Day 981: Hag-Seed

Cover for Hag-SeedHag-Seed is Margaret Atwood’s modern retelling of The Tempest, a part of the Hogarth Shakespeare series. It is inventively plotted and cleverly reimagines the events and characters of the play.

Felix wants revenge. Years ago, he was at the pinnacle of his career, director of the Makeshiweg Festival, presenting The Tempest. He was known for his avante garde approaches to theatre. But while he was occupied with the play, he let his assistant Tony deal with the other points of business. In his turn, Tony plotted with Sal O’Nally, the Heritage Minister, to remove him from his job. Making matters worse, Felix’s young daughter Miranda had died a few years before.

Felix has been leading a retired life in a rustic cottage in the country. Several years ago, he took a job with a program at a local prison. Each year, he stages a Shakespeare play staffed and acted by the prisoners. It has become very popular, and the prisoners’ literacy scores have increased.

But Felix is mostly alone with only his fantasy daughter for company.

One year, Felix hears that several ministers, including Sal and Tony, will attend the prison on the day of the broadcast of the play. Their real intent, he hears, is to shut down the program, despite its success. Felix decides this year’s play will be The Tempest, and through the play, he will get his revenge.

link to NetgalleyI thought Atwood’s approach to this retelling was much more inventive than the other reworkings I have recently read, and I found the novel entertaining. Its revenge plot didn’t really grab me, though. I didn’t like Felix very much, although he gets more likable as the novel progresses. It was clever to combine the Caliban and Prospero roles into one for this book. Certainly, readers familiar with Atwood will recognize her acerbic writing style. Not to get to the point where I thought he was a real person, but I also thought his teaching methods were really creative, and the production sounded as if it would be good.

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Day 980: Guy Mannering

Cover for Guy ManneringGuy Mannering is the second of Sir Walter Scott’s Waverly novels, set in Scotland and featuring Scottish dialect and folklore. It is a romping adventure, with smugglers, hidden caves, a kidnapped child, a gypsy queen, a hidden identity, and murder.

The novel begins in the 1760’s with a visit by Mannering as a young man to Ellangowan, an estate on the southwest cost of Scotland. Mannering arrives there on a rambling tour in time for the birth of Harry Bertram, the son of the Laird of Ellangowan. Mannering is an amateur astrologer, and he casts the baby’s horoscope, revealing that he will encounter dangers at the ages of 5 and 21. Then Mannering disappears from the story for 21 years.

The tragedy of the household occurs when Harry is five. He disappears after being the inadvertent witness to the murder of a customs officer. The family assumes he has been murdered. His foolish father being overwrought by grief, the estate is plundered by his agent Glossin, and Bertram is bankrupted.

Mannering comes back on the scene after many years as an army officer in India. He arrives in time to witness the sale of the Bertram estate to Glossin. It cannot be saved from its debtors without a male heir, and there is only Lucy Bertram, born the day her brother disappeared. In his fury at Glossin, Bertram has a fit and dies, leaving Lucy without home or money. Since Mannering’s daughter will be joining him in a nearby manor, he offers Lucy a home.

Mannering has his own troubles with his daughter Julia. In India, he had reason to believe that a young officer, Vanbeest Brown, was courting his wife, so he challenged him to a duel and wounded him. But Brown was actually courting Mannering’s daughter, and her guardian has caught her meeting secretly with him. Mannering summons Julia to join him, but Brown soon follows.

It is when Brown arrives in the locality that the plot heats up, for he begins finding things familiar, and he meets a mysterious gypsy woman named Meg Merrilies who makes some mysterious pronouncements. Of course, it soon obvious that Brown is the long-lost heir to Ellangowan. But he has the enmity of local villains, who are afraid he can accuse them of murder and malfeasance against him, as well as circumstances that appear to convict him of a crime. Moreover, he doesn’t know who he is, and once he knows, how will he prove it?

This is an entertaining adventure novel about the wild borderlands of Scotland. It has some fine villains, upright heroes, and an amusing couple of comic characters, one being the farmer Dandy Dinmont, a terrier breeder, whose name has since been taken for a breed of terriers.

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Day 979: Literary Wives! American Housewife: Stories

Cover for American HousewifeToday is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Ariel of One Little Library
Emily of The Bookshelf of Emily J.
Kate of Kate Rae Davis
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

My Review

Strange short stories seem to be one of the newest literary fads, and Helen Ellis’s certainly qualify. Not only are many of the stories in this selection strange, but her approach to a few of them is unusual, those stories consisting only of lists. Her heroines are frequently demented.

“What I Do All Day” is one of those list stories, recounting the events of the daily life of a housewife with too little to do. “The Wainscotting War” is about a feud between co-op owners over the decor of a shared hallway. This story features a woman who becomes unhinged by this disagreement, losing her job and her husband because of her behavior.

My favorite story is “Dumpster Diving with the Stars,” in which an author agrees to compete on a reality show. I liked this one because it sends up so-called reality television while having mostly likable characters. But some of the other stories just go too far over the top for me, like the one about the novel sponsored by Tampax, although I get the underlying message about what it takes to get some writers to write. Of course, one of Ellis’s main tools is exaggeration, and sometimes it is funny.

What does the book say about wives or the experience of being a wife?

It’s hard to generalize about marriage from these stories as the husbands are mostly in the background. Only in “Dead Doormen,” about how a wife takes over from her mother-in-law in caring for her husband’s position on the condo board, is their relationship at all stressed, and in this case, her husband is a privileged slob whom women control. Sometimes the husband is referred to affectionately, but often ironically, as when one narrator’s husband gives her a warm kiss every morning, but that’s the only one she ever gets. Although some of these wives work, most of them seem to be idle or to wait on their husbands hand and foot. I don’t get the feeling that Ellis’s housewife is representative of the women I know. On the other hand, maybe the term “housewife” is used ironically, as it is an old-fashioned word. Most of these stories seem to be steeped in irony and exaggeration.