Tag: World War I

Review 2424: The Bookbinder

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Pip Williams revisits the Oxford University Press and the themes of World War I and rights for women in The Bookbinder. Again, she shows her skill as a storyteller.

Peg Jones has grown up around the Oxford University Press, but she’s a representative of town rather than gown. She works at the press as a bookbinder, but she has always yearned for more education and an opportunity to attend Somerset, the women’s college. Aside from the social and educational restrictions, she has been held back by a feeling of responsibility for her special needs identical twin sister Maude.

World War I has just started, and Peg gets an opportunity to apply for one of the positions on the men’s side, but she doesn’t take it. In a link back to The Dictionary of Lost Words, Peg helps Esme’s lover bind a printed copy of her collection of women’s words.

After the invasion of Belgium, Belgian women come to work at the press, and Maude becomes close to one of them, Lotte. Peg goes to volunteer at the hospital and is teamed a reader/letter writer with Gwen Lumley, an upper-class girl who becomes her friend.

Peg is torn between her feeling of responsibility for Maude and her resentment of it. She is both grateful to Lotte for helping with Maude and jealous.

Her contact with Gwen along with the help of her supervisor, Mrs. Stoddard, leads her to an opportunity to apply for a scholarship to Somerset. But she must pass two series of exams.

Williams is skillful at involving readers with her characters’ ups and downs as well as their self-development. I enjoyed this novel very much.

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Review 2321: Classics Club Spin Result! Weatherley Parade

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Note: the name on this cover image is misspelled. The cover on the book I have looks the same but is spelled correctly.

In Weatherley Parade, Richmal Crompton takes a look at changes in society through the lens of one upper-class family, the Weatherleys. Her novel begins with the return of Arthur Weatherley from the Boer War in 1902 and ends in the midst of World War II in 1940.

The novel is written in vignettes, chapters that take up a few hours, a few days, or a few months. What with children, grandchildren, and other relatives, there are many characters. No one is completely lovable or unlikeable. They are shown with their good points and flaws.

During the years, there are many events—happy and unhappy marriages, separations, a divorce, and deaths. Among these events, there is one treatment of a child that is hard to forgive.

Among some of the characters is Aunt Lilian, a young woman in 1902 of whom her brother Arthur despairs. He can’t understand why she keeps jilting one fiancé after another. She runs with a fast crowd and seems restless and bored. At first, I thought she was just ahead of her time, dissatisfied with traditional women’s roles, but I liked her less as time went on, and she eventually turns to alcoholism.

Arthur’s two children are Clive and Anthea. Clive is a boy who thinks everything should be done properly and by the rules, which doesn’t make him a popular schoolboy or, later, schoolmaster or father, even though his intentions are good. Anthea likes to have people’s attention, which works well when she is the mother of many children but isn’t so successful when they begin leaving the nest.

The novel stops in to visit these characters and their descendants at key periods of their lives. The scope here is broad rather than particular, so we don’t get to know any characters extremely well. I thought the depiction of changing times and attitudes was interesting, but I felt fairly neutral about most of the characters.

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Review 2276: Classics Club Spin! The Tree of Heaven

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Although the Preface states that the tree of heaven in this novel is stripped of its false identity in the end and shows itself as merely an ash—to symbolize the stripping away of Victorian sentimentality to realism—I have to say that depicting men’s deaths in World War I as glorious isn’t a bit realistic. But never mind. The book was written in 1917, so it pretty much had to.

The novel begins in the late 19th century when Anthony and Frances Harrison are young parents and have recently bought their house. One of the things Frances loves about it is the tree of heaven, which Anthony, a timber importer, states is nothing but an ash tree. The couple have four children, Dorothy, Michael, Nicky, and John. Frances is obsessed with her children, really the boys, to the point where Anthony feels left out.

