Tag: historical fiction

Review 2443: After Sappho

~ whatmeread ~ 4 Comments

I read After Sappho for my James Tait Black project. It is experimental, written in short vignettes that jump around in time and from person to person. It tells the stories of lesbian women, mostly literary figures, trying to make a place for themselves. It begins in the late 19th century with women fascinated by the poet Sappho. Some of them study Ancient Greek, some dress like ancient Greeks or re-enact ancient plays, some travel to Greece.

The novel is vividly written in first person plural or in third person, at times slyly ironic, sometimes engaged in word play, often invigorating and with lots of sexual metaphors. It is interesting, telling of repressive laws against women, particularly in Italy, and reporting actual aggressively misogynistic “scientific” or political statements by men. It goes on to tell of the accomplishments and tragedies and love affairs of its protagonists, largely ignoring the men in their lives. For example, from this novel, you wouldn’t know there was a Leonard Woolf, just a Vita Sackville-West.

Although I found the novel very interesting at first, there were so many characters that I couldn’t keep track of them or remember which events happened to which ones. I could only track the ones I was already familiar with. For example, the novel begins and ends with Lina Poletti, even though she disappears about halfway through, so she is obviously important to Schwartz, but by the end I couldn’t remember her. I felt like I needed a chart.

And yet, I feel that with more character definition, I might have remembered all of them, but these short vignettes that tell of an activity or something they said didn’t really provide a cohesive picture to me of what the women were like.

So, I applaud this novel’s daring devices, but they didn’t really work for me.

Related Posts

The Hours

Crudo

LOTE

Review 2436: The Dark Fantastic

~ whatmeread ~ 9 Comments

I was surprised by the direction that this novel took, but I would have been less surprised if I hadn’t missed a note from the author. It explained that although the characters were made up, the novel was inspired by events that took place at her great-grandparents’ home in rural Indiana.

In post-Civil War Terre Haute, Indiana, Judith Amory is defying convention by attending Macbeth without a male escort. She has recently been dismissed from her teaching position for being too advanced in teaching George Eliot, so she can’t really afford to go, but she thinks of herself as refined and cultured and is excited to see the performance of Edwin Booth.

At the performance, she ends up breaking convention again by speaking to her neighbor, a young man who has journeyed in from his farm just to see the play. Judith finds him handsome, prosperous looking, and eager to discuss literature, perfect for her idea of a husband—until he says he has a wife and three children. Then he mentions that the nearby town needs a teacher.

Judith is not dismayed. First, she intends to have that job even though it’s a bit beneath her. Then, she intends to have that man, Richard Tomlinson.

How she gets her Becky Sharpish way is one thing, but what happens afterward is quite unexpected. This is a pretty good, darkish novel that dabbles in the supernatural. Echard is good at setting her scene and presenting the dynamics of the Tomlinson family. She’s good at depicting the main characters, although I lost track of some of the secondary ones. This is a good one for those who like darkish tales. Warning for the politically correct—the one Black character is depicted stereotypically as isn’t surprising for a novel published in 1947.

Related Posts

Dark Enchantment

The Unforeseen

The Uninvited

Review 2430: The Other Side of Mrs. Wood

~ whatmeread ~ 6 Comments

In 1873 London, Mrs. Wood is the most successful medium in society. She is worried about the future, though, because her patrons are getting older and at 40, she doesn’t seem to be appealing to the younger folks. To make things worse, Mr. Larson, who takes care of her money, has just informed her that a large investment in a mine has been lost. Things are going to be tight until some ships he invested in arrive.

Mrs. Wood cuts where she can, but unfortunately her profession requires her to have an appearance of respectable wealth.

A girl has been hanging around outside her meetings, which are invitation only. When Mrs. Wood catches her, a Miss Finch, she learns that Miss Finch would like to become her student. She says she has some talent. Without consulting her friend and assistant, Miss Newman, Mrs. Wood decides to take her on, thinking that as a young, attractive girl, she will attract younger patrons.

Miss Newman distrusts Miss Finch, but Mrs. Wood goes ahead with her plans, even excusing some costly mistakes that Miss Finch makes. What she doesn’t know is that Miss Finch’s intentions are bad ones and that she knows more about Mrs. Wood’s past than Mrs. Wood thought anyone knew.

