Review 2316: Undone

Will Trent has taken his partner Faith Mitchell to the hospital because she passed out. While he is waiting, an ambulance brings in a woman who has been hit by a car. She is naked and has obviously been kept captive somewhere and been tortured. Even more horribly, her eleventh rib has been removed.

The Georgia Bureau of Investigation has to be invited into a case, but Will drives to the crime scene, which is only being investigated near the road. The police try to send him away, but he enters the nearby woods to try to find where the woman was escaping from. He finds a hole in the ground covered by a sheet of plywood. Inside the man-made cave, he finds indications that two women were there. Eventually, he finds a second woman hanging upside down from a tree, dead. This woman has been blinded.

Back at the hospital, the doctor, Sara Linton (who apparently is the heroine of a different series by Slaughter), tells Faith she is diabetic. This condition is complicated because Faith is also pregnant.

For his part, Will has married his lover Angie, but she took off almost immediately afterwards. To his dismay, Will finds Sara, a widow, attractive.

As Will and Faith try to identify the victims, with the local police withholding evidence, another woman disappears. Because she physically resembles both victims, Will and Faith think she might be another victim of the same person.

This is another fast moving and interesting entrant to this series about a dyslexic detective and his partner.

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Review 2270: Fractured

Fractured is Slaughter’s second novel featuring Will Trent, the dyslexic detective from the Georgia Bureau of Investigation.

When wealthy Abigail Campano returns home early from her lunch date, she finds the window by her front door smashed and her teenage daughter lying dead at the top of the stairs with her apparent attacker standing over her holding a knife. In the resulting struggle, Abigail and the man with the knife both fall downstairs, and Abigail manages to kill him.

The Atlanta police have trampled all over the crime scene before Will Trent arrives to determine whether the GBI should be involved in the case. It’s Will who discovers the young man had been stabbed before Abigail arrived and was trying to help the girl. Then Paul Campano arrives and realizes the girl is not his daughter Emma at all but probably Kayla, her best friend.

Unfortunately, Will grew up with Paul in a children’s home. Paul was a bully then and is extremely aggressive now.

The Atlanta police are taken off the case, but Will’s boss attaches Faith Mitchell from the APD to work with Will. It takes him a while to realize that she is the granddaughter of a woman who was forced to retire after Will caught six of her APD officers stealing drug money.

The case becomes a kidnapping case, beginning with a search to identify the dead man. The Campanos have never seen him before. What was he doing in their house and where is Emma?

This novel is another exciting entry in this well-written and carefully plotted series. Will is an interesting character, and Faith begins to respect his abilities.

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Review 2178: Triptych

I have to admit, I looked for this first Will Trent novel after getting hooked on the TV series. Just a little warning: if you have already watched the series, the TV folks have made one major change from the book that may surprise you.

In Atlanta, young teenage girls have been found after being raped, beaten, and having their tongues either partially or completely bitten off. Detective Michael Ormewood is called out to a similar case, only this time the woman is dead, and she’s not a teenage girl but a middle-aged prostitute.

The next day, Ormewood meets Will Trent, a Special Agent with the Georgia Bureau of Investigation. He will be working the case with Ormewood. Will is unusual because he is dyslexic, although he tries to keep this problem a secret.

In the meantime, John Shelley has been recently released from prison, where he served 25 years for a similar crime, committed when he was 16. John has always maintained his innocence, right up to his last parole hearing when he wanted to get out before his mother died of cancer. John has been out for only a short time when he learns that someone has stolen his identity, but curiously, used it to apply for credit cards and buy things while keeping a good credit score.

Angie Polaski, a detective on the vice squad, has gotten peripherally involved in the investigation. She has ties to both Ormewood and Trent that she’s keeping secret.

This is a well-written, fast-paced novel that is part mystery, part thriller. It has interesting characters, and I enjoyed it very much.

