Tag: mental illness

Review 2647: The Darlings of the Asylum

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Violet Pring is more interested in her art than marriage, and she meets an artist, Mr. Lilley, who thinks she shows great promise. But it’s 1886, and Violet’s parents are pushing her to marry her childhood friend, Felix Skipp-Berlase. Felix is wealthy, and Violet’s parents want her taken care of, as they are broke. Felix is willing to have Violet continue her art career, but that doesn’t seem to cut any ice with Violet.

Violet’s mother is perennially ill, and she has a doctor, Dr. Rastrick, who makes Violet nervous. Violet finally agrees to marry Felix, but on the eve of the engagement party, she commits an indiscretion with Mr. Lilley. A few days later, Violet wakes up in Dr. Rastrick’s asylum.

The novel seems to be about Violet’s unfair incarceration because her ambitions are ahead of her time. However, we find that Violet is not altogether a reliable narrator, because she has memory lapses.

The thrust of this novel is confusing. At first, it seems that the evil scientist with absurd ideas about treating mental patients is dominating a gothic novel. I don’t want to give too much away, but this idea shifts and shifts again. And Violet’s adventures turn toward absurdity by the end.

I think O’Reilly has written more of a 21st century heroine than a 19th century one, and not a terribly convincing one. He also doesn’t seem to know what his own book is about—a girl learning how to take control of her own destiny? a girl learning to understand her parents better? a girl coming to sympathize with the stresses on women in poverty? the difference between Dr. Restrick’s approach and that of the new field of psychiatry? It doesn’t seem like he knows.

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Review 2619: Literary Wives! Novel About My Wife

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

My Review

We learn that Tom’s wife Ann is dead, but we don’t know the cause for some time. Tom looks backward and forward along the length of their marriage trying to figure things out. Occasionally, there are scenes from a book manuscript he’s writing in which he tries to guess what happened in Fiji the weekend they got married.

Tom is a script writer, and Ann makes models of cancer patients’ body parts at a hospital. Feeling as if things are going well financially, they have bought a house in Hackney with a lot more space than in their flat. They love it, but when Tom’s job writing a script falls through because the producer leaves the field, he begins having trouble finding another job.

Ann comes home from work one day and tells Tom that she saw her stalker at work. Tom didn’t know she had a stalker, but she says she has spotted him in various places.

Ann is Australian, but she has lost her accent and doesn’t want to talk about her past. She also has a history with drugs that she doesn’t seem as secretive about.

It’s hard to explain what this book is about without giving away too much, although the blurb just goes ahead and gives away a major plot point. Let’s just say that the tension level rises as Ann becomes pregnant, Tom still can’t find a job, and Ann’s behavior becomes manic at times. Ann has secrets, but she’s not telling.

Without being a thriller but more an intense examination of a relationship, Perkins’ book skillfully builds up quite a bit of suspense. It liked it a lot.

What does this book say about wives or about the experience of being a wife?

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The relationship described here is so complex that it’s hard to answer that question. Or maybe Ann is complex and unknowable. At first, I was annoyed at this couple and their dismissive attitude to many people and things, but after a while I began to like them. Still, Tom doesn’t seem to notice that Ann’s behavior is getting more bizarre, that she keeps going after ant infestations, for example, when Tom doesn’t see any ants or staying up all night rearranging things into weird configurations. In the meantime, he is both spending money and worrying about debt. Both of them seem to be subject to compulsive behaviors.

Secrets seem to be a big problem. Although the two love each other, they both keep their secrets—Ann about her life in Australia and the events in Fiji, Tom about the state of his work, and the level of their debt. The culmination comes when she finds out the truth about another secret he’s keeping.

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Review 2574: Girl, Interrupted

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Girl, Interrupted is Susanna Kaysen’s memoir of the time she spent as a young adult in a mental hospital. These days, people are booted out of mental facilities as soon as their insurance runs out, recovered or not, but back in the late 60s, apparently some were put in and kept for a long time. The book blurb says two years, but the copy of her medical records looks like closer to a year-and-a-quarter.

What was shocking to me from the first was that she was sent to the hospital on the basis of a short visit to a strange psychiatrist who noticed she had picked a pimple (what adolescent doesn’t?) and wrote down “picking at herself,” and then asked her if she was tired. She said yes because she got up earlier than usual to go to the appointment. Next thing she knew, she was in a cab to the hospital.

Later, she shows the medical report, which says the diagnosis was based on a three-hour interview, but Kaysen devotes a chapter to the timings, including check-in times reported by the hospital and the doctor’s office, to show it was no longer than 20-30 minutes. (She originally says ten.)

