the heat and lushness of its country setting with Camilla’s feelings of sterility and the themes of murder and suicide. The novel is disturbing yet compelling.

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Day 890: Charlotte and Emily

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Cover for Charlotte and EmilyI have read two of Jude Morgan’s literary biographical novels but never felt I was really seeing the true character of the subjects. However, with Charlotte and Emily, Morgan seems to have found his subject.

Charlotte and Emily covers most of the Brontës’ lives, from the time they were children until Charlotte marries Arthur Bell Nicholls. By that time, all the other Brontë siblings have died.

Charlotte is the main character of the novel, although it is occasionally told from the point of view of Anne. Emily remains distant from the reader, harder to know.

Much of the novel is concerned with the focus of the entire family on the future of brilliant Branwell, the only son. The girls are sent for schooling so that they can be teachers and earn money to help educate Branwell. Although Charlotte wonders if she can become a writer and even tries sending poetry to Southey, the poet laureate, she is discouraged by both Southey and her father.

Of course, Branwell never finds a vocation and instead becomes a wastrel. Charlotte and Anne work doggedly as teachers, although they hate it. Emily gets herself sent home both from school and work.

I have read biographies of the Brontës, but this novel is the first I’ve read that gave me a sense of what their lives may have been like. I found it completely absorbing. If you are a Brontë lover, this is a book for you.

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Day 889: An Inquiry into Love and Death

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Cover for An Inquiry into Love and DeathFor light reading with a supernatural twist, I’m developing an affection for the novels of Simone St. James. Her romantic suspense novels are set in post-World War I England and feature spunky heroines who get embroiled in mystery, always with a supernatural element.

Jillian Leigh is an Oxford student in one of the few colleges for women. She is summoned away from her studies with news that her Uncle Toby has died. Her parents expect her to take care of his affairs, saying that her father is unable to leave his work in Paris.

Jillian hasn’t actually seen her uncle since her parents broke with him when she was 14, for reasons she does not know. The one thing she knows about him is embarrassing, that he worked as a ghost hunter. Other than that, she remembers him as a shy, quiet person who was kind to her.

She is appalled, however, to find she is expected to identify his body. He was staying in the seaside village of Rothewell, thought to be haunted by the ghost of a smuggler, when early one morning he fell off a cliff.

Jillian stays in the house where Toby lived, an isolated cottage nearest the activities of the purported ghost. Almost immediately, odd things begin happening. She finds things in odd places, a book in  the stove, for example. At night she hears what she thinks is a tree scratching her window, but in the daytime she sees there is no tree anywhere near it. Then Scotland Yard Inspector Drew Merriken arrives and tells her that Toby may have been murdered.

After reading a few of St. James’s novels, I have no doubt there will be a romance with the inspector, but her combination of ghost story and mystery is truly suspenseful. I found this to be another enjoyable romantic suspense novel.

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Day 883: Salmon Fishing in the Yemen

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Cover for Salmon Fishing in the YemenI enjoyed the movie Salmon Fishing in the Yemen, a light romantic comedy, so I picked up the novel. Although most of the same elements are there, the novel is a bit darker and more satirical, the emphasis on government idiocy.

Dr. Alfred Jones is a scientist for the National Centre for Fisheries Excellence. He loves his work but is taken aback when he receives a letter about assisting with a project to establish salmon in the Yemen, to be sponsored by a wealthy sheik. Fred thinks the idea is scientifically absurd and ignores it.

But government officials in the prime minister’s office get wind of the project and see it as a possible source of good publicity about the relationship between the U.K. and the Middle East. The outcome is that Fred is ordered to follow through on the project.

Fred is pleasantly surprised at the apparent competence of the project manager, Harriet Chetwode-Talbot, but it is when he meets the sheik that he begins to have an interest in the project. The sheik is a devoted fisherman who has an outlandish but possibly feasible plan for his project.

Fred’s marriage isn’t going smoothly. His no-nonsense wife Mary has accepted a temporary posting to Geneva without consulting him. She is far better paid than he is and is dismissive in her attitudes toward his career, even when a political shift toward the project gets him fired and he is taken on by Harriet’s company at a lot higher salary.

Harriet also has some personal problems. Her fiancé Robert has been posted somewhere in the Middle East, and she is no longer receiving his letters. Nor can she get any information about him from the Marines.

This novel is epistolary, told completely in emails, Fred’s diary entries, letters, transcripts of interviews, and newspaper articles. It is occasionally funny, almost ridiculously satirical, and a little bit sweet. However, if you are hoping for the movie ending, you will be disappointed, because in the movies, the boy always has to get the girl, especially if he’s played by Ewan McGregor. In fiction, things can be more complicated.

