Review 1484: The Sealwoman’s Gift

With one foot in the world of myth and saga and the other based in a true historic event, The Sealwoman’s Gift should have been a great book. Sadly, it is not quite so good as I expected. It has an interesting beginning and a touching end but tends to drag sometimes in the middle.

One morning in 1627, Oddrún comes to Ásta, saying she’s had a vision of men crossing their island to attack them. However, Oddrún thinks she’s a sealwoman and only one of her visions has been known to come true, so no one pays attention. Shortly thereafter, their small Westman Island, part of Iceland, is attacked by Barbary pirates. Almost everyone is killed or enslaved.

This is Sally Magnusson’s imagining of a true event the remains one of the most significant in Icelandic history. Out of a population of about 40,000, many were killed and 400 taken. Among those taken are Ásta and her husband, the minister Ólafur, and all but one of their children. Ásta, hugely pregnant, begins giving birth on the ship, and one of my complaints is that, with all the flashbacks and background information, it takes from chapter one until the end of chapter five before she actually has the baby. I have to say that this seemed interminable, and Magnusson could have figured out a better way to handle the background information. Finally, they arrive in Algiers.

Ásta and Ólafur and two of their children are bought by a powerful trader named Cilleby, while their oldest son Egill, is purchased by the Pasha and never heard from again. Ólafur is surprised to be given no duties, but after a few months Cilleby dispatches him with a safe passage back to Denmark to try to obtain ransom for Denmark’s Icelandic citizens.

Ásta, who has been a dreamy woman with a love of Icelandic sagas, remains as a seamstress, trying to bring up her remaining two children and listening to the stories told in the evening by members of the harem.

During this period, Magnusson might have tried to more fully imagine life in Algiers, but this world is not fully realized. Or, she could have stuck with Ólafur on his journey back to Denmark and in his years of fund raising to free the captives. But she is more interested in Ásta and has her develop a relationship with Cilleby. I found this the least likely and least interesting part of the book.

Still, I was glad I finished the book, because the story eventually ends in Iceland, which Magnusson depicts more convincingly. The ending was touching and redeemed the novel quite a bit.

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Review 1373: The Queen of the Caribbean

I was intrigued enough when I wrote my Classic Author Focus article on Emilio Salgari for The Classics Club that I ordered one of his books. Salgari was an early 20th century adventure novelist whose work inspired other writers and film makers.

Unfortunately, I didn’t really do my homework and ended up picking a book with an appealing cover and title. The problem was that it is the second in Salgari’s Black Corsair series. Unlike many old adventure series—I’m thinking of, for example, Tom Swift—The Queen of the Caribbean depends heavily on its predecessor, The Black Corsair, which I had of course never read.

I was a bit taken aback when I opened the book to find a modern map of Southern Mexico and Central America labeled “West Indies, 1600.” The only concession to the 1600’s was a hasty label “New Spain.” Panama, which wasn’t even a country until a couple of years before the book was published in 1905, was delineated. Apparently, Salgari or his publishers (assuming this was a map that appeared in the original publication and not a creation for the republished copy) chose to use modern place names, some of them even in English.

Other than that, Salgari appears to have some knowledge of pirates, sea-going, and the flora and fauna of Mexico and Florida. Unfortunately, he sometimes stops the action dead in its tracks to tell us about some plant or animal. In a way, this book reminds me of those of W. H. G. Kingston, which I had a small collection of that never reappeared after our move. However, Kingston was better at working his facts into the story.

The Black Corsair is pursuing his enemy, Van Guld, who betrayed his followers in battle. Later, after the Black Corsair and his brothers turned pirate in pursuit of their enemy, Van Guld was responsible for the deaths of the corsair’s brothers. All this apparently happened in the first book. In The Queen of the Caribbean, this pursuit leads them to attack Vera Cruz, an event that actually happened. During the search in Vera Cruz for Van Guld, the Black Corsair hears rumors that his lady love, who he thought was dead, may be alive.

Although the Black Corsair behaves nobly, he doesn’t seem at all disturbed by the mayhem wrought upon innocent people by his pirate friends. Perhaps Salgari was attempting to portray pirates more realistically than is usual in adventure fiction. He seems, however, to have an admiration for what are essentially bloodthirsty cutthroats. I don’t think I’m applying my 21st century standards here, because I’ve managed to enjoy many other adventure novels, including ones about pirates. The characters in this one are cardboard figures being put through their paces.

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Day 790: Jade

Cover for JadeOf the Sally Watson books I rediscovered, Jade is one I haven’t read before. I’ve mentioned that Watson wrote several of her novels around a person from her own ancestry, but it is not clear to me if the outlines of each story are based on family legend or are just invented around the events of the time. This question becomes of special interest in regard to Jade, which is the least likely of Watson’s books to date, even if part of it is based on history.

Jade’s real name is Melanie Lennox, but she much prefers her old nickname. She is a rebellious girl completely taken up by her own ideas of right and wrong. She is especially incensed by slavery and women’s lack of rights, which makes early 18th century Williamburg an uncomfortable place for her and for her family, who doesn’t know what to do with her.

