Day 213: The Monk

I don’t usually have problems with the language of the classics or with appreciating a book that is long out of its time, but I had one with The Monk. Although it is considered a classic gothic novel, published in the height of their popularity in 1796, I found it boring. I imagine that for its day it was very shocking.

Ambrosio is a monk at a Capuchin monastery in Madrid. Although he is considered to be almost a saint, he is full of vanity and lust. He becomes sexually obsessed with a woman who is disguised as a boy in the monastery, and succumbs to temptation. Then his eye lights on a pious virgin. Gradually, he becomes more and more debauched until he is completely given up to depravity.

What irritates me is the narrative, which is repeatedly interrupted by long and boring digressions, apparently to further the gothic flavor. An example is the story of the brave Lorenzo, who battles with bandits in the forests of Germany. The novel is also rabidly anti-Catholic, as almost all the representatives of the church are scheming, power-seeking, or just plain evil. Although the general over-the-top quality of the novel should have appealed to me, I found myself just not interested enough to finish it.

Day 212: Roseanna

Cover for RoseannaApparently Roseanna is a classic of Swedish crime fiction. Written in 1965 by the team of Maj Sjöwall and Per Wahlöö, it is a compelling police procedural that has sent me to the book stores looking for more.

Lake Vattern is being dredged on a July afternoon when up comes the naked body of a young woman. Autopsy results find she has been violently sexually assaulted and strangled. Detective Inspector Martin Beck and his colleagues Ahlberg, Kollberg, and Melander at first have difficulty even identifying the body.

After months of inquiries, they learn she is a librarian from Nebraska named Roseanna McGraw.  Once they know that, it takes awhile longer to deduce that she must have been killed on a canal boat named the Diana, during a trip when engine trouble delayed her passage through the lake until midnight.

As with other Scandinavian mysteries I have read, the pace is slower and probably more realistic than American procedurals until the police finally identify a suspect. Then, in that time when forensic evidence is so much more limited than at present, they find no evidence linking him to the murder except some hazy snapshots of the two together on the boat. Martin and his team must find some other way to prove he is the murderer.

It’s hard to define why I found this novel so much more enjoyable than some of the more recent Swedish mysteries. It is written in a spare, tight prose. The solution is plausible instead of too convoluted. The characters seem fully defined. The book drew me in, and I was not disappointed.

Day 211: Affinity

Cover for AffinitySarah Waters is great at constructing compelling plots and characters who fascinate even if you dislike them. In Affinity, Margaret Prior begins visiting the woman’s ward of Millbank Prison as a volunteer in an effort to become more active after a year of depression. As with many Victorian charities, the point of this volunteer work is to set the inmates the example of a proper upper-class woman and to make sure they have religious training. Margaret is despondent because her father treated her like an equal and employed her as his assistant, but with her father’s death, she is left with a mother who apparently despises her and with no work or purpose.

Margaret becomes fascinated with a prisoner named Selina Dawes, a spiritualist found guilty of complicity in her sponsor’s death as well as fraud and assault. Although initially skeptical of Selina’s abilities, Margaret begins to experience strange, unexplainable events. Not only does she become convinced of Selina’s powers, but she believes she is innocent.

As Margaret’s obsession grows, she devises a daring escape plan for Selina.

Waters’ depiction of London in Victorian times is convincing, and the atmosphere of the novel is grim and foreboding. Although I was not at all sympathetic to Margaret, I was engrossed by the story and particularly interested in the explanation, if there was any, for the apparently psychic phenomena in the novel.

Day 210: White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson

Cover for White HeatBest Book of the Week!

White Heat is an unusual biography that focuses on the friendship between Emily Dickinson and Thomas Wentworth Higginson. The book is unusual because so little is known of the daily life of Dickinson and much is known of that of Higginson. Brenda Wineapple has pieced together the story of their relationship from what is left of letters (Higginson’s to Dickinson were destroyed with much of Dickinson’s correspondence, but there are letters to others) and from poems sent to Higginson by Dickinson. Wineapple is the author of an admired biography of Nathaniel Hawthorne.

Their relationship was almost entirely in letters. By the time they began their correspondence, Higginson was a well-known writer of essays on nature and politics but was even better known as an ardent and radical abolitionist and advocate of women’s suffrage. He ran guns to Kansas during the free soil days and helped encourage many women poets and got them published. Later, he formed the first African-American regiment in the Civil War. On the other hand, Dickinson had published one or two poems and frankly didn’t seem much interested in publishing more, but preferred to send them off to friends. She remained obscure and unknown, in her later years not even leaving the grounds of her father’s house in Amherst.

Dickinson initiated the correspondence by sending Higginson a flattering letter containing a few poems and asking him to be her preceptor–to tell her if her poems “sing” and to give her advice. Of course, she knew her poems sang and apparently had no intention of taking his advice, so it can be assumed that she wrote hoping to start a correspondence.

Although Higginson has been criticized as too conservative in his poetic tastes and as a bungler for his role in Dickinson’s legacy, part of Wineapple’s purpose is to rehabilitate his reputation, for he was in his own time a brave man of principle whose poetic instincts far surpassed his own abilities as a writer. He found Dickinson’s poetry both shocking in its unconventionality, especially of form, and breathtaking in its beauty.

