This week’s Best Book is People of the Book by Geraldine Brooks!
Author: whatmeread
Day 360: 4:50 from Paddington
While traveling by train, Miss Marple’s friend Elspeth McGillicuddy witnesses a murder on another train along a parallel track. The police find no trace of a victim, so they are inclined to think Mrs. McGillicuddy imagined the incident. Miss Marple knows her friend, however, and imagination is not her strong suit.
Jane believes the body must have been thrown off the train near an estate called Rutherford Hall. She sends her friend Lucy Eyelesbarrow in as a housekeeper to investigate, and Lucy eventually finds the body, not lying somewhere in the bushes along the track, but hidden away.
The money from the estate will eventually be divided among the grown children of Luther Crackenthorpe, a semi-invalid widower, while the house will go to his eldest surviving son. But does that have anything to do with the murder? All of the children seem to have their secrets. Cedric is a bohemian painter who lives in Ibiza, Harold is an aloof banker, Alfred is engaged in shady business deals, and Emma is a spinster who is in love with Dr. Quimper, Luther’s doctor.
The biggest puzzle is to identify the body. Who is the woman murdered on the train, and why does Lucy find her in a sarcophagus among a bunch of antiques in the stables? Soon Miss Marple is on the scene visiting Lucy at tea time. The solution will soon be divulged, we feel.
Christie is great at drawing convincing characters, and Lucy is one of her most attractive. We wish we could see more of her. 4:50 from Paddington is yet another entertaining mystery from Christie.
Day 359: The Yard
The Yard contains elements that should have made it interesting to me, particularly the period, but it didn’t really grab me.
The novel takes place shortly after the failure of Scotland Yard to capture Jack the Ripper, and the police are dispirited, while the public has grown scornful of them. The body of Detective Little turns up in a trunk at Euston Square Station. Detective Inspector Walter Day is put in charge of the investigation to the surprise of everyone, as he is new to the force.
We are not left in ignorance of the identity of Little’s murderer, as he is watching the case from the sidelines. He didn’t intend to murder anyone, but Little discovered his secret. Soon another officer stumbles onto his secret and also must be killed.
Constable Hammersmith is assigned to the case, but he becomes embroiled in another incident. A thief breaking into a house finds the body of a boy stuck in the chimney and stops Hammersmith on the street to tell him about it. Directed by his superiors to concentrate on the more important case of Detective Little’s murder–the death of a chimney sweep’s boy not being considered a crime–Hammersmith continues to search for the sweep on his own time.
Another case is preoccupying Inspector Blacker. Some men have been found murdered with their beards newly shaven. Blacker thinks it is unlikely that two serial killers are loose in London at the same time, but Day and Dr. Kingsley, the coroner who is interested in new forensics research, do not agree.
This first series book sets the stage for all the recurring characters as well as attempts to recreate the chaos of the Yard. I feel it is spread a bit thin. The writing is capable rather than brilliant, although I encountered enough clichés in the first few pages to irritate me. A technique used several times of flashing back to explain something right in the middle of the action seems very disruptive and only serves to stall the flow.
Some unlikely events disturbed me as well. That two police officers would stumble onto the killer’s secret in the space of two days seems completely far-fetched. A minor incident where a family claims to have made a day trip to Birmingham seems equally absurd. I can’t imagine even in these days that a trip from London to Birmingham and back would be something anyone would want to do in one day, but back then the trains were surely slower. Such a trip may have been possible, but that the police officers receiving this information don’t challenge it seems absurd.
Almost despite myself I found myself beginning to like the major characters, but I still don’t think I’ll be picking up the second book anytime soon.
Day 358: People of the Book
Best Book of the Week!
I read People of the Book several years ago and remembered that it was good, but when re-reading it for my book club, I enjoyed it even more. The novel is based on the history of a Hebrew codex known as the Sarajevo Haggadah. Part of the novel is envisioned based on what is known of the book’s history, while the rest is invented.
In the immediate aftermath of the Bosnian war, Hanna Heath, an expert in the restoration of old books, is asked to restore the priceless Sarajevo Haggadah, a famous book believed twice to have been destroyed by war that was both times rescued by Moslem museum curators. The book is especially important because of its beautiful illustrations, as before it was discovered, scholars believed that old Hebrew books did not contain such illuminations.
While Hanna is working on the book, she makes observations and collects artifacts that will help trace its history. She notes that the book once had clasps that are now missing, collects an insect wing, and scrapes residue from staining.
Hanna also becomes involved with the man who rescued the book, Ozren Karaman, whose wife was killed during the war and whose baby son is in the hospital with a brain injury. As Hanna was raised by an aloof and competitive mother, though, she is poor at forming attachments.
