Tag: Germany

Classics Club Spin Result! Review 2595: The Passenger

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I know I’m early in reviewing my Classics Club Spin book, but it just so happens that when it was picked for the spin, I had just read it but not reviewed it yet. Lucky for me, because so many of the books remaining on my list are really long!

I am not sure how The Passenger made it onto my Classics Club list, but its origins are certainly interesting. Boschwitz, who had already escaped Germany with his mother, was so affected by the events of Kristallnacht that he wrote this novel in a great hurry. It was published in England in 1939 and in the U. S. in 1940, but then it just vanished. Revisions he mailed to his mother never arrived. Then, in 1942, he and his manuscript were on a passenger ship that was torpedoed by a German U-boat, and they were lost. Nearly 80 years later, a correspondence with Reuella Shachaf, Boschwitz’s niece, mentioned to Peter Graf that the manuscript for the book was held in an archive of the Deutsche Nationalbibliothek. So Graf looked it up and helped edit it and get it republished. It came back out in 2018.

The book opens with wealthy Jewish businessman Otto Silbermann handing over 51% of his business to a friend, Becker, to save it from being taken. As Becker points out, there is nothing Silbermann can do about it because he’s Jewish. Jewish men are being rounded up, but Silbermann has an advantage of not looking Jewish.

Back at home with his Christian wife, he tries to sell his house to another friend, Findler, who cheats him. Again, there is nothing he can do about it. Then thugs begin pounding on the front door, so Findler sends him out the back, saying he’ll protect Elfrieda.

Silbermann begins a journey lasting days, traveling by train from one city to another to find a way to escape Germany. His goal is to go to his son Eduardo in Paris. But Eduardo has been unable to get him the papers he needs. In the meantime, he lives in a state of paranoia, listening to constant insults to Jews, fearing strangers, and thinking he’ll be arrested any minute.

This is a tense novel that seems very realistic, although Silbermann occasionally becomes incandescent with anger about the injustice, thereby risking his own life. It’s a compelling novel.

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Review 2512: Dean Street December! The Dancing Bear

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The rate I’m knocking out books for my A Century of Books project has been slow lately because first I was reading books for Novellas in November (some of which also qualified for ACoB), and I also wanted to read at least a few books for Dean Street December. And I don’t know what I was thinking, but I also put several books for my other projects on my library reserve list, and they have arrived. I must be crazy! Anyway, I read The Dancing Bear for Dean Street.

Although The Dancing Bear is set in time after Faviell’s A Chelsea Concerto, it is actually her first memoir. It covers her time in post-World War II Berlin, where her husband was part of the Occupation. The people in the city are freezing and starving, and even their occupiers are on strict rations of many commodities.

Much of the book is about Faviell’s relationship with the Altmann family. She is being driven in her car when she spots Frau Altmann, an older lady of fragile build, trying to move a heavy cart of furnishings through the streets. Faviell’s German driver thinks it’s hilarious when she falls, but Faviell stops to help her and shames him into helping, too. Despite the dictum not to give rides to Germans, she takes Frau Altmann home in her car.

There, she gets to know Herr and Frau Altmann, two gentle and dignified older people, their daughters Ursula and Lilli, and their sulky son Fritz, a former member of a Nazi youth group against his parents’ wishes. Ursula is the only bread-winner, making money by fraternizing with the British and American soldiers. Lilli, extremely frail, is a ballet dancer.

Aside from descriptions of the living conditions and the changing situation between the Soviet and the other occupiers, much of the story is about Faviell’s relationship with the Altmann’s and with her regular driver, Stampie, who trades on the black market to keep some German families alive.

This is a fascinating account of how some people meet and overcome difficult situations and some don’t. I also wasn’t aware of the conditions in Berlin (although I had heard of the Berlin Flyover) and all the manipulation the Soviets did to try to claim the entire city from their other allies.

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Review 2490: #1970Club AND RIPXIX! Passenger to Frankfurt

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Usually, when an Agatha Christie books pops up as a possibility for the biyearly club reads, I am happy to choose it, especially if I haven’t read it before. This year, in looking for books for the 1970 Club (and also for #RIPXIX), I saw Passenger to Frankfurt, one of Christie’s stand-alone espionage novels. Unfortunately, it was not one of her best.