Without remembering any synopsis of this novel, I immediately distrusted Miss Finch, getting a growing feeling of dread that stalled me a bit in my reading. I also felt that the middle part of the novel went on a bit too long. However, when Mrs. Wood pulls herself together, the culmination is very satisfying. I think the very end of the book, though, was a bit unbelievable.

If you read my blog, you know I’m a stickler for accuracy in a historical novel, although not an expert in the details. However, just as a side note, Barker uses the word “twee” on page two, not in conversation but in the main character’s thoughts. I thought that seemed like a modern word, so I looked it up. Sure enough, it was not in use until 1905. Oops!

Related Posts

The Séance

The Haunting of Alma Fielding

This House Is Haunted

Review 2424: The Bookbinder

~ whatmeread ~ 6 Comments

Pip Williams revisits the Oxford University Press and the themes of World War I and rights for women in The Bookbinder. Again, she shows her skill as a storyteller.

Peg Jones has grown up around the Oxford University Press, but she’s a representative of town rather than gown. She works at the press as a bookbinder, but she has always yearned for more education and an opportunity to attend Somerset, the women’s college. Aside from the social and educational restrictions, she has been held back by a feeling of responsibility for her special needs identical twin sister Maude.

World War I has just started, and Peg gets an opportunity to apply for one of the positions on the men’s side, but she doesn’t take it. In a link back to The Dictionary of Lost Words, Peg helps Esme’s lover bind a printed copy of her collection of women’s words.

After the invasion of Belgium, Belgian women come to work at the press, and Maude becomes close to one of them, Lotte. Peg goes to volunteer at the hospital and is teamed a reader/letter writer with Gwen Lumley, an upper-class girl who becomes her friend.

Peg is torn between her feeling of responsibility for Maude and her resentment of it. She is both grateful to Lotte for helping with Maude and jealous.

Her contact with Gwen along with the help of her supervisor, Mrs. Stoddard, leads her to an opportunity to apply for a scholarship to Somerset. But she must pass two series of exams.

Williams is skillful at involving readers with her characters’ ups and downs as well as their self-development. I enjoyed this novel very much.

Related Posts

The Dictionary of Lost Words

High Wages

Weatherley Parade

Review 2423: #1937 Club! An Infamous Army

~ whatmeread ~ 7 Comments

I was planning to read Witold Gombrowicz’s Ferdydurke for the 1937 Club, but I got about 70 pages in and just wasn’t in the mood for it. I may never be.

Georgette Heyer is usually a good bet for me, and I conveniently had An Infamous Army on my shelf. I remembered, though, that it was not one of my favorites despite featuring characters from or related to those from some of my favorites. I decided to try to read the novel by pretending I had never read a book by Heyer, just judging it as a historical novel.

The novel is set in Belgium in the summer of 1815, so if you know your history, you know what’s coming up. The military of all the countries allied against Bonaparte are gathered in Brussels, as are the fashionable. Colonel Charles Audley, brother of Lord Worth of Regency Buck, is on Lord Wellington’s staff, so he is busy but occasionally has time to spend with Lord and Lady Worth. And everyone attends the frequent balls and parties.

Judith, Lady Worth, has found a girl she considers perfect for Charles, Lucy Devenish, a pretty, demure, heiress whose only detraction is a vulgar uncle. Society is being scandalized by the behavior of such young women as Lady Caroline Lamb and Lady Barbara Childe, a shocking young widow whose Alastair heritage (see These Old Shades and The Devil’s Cub) has given her quite a temper. Nevertheless, as soon as Charles sets his eye on her, he is in love. Unfortunately, thinks Judith, so is Barbara, and they are engaged in no time.

It’s no surprise that this is a rocky love affair. However, Heyer’s purpose is to depict the Battle of Waterloo and the frivolous months that led up to it.

Heyer was a serious historian, but her books aren’t often serious, and when they are, I miss the brilliant conversations and her humor. Sticking to my decision to try to forget about that, here are my observations. At the parties, there is too much enumeration as Heyer tries to list all the brilliant people attending. I felt like I was reading the beginning of The Iliad when Homer lists all the Greek commanders plus how many ships, men, and horses they brought.

Then, the social season seems to drag on a little too long. Things get going when the war starts, but when Heyer begins explaining troop dispositions and geography, I got lost. I could have used a map. Finally, although parts of the battle are brilliantly described, I felt as if Heyer was trying to include every anecdote she ever read about. There was just too much.