When Hanna finishes restoring the book, she follows up with research into the clasp and the artifacts she collected. As she finds out about each item, the novel goes farther back in time, explaining what happened to the book and telling the stories of the people involved with it, until the creation of the book in 15th century Spain.
A poor Jewish girl named Lola works for the partisans in the forest outside Sarajevo during World War II after the Jews are expelled from the city by the Nazis and her family is shipped off to camps. Later she is helped to safety by the Moslem curator of the museum, who also has a book to hide. A 19th century Viennese bookbinder who is dying from syphilis steals the beautiful silver clasps from the book to exchange with his doctor for treatment. In 1609 Venice, a priest working for the Inquisition saves the book from burning but confiscates it from its owner. A young girl saves the book as the Jews are expelled from Spain in 1492.
These are just the bones of some of the absorbing stories that draw you along as Brooks imagines the history of the book. Each tale is vividly imagined and skillfully told, and they are all held together by Hanna’s experiences. People of the Book is a gracefully written and imaginative novel that emphasizes the contributions of multiple cultures and religions to the book’s creation and safety.
Day 357: The Dying of the Light
This is going to be a fairly short review, because The Dying of the Light was a book I could not finish. I usually enjoy reading Michael Dibdin’s mysteries and I also like dark tales with a macabre sense of humor, but if that is what this is, it is too much.
Rosemary Travis and Dorothy Davenport are two little old ladies who live in a horrible nursing home run by William Anderson and his sister Letitia Davis. The owners are blatantly torturing the residents.
Rosemary and Dorothy react to this environment by turning it into a game, pretending it is some kind of convoluted mystery plot. When Hilary Bryant dies or George Channing is mauled by Anderson’s Doberman when he tries to escape, they fold this into their plot. But when Dorothy dies the night before her departure from the home, Rosemary finds she has a real mystery to solve.
This plot sounds as if it could be darkly humorous, but it is too sickening for me. One reviewer on Amazon says that Dibdin relies on the shock value, and not much else, to carry the novel. That about says it for me, and it doesn’t work.
Day 356: Great Expectations
Great Expectations has long been my least favorite of Dickens’ more substantial novels, because I dislike the character of Pip. However, upon my re-reading it after many years, I’ve changed my opinion, because only in this novel does the main character undergo a complete change of his assumptions and values.
The novel begins with Pip as a young boy growing up in a vast and desolate wasteland of marshes. He is cared for by his ambitious and abusive older sister and kindly brother-in-law Joe Gargery. In the opening scene he is in the cemetery looking at his parents’ graves when he meets the escaped convict Magwich.
Under Magwich’s instructions, the terrified boy steals some food from his sister’s pantry and a file from his brother-in-law’s smithy. Magwich might have got away, but Pip tells him he met another convict on the way, so Magwich throws away his chances of escape to fight the other man, his sworn enemy.
After this odd and atmospherically fraught incident, Pip is soon engaged to entertain the wealthy but deranged Miss Havisham, an old woman who was long ago deserted at the altar and has lived the rest of her life in her bride clothes with her wedding cake rotting away on the table. Miss Havisham introduces Pip to her beautiful ward Estella, and from that time he is captured. He fails to understand, however, that Miss Havisham has brought Estella up to enthrall and torture men.
Pip grows old enough to apprentice as blacksmith to Joe, but his association with Miss Havisham and Estella has made him discontented with his lot. Soon, though, he is informed that he has “great expectations,” that an unknown benefactor has chosen him for his or her heir, and he is to become a gentleman. Pip and his associates assume his benefactor is Miss Havisham, and Pip thinks that she intends Estella to be his.
With only a few qualms of guilt, Pip throws off his childhood, including his gentle, loving friend Joe, to become a gentleman and chase after the dream of Estella. It is only through a series of misfortunes that he realizes he must learn to look at his life differently than he understood it and comes to appreciate his true friends.
I am not at all sympathetic to Pip’s desires and think the pursuit of Estella is a worthless one, but Dickens’ strengths are in his characterizations and complex plots. In addition to a cast of unusual, lovable, or repellent characters, he does a masterful job of developing Pip into a wiser and more honest man.
Special Post! Best Book of the Week!
This week’s Best Book is The Fixer by Bernard Malamud!
Day 355: Deadly Web
A naked teenage girl is found dead in the grounds of Yoros Castle in Turkey. She has apparently stabbed herself through the heart, but there is evidence of some strange sexual practices. Someone is convincing young people in Istanbul to participate in what they believe are sex orgies, only to murder them. Inspector Mehmet Suleyman draws this conclusion while investigating another incident involving a teenage boy, although one death seems to be a suicide.
