In a bare studio on a foggy night during the Blitz, five people are occupied. An artist, Bruce Manaton, is sketching an actor, André Dalaunier, dressed as a cardinal. On the other end of the big room, two men, Robert Cavendish and Ian Mackellon, are playing chess. Rosanne Manaton, the artist’s sister, looks in occasionally from the kitchen and once steps outside to check the blackout.
A Special constable arrives at the door with a Canadian service man in tow. He claims that the old man in the house next door, Mr. Folliner, has been murdered and he caught the service man fleeing the scene. The soldier, Neil Folliner, says he went to visit his uncle and found him shot dead. The Special wants the people in the studio to guard Neil while he goes to call the police.
When Inspector Macdonald’s team begins investigating, they learn there is a rumor that the old man was a miser, although Mrs. Tubbs, his charwoman, had been bringing him food for fear he would starve. The house itself is absolutely bare, but there is an empty strongbox in the bedroom where the murder was committed.
Questioning a soldier who stood at the corner for a long time waiting for his girlfriend reveals that the only people who passed him on the street at the relevant time were Mrs. Tubbs, Neil Folliner, and the Special. It would seem that the people in the studio, all but Rosanne, alibi each other. But Inspector Macdonald doesn’t take anything for granted, and he is also interested in the studio’s previous tenants, who spread the rumor about the old man being a miser.
This mystery presents an interesting puzzle, although one not as complex as is sometimes found in Golden Age crime novels, for which I was thankful. On the other hand, I’m not sure if I think the solution isn’t a bit far-fetched. Also, it didn’t seem as if Lorac paid as much attention to characterization as she usually does, perhaps because there are quite a few characters. Still, I think her novels are some of the better ones in this series in general.
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