Author: whatmeread

Day 490: The Glass Palace

~ whatmeread ~ 4 Comments

Cover for The Glass PalaceBest Book of the Week!
In the late 19th century, the kingdom of Burma was one of the wealthiest in southeast Asia. Its people were all literate, and no one in the country went hungry. Hundreds of thousands of Indians and people from other nearby countries traveled there to work on the waterways or the teak plantations.

In 1885, the Burmese government imposed a fine on a British trading company for avoiding taxes by under-reporting the amount of teak it was exporting. The British government used this incident as a pretext for invading the country and taking the royal family captive. King Thebaw and Queen Supalayat and their children, along with a few servants, were deported to India, where they were kept captive for the rest of the king’s life in a crumbling, poorly maintained house. Their personal possessions, including the king’s valuable jewelry collection, were confiscated and returned to England.

It is around this shameful incident that the beginning of The Glass Palace is constructed, an ambitious novel that tells the recent history of India and Burma/Myanmar through the stories of several related families. Rajkumar is a 10-year-old Indian orphan whose mother died in their attempt to reach Burma, and he is working at a small cooking stall near the palace when it is breached. He witnesses the removal of the queen and the princesses, and is struck by the beauty of Dolly, their young servant. Dolly is the only one of the lady’s maids who chooses to follow the royal family into exile.

Rajkumar goes to work for a Malayan businessman named Saya John Martins. With Saya John’s help and advice, Rajkumar eventually makes his fortune in the teak industry and finally travels to India to look for Dolly. She accepts his proposal and returns to Burma with her friend Uma, the recent widow of the first Indian Collector, the official in charge of the Burmese royal family.

These are just the bare bones of a dual story rich in characters and detail, on the one hand that of Rajkumar’s efforts to better himself, on the other hand that of the lives of Dolly and the royal family in exile. But this novel is not a love story, and that is just the beginning of this novel, which continues until the present. The novel follows the fates of Rajkumar and Dolly’s children and grandchildren and those of Uma’s nieces and nephews in India and Burma as the families intermarry with each other and with Saya John’s children. As we follow the fortunes of some family members in Burma and Malaya, other family members get involved in the Indian movement for independence from the British empire.

During the Japanese invasion and bombings of Burma and Malaya during World War II, various family members struggle to survive, one an Indian soldier in the British army, one a rubber plantation owner, one a photographer who disappears in Malaya. Rajkumar and Dolly and their daughter-in-law and grandchild are forced with thousands of other Indians to make the thousand-mile trek back to India.

Ghosh is interested in telling a complex story of culture and  history, so he keeps us at a remove from his characters, but that does not make the novel any less moving. The novel does an amazing job of exploring the roots of problems in Myanmar and India through its exposition of events and the varying points of view of its characters. This is a captivating and ambitious novel.

Day 489: Queen Anne: The Politics of Passion

~ whatmeread ~ Leave a comment

Cover for Queen AnneHistorically, the legacy of the reign of the last Stuart monarch, Queen Anne, has been marred by allegations that Anne was a weak woman who was ruled by her favorites. The accomplishments of her reign have been attributed to men she entrusted with leadership roles, most notably John Churchill, Duke of Marlborough. Similarly, the wrongs perpetrated during her reign have been imputed to the misguidance of her favorites. Historian and biographer Anne Somerset’s new book exhaustively shows that Anne, to the contrary, was a sensible and conscientious ruler, most consistent in her views and often very stubborn, although private and reserved.

Much of what was popularly known about Queen Anne came from the writings of Sarah Churchill, the Duchess of Marlborough, who was Anne’s close friend and confidante for many years before becoming her bitter enemy. Even when they were close, the duchess seems to have been a demanding harridan, whose idea of her own power and desserts grew too rapacious and who treated the queen abominably for years. Having read a biography of the duchess several years ago, I approached this book believing Anne was a weak and silly woman, but it has made me change my mind.

Somerset makes an interesting point that Anne’s lack of charisma and physical appearance may have hurt her legacy. Although the portrait of the young Anne reveals a beautiful lady, by the time of her reign she was grossly overweight and plagued by serious physical ailments. These were diagnosed at the time as various disorders, including gout, but a modern look at her symptoms indicates that she may have suffered from lupus, a serious autoimmune disease. For the most part she soldiered on uncomplaining to do her duty for her country.