Inspector Çetin İkmen has made several visits to a friend, local magician Max Esterhazy, for information about a strange obscene symbol someone has been painting on the walls of religious sites. His investigation seems to indicate some connection with Suleyman’s case. Then Max disappears, and blood is found splattered around his study.
Suleyman is having his own problems. His wife has left him for a visit to Ireland, taking their infant son. His unfaithfulness has broken them up, and he has been exposed to the HIV virus through an affair with a prostitute.
Soon another girl is killed, and Suleyman and Ikmen find links to the city’s goth clubs and possibly to Satanism.
I find Nadel’s mysteries set in Istanbul interesting because they often provide fascinating insights into the city’s subcultures.
Day 354: Worldly Goods: A New History of the Renaissance
Worldly Goods promises a new look at the European Renaissance from a different point of view. Lisa Jardine, a professor of English at the University of London, proposes an interpretation of the period in terms of the growth of commerce and a new consumerism and multiculturalism.
However, the information offered does not seem new. Rulers and wealthy men have always been conspicuous consumers. Jardine attempts, for example, to turn around our view of the flowering of art as merely a series of demonstrations of the wealth of patrons who commissioned the works, a sort of competition to show who is most wealthy or powerful. But simply providing examples of patrons who specified expensive materials or the inclusion of their goods in pictures doesn’t prove this point.
Jardine does a better job of showing how the development of printing made the exchange of ideas easier, thus affecting the advances in many different fields, including the arts and the sciences. However, her argument that the policy decisions of the period were all driven by the dictates of commerce is taking things too far, I think.
The book is well written and lively. It does not back up its assertions with footnotes or a bibliography, however, indicating that it is written for the general public but frustrating those who would like to look further. At some point, I felt that the examples were becoming too repetitive and no new points were being made. For example, Chapter Three is about the proliferation of books and printing, but Jardine continues to make the same points about printing and the sharing of scientific and technical information repeatedly throughout the rest of the book.
Although the history provides an interesting discussion of commerce during the Renaissance, it is oversold as a complete history of the period.
Day 353: Friday’s Child
Friday’s Child is one of Georgette Heyer’s funniest Regency romances. Although some of her novels are a bit closer to being “serious” romances (that is, with the emphasis on the romance, but always with witty dialogue), this novel is endearing in its plethora of foolish characters.
Anthony Verelst, the Viscount Sheringham, is a wild young man who is extravagantly wasting his inheritance on gambling and women, but his estate is left so that he cannot touch the principal unless he marries. He has fancied himself in love with the current reigning beauty, Isabella Milbourne, but he is not tempted to matrimony until he becomes fed up with his mother and her brother, one of his trustees, whom he believes is milking his estate. He proposes to Isabella, plainly expecting an answer in the positive, but piqued by his lack of ceremony, she rebukes him for his dissipated lifestyle. In a rage, he storms off, vowing to marry the first female he meets.
As he is returning to London from his mother’s house in the country, he meets Hero Wantage, a very young lady who is an impoverished orphan and a neighbor. He thinks of her as a little sister, so he has no hesitation in relating the tale of his misfortunes. When he tells her of his vow, she answers, “Silly, that’s me!” So, the heedless viscount throws her up into his curricle and drives her off to London to get married. Since she has long worshipped the Viscount, or Sherry, as he is known to his friends, and has been mistreated by her Bagshot relatives, she is happy to go.
The couple is naturally headed for trouble, for Hero is completely naïve and badly brought up, with no idea of how to behave in society. The heedless Sherry seems to feel that he can go on about his business as always without paying much attention to her, so she begins befriending the wrong people and otherwise falling into scrapes.
This novel features an outstanding cast of secondary characters, especially Sherry’s close friends–Gil Ringwood, a thoughtful young man who vaguely feels there is something wrong with the way Sherry neglects his wife; Ferdy Fakenham, a silly but warm-hearted dunderhead reminiscent of Bertie Wooster; and George, Lord Wrotham, a hot-tempered gentleman who constantly challenges other men to duels and is madly in love with Isabella. As a side comment, I think it is a hallmark of a good Heyer novel that the characters who would be the heroine and hero in a typical romance novel (that is, Isabella and George) provide some of the humor in her own novels, especially the devastatingly handsome George, with his exaggeratedly romantic behavior.
Heyer is one of my favorites for light reading, and Friday’s Child makes me laugh out loud, particularly when Ferdy gets it into his head that he and Gil are being pursued by “that dashed Greek we learned about at Cambridge. Kept lurking about in corners,” in other words, Nemesis. The characters are funny, the dialogue is witty, and the plot is full of twists and turns.
What? Me Read? 