I have read battle scenes in other novels that were so clearly explained that I understood exactly what was going on. Here, there were so many different types of soldiers, so many leaders’ names, most of them only briefly described. There was too much going on for me.

As for the love story, while I didn’t much like Barbara, I was disappointed in how judgmental Judith, who had her own mishaps in her youth, was. It was nice, though, to have a brief appearance of Barbara’s grandparents, the Duke and Duchess of Avon, once Vidal and Mary of The Devil’s Cub.

Related Posts

Regency Buck

The Romantic

The Charterhouse of Parma

Review 2327: Chenneville

~ whatmeread ~ 4 Comments

John Chenneville, a Union officer, awakens in a field hospital in Virginia to find that the Civil War is over and he has been lying in a coma for months. He has a healing wound on his head where a chain hit him after an explosion. The war is over, but it takes him months to be well enough for the journey home to Bonnemaison in Missouri on the Mississippi.

Once home, he can tell something bad has happened, but he has to wait for his Uncle Basile to arrive from New Orleans to learn what it is. In the meantime, he occupies himself with trying to restore his ravaged estates. Finally, his uncle tells him that on another one of the family estates further south, his sister, her husband and baby have been murdered. His mother has gone to live with Uncle Basile and has not spoken since the event. After waiting longer to improve his strength and coordination, Chenneville sets off to avenge them.

He finds it is an open secret that they were murdered by a man named Dodd. Dodd was a deputy, and it’s clear that the sheriff is going to do nothing about it but has warned Dodd that someone is after him. After going on a wild goose chase, Chenneville learns that Dodd has fled southwest to Texas. He is killing people on the way, and Chenneville eventually finds himself a suspect for one of the murders.

Jiles seems to like writing about people on journeys, and she likes the setting of post-Civil War Texas. Chenneville finds in East Texas an area once more populous and prosperous, now wild and desolate. This novel is involving and eventful as you wonder how Chenneville can avenge his family without destroying his own life.

Related Posts

The Color of Lightning

Simon the Fiddler

News of the World

Review 2325: Homestead

~ whatmeread ~ 6 Comments

In her research for Homestead, Melinda Moustakis incorporated her grandparents’ stories of homesteading in Alaska. Yes, in 1956, you could still receive a homesteading grant in exchange for working and making a home on the land. That was a surprise to me, too.

Lawrence Beringer is a withdrawn and hard man who has just filed homesteading documents for 150 acres of land when he meets Marie. Marie has traveled from Texas to stay with her sister Sheila and Sheila’s husband Sly with the plan of finding a husband so that she never has to return home. Within hours of meeting each other, Lawrence and Marie are engaged.

The couple live on a bus the first year while Lawrence clears land, plants a crop, and finally builds a cabin. Life is difficult, but for Marie, most difficult is understanding Lawrence, who is very withdrawn. For Lawrence has found he cares too much and must stay away to keep himself together. A miscarriage when Marie is almost at term doesn’t help, especially because Marie understands that her part of the bargain is providing children.

Conditions begin to improve, but even when things are good between them, Lawrence is aware that he’s keeping a secret from Marie.

I felt some distance from both of these characters but found the story fascinating nonetheless. It is written telegraphically, in short, sometimes partial sentences. Despite the descriptions of such activities as plowing, building a cabin, or planting potatoes, this novel is mostly a study of two distinct characters.

Related Posts

Coming into the Country

The Horseman

The Orchardist

Review 2323: Literary Wives! Mrs. March

~ whatmeread ~ 12 Comments

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

This month we welcome a new member, Kate of booksaremyfavoriteandbest! She will join in for the next review in June.

My Review

Set in an undefined time that is probably the 1950s or 60s, Mrs. March is a character study of a woman disintegrating. This all begins at her favorite pastry shop. Mrs. March is a woman highly concerned with appearances. She is married to George March, a writer whose most recent novel is a hit. She is figuratively torn asunder when the shop owner asks her if she minds being depicted in George’s book as the main character, Johanna. Mrs. March hasn’t exactly read the book, but she knows that Johana is an ugly whore whose clients don’t even want to be with her.

Mrs. March immediately becomes obsessed by the idea that he has portrayed her and that everyone is talking about it. She doesn’t read the book, which might be a reasonable reaction, but she destroys a few copies and roots through George’s desk trying to discover his secrets. There she finds an article about a missing teenager in Maine and immediately begins to believe that George, who periodically visits a cabin in the same town, has had something to do with it.

