Review 2320: The Haunting of Alma Fielding

The two previous books I’ve read by Kate Summerscale were Victorian true crime stories. In The Haunting of Alma Fielding she changes genres (slightly) and periods to write about the spate of supernatural cases, and one in particular, that hit England when World War II was threatening in 1938.

The principal figure in the book is Nandor Fodor, a Hungarian emigré who studied the supernatural but also had an interest in Freudian psychology. When the Fielding case cropped up, he was in a difficult position, because although his mission was to prove whether there were legitimate supernatural occurrences, when he tried to use somewhat scientific methods of observation, he was accused of being unfriendly to mediums. His role at the Society for Psychical Research was contradictory at best and his notion of the scientific not very well developed.

The Fielding case began with a frightened family haunted by a poltergeist that hurled dishes and toppled furniture. Fairly quickly, it became clear that the activity centered around Alma, who lived in the house with her husband and lodger, and the spirits began to branch out by producing objects from her clothes at séances.

Fodor seemed so happy to have found what looked like legitimate supernatural activity that he believed everything he was told and actually encouraged the “spirits.” When later he found evidence that Alma deceived him, he still believed that some of the events were real and continued his investigation.

I found this book less interesting than the true crime books because I became so impatient with the gullibility of the investigators. And the medium tricks! After all, even if a spirit could produce small objects (called apports) from a person’s body, why would it want to? Obviously, because it’s an effect that can be faked.

Related Posts

The Suspicions of Mr. Whicher

The Wicked Boy: The Mystery of a Victorian Child Murderer

The Burning of Bridget Cleary

Review 2085: The Suspicions of Mr. Whicher

Last summer, my husband and I watched a set of programs on BritBox—not a series but separate movies each with the title “The Suspicions of Mr. Whicher” and a different subtitle. When I looked at the credits, the name Kate Summerscale rang a bell, and I realized I had read her book The Wicked Boy about a Victorian true crime. The Suspicions of Mr. Whicher is also nonfiction, about a famous Victorian murder and the detective whose career was nearly destroyed by the case.

In June 1860, the Kent family awakened to find three-year-old Saville Kent missing. Searches of the property eventually located him under the seat of an outside privy with his throat cut. A window of the dining room was ajar.

The initial investigation was botched, with local police assuming the crime was committed by a servant or outsider, and even hiding some potential evidence. John Whicher, a top detective in the newly formed detective department, was assigned to the case after two weeks, as a result of reported bungling.

Mr. Whicher was thorough in his investigation despite lack of cooperation and even obstruction by the local officials. He concluded that Saville was murdered by his 16-year-old sister, Constance (this is not a spoiler because this information comes out fairly early in the book), but felt he didn’t have enough proof to make an arrest. However, the local magistrates pushed him into it.

It is the national reaction to the crime and Mr. Whicher’s suspicions that Summerscale concentrates on, as well as telling what happened to the principals later. This is a really interesting book, relating how Mr. Whicher was a model for early fictional detectives and how this case affected early crime fiction.

Related Posts

The Wicked Boy: The Mystery of a Victorian Child Killer

The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime

Famous Trials

Day 976: The Wicked Boy: The Mystery of a Victorian Child Murderer

Cover for The Wicked BoyDuring a scorching 1895 July in East London, Robert Coombes murdered his mother while she was sleeping. He and his younger brother Nattie continued to live in the house for ten days with their mother locked in her bedroom, decaying. They hocked items from the house for money and attended a cricket game and a play. They told neighbors and relatives their mother had gone to Liverpool to visit her sister. They invited a laborer named John Fox to live with them, and they all slept downstairs in the parlor. Their father was away at sea at the time.

When the boys’ Aunt Emily forced her way into the house and found the body, Robert told her that his mother had beaten Nattie and that Nattie had asked Robert to kill her when he gave the signal. This story later seemed to have been forgotten, and Nattie testified against Robert in trial.

This crime was shocking to the Victorians, and there were many theories about it, from the morally debilitating effects of the penny dreadfuls Robert loved to ideas about children’s innate base instincts that must be covered over by civilizing influences. No one really knows why Robert killed his mother, but journalist and writer Kate Summerscale has her ideas.

link to NetgalleySummerscale was able to follow Robert’s movements to Broadmoor Asylum after his committal and traced his career in World War I as an instrumentalist and stretcher bearer. At first I wondered where the epilogue was going but figured it was connected with the opening of the novel, about a fleeing boy.

I found this book very interesting. Although most of it focuses on the crime and trial, I found this story of a murderer’s redemption satisfying.

Related Posts

The Invention of Murder: How Victorians Reveled in Death and Detection and Created Modern Crime

The Fall of the House of Walworth: A Tale of Madness and Murder in Gilded Age America

The Secret Rooms