The Best Book for this period is Alas, Poor Lady by Rachel Ferguson!
Month: October 2018
Day 1270: Red Bones
Here’s another book for the R.I.P challenge!
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In this third book of Ann Cleeves’s Shetland series, Sandy Wilson, an officer at the Lerwick station, is visiting his parents on Whalsay Island when he discovers the dead body of his grandmother, Mima. The death appears to be an accident. A neighbor out hunting may have hit her in the dark. But what was she doing outside in the first place at that time of night?
Jimmy Perez comes over briefly to look into the death, but although he feels something is wrong, he has no evidence to indicate that anything different has happened. After he returns to Lerwick, though, he gets a call from Hattie, an archaeology student working on a dig on Mima’s property. She says she must talk to him and asks him to return. When he gets back, she too is dead of an apparent suicide.
To Jimmy, it just doesn’t make sense that she would make an appointment with him and then commit suicide. In fact, most people who knew her said she seemed happier than usual.
Jimmy is waiting for carbon dating of some old bones found on the site. But he begins to feel that the island is full of secrets.
This was another good mystery in the Shetland series. The series has an appealing detective and an evocative setting. I’m enjoying it.
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Day 1269: Greenery Street
The way I work my blog is that, as I finish a novel, I write up my notes in a book diary. Every five reviews, I pick out my next five books from those notes, and generally speaking, I run about six months behind what I have read.
Obviously, there’s room for error in this system, and I have made one with Greenery Street. I kept expecting my review to turn up, and finally, the other day, I looked the novel up on Goodreads to see when I finished reading it. More than a year ago! I looked back in my journals to see if I inadvertently skipped it, only to find that I apparently forgot to write it up. What a shame for this delightful novel!
Greenery Street is a story of ordinary life in a couple’s first home, written in 1925. It begins on a day in April when newly engaged Felicity Hamilton and Ian Foster wander into Greenery Street in search of a house and find a very small and pleasant one. Then it jumps back to cover their meeting and engagement.
The novel details the everyday life of this newly married couple. There is nothing particularly unusual about their lives (well, not for their time—not too many young wives spend their days shopping, socializing, and supervising the help anymore), but they are rendered in interesting detail and humor, small disagreements and the normal ups and downs of a new marriage. The end of the book is telegraphed from the beginning, when we’re told the house would be too small for three. However, the journey is delightful.
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Day 1268: Literary Wives! An American Marriage
Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!
Emily of The Bookshelf of Emily J.
Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink
Celestial and Roy are a young African-American couple on their way up to a life of success. Married only a year and a half, they have traveled from Atlanta to Roy’s childhood home in small-town Louisiana to visit Roy’s parents. After an argument earlier in the evening, they are yanked out of bed in their motel room, and Roy is accused of raping a woman whom he earlier assisted with her things.
Although innocent, Roy is found guilty and sentenced to 12 years in jail. The jail sentence is more of a MacGuffin in this novel, though. The bulk of the novel is about what happens to their marriage after his incarceration.
It’s hard for me to evaluate this novel. On the one hand, it’s certainly topical and about an important issue, but this novel is really not about the injustice.
So, to look at it as I would any other novel, I have to say that I didn’t buy these characters or their interactions. I didn’t like Roy, and although I felt sorry for him, I liked him less as the novel went on. At first, he’s too much of an operator, and I’m not sure what Celestial sees in him.
The other two important characters, Celestial and Andre, are more enigmatic. Although Celestial has some narrative sections, we don’t really know how she feels about things. She is an artist who makes dolls and gets more involved in her career as the novel progresses. At first, she seems to be a woman who doesn’t take any guff from men, but she takes plenty from Roy in terms of his philandering. Andre has a few sections as narrator, but he seems to have no discernible personality.
I found the letters section particularly annoying. I didn’t ring true for me at all. I didn’t think the characters would write to each other like that or say the things they did.
Most of the way through the novel I felt as if the characters were just being put through their paces for the sake of the plot. This particularly applies to the end, when Roy suddenly gets released from jail for no reason that makes sense or is adequately explained. Again, the MacGuffin. Although I did get involved in the novel, it was almost against my will.
What does this book say about wives or the experience of being a wife?
Since the characters spend most of the novel apart, this is a difficult question to answer. Certainly, their marriage does not seem to have a firm foundation. Although Roy claims they are happy at the beginning of the novel, we don’t really know this from Celestial. We do know that Roy has cheated on her and is minimizing this behavior to himself, but we don’t know how she feels about it.
Spoilers ahead . . .
When Roy gets out of jail, his behavior is beyond belief. First, he has sex with the first woman he sees, but then he returns to Atlanta expecting to resume his marriage even though he hasn’t heard from Celestial in two years. The climactic scene where he demands another chance and her reaction to it just seems ridiculously over the top, and I couldn’t believe it when she agrees. The characters’ whole relationship just doesn’t ring true. One thing I can say is that for Roy, being a wife seems to be more like being a possession. For Celestial, again, I’m not sure what she gets out of marriage.
What? Me Read? 