Sir Stafford Nye is a young mid-level diplomat often distrusted by his peers because of eccentric dress and a certain sarcastic sense of humor. He is returning from a trip to Malaya when his plane, bound for Geneva, is rerouted to Frankfurt and thence to London.

In the Frankfurt airport lounge, he is approached by a young woman asking him for help. She tells him that if the plane had landed in Geneva, she would be safe, but since it is going to London, she’ll be killed. She bears a certain resemblance to him. She asks if he will leave the burnoose he’s been wearing with his passport in it and allow himself to be drugged. She will cut her hair and use his passport, and he will wake up long after the plane has landed in London and claim he was robbed. And he agrees.

Back in London, he places an ad hoping to meet her and she ends up sitting next to him during a concert. He is carefully brought into a mission—one that she is already working—by some government officials who are alarmed about a plot that is rousing the youth worldwide to violence and anarchy. Nye travels with the girl, who has many names but might be Countess Renata Zerkowski, to view a Hitler-like rally headed by a young man referred to as the Young Siegfried. He is just a figurehead, but the officials want to find out who is in charge.

The plot of this novel is so ridiculous that I barely had any patience with it. But worse, there is hardly any action, just a bunch of meetings. Once Nye is recruited, we see him traveling with Renata and then he disappears about 2/3 of the way through, only to reappear at the end. The only real action takes place in one page at the end of the novel. This one is pretty much a stinker. The only interesting character is Nye’s elderly aunt, Lady Matilda Cleckheaton.

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Review 2472: 2024 Dostoevsky Read-A-Thon: The Gambler

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The Gambler is known as Dostoevsky’s most autobiographical novel, written in 26 days to foil the claims of an unscrupulous publisher. For Dostoevsky himself was a gambling addict and made a fool of himself over a girl called Polina when he was much older than his fictional alter ego. I read The Gambler for the 2024 Dostoevsky Readathon hosted by Russophile Reads. You can read his much more thorough evaluation of The Gambler here.

Alexey is a tutor for a Russian family returning at the opening of the story from two weeks’ leave to a German spa and gambling town. He works for the General tutoring his young niece and nephew and he is madly in love with Polina, the General’s older niece.

The General is broke, although he is madly pretending not to be. In fact, during his leave, Alexey has been pawning things for Polina. The General is in love with a Frenchwoman named Blanche, who is clearly after the money he expects to get when his aunt dies. Also hanging around are a Frenchman named des Grieux, whom the General has been borrowing money from and who has his eyes on Polina, and a rich Englishman whom Alexey likes named Mr. Astley.

As usual with Dostoevsky’s main characters, Alexey is in a sort of frenzy, this one of love for Polina. In attempts to gain some kind of equality with the other characters, he instead repeatedly shows his immaturity.

I have read most of Dostoevsky’s novels but I didn’t realize he could be funny until this one. The General hears that his aunt is ill and may be dying, so he keeps sending telegrams asking if she is dead in his desperation to seal the deal with Blanche. Suddenly, his aunt, called Grandmother in the novel because she is Polina’s grandmother, appears in town. And does she appear. She takes over the novel until she departs, making Alexey her escort to the casino, where she at first wins a lot of money.

Then loses it, but has the sense to go home. In the meantime, she disinherits the General. She is the most truly Russian character in the novel, with the other Russians trying to pretend they are cosmopolitan.

Eventually, we learn from Alexey’s experience what it’s like to be a gambling addict. For Alexey goes to the casino to try to win enough money to help Polina.

This is a short, sometimes funny, sometimes sad but always lively story about Alexey’s inability to understand what is going on, and about greed in its various forms. Note that the story contains lots of stereotypes in depicting people from countries other than Russia.

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Review 2279: The Fox in the Attic

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My only other exposure to Richard Hughes was his A High Wind in Jamaica, the reading of which was certainly a different experience than that of The Fox in the Attic. Readers may find the structure of the latter unusual, but Hughes meant it to be the first part of a huge novel called The Human Predicament, for which he finished the second part but not the third.

The main character is a young man in his early 20s named Augustine. In her introduction to the NYRB edition, Hilary Mantel says that he doesn’t notice things. But it’s more than that. He has formed ideas about what things are like and seems incapable of understanding they are not as he believes.