Perhaps she’s not an altogether reliable narrator, because she admits in the Introduction to not telling things, and later we hear about one disturbing behavior, although it doesn’t seem to be one that requires incarceration of more than a year. She also tells of a suicide attempt but says she knew immediately it was a mistake.

Other practices of the hospital seem ridiculous, and nothing seems designed toward the girls’ recovery but rather the staff’s convenience.

Interesting stuff.

Towards the end of the book, she dismisses her diagnosis, “character disorder,” and talks about what that might mean. Her own diagnosis is that she was bored and being forced to do things she didn’t want to do. I think that’s called being a teenager.

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Review 2531: The Bell Jar

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I’ve meant to read The Bell Jar for years, so when I saw it would fill a hole in my A Century of Books project, I got it from the library. I was also interested in it after reading the biographical fiction Euphoria, about Sylvia Plath and her husband, Ted Hughes.

In 1953, Esther Greenwood has earned an opportunity from a major fashion magazine, an internship with a group of other girls in New York. At first, she studiously applies herself to her assignments, but she becomes distracted by her fascination with Doreen, who seems more worldly than the other girls. She is tempted out by endless partying until Doreen gets a boyfriend and Esther has several unfortunate encounters with men.

She returns home from her internship suddenly adrift. She has not been accepted into a writing program, she doesn’t want to live with her mother, and none of the careers she can think of are appealing. Everything seems gray and uninteresting.

Of course, this is the story of Esther’s fall into mental illness, wrapped up in her inability to see a path for herself aside from marriage, which she clearly fears.

The novel is clearly based on Plath’s own experiences. It is clearly and vividly written and looks deep into the psyche.

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Review 2454: The Shutter of Snow

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The Shutter of Snow is a remarkable work. It is Emily Holmes Coleman’s only novel, written after she was interred in a mental hospital for postpartum psychosis. As you can imagine, therapy in the 1920s was not sophisticated.

Sometimes Marthe Gail believes she is God, sometimes Jesus Christ. She thinks her husband and the doctors are keeping her baby away from her, or maybe she didn’t have a baby. Or maybe he is dead.

She is injected in her spine, wrapped in sheets and submerged in water for hours. Imprisoned under a canvas sheet with only a hole for her face.

She makes improvements and is moved to a freer ward, gets in a fight with a patient or hangs like a monkey from pipes or dances naked through the ward and is moved back. She begs to see her husband but then is angry with him when he comes.

Her story is told from her own point of view, which is sometimes angry, sometimes hallucinogenic, sometimes filled with humor. The writing style does not break out speech from thought, so it is occasionally briefly confusing, but propels the reader along with it.

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Review 2323: Literary Wives! Mrs. March

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

This month we welcome a new member, Kate of booksaremyfavoriteandbest! She will join in for the next review in June.

My Review

Set in an undefined time that is probably the 1950s or 60s, Mrs. March is a character study of a woman disintegrating. This all begins at her favorite pastry shop. Mrs. March is a woman highly concerned with appearances. She is married to George March, a writer whose most recent novel is a hit. She is figuratively torn asunder when the shop owner asks her if she minds being depicted in George’s book as the main character, Johanna. Mrs. March hasn’t exactly read the book, but she knows that Johana is an ugly whore whose clients don’t even want to be with her.

Mrs. March immediately becomes obsessed by the idea that he has portrayed her and that everyone is talking about it. She doesn’t read the book, which might be a reasonable reaction, but she destroys a few copies and roots through George’s desk trying to discover his secrets. There she finds an article about a missing teenager in Maine and immediately begins to believe that George, who periodically visits a cabin in the same town, has had something to do with it.

This novel takes a deep look at the psychological behavior of a woman who is unraveling. At times it is darkly funny, sometimes tipping nearly to absurdism. Mrs. March is not likable, her behavior is often outrageous, yet it’s hard to turn away from the page.

What does this book say about wives or about the experience of being a wife?

It’s hard to answer this question, actually, because we don’t see much of George. You have to wonder in the first place what would make George give such an unpleasant character as Johanna all of his wife’s rather distinct mannerisms, especially since most of the time he seems affectionate and soothing to her. Artists can be clueless, but it also seems clear that Mrs. March is so self-obsessed that she is detached from everyone, even her son.

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What does the poor woman have to do all day except clean up things she doesn’t want her maid to see and prance around town in her fur coat shopping? It’s enough to drive anyone mad. Yet is seems that no one is stopping her from doing whatever she wants to except, possibly, the notion of how it would look if she, say, got a job.