The two remained friends for the rest of Dickinson’s life, although they only actually met twice. Their letters were sometimes flirtatious, but Wineapple convincingly suggests that most likely neither of them had any intentions beyond friendship and esteem. Higginson was married to a lifelong invalid and seemed to be too upright to consider the idea of dalliance. When his wife Mary died, he shortly remarried a younger woman in the hopes of finally having a family. Later, Dickinson became enamored with and probably engaged to a much older man who unfortunately died.

One purpose of Wineapple’s book is to show what actually happened to Dickinson’s poems after her death, when they were published in two volumes in an edited form, with grammatical, punctuation, and even wording changes by Higginson and Mabel Todd. Higginson has been excoriated for this, but Wineapple suggests that Todd did most of the editing, some of which Higginson strenuously objected to. Certainly Todd alone released a third volume of poetry that was even more heavily edited. Higginson seemed unaware that Todd was handling Dickinson’s poems (with her sister’s permission) as an act of both self-aggrandisement and of petty revenge against Sue Dickinson, Emily’s good friend and sister-in-law, and the wife of Todd’s lover.

Wineapple’s biography is engrossing and occasionally poetic in its own right. It is an excellent analysis of this unusual friendship.

Day 209: A Darker Domain

Cover for A Darker DomainAt the beginning of A Darker Domain, Michelle Gibson comes into the police station to report that her father, Mick Prentice, is missing, actually has been missing for 25 years. He was believed to have left his small mining village during a miner’s strike to scab for another mine in Nottingham years ago, which was considered an act of betrayal. Now that his daughter is trying to find him, she learns he isn’t in Nottingham and never has been.

In the meantime, a case from the same period is being reopened, the kidnapping of Catriona Grant and her baby son Adam, during which Catriona was killed. Someone has found a copy of the ransom poster and a large pool of blood in a deserted Tuscan villa.

Detective Inspector Karen Pirie, head of the cold case group in Fife, is working both cases. The memories of the various witnesses appear as flashbacks and parallel narrations, and the story moves swiftly forward as Karen’s cases begin to converge. Val McDermid usually writes complex and exciting thrillers, and this novel is no exception.

Day 208: The Quiet Twin

Cover for The Quiet TwinThe Quiet Twin by Dan Vyleta seems to start out as a standard mystery, but it turns out to be something else entirely. I was attracted to it because in reviews it was compared to Rear Window, one of my favorite movies.

In a 1939 Viennese neighborhood, there is a rumor of a serial killer. A man was murdered not far away, and someone has killed Professor Speckstein’s old dog in a similar manner.

The courtyard behind Dr. Beer’s more respectable apartment building is shared by some tenements occupied by poverty-stricken tenants. The view that some apartments have into others sets up the situation reminiscent of Rear Window.

Dr. Beer is called to treat Professor Speckstein’s niece Zuzka, a college student who suffers from periodic paralysis. Speckstein is a disgraced former college professor who was once accused of child molestation but has hung onto his social position by becoming a Nazi party informant. Dr. Beer, a student of Freud, diagnoses Zuzka with hysteria.

Zuzka is bored and sleepless, so she watches the courtyard from the window in the middle of the night. She has seen a man across the way washing off makeup and what appears to be blood, so she decides to investigate whether he is the killer.

Also living in the courtyard is a drunken man and his little girl Lieschen, whose body is badly deformed from an accident. Zuzka befriends Lieschen while Dr. Beer worries what may happen to her under the Nazis, having heard about some of their ideas.

A brutish police detective named Teuben appears to investigate the murders, but his actual plan is to pin them on some hapless person.

Although Vyleta has tried to depict the atmosphere among the common people of Vienna under the Nazis, I am not so sure he succeeds. Dr. Beer seems to be one of the few characters who is aware of any threat. An aura of dread persists, but it seems more dependent upon my knowledge of coming events than on any feeling from the novel, although the novel is certainly bleak. Perhaps because I read In the Garden of the Beasts only a few weeks before, I expected an atmosphere that was much more fraught with peril.

Day 207: The Child in Time

Cover for The Child in TimeThe Child in Time is one of Ian McEwan’s earlier books, written in the mid-1980’s. It is an odd book, the themes and subplots of which all have to do with childhood and the relationships between children and their parents, but I did not come away from the novel with a coherent idea of its message.

Stephen Lewis is a writer of children’s books who has come to that vocation by accident, because an adult book he wrote was accepted as one for children. He is mourning the loss of both his small daughter and his wife. His daughter was stolen away from him in a supermarket two years before, and the marriage broke up as a result of grief.

Lewis spends his time drinking and watching television in his filthy apartment. Once a week he sits in on and daydreams through a series of government committee meetings on education, occupying a seat abandoned by his friend Charles Darke, who has retired from public life.

Although the novel focuses primarily upon Stephen’s slow recovery from depression and return to a more normal life, one of the subplots concerns his friend Darke, who with his wife offered refuge to Stephen in his worst days. Darke is a successful young entrepreneur married to a much older physicist, and the Darkes have always been Stephen’s ideal of a mature, adult couple. After running several successful businesses, Darke became a politician and then abruptly retired to the country amid rumors of a breakdown. Stephen eventually finds that his friend has been suffering from obsessions related to a childhood that was cut short by a controlling father.

Another odd plot development is a strange vision Stephen has on his way to visit his wife. He sees his parents meeting in a pub as young adults and confirms with his mother that this was an actual event from before they were married.

Although the description on the book jacket says the novel is about the importance of childhood, that specific concept seems to fit only the story of Charles Darke. As well as having themes about childhood and parenthood, the novel is