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Day 882: Rebecca

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logo for the 1938 clubBest Book of the Week!
Since Rebecca is a book that qualifies for The 1938 Club and is also on my Classics Club list, I thought this was a good time to reread it. I must say that during this reread, I noticed things I’d never noticed before.

Some years after the time of the novel’s action, the narrator recollects the events at Manderley from a life of exile. As a young, naive woman working as a companion for the vulgar Mrs. Van Hopper, the narrator meets the older, sophisticated Maxim de Winter one spring on the Riviera. When Mrs. Van Hopper becomes ill, the narrator spends some time each day with him, driving through the countryside. Mrs. Van Hopper recovers and decides abruptly to return to the States. When the narrator tells Maxim, he proposes.

Cover for RebeccaThe narrator, whose first name we never learn, is an immature girl who is prone to imagining what people are saying about her or what may happen, usually in exaggerated terms. The wedding is not the romantic event that she imagined, but she goes along with whatever Maxim suggests.

Finally, they come home to Maxim’s family home of Manderley, and that’s where the novel really gets going. For the narrator is already haunted by the thought of Rebecca, Maxim’s first wife. Rebecca was beautiful, assured, accomplished—everything the narrator believes she is not. Everyone assures her that Maxim adored Rebecca and was shattered when she died in a sailing accident. Everyone tells her she isn’t at all like Rebecca. The decor of the house reflects Rebecca’s taste, her name is scrawled inside books, her monogrammed handkerchiefs are in the pockets of coats, and the servants tell her, when she timidly makes a request, “Mrs. de Winter used this vase,” or “Mrs. de Winter sat in this room in the morning.”

Further, there is the terrifying Mrs. Danvers, the housekeeper, from whom the new Mrs. de Winter senses actual hostility. Mrs. Danvers was devoted to Rebecca and resents a new wife taking her place, especially one so much Rebecca’s inferior.

The narrator was not brought up to a life with servants, running a big house, and she has no idea how to behave. Maxim gives her little help in this regard, just expecting her to adapt. She makes mistakes, and his moods become more erratic until she thinks he regrets their marriage. As she becomes more unhappy, events build to a climax on the night of a big costume ball.

This is an extremely powerful novel that, I think, hits you differently depending upon the age you are when you read it. When I was young, I thought it was romantic and scary. Now, I think it’s more of a study of some very maladjusted characters. But this is the first reading where it made me think of Mr. Rochester.

Even though I love Jane Eyre, I’ve never been much of a fan of Mr. Rochester. But what does he do? He yearns for a young, innocent girl and is prepared to commit a crime to get her. We can say this for Jane, though, she has a strong sense of herself.

I don’t want to say much more about Rebecca in case you haven’t read it. But let’s keep it at this. Maxim de Winter also yearns for a young innocent girl, but his choice has such a weak sense of self that we don’t even learn her name. He takes her to a life for which she is completely unsuited and untrained, with a servant he might predict would be hostile, and just leaves her to make the best of things. And this comment doesn’t even touch on the darker secrets of the novel.

Do these observations make me love the novel less? No, this is a great novel. Rebecca is one of Daphne du Maurier’s most atmospheric novels, in a career with many atmospheric novels. I believe she modeled Manderley after the house where she lived in Cornwall, and its description is detailed and loving. Du Maurier was interested in aberrant personalities, in which she probably counted her own. This is a dark novel that fully draws you in. It is very well written, an excellent character study and a masterful suspense novel.

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Day 880: Exposure

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Cover for ExposureIt’s the early 1960’s, the height of the Cold War, and Giles Holloway is a spy for the Russians, employed by the British Admiralty. He has been slipped a file to copy by his superior, Julian Clowde, and he takes it up to his secret attic room to photograph it.

But Giles has become an unreliable drunk. He falls down the stairs, breaking bones. He knows he must do something about returning the file by the next day, so he calls Simon Callington from the hospital and asks him to pick up the file and give it to Julian Clowde’s secretary.

Simon is not a spy. He’s an unambitious coworker who is more interested in his family than his job. Long ago, when Simon was at university, he was Giles’s lover, and Giles thinks he will do as he’s told. But when Simon sees the folder, he knows it should not be in Giles’s possession and realizes the truth. Instead of taking it back to work, he hides it in a briefcase in the closet. But someone has seen Simon in Giles’s apartment.

Simon’s wife Lily finds the briefcase with the file behind Simon’s shoes while she is cleaning. She knows Simon isn’t guilty of espionage and can guess what happened, as she is aware that Simon went out the night before in response to a call from Giles. Lily buries the briefcase in the garden.