He has inherited a remote property in Wales and has been living there recently like a hermit. When the novel opens, he is carrying the body of a little girl whom he and his hunting companion found drowned in a marsh. He brings her home instead of leaving her at the scene because the marsh is full of rats. But nasty ideas begin floating around, so he decides to go visit his sister Mary.

Mary suggests he stay with some German relatives she spent time with just before World War I. It is 1923, and Augustine firmly believes the Germans are peace-loving, cultured intellectuals, and there will never be another war. In fact, as soon as he arrives, his relative Walther begins telling him about an incident that happened after the war in which he and others were held prisoner in a hotel, and Augustine finds it so hard to believe him that he stops listening although he has seen the proof of the incident written on the wall of his hotel room in Munich. In fact, the political situation in Bavaria is completely unstable, and inflation is so bad that an educated boy is working in the hotel as a bellman because a professional salary would not pay for his pair of shoes.

The first night Augustine stays with his family, in fact, is the night of the famous Bierhall Putsch, and we see a detailed description of Adolf Hitler as a character. But Augustine has decided he is in love with Mitzi, Walther’s oldest daughter, and doesn’t pay any attention to the political discussion. Although he realizes with a shock that she is Catholic, he’s sure he can easily convince her there is no god. In fact, he doesn’t even know she’s devout.

All the while, Augustine dithers in his romance, thinking everyone is expecting him to propose when no one has noticed he’s in love and Mitzi barely knows he exists, the political situation is worsening and there is real danger from the upper floors of the house.

I liked this novel when it stuck to everyday events, even the political ones, but when it a few times broke off into philosophical asides, I couldn’t really follow it or maybe didn’t try. The political events are somewhat elliptically covered for someone like me who isn’t familiar with them, at least insomuch as some key figures are assumed to be familiar to his audience and to me some of them are not.

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Review 2242: The Oppermanns

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One of my brothers and I have gotten into the habit of buying each other books that we think are excellent. The Oppermanns was his Christmas present to me, and I just got around to reading it.

The novel is astounding because it was written concurrently with the events it describes, That is, it begins late in 1932 and ends in the summer of 1933 and was written during that time period. It tells the story of a wealthy German Jewish family. It’s considered the last masterpiece of the German-Jewish literary movement.

The Oppermanns are wealthy well-known residents of Berlin whose family owns a chain of furniture stores. Martin runs the stores. Gustav is an intellectual who spends most of his time enjoying art, literature, and music. Edgar is a world-famous scientist and surgeon. At the beginning of the novel, all three are happy with their lives, and although Martin has half-heartedly sought a merger with a competitor to mask the Jewish ownership of the family store, he has muffed it and doesn’t much care. The Nationalists, as the Nazis are referred to throughout the novel, seem to be on the wane.

However, within weeks the Leader (his name is never mentioned) has been made Chancellor because foolish landowners and big business, having drained the country dry, think they can use the Nationalists. Things begin to turn bad. One of Gustav’s friends emigrates to Palestine, but Gustav thinks he is being alarmist. After all, this kind of thing has happened before, and it always dies down.

This novel documents the slow horror of the Nationalist take-over (not so slow, really) and shows how easy it is to fool oneself and stay in one’s comfort zone even when it becomes uncomfortable.

The novel is all the more chilling because of how early it is written, because readers today know more about what will happen than Feuchtwanger did. It has a slightly optimistic ending, implying that the German people—whom he always differentiates from the Nazis—would not put up with brutality forever, but of course we know the German people didn’t stop anything.

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Review 2051: #1929 Club! Classics Club Spin! Grand Hotel

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The first book I chose for the 1929 Club was one that I have long heard of but never read. It was also coincidentally chosen for my Classics Club Spin!

In the 1920’s, the Grand Hotel is the most expensive in Berlin. Staying there are several guests whose lives are going to be changed.

Grusinskaya is a great ballet dancer still at the top of her form. But her clearly classical style has gone out of fashion, and after a lifetime of being alone, she’s very tired.

Kringelein is a poor clerk who has just found out he is dying and wants to experience a few weeks of luxury and “living.”

Doctor Otternschlag is an injured World War I veteran who hangs around the hotel doing nothing. He begins taking Kringelein around Berlin.

Baron Geigern is young, handsome, and personable, but he makes a living as a cat burglar, and he’s after Grusinskaya’s pearls.