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Review 1417: The Web of Days

I think it is interesting to reread a book I read long ago to see if or how my reaction to it has changed. This can work both ways—I can appreciate a book I disliked the first time or see the flaws in a book I loved. I remember reading the gothic romance The Web of Days when I was a teenager, borrowed from a neighbor’s house for whom I was babysitting. After the kids went to bed, I would pull it out for the next installment. I liked the book and had a crush on its romantic hero. So, what did I think this time? More about that later.

Hester Snow arrives from the North at Seven Chimneys, a ruined plantation on one of the sea islands of Georgia just after the Civil War. She is to be a governess for Rupert LeGrand, the son of the owner of the plantation, Saint Clair LeGrand. At the house she finds an indifferent master; his mother Madame, who cares only for her food; and his wife Lorelei, who drinks too much. The house is slovenly, the fields are ruined, and the servants are insolent.

Hester believes that with hard work and oversight, Seven Chimneys could be made profitable again, and she soon seeks permission from LeGrand to see to it. When she begins to find herself successful, she becomes obsessed with seeing the plantation thrive and making a home for herself. What she doesn’t see is the truth behind the relationships between the family members at Seven Chimneys.

She is attracted to Roi, Saint’s dashing bastard half brother, but he offers a life in a cabin in Missouri. Hester thinks that will be a harsh life of drudgery and wants nothing to do with it.

First of all, this novel is so racist it took my breath away. It’s hard to tell if Lee was trying to depict the time as it was or was racist herself. However, Hester herself is racist. Even though she comes to like a couple of the African-American characters, she treats more than one of them despicably, and they are all stereotypical.

Second, in other ways Hester is not at all likable, being so obsessed with succeeding on the plantation and feeling herself so superior to the southern characters. In many ways, except for not being evil, she reminds me of the main character in one of Philippa Gregory’s early series, Wideacre. She acts fairly reprehensibly up to the very end of the novel, when she has a change of heart. Frankly, she does not deserve her happy ending.

Did I like the book? It is well written and atmospheric. It has some suspenseful scenes, and Hester finds herself in a corner. But no, not only is the racism too much for me, but the regionalism is, too, because Lee depicts most southerners as loafing crackers (she even uses the word), greedy vulgar businessmen, or effete, elitist aristocrats. This is not at all the book I remembered reading.

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Day 371: A Good Hard Look

Cover for A Good Hard LookA Good Hard Look is a novel about the last few years of writer Flannery O’Connor’s life. The book begins with the wedding of Cookie Himmel and Melvin Whiteson, which Cookie believes has been ruined because Flannery’s peacocks made so much noise the night before that Cookie fell out of bed and gave herself a black eye. Flannery’s mother Regina insists that Flannery attend the wedding, but Cookie is not happy to see her there.

Lona Waters lives her life absentmindedly and takes pleasure only in the hour of solitude she has every day before her daughter Gina comes home from school. Then her friend Miss Mary asks her if she will give her awkward teenage son Joe a job, thereby eliminating her hour.

Soon Melvin Whiteson has struck up a friendship with Flannery, but he keeps it a secret from his wife because of her dislike of the writer. Cookie is busily serving on committees in town and trying to get Flannery’s books banned from the library, while Melvin, a successful New York banker who gave up his career to move to this small town in Georgia with Cookie, is feeling out of place and bored with his insurance job.

These seemingly mundane stories eventually result in tragedies that force the main characters to take a good hard look at themselves, as Flannery states is a technique she uses in her fiction.

The novel is well written but not evocative. It does not evoke the 60’s South, and my feeling is that it does not evoke Flannery O’Connor. I am not an expert on her or her life, but the incisive spirit I would expect from her is missing in this character. Napolitano uses O’Connor’s peacocks to great effect, but I found that the novel tidied things up a bit more neatly than I would expect from one inspired by O’Connor’s life and works. Finally, the character of Cookie is essentially a caricature of the southern junior matron, similar to Hilly Holbrook in The Help, although Cookie evolves a bit. Most of the other characters are only sketchily drawn.

It is rather risky to use an actual person as a main character in a novel, especially if you are not able to create a character who is convincing as that person. For a much better attempt at using a famous writer as a main character, see Colm Toíbín’s wonderful The Master.