This novel is about daily life in pre-war England through the microcosm of one family. Early on, as early as the first day depicted in the novel, when Michael refuses to go to a children’s birthday party, he demonstrates a fear of what he later calls the Vortex, which seems to be giving up his individuality because of the pressure of others’ excitements. As they grow, the children encounter situations which show and determine their personalities. The family takes in Veronica, the daughter of Anthony’s brother Barty and Frances’s best friend, Vera. Although Barty is family, he has become unbearable, and Vera leaves him for her long-time friend Ferdie Cameron. But Barty refuses to give her a divorce. Nicky, by then a schoolboy, becomes close to the lonely little Veronica, and it is thinking of her situation as a young man that makes him decide to marry a woman who is pregnant by another man, not for the woman but for the sake of the child.

As a young woman, Dorothy becomes involved in the suffrage movement, but doesn’t approve of some of their tactics. She too eventually backs off from the movement because of fear of the Vortex, while Michael joins a group of avant garde poets who renounce all previous poetry.

All of this leads up to World War I and the effect it has on the family and its friends. It is an interesting and well-written novel that provides a look at an ordinary (although well-off) family in the first couple of decades of the 20th century.

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Review 2118: Afterlives

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An interview I heard with Nobel Prize winner Abdulrazak Gurnah made me interested in reading his latest novel, Afterlives. This novel is set in what once was German East Africa, from the early 1900s to the 1950s.

At first, the novel seems rambling, beginning with one character then moving to another, reminding me a bit of Indian writer Amitav Ghosh, but Gurnah eventually returns to the characters he started with. This novel begins with Khalifa. In Gurnah’s fashion, we first hear all about Khalifa’s family and education before getting down to the story of how he goes to work for the merchant Amur Bi-ashara. They become close, and Khalifa marries Amur’s niece, Asha. Asha’s father was ruined before he died, and Amur bought the house they live in, but he promised the house to Asha. However, he dies before giving it to them, and his son, Nassor Bi-ashara, keeps it. Although Khalifa continues to work for Nassor, resentment is there.

The story moves to Ilyas, who arrives in town for work and befriends Khalifa. Ilyas was stolen away from his family as a child, and so after he is settled, he returns to his village to look for his family. His family is gone except for a much younger sister he didn’t know he had, Afujah, who is living with her uncle and being treated like a slave. Ilyas brings Afujah back to town to live with him for a year, but then he decides to join the askaris in the German army, so he takes her back to her uncle. There she is mistreated until she sends a message to Khalifa, who comes and takes her back to town.

We meet Hamza when he is serving as an askari just before and during World War I. This is the story in which the theme of colonialism really gets going. Hamza eventually meets Khalifa, but much else happens first.

Gurnah employs a detached tale-telling style, which I noticed bothered some Goodreads readers, but he is a true storyteller. The ending seemed a bit of an anticlimax but wrapped up all the story threads.

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Review 1793: Dare Not Tell

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Full disclosure: Elaine Schroller is a friend of mine, and I received a copy of her novel in exchange for a free and fair review.

In 1939, Sophie and Joe Parker are about to make a sort of pilgrimage to Villers-Bretonneaux, France, the site of the most vicious battle Joe fought in during World War I, the one that gives him nightmares.

In 1916, Sophie Holt is a young American nurse volunteering in a hospital in Paris when she meets Second Lieutenant Joe Parker on leave from the Australian army. Joe is married, but they begin a friendship through letters that lasts the duration of the war. Joe’s wife Annie dies in the flu epidemic, but when Joe goes to look for Sophie at the end of the war, he finds that she’s married a British surgeon and moved to England.

The first third of the novel covers this relationship and follows the two until they get together after Sophie is widowed. Then it shifts in tone and purpose as Joe’s PTSD comes to the surface with the trip to France and the couple notice odd things going on in the valley around Chamonix.

It may be that this strong focus on their relationship creates some issues for me—in particular, that of characterization. Although both Sophie and Joe are likable characters, there is no sense of the personality of any of the other characters. For example, Sophie’s best friend only appears in one scene and later is reported killed. Sophie adopts her son, who is only mentioned in the novel and maybe speaks once, and Joe’s son hardly appears. And so on until it gets to Chamonix, so that I missed from this novel a real sense of what its other characters are like.

Until the trip to France in 1939, there is also little sense of the characters’ surroundings. That changes with descriptions of the landscape, and the novel, which seems to lag a little in the transition, picks up quite a bit.