Herr Preysing is the general manager of a company there to make a deal who ends up in a mid-life crisis.

Grand Hotel is a zeitgeist novel, very much a product of its time. Baum’s characters show their foibles or redeem themselves. Each one is flawed and complex.

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Review 1895: The Magician

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Although I’ve only read one work by Thomas Mann, I still found The Magician, based on Mann’s life and writings, interesting. Although Mann himself often seems inert in this novel, he lived in interesting times, during both world wars.

The novel covers Mann’s life from a young man who is dispossessed by his father to his relocation from California to Switzerland in his 70’s. It examines the thinking behind his greatest works and although fairly meditative in tone, has some excitement during the Mann’s flight from Nazi Germany.

In some ways The Magician is reminiscent of The Master, Tóibín’s novel about Henry James, with Mann fantasizing about young men but never acting on those fantasies after a couple of abortive encounters. The difference is that James seemed almost unaware of his own proclivities. Mann still managed to have a long, successful marriage with his wife Katia.

Tóibín’s biographical fiction always seems intuitive and thoughtful to me. I enjoyed this one despite my lack of knowledge about its subject. I read this novel for my Walter Scott Prize project.

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Review 1791: The Lighthouse

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Hapless Futh is recently separated from his wife and is taking a vacation that he is ill prepared for—a walking trip in Germany when he hasn’t been hiking in decades. This holiday, like many things in his life, he has chosen because it reminds him of one of the few happy times with his father. Personally, he seldom picks up on nuances and misses many things.

After a series of odd encounters on the North Sea ferry and in the Netherlands, Futh arrives at the starting point of his walking tour—Hellhaus. There, a misunderstanding at his hotel results in his being ejected before breakfast. He has arranged his tour in a circle with his luggage being transported day by day to the next hotel, so he must return to Hellhaus.

As he proceeds on his tour, contemplating his mother, who left him and his father when Futh was a young boy, and the history of his marriage, we check in periodically with Ester, the landlady of the hotel in Hellhaus. Even though her husband is jealous, she occasionally sleeps with the guests. Years ago, she left her fiancé for his brother Bernard, but now she feels unappreciated.

These are sad, gray lives. Even so, this novel is oddly compelling, and my feeling of dread built with every step back toward Hellhaus. It is also elegantly spare in style.

I read this novel for my Booker project.

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Review 1734: Effi Briest

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Effi Briest is sort of a German version of Madame Bovary. It seems that the last half of the 19th century was a big time for novels about unfaithful wives. However, whereas Anna Karenina was a call for improvement in women’s rights on this issue, Effi Briest seems to accept the unfairness of the laws and societal mores. Nevertheless, I liked this novel more than Madame Bovary, which is more of a character study of a stupid woman.

Effi is only sixteen when the Baron von Instetten, an old suitor of her mother, comes calling. Within an hour, he proposes marriage and is accepted. The Baron is a civil servant, and after their marriage, he takes her home to a seaside village in upper Pomerania. The house is dark and depressing and reputedly haunted. Society is limited, and Effi, who is a gay person who likes to enjoy herself, finds only one congenial inhabitant, the local chemist. The women she has to socialize with are commonplace or spiteful. Effi feels neglected and unhappy.

After the birth of her daughter, the Crampases arrive. Major Crampas is an old schoolfriend of the Baron and a known womanizer. (I wonder if his name’s resemblance to Krampus is a coincidence, considering the Germanic origins of that character.) Although she tries to avoid it, Effi is drawn into an affair with him. When her husband gets a posting to Berlin, though, she is happy to leave and put it behind her. But it is not behind her at all.

I liked the character of Effi very much, but she is the only one in this novel who is fully drawn. The others just seem like placeholders for their actions, except for Rollo the dog. Also, the harsh reactions of everyone when they find out about the affair, even though it is long over with, seem even more extreme than Karenin’s in Anna Karenina.

Even though this novel is 20 years more recent than Anna Karenina, having been published in 1895, it has a much more rigid and judgmental message despite Effi being a sympathetic character. As a person, I liked Effi better than silly Emma Bovary or naïve Anna Karenina, but I found the novel a bit punitive. Fontane was reacting in it to a story he heard of a similar event in which he was struck by the lack of surprise or dismay expressed by society at the harsh treatment of the woman involved, so he is combining an approach to our sympathy with Realism in this novel.

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