And how things look seems to be the dominating force in her life. We get a few glimpses into her childhood where her cold mother taught her this priority.

George has his secrets, but he is really not at all important in this novel. Mrs. March is able to adjust her notion of George instantly, thinking he’s a murderer while preparing his birthday party. What a book!

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Review 2056: Bewilderment

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Theo Byrne is an astrobiologist whose job is to search for life on other worlds. He is also a bereft widower and the father of Robin, a troubled nine-year-old boy. Robin is kind and super-intelligent, very concerned about animals, but he is also hyper-anxious and prone to horrible fits of rage. He has received conflicting diagnoses, and Theo doesn’t want to subject his growing brain to psychotropic drugs.

After a few incidents at school, Theo is aware that he soon may be butting heads with social services. So, when Stryker, a scientist at the university where Theo works, offers Robin a place in his experimental but noninvasive treatment studies, Theo accepts. The treatments seem to work magically well, but at the same time Theo fears that Robin is becoming a different person.

Theo and his environmental activist wife have brought Robin up to appreciate the abundance and beauty of natural life, so some of the most beautiful moments in this novel come during their camp-outs. Theo also entertains Robin with bedtime stories about the kinds of life that may be on other planets.

Powers has created an absolutely convincing story about the inner life of a fragile boy and his father, who is trying very hard but who himself is unusual and slightly off-kilter. He has set it in a slightly dystopian time with a Trump-like president and a background of social and environmental disintegration. The references in the beginning to the novel Flowers for Algernon set the tone for where the novel is going and despite a few smiles, there is no doubt that it is going there. Here is another troubling novel from Powers, very sad and powerful.

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Review 2030: Down Below

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Leonora Carrington was a Surrealist artist who for years had an affair with the much-older Max Ernst. During World War II, Ernst kept being imprisoned as an enemy alien in France, and the resultant tribulations broke Carrington’s mental health. As she and some friends traveled to Spain to escape the German invasion, she became disassociated from reality. Down Below is her recollection of her state of mind and thoughts during her break from reality.

Reading this very short work is an odd experience, as Carrington’s delusions seem as surrealistic as any artwork. It also feels elliptical, reticent about the events that brought on her insanity and really about anything personal except her state of mind. It would have been almost impossible to understand without the background provided in the Introduction to my NYRB edition.

It’s pretty crazy. Unfortunately, this breakdown made her a heroine of Surrealism, which must have been personally difficult for her.

Just as a coincidence, shortly after I read this book, I read Julie Orringer’s The Flight Portfolio, about Varian Fry, the man who helped many writers and artists, including Ernst, I think, escape the Nazis. Review coming in a few months.

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Review 1841: #1954 Club! The Bird’s Nest

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When I saw that a Shirley Jackson novel I hadn’t read qualified for the 1954 Club, I knew I had to read it.

Twenty-three-year-old Elizabeth Richmond is a quiet girl with very little affect. Her mother died a few years ago, and she lives with her aunt Morgen. When she reluctantly seeks help for debilitating headaches, she is referred to Doctor Wright. After a series of baffling hypnosis sessions, Dr. Wright realizes that Elizabeth is exhibiting multiple personalities.

Elizabeth herself is restrained and has difficulty expressing herself. Another personality, which Dr. Wright calls Beth, is sweet and melancholy. Eventually, a third teasing and raunchy personality, Betsy, appears, and after a disastrous trip to New York, there is Bess, obsessed with the money she is due to inherit. Wright believes he can fuse these partial personas into a whole person, but soon they are fighting for their existence.

I don’t know how likely this novel would be considered now by those in the mental health profession, but it seems to be right up there for the 1950s. The novel is both bizarre and a little frightening and weirdly, macabrely funny, both effects which are probably intended. As to the novel’s resolution, well, that’s less likely but entirely 50s in nature.

I can see why some other of Jackson’s works are better known and more widely read, but The Bird’s Nest is still very good.

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Review 1685: Our Endless Numbered Days

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Best of Ten!

In 1976, eight-year-old Peggy’s father James spends his time talking with his survivalist friends while her mother, Ute, prepares for a concert tour. Ute has been gone several weeks when James tells Peggy they are going on vacation. They travel from London to Germany camping in a tent, finally arriving at a small cabin that is falling down. James tells Peggy that everyone is dead and they are the only people left in the world, which has been destroyed.

In 1985, Peggy has been returned home to Ute and her brother Oscar, who was born after she and James left. She is struggling to adapt to the real world.

This novel reminded me very much of Paul Theroux’s Mosquito Coast, only with an added twist. Still, it is absolutely gripping, as James gradually loses touch with reality.

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