The last straw for Jade’s father is when he finds she has been sneaking off to meet Monsieur Maupin, an elderly Frenchman, for fencing lessons. Tired of beating her, her father ships her off to Jamaica to live with her aunt and uncle. With her goes her slave Joshua, whom she’s been trying to free since she was 10.

In Jamaica, she is disgusted by the slave market and the treatment of field slaves, so her aunt and uncle are surprised when she wants to buy a proud untamed African woman, whom she names Domino. But Jade sees something in Domino that reminds her of herself. In fact, Jade isn’t really getting along any better in Jamaica, but doesn’t stay there long.

Jade’s aunt and uncle hear of yellow fever on the island, so they dispatch Jade and her two slaves back to Virginia. They return on the same ship they came on, but this time it is loaded with slaves. Jade decides to try to free the slaves, in which effort she doesn’t realize she’s assisted by the sardonic second mate, Rory McDonald (whose grandmother was Kelpie from Witch of the Glen).

I wasn’t quite prepared for what happens next, but maybe I should have been. Their ship is attacked by pirates and she and Rory and some other crew members and the slaves decide to join the pirates. Well, Jade and Rory are taken on board unconscious, but like Elizabeth Swann of Pirates of the Caribbean, Jade at first decides it’s “a pirate’s life for me.” Only later does her view of the life become more nuanced.

The novel’s plot is unlikely, even though it is based on the life of the famous pirate, Anne Bonny (spelled Bonney in the novel), whose ship our characters end up on. And Jade is not strictly likable, her character being so full of self-righteousness and so unbending that she can’t tell a polite lie. Also, the novel tends much more to the preachy than those I’ve read so far of Watson’s.

Still, this novel is probably a good one for insights into the abuses of the time, while still providing plenty of adventure. Little feminists in the making will be sympathetic to the restrictions Jade struggles with, such as her dislike of what she must wear, her lack of rights as a woman, and the limits to what she’s allowed to do. I personally think she’s too much of a 20th century girl, but young girls won’t even think of that.

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Day 770: Captain in Calico

Cover for Captain in CalicoThe foreword to Captain in Calico, written by George MacDonald Fraser’s daughter, says that it is closely based on the careers of the pirates Captain Jack Rackham and Anne Bonny (Bonney). I would suggest it is more loosely based. With the little I know about the subject, I spotted inaccuracies, and the novel has a completely fabricated ending.

Calico Jack Rackham arrives in the Bahamas full of hope. Although he fell into piracy against his will, he’s kept at it for the past few years, and he and his shipmates have captured a ship full of Spanish silver. But he has heard about a pardon being available, and he hopes to take his pardon so he can marry the girl he left behind, Kate Sampson.

Governor Woodes Rogers isn’t content to simply give his pardon. Jack must betray his shipmates and be captured along with the silver before he gets a pardon. What the governor knows and Jack does not is that his betrayal will be for nothing. Kate Sampson is engaged to be married, to the governor himself.

So, Jack betrays his crew, loses his fortune, and gets his pardon, but he does not get Kate. Afterwards, drunk and angry, he ends up in a duel and is wounded. A voluptuous married woman named Anne Bonney takes him home to heal him and promptly seduces him.

Soon Anne is trying to talk him back into piracy. She has heard the governor is shipping treasure, and she knows the name of the ship. She wants Jack to raise a crew, steal a boat, and stop the ship on the high seas. Jack thinks it’s a risky business, but she talks him into it. In turn, he persuades his friend Major Penner, with whom he had signed on as a privateer, to join him.

George MacDonald Fraser’s novels are marked by more realism and less romanticism than most historical novels, especially from his time. His protagonists are often unsavory types. In this case, Jack starts out by betraying his friends, but I presume we are supposed to be sympathetic with him. I wasn’t. In Fraser’s Flashman novels, in contrast, we are amused by Flashman’s lack of scruples but find his morals abhorrent. Next, Fraser’s novels are usually marked by impeccable research, but this one differs in several respects from the other reading I’ve done on Anne Bonny. For one thing, she ran away to marry Bonny, a poor sailor. In this novel, she was basically sold to Bonney, a rich plantation owner.

link to NetgalleyFinally, this novel falls into a genre that leaves a bad taste in my mouth, wherein a man’s troubles are the fault of a seductive, unprincipled woman. I really don’t like these novels. No matter which sex is leading the other astray, it’s presumed the victims can’t think for themselves. Since a large proportion of the women in American prisons are there for abetting their partners in crime (a statistic I read a while back, so I can’t back it up with a citation), this does seem to happen to women, but in literature it is much more frequently the men who are betrayed. Why do you think that is? (That’s a rhetorical question, but you can answer it if you like.)

So, not one of Fraser’s best, as he frankly admitted. Still, Fraser is a good writer who always manages to keep your attention.

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