Schroller has done a lot of research about the role of Australian soldiers in World War I France, that is clear. In her next book, I hope she works more at filling out the secondary characters and the sense of the world around them, both in setting and in the life of others.

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Review 1580: Barometer Rising

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I got interested in the 1917 Halifax Explosion through my friend Naomi of Consumed by Ink. She has a page of books she’s read about the event, from which I selected this novel, written in 1941.

Penny Wain believes that her fiancé, Neil Macrae, died in action in France. She is aware there is more to it than that, but no one will tell her what it is, even her father, Colonel Wain, who was Neil’s commanding officer. But then, her father hated Neil. Penny has been working as a ship designer and has just had a design accepted by the Admiralty.

Penny has an admirer, Angus Murray, a doctor who is home on leave because of an injury. Angus is a lot older than Penny and is considered washed up because of his drinking, but Penny sees more in him.

What Penny does not know is that Neil is in Halifax. He was due to be courtmartialed for disobeying orders when the shed he was in was hit by artillery. He awakened with amnesia, having been mistaken for another soldier. Now, he is searching for a man he hopes will prove him innocent of the original charges.

This novel begins a few days before the cataclysmic event and ends a few days after. The description of the event itself, which caused an earthquake, a tidal wave, and an enormous wind, is impressive. Although I personally think Penny chose the wrong guy, I found this novel very interesting and involving.

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Review 1457: The Alice Network

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I would estimate that 90% of the recent historical novels I’ve read in the last two years—and I’ve read a lot of them—are dual timeframe novels. Although I have read some excellent ones (The Weight of Ink comes to mind), I’m beginning to feel that they often indicate laziness on the author’s part. Why write a carefully researched novel about one period when you can write two hastily researched ones?

In post-World War II England, Charlie is on her way to Switzerland to a clinic for unmarried pregnant women when she ditches her mother to try to search out what became of her cousin Rose during the war. This all sounds very well, but the flippant first-person narrative style undermines everything serious about this section, turning it into, well, a historical romance.

She finds Eve, whose name as a preparer was on the reports her father received about Rose. And what are the odds that Eve is going to handle a report that mentions a name important to both her and Rose’s fates? Not too likely, I’m guessing, but that’s what happens.

In any case, then we plunge into the story of Eve, a spy during World War I, and back and forth we go for a book that is about 100 pages longer than it should be and very repetitive.

Worse, some of the detail and conversations, especially in the spy section, seem unlikely. I felt as if the characters were being put through their paces in benefit of the plot rather than evolving more organically. Characters are given traits to round them out, but these traits are just sort of thrown into the mix. For example, Charlie is supposedly a math whiz, but the most complicated thing she does is figure a tip or quote the Pythagorean Theorum (which I learned in 7th grade, and I think kids learn even earlier now). Neither is exactly high mathematics.

I know this book was very popular, and I think the subject matter is interesting, but I am not a fan of the execution of this novel. I wasn’t that drawn in by Manhattan Beach, but compared to this and some of the other World War II-based novels I’ve read lately, it was a masterpiece.

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Review 1425: High Wages

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Jane Carter is a young girl hoping to get a job in Tidsley so she can move out of her stepmother’s house. While her father was alive, she was educated and cherished, but since the age of 15, she’s only been tolerated in her home. In front of Chadwick’s shop, she sees a sign posted for a shop girl. This would be a good opportunity for her, because Chadwick’s is the best draper in Tidsley. And, as she is of genteel appearance, she is hired.

She is excited to get the job, although she slowly realizes its problems. The room above the shop where she must live is not very nice, but it seems fine to her, and her roommate, Maggie, is friendly. However, Mrs. Chadwick skimps on the girls’ food, and Mr. Chadwick sometimes cheats her out of her commission, taking it for himself. Worse, though, is his caution at change in the shop. Jane finds she is good at her job and has ideas that will make money, but Chadwick often won’t let her try them.

A difficulty she isn’t aware of, as Maggie and her young man, Wilfred, invite her out with them every Sunday, is that Wilfred is falling in love with her. She, herself, is attracted by a young man named Noel Yarde, but he is above her in class. Then, lives change as World War I begins.