Suddenly, policemen arrive to arrest Simon and search the house. They find nothing, but somehow a small camera for microfilm has been found in Simon’s office.

link to NetgalleyDunmore does an excellent job of invoking the Cold War era and of creating suspense in this novel. The authorities are misguided, as it becomes clear that the real spies are trying to frame the innocent Simon. Lily, a German Jewish refugee during World War II, is questioned as if she were a Nazi. The newspapers break the news, and Lily loses her job as a French teacher and is treated like a pariah. After a while, the novel moves its focus to the struggles of Lily and her children, who go to a small village to live.

Although it took me a while to warm up to Lily and Simon, I was gripped, wondering what was going to happen to them and their three children. I liked this novel much more than I did The Greatcoat, the only other book by Dunmore I have read.

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Day 876: The Diary of a Provincial Lady

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Cover for Diary of a Provincial LadyBest Book of the Week!
The Diary of a Provincial Lady was popular again quite a few years ago, but I didn’t read it then. Now that I have read it, I wish I’d read it earlier.

Considering that I have little in common with a 1930’s suburban upper-class English housewife and mother struggling with servant problems, I found this novel very funny.

The novel begins with a visit from Lady B., for whom the narrator’s husband Robert works as a land agent. Lady B. is in turn patronizing and demanding, first nearly sitting on the indoor bulbs, then questioning where the narrator got them and telling her where she should have got them, then telling her it’s too late to plant them anyway. The bulbs appear throughout the novel as a running joke. They get moved to the basement and then to the attic, are over-watered and under-watered, get stepped on by Robert when he is bringing down the suitcases, and are nibbled by mice. What they don’t do is bloom.

The house is made lively by a constant stream of visitors, including Our Vicar’s Wife, who always must be getting along but stays another hour. Another less pleasing visitor is the hearty Miss Pankerton, who barges her way into invitations and thinks nothing of bringing along an extra three people and two dogs on what was supposed to be a family picnic.

The narrator has two lively children—Robin, who makes frequent visits from prep school, and Vicky, who is at  home with a very French governess, Mademoiselle. I had to break out Google Translate for Mademoiselle, who continually manages to insult her employer and persists in being overly dramatic.

The narrator’s husband is taciturn except when complaining about expenses or the condition of the house, but he never denies her and is often kind. Many paragraphs, though, end with “Robert said nothing,” which begins to be very funny after a while. In fact, there is a lot that Robert finds nothing to say about. Meanwhile, the poor narrator is constantly scrambling for money, hocking her grandmother’s jewels and so on, to be able to keep up a decent appearance.

To some extent Delafield is depicting types but they also seem like real people, very funny real people. Delafield’s sense of humor is dry. Particularly amusing are her memos to herself and her queries. For example, after arguing with the children about washing up for tea:

(Mem: Have sometimes considered—though idly—writing letter to The Times to find out if any recorded instances exist of parents and children whose views on this subject coincide. Topic of far wider appeal than many of those so exhaustively dealt with.)

All I can say is, I can’t tell you how many times a page I chuckled, or just plain laughed out loud.

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Day 875: The River of No Return

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Cover for The River of No ReturnThe River of No Return was popular a few years ago, but I didn’t get around to reading it until now. The plot combining time travel and romance reminded me of The Time-Traveler’s Wife, which I loved. I found Ridgway’s book not nearly as interesting, though.

Nick Davenport appears to be a wealthy dilettante dabbling in cheese making in 2013, but in 1810, he was Nicholas Falcott, Marquess of Blackdown. While fighting in the Peninsular Wars, he was suddenly thrust forward in time to 2003. There he was picked up by a society of time travelers called the Guild, trained to live in modern times, and given a potload of money to live on. Now, the Guild wants him to travel backward to 1815, something he didn’t even know could be done, and resume his earlier life to carry out a mission for them.

Back in 1815, Julia Percy’s grandfather has just died, leaving her at the mercy of an unknown cousin. Since she was a child, Julia has watched her grandfather play little tricks with time. She is just beginning to realize that she can do it, too. Then her cousin Eamon arrives and begins looking for something, a talisman. Julia eventually realizes that she herself is the talisman.

When Nick arrives back in time, he learns he is to find a representative of a rival time-travel society called the Ofan and kill that person. The Guild has learned that the time period within which they can go forward is moving backward in time, and they think the activities of the Ofan have affected the river of time. The Guild thinks this Ofan member lives in a house neighboring Nick’s, the home of Julia Percy.  But Nick has no intention of killing anyone.

A portion of this novel is more romance novelish than I like, a fairly standard romantic plot with unlikely (for the time) sex scenes. Since I am not a fan of the standard romance novel, this was not a plus for me.