This book lucidly explains the complex issues that echoed throughout Anne’s reign, including the ouster of King James II, Anne’s father, and the refusal to acknowledge his son, Anne’s half brother James Francis Edward Stuart, as a legitimate heir to the throne because of his Catholicism; the bitter feuds between the Whigs and the Tories; and the War of the Spanish Succession. The book is thorough in its research and very well written. Although I tired at times of its dissection of a seemingly endless series of disputes among those vying for power, I think the book offers a considered and balanced look at Queen Anne’s life and reign.

I received a copy of this book free through a giveaway on Goodreads.

Day 488: As I Lay Dying

~ whatmeread ~ 8 Comments

as-i-lay-dyingAs I Lay Dying is the first Faulkner novel set in the fictional Yoknapatawpha County, about the death of Addie Bundren and the efforts of her family to cart her body to Jefferson, Mississippi, for burial. As an early Faulkner work, it is one of the first in his experiments with stream of consciousness and is unusual in that its plot is conveyed solely through the thoughts of its many narrators.

At the beginning of the novel, Addie Bundren is dying. Her son Cash is building her coffin right outside her window while she watches. Her husband Anse and sons Darl and Jewell are discussing whether Darl and Jewell should go off to work a job that will earn $3 so close to the time of her death.

The plot is fairly simple—they go, she dies before they get back, there is a big storm that washes out the bridge, and the whole family takes her with great difficulty to Jefferson, trying to find a way to get across the river. The accomplishment of the novel is in revealing the complex relationships among the family members from the sometimes incoherent thoughts of themselves and some of the people they encounter on their journey.

This is a dark and pessimistic novel. Although its characters are uneducated, rough, and bluntly spoken, some of them, particularly Darl, have unexpected sophisticated and even poetic thoughts. On the other hand, there is Anse, shiftless and selfish, but stubborn as the dickens when he makes up his mind to do something.

Although Addie made Anse promise to bury her in Jefferson almost as punishment for the life she hated, it is not clear whether his new teeth or his promise is the reason for the trip. On the road, there are several occasions where his determination not to be “beholden” puts his family to major inconvenience or even danger, yet on another occasion he is outraged that his neighbor refuses the use of his mules for an attempt to cross the river that results in the death of Anse’s own  mules.

We don’t hear much directly from Addie. As Cash builds the coffin she is a staring presence who doesn’t utter a sound. She has only one chapter to herself, in which she reveals her true disdain for her husband and children except for her son Jewell, the fruit of an illicit affair. Why she married Anse in the first place is not entirely clear, except that she hated her life as a schoolteacher.

The trials that the family must face to get to Jefferson are almost epic, but for what? Addie makes clear that her wish was malicious. Anse has ulterior motives. Yet Jewell is driven to Herculean efforts and loses the only thing he loves, Anse’s stubbornness nearly makes Cash lose his leg, and Darl ends up perpetrating an infamous act and being committed. The young boy Vardaman is traumatized on several occasions, and in town the only daughter, Dewey Dell, is cruelly duped.

Some of the themes of this novel are those of selfhood and existence, the contrast between spoken words and thoughts, the treatment of different social classes, and the irony of extraordinary but pointless acts. The ending makes the pointlessness clear by its almost comic mundanity.

Although this novel has echoes of characters who will appear in later novels—mentions of Snopes, Quick, the Tulls, and other characters—it has none of the bleak humor of the Snopes trilogy. It is widely regarded, though, as one of Faulkner’s most powerful novels and as a vivid example of the then new stylistic techniques of Modernism.

Day 487: The Book Thief

~ whatmeread ~ 12 Comments

Cover for The Book ThiefLiesel Meminger is nine years old when she arrives at a house in a poor street near Munich. Her mother has given her and her brother up to a foster family because she cannot support them, but her little brother died on the train on the way there. She is dirty and illiterate, and when she arrives at the house of Hans and Rosa Hubermann, she has to be coaxed to come inside.

Although the Hubermanns prove to be loving parents and Hans eventually teaches Liesel to read, it is 1939 in Nazi Germany. Slowly, the difficulties of living in the Third Reich and the hardships of war will affect everyone she knows.