This novel has an appealing heroine, naïve yet practical, and not to be beaten down. Its realistic portrait of the times, particularly as they change over a period of about eight years, is interesting. The flavor of the northern town, with its grimness and social barriers, is interesting, too. As usual with Whipple,, I enjoyed this novel very much.

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Review 1376: A Harp in Lowndes Square

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In a lonely attic, a neglected child sits and makes clothing for her doll out of old clothes. Everyone is out, surely, but she hears voices on the stairs. These voices belong to her two children, twenty years in the future.

Those children are twins, Vere and James, who have been taught by their mother that all time is simultaneous. The two do indeed experience flashes of visions and sounds from other times, events that occurred in the room years before.

Vere and James’s happy growing up, along with their sister, Lalage, is interrupted by the death of their father. The family is left in financial difficulties and must move from their suburban home to a small house in London. This brings their mother, Anne, back into the orbit of her own mother, the formidable Lady Vallant.

It is clear that, when she returns from visits to her mother, Anne appears to be more worn than usual. Anne’s children know that the two don’t get along and suspect that Lady Vallant harasses Anne. However, a chance remark reveals to them an aunt they didn’t know existed, Myra, who died when she was young.

Vere and James receive impressions of serious events that are not talked about. They begin trying to find out the secrets in their family’s past.

This novel is a ghost story but not in the sense of one meant to scare. It reflects Ferguson’s interest in houses and her sense that actions taken in a room stay in that room’s atmosphere. This idea also occupied A Footman for a Peacock, which I found considerably less likely than this novel, which is set during World War I.

I like a ghost story, but this novel has more going on than that. It’s a story of how family events can affect the lives of others who weren’t even alive when they happened. It’s a good character study of Vere, who cares deeply about a few people but is meticulous and reticent in nature. It is also about a chaste love affair with an older man—and his wife. I didn’t really understand the charms of that relationship, but I very much enjoyed this novel.

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Day 1278: The Forty Days of Musa Dagh

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Cover for The Forty Days of Musa DaghBest Book of Five!
In 1915, the Ottoman Empire decided to make a scapegoat of its Armenian subjects. It declared all Armenians to be subversive and began “relocating” them to the deserts of Syria. Those who did not die on the way from starvation or mistreatment starved to death upon arrival. In this way, the Turks rid themselves of 1.5 million Armenians, a fact the Turkish government still denies.

In the shadow of the mountain named Musa Dagh, the inhabitants of seven villages decided not to go. After the villages received the news that they would soon be relocated, they sneaked supplies and livestock up into the mountain. Then, the day before the evacuation, they walked up onto Musa Dagh. There, for forty days, they managed to defeat the Turkish army’s attacks until they were rescued by the French navy. Although there were casualties, more than five thousand people were rescued.

The Forty Days of Musa Dagh is considered Franz Werfel’s masterpiece—his fictional account of the event. The main character is Gabriel Bagradian, a wealthy man raised in Europe who has recently returned to this family home after the death of his older brother. He is a reserve army officer, and when he reports to the regional capital to find out why he hasn’t been called up, he hears disquieting rumors.

Back home, he consults with village leaders until the arrival of Aram Tomasian, a Protestant pastor who was relocated with his family from another village. He and his family have been allowed to travel to his father’s village, the authorities thinking it will not affect his fate. But he is able to tell the villagers what is happening during the relocations.

Gabriel has been trying to save his French wife, Juliette, and his son, Stephan. But now he proposes that the villagers ascend Musa Dagh and defend themselves. Only the followers of one church decide to cooperate with the Turks.

At 800+ pages, this novel is very long, but completely absorbing. Werfel’s characters are not heroes but complex people. The novel is suspenseful because even though we know the result for the village as a whole, we don’t know what will happen to the individual characters. The villagers have deserters, loss of their livestock, a fire in their grainery, and other hazards to navigate. I don’t know any other way to explain it but to say this. This novel is fantastic. It is absolutely what I look for in a good novel, where I can immerse myself in another world for a short while.

P. S. If you are interested in reading more about the Armenian genocide, another touching novel is Birds Without Wings by Louis de Bernières.

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