This novel takes a deep look at the psychological behavior of a woman who is unraveling. At times it is darkly funny, sometimes tipping nearly to absurdism. Mrs. March is not likable, her behavior is often outrageous, yet it’s hard to turn away from the page.

What does this book say about wives or about the experience of being a wife?

It’s hard to answer this question, actually, because we don’t see much of George. You have to wonder in the first place what would make George give such an unpleasant character as Johanna all of his wife’s rather distinct mannerisms, especially since most of the time he seems affectionate and soothing to her. Artists can be clueless, but it also seems clear that Mrs. March is so self-obsessed that she is detached from everyone, even her son.

Literary Wives logo

What does the poor woman have to do all day except clean up things she doesn’t want her maid to see and prance around town in her fur coat shopping? It’s enough to drive anyone mad. Yet is seems that no one is stopping her from doing whatever she wants to except, possibly, the notion of how it would look if she, say, got a job.

And how things look seems to be the dominating force in her life. We get a few glimpses into her childhood where her cold mother taught her this priority.

George has his secrets, but he is really not at all important in this novel. Mrs. March is able to adjust her notion of George instantly, thinking he’s a murderer while preparing his birthday party. What a book!

Related Books

The Wife

The Tortoise and the Hare

The Bird’s Nest

Review 2319: Trust

~ whatmeread ~ 4 Comments

Trust is like a stack of nesting dolls. It is the story of a fabulously wealthy couple set in New York of the 1920s and 30s. First, it is written in the form of a novel published in 1937, Bonds by Harold Vanner, in which the couple are called Benjamin and Helen Rask. While the husband makes money, the wife is a patroness of the arts who dies in an insane asylum.

The second section of the novel consists of chapters and notes from Andrew Bevel’s unfinished “autobiography.” Bevel is the actual tycoon depicted in Bonds, and his biography reveals a controlling and almost megalomaniacal personality. In this section, the biggest difference is how unequal the couple are, with Mildred Bevel being treated as the little wife who has the harmless hobby of loving music and encouraging a few musicians. There are also sections about what a financial genius the husband is. This section was so overbearing that I could barely stand to read it.

Patience is needed for this novel, because more is revealed at each level. In the third section, we meet Ida Partenza, the ghost writer of Bevel’s biography. Her narrative is split between two time frames, the “present” of 1985 in which she is an older lady who has just heard of Mildred Bevel’s papers being available for study at Bevel House, and her memoir of working with Bevel on his book as a 20-year-old woman just after World War II. Bevel’s main concern seems to be to refute the novel Bonds, especially in regard to how it depicts his wife, and it’s true that it depicts her as dying in an insane asylum instead of a health clinic. However, to Ida’s confusion, instead of sharing with her memories of his wife or letting her interview Mildred’s friends, he seems to want her to invent things. It is in this section that the novel begins to be really interesting. Who was Mildred Bevel? What are Bevel’s secrets?

The final section is Mildred Bevel’s journal, brief passages written when she was dying in Switzerland.

This is the kind of novel that unfolds more in each succeeding section. It is about money, power, and control but especially about control. It is like glimpsing an image in a sliver of mirror that reflects differently as it moves.

I read this novel for my Pulitzer project. Trust was a cowinner for 2023 with Demon Copperhead.

Related Posts

The Wife

Empty Mansions

The Blazing World

Review 2307: The Geometer Lobachevsky

~ whatmeread ~ 4 Comments

In 1950 Ireland, Soviet citizen Nikolai Lobachevsky has been working in the western bogs, trying to help a team survey the bog lands. He receives a letter from the Soviet government summoning him home to take up a “special assignment.” He knows that probably means execution, so he hides on a remote estuarial island.

Readers who look for a rousing plot aren’t going to find one here. Nothing much happens except for work and exact observations. First, Nikolai is helping with the surveying. Later, he helps farm seaweed. But he is homesick, and once he hears of Stalin’s death, he decides to return to Russia, taking a gamble that Malinkov, for whom he used to work, will pardon him for whatever sins he’s supposed to have committed.

I just felt meh about this novel, which I read for my Walter Scott project. It excels at descriptive passages, but it was hard to know Lobachevsky. Also, I am not that into strictly contemplative novels.

Related Posts

The Fawn

The Bogman

The Secret Guests