Worse, though, is the theory of time travel and its link with human emotions and monetary exchange, which is scientifically absurd. Audrey Niffenegger’s genetic abnormality is at least faintly believable.

All in all, my reaction was fairly meh. The novel is well written, but I wasn’t particularly interested in most of the characters. I thought Nick was incredibly naive about the Guild and went along with it far too long. An alternate explanation of the moving time horizon seemed immediately obvious to me, although it is not addressed in this novel. Because this novel is clearly designed for a sequel, only the romance plot is resolved.

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Day 872: Elizabeth Is Missing

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Cover for Elizabeth Is MIssingBefore I begin my review, here is a little bit of news about the Walter Scott Prize for Historical Fiction. Some of you may know that, along with Helen of She Reads Novels, I am attempting to read all the short-listed novels. Today the short list for 2016 was released. To see the list, check out my Walter Scott project page. I have only read one of the novels, but was disappointed, along with other readers, to see that A God in Ruins, which was on the long list, didn’t make the short list.

* * *

Elizabeth Is Missing is—I won’t disguise it—the third book about Alzheimers I’ve read in the last six months. When the book blurb says Maud is forgetful, that’s putting it mildly. After only a few pages of this novel, I wondered why Maud was living alone.

Maud is an old lady who is having trouble keeping track of just about everything. She writes herself reminder notes but loses them. She makes endless cups of tea and forgets them. Her caregiver comes in every morning and makes her lunch and she has eaten it by 9:30. She remembers occasionally that her friend Elizabeth is missing. Elizabeth doesn’t answer her phone and she isn’t home. But no one pays attention to a dotty old lady.

Of course, we realize fairly quickly that Elizabeth isn’t missing, but Maud has a more important mystery in her life. When she was a young girl just after World War II, her older sister Sukey disappeared, never to be seen again. Although Maud’s short-term memory is inconsistent, there’s nothing wrong with her long-term memory, at least not at first, so the more coherent narrative is the time around Sukey’s disappearance. Maud finds the boundaries between the past and present blurring.

I found this novel extremely painful to read at times, even more so than Still Alice. However, it is certainly compelling although not perhaps as realistic as Still Alice is.

One thing that bothered me, although only a bit, is that Maud clearly has all the information she needs to solve her sister’s disappearance, if only she can make sense of it. But she tried to investigate when she was young, and she had the same information then. That she would finally solve it in her current condition is a bit hard to buy. We’re to understand that she found something before the action of the novel, though. At least, that’s what I think happened, since sometimes the narration from the point of view of a confused old woman is a little opaque.

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Day 871: The Summer Before the War

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Cover for The Summer before the WarBest Book of the Week!
I, for one, have been waiting for Helen Simonson’s second novel ever since I read the first one. And here it is!

Hugh Grange is preparing to pick up the new schoolteacher from the station at the beginning of The Summer Before the War. His Aunt Agatha has been instrumental in the school board’s controversial decision to hire a woman as the school’s new Latin mistress. Agatha has supported the hire because the woman was the most qualified applicant, but she is aware that her position as well as the teacher’s is precarious and that the mayor’s wife, Bettina Fothergill, is up to something.

So, Beatrice Nash arrives to take the position unaware that it is already threatened. She has been eager to leave the home of her father’s relatives, where she has lived since her father’s death. She soon finds that he has bargained away her freedom by agreeing to put her money into trust in return for being allowed to return home to his estranged family. Beatrice’s trustees start right out by assuming that she is mishandling her money.

Hugh is a medical student who is working under Dr. Ramsey, a well-known Harley Street physician. Hugh is a careful person whose future is neatly charted out. He will qualify in a year and then marry Dr. Ramsey’s daughter and join his practice. But the Great War breaks out, and Dr. Ramsey pressures him to accompany him to the front. Hugh wants to finish qualifying first, but Lucy Ramsey threatens to give him a white feather if he doesn’t join up.

Hugh’s cousin Daniel is a poet, and he plans to open a journal in London with his good friend Craigmore, Lord North’s son. But after Lord North sees Daniel and Craigmore together at the local hops festival, he makes Craigmore join the air corps. Daniel joins the Artists’ Rifles in reaction.

link to NetgalleyThis description doesn’t do much justice to the novel, which is about how all the characters’ lives are affected by the war. Aside from the same kind of class and town politics featured in Simonson’s delightful Major Pettigrew’s Last Stand, we meet a handful of characters who are genuinely likable and we get very involved in several subplots.

Simonson evokes a bustling town of Rye in 1917, with it occupants becoming involved in their various war activities. Belgian refugees arrive, and the town begins to experience the first horrors of war. This novel makes an absorbing second effort that is at times very touching.

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