Liesel has already stolen her first book, when a grave digger dropped it the night her brother died. She steals her second book from a fire on the night of a book burning, for small and even large acts of defiance have become a part of her nature.

Zusak depicts a vivid life within Liesel’s little community. The boy that becomes her best friend, Rudy Steiner, has already distinguished himself before they meet by covering himself with soot and pretending to be Jesse Owens during the 1936 Olympics. Hans Hubermann is a failing painter and virtuoso accordion player who is ultimately too kind for his own good. His gruff wife Rosa shows her inner kindness by forcing people to eat her dreadful soup.

The novel is told by Death, which acts as an omniscient narrator, sometimes telling the back story, sometimes giving a glimpse of the future. At the beginning of the book, I thought I was going to find this irritating. By the middle of the book, I was wondering if it added anything that a traditional narrator wouldn’t provide. By the end, I thought it was effective. One little quirk of style that bothered me a little, though, was that Zusak occasionally creates his own words when perfectly good ones that are very similar already exist, like lovelily instead of lovely. I think this is an affectation that adds little to the novel.

The Book Thief accomplishes an unusual goal—to show that there were decent Germans during World War II. One of the kind and dangerous things that Hans Hubermann does is shelter a Jew, Max Vandenburg, in his basement for months. Liesel’s relationship with Max forms a core part of the story.

This novel is involving and affecting. It does have a few difficult scenes, but I think that it is a very readable experience for tweens, teens, and older readers. It has been wildly popular, so obviously readers are enjoying it.

Day 486: Empress of the Night

~ whatmeread ~ 4 Comments

Cover of Empress of the NightIn early November 1796, Catherine the Great of Russia suffered a stroke and lay on her deathbed for 36 hours before she finally succumbed. Eva Stachniak’s second novel about Catherine imagines her spontaneous flashbacks of her life, interrupted by moments of fleeting awareness, as she lies there helplessly.

Empress of the Night covers some of the same ground as Stachniak’s The Winter Palace, only the previous novel is told from the point of view of Varvara Nikoleyeva, Catherine’s spy turned confidante, and concentrates mostly on the time before Catherine was Russia’s ruler. Varvara is only a fleeting presence in Empress of the Night, and I wonder if readers who had not read The Winter Palace would be confused by references to her.

Stachniak’s deathbed approach for this novel by definition causes it to be disjointed in narrative style and sometimes difficult to follow chronologically. The novel portrays Catherine as a figure more sympathetic than otherwise, but other characters are left relatively undeveloped.

Catherine’s memories go all the way back to her arrival in Russia as Sophie von Anhalt-Zerbst-Dornburg, a prospective bride for the Empress Elizabeth’s spoiled and childish heir Peter. We follow her struggles to be accepted as a future wife, to conceive, and to maintain some kind of standing in Elizabeth’s court, although that subject is covered more thoroughly in the first novel. The narrative carries us through the coup against her husband after Elizabeth’s death and the most important events of Catherine’s reign, ending with her attempts to marry her granddaughter Alexandrine to the king of Sweden and to leave her office to her grandson Alexander instead of her foolish and tyrannical son Paul.

Although this novel is interesting, I was not as drawn in as I was by the first book. The parts of the novel dealing with Catherine’s stroke and its aftermath interrupt the flow of the narrative too often. I was also taken aback by the preponderance of attention given in the novel to Catherine’s favorites, especially to the annoying Zubov, versus the actual events of her rule. The emphasis seems to lie with her personal attachments, which I frankly think is unlikely for a world ruler. I also find it hard to believe that Catherine had so much patience with some of her relatives and lovers, most of whom are characterized as being annoyingly selfish.

Since I have read a fair amount about Catherine’s life, I was able to follow the references to important events with little difficulty, but I am left wondering how easy it would be for someone who is unfamiliar to form a good understanding of what is going on. Still, I think this novel draws an appealing portrait of a complex and difficult person.

http://www.netgalley.comMy original understanding of The Winter Palace was that it was the first in a trilogy about Catherine the Great. I am left wondering if I was mistaken, because this novel does not seem to leave anywhere for the writer to go in a third novel. Empress of the Night is ultimately much less satisfying than The Winter Palace in the depth it applies to its subject, which makes me wonder if Stachniak simply lost interest.

Day 485: Into the Darkest Corner

~ whatmeread ~ 2 Comments

Cover for Into the Darkest CornerAlthough I can’t say I found this thriller terrifying, it was certainly difficult to put down. First-time novelist Elizabeth Haynes effectively evokes suspense by telling her story in two parallel time periods—the earlier one where we have a good idea of what happens and the present where we do not.

In the present, Catherine Bailey is a terrified woman suffering from OCD and PTSD. Three years before, her abusive boyfriend Lee Brightman nearly killed her. Since he managed to discredit her with her friends before that and she had a breakdown during the trial, his punishment was light. Although Cathy has moved away from London to Lancaster and obsessively performs her security checks, she is certain that he will come for her when he gets out of jail.

Five years earlier, Cathy is a care-free young woman who likes picking up men at bars. She meets Lee, who is mysterious about his work but stunningly handsome. We readers have seen him murder his previous girlfriend at the beginning of the book, though, and Lee is soon manipulating Cathy to try to separate her from her friends.

In response to suggestions from her new neighbor, the post-trauma Cathy finally begins getting help for herself, but she is wise enough to know that there is a difference between an unfounded fear and a real fear. Of her new contacts and medical professionals, only a female police officer seems to understand that she may actually be in danger.

Haynes is good at keeping up the suspense, even for the earlier plot for which we already understand the basic outlines. Awhile back I reviewed Accidents Happen, featuring a heroine in a similar condition facing a similar threat. Into the Darkest Corner seems much more realistic in its portrayal of a person suffering from OCD and depicts its characters’ behavior more believably.

Day 484: The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo

~ whatmeread ~ 12 Comments

Cover for The Black CountTom Reiss, previously the author of the fascinating biography The Orientalist, seems to be drawn to unusual figures who were famous in their own time but have become virtually unknown. Such is the case with Thomas-Alexandre Dumas—the father of the famous author of The Count of Monte Cristo, among other classics—who reached the heights of his fame as a great soldier and general of revolutionary France.

Dumas, who went by Alex rather than Alexandre or Thomas, had a colorful past. He was born on the island of Saint-Domingue (now Haiti), the son of a black slave and a French marquis, Antoine Davy de la Pailleterie. His father was a wastrel and a scoundrel who, although he apparently did not raise his son in slavery, sold him in order to raise the passage money for his own return to France after his family had thought him dead for years. After claiming his right to his title and property (which his relatives had been maintaining and improving for years at their own expense), Pailleterie redeemed his teenage son and brought him up in privilege.

However, shortly after entering manhood, Alex broke with his father, took his mother’s name, and proceeded to make his own way as a soldier. He was the first person of color to become a general-in-chief of the French army and was the highest ranking black officer in the western world of his time.

This book is an account of Dumas’ fascinating life, in which his physical courage, ability, and principled behavior won him acclaim. Unfortunately, he was not as gifted politically and inadvertently made an enemy of Napoleon Bonaparte, who perceived him as a rival and really comes off here as a jealous and power-hungry opportunist. Bonaparte’s resentment, in combination with an abrupt change in policy of the French government to remove the rights previously granted subjects of color, ended in the loss of his career and a death in neglect and poverty.

The book is written in an energetic and informal style for the general public, although it is copiously documented in the back. The Black Count is an engrossing story of an event-filled life.

Day 483: Reread: The Strangled Queen

~ whatmeread ~ 2 Comments

Cover for The Strangled QueenThis article is a repeat review of the second book in Maurice Druon’s excellent Accursed Kings series. I wrote my initial reviews years after I read the books, from memory. This review is from a recent reread in preparation for my first review of the third book in the series.

The name of Philip the Fair would glow down the centuries only by the flicker of the faggots he had lighted beneath his enemies and the glitter of gold he had seized. It would be quickly forgotten that he had curbed the powerful, maintained peace in so far as it was possible, reformed the law, constructed fortresses that the land might be cultivated in their shelter, united provinces, convoked assemblies of the middle class so that it might speak its mind, and watched unremittingly over the independence of France.

So says Druon in his prologue to The Strangled Queen about Philip IV of France (Philip the Fair), whose death in 1314 begins the action of the novel.

Marguerite of Burgundy has not heard of Philip’s death. She and her sister-in-law Blanche, Philip’s daughters-in-law, are imprisoned in the Château-Gaillard for adultery, and she does not know that her husband has become the king of France, Louis X. When her cousin Robert of Artois comes to tell her, she naïvely believes he wants to help her, unaware how he has assisted in her downfall. What he actually wants is for her to agree to an annulment, as now she poses a big problem to the succession.

But Marguerite doubts when she should not. Although she would gladly exchange her harsh prison for a convent, she is afraid that once she signs, those in charge of her will leave her where she is. She also does not want to declare her daughter a bastard, the other requirement of her release.

Louis X soon sets his sights on marrying Cleménce of Hungary. To do so, he must get a pope installed who will agree to give him an annulment. However, the cardinals have been arguing ever since the death of Pope Clement V, who with Philip the Fair was a victim of the curse of the Grand Master of the Knights Templar (whose death by burning at the stake is referred to in the quote at the beginning of this review).

The weak and stupid Louis is faced with a battle between the forces of order and progress, represented by Enguerrand Marigny, his father’s coadjutor, and the old ways of feudalism, represented by his uncle, Charles of Valois. Whoever can get Louis a pope or his marriage with Cleménce will ultimately win, but in the meantime he begins stripping away all of the governmental reforms instituted by his father.

Bitingly told, about a fascinating period of French history, these novels introduce us to a world of complicated alliances, treachery, and politics, as well as murder and mayhem. Lately the novels are being marketed as the original Game of Thrones. There are certainly strong similarities.

Day 482: The Map of Love

~ whatmeread ~ 14 Comments

Cover for The Map of LoveBest Book of the Week!
The Map of Love is an absorbing novel to read now, just after the Arab Spring and during the troubled times that have continued on. It is a love story certainly, its title tells you that, but it also explores the roots of the political turmoil in present-day Egypt and some of the other countries that used to be a part of the Ottoman Empire.

The novel follows the course of two cross-cultural love affairs 90 years apart. In 1900 Anna Winterbourne travels to Egypt in an attempt to overcome her grief. She is the widow of a man who recently served in the Soudan, and even though their marriage was not a happy one, she is sorrowful that she could not help him overcome his despair at participating in an unjust war. Almost accidentally, she meets Sharif al-Barroudi, a Cairo lawyer and activist, and falls in love with him.

Anna’s diary and letters are discovered by her great-granddaughter, Isabel Cabot. Isabel herself has fallen in love with ‘Omar al-Ghamwari, a famous Egyptian-American orchestra conductor who is rumored to work with the Palestinians. ‘Omar feels that their age difference is too great for a relationship, but he suggests that Isabel take her find to his sister Aman in Cairo so that she might help Isabel translate some of the materials.

Aman becomes absorbed in reading Anna’s diaries and letters and realizes very soon that she and Isabel are related, for Anna’s beloved sister-in-law Layla is Aman’s own grandmother. With Layla’s diaries of the same time period, she begins to reconstruct Anna’s story and that of Egypt’s history during a turbulent period. Aman has returned from life abroad to live in Cairo in another turbulent time.

Anna’s courtship is fraught with difficulties, but once she and Sharif are married, she is caught up in his work for Egyptian independence from the Ottoman Empire and from British oversight. As the years go by, his efforts extend to attempts to keep Palestinian land, once owned by his family and by his neighbors and occupied by hundreds of thousands of Muslims, from being bought up by Zionists who would expel them.

The blurb for this novel stresses the similarities between the two love stories, and there are many points of similarity, but the focus of the story in the current time is more with Aman than with Isabel and ‘Omar. Aman is at first at loose ends in Cairo, but she becomes involved with trying to help the fellaheen who occupy her family’s land, as they are treated unjustly by a corrupt and paranoid government. I was frankly more interested in Aman and in Anna and Sharif than I was in Isabel and ‘Omar, who are much less present in the novel.

For me, not very politically aware in regard to problems in this part of the world, this was a fascinating and revealing reading experience. It points up the complex history of the area from a point of view we westerners seldom hear. It is affectingly told in the context of a great love affair between two lovingly created characters. The characters of the two sisters, Layla and Aman, are also vivid. This novel is beautifully written and evokes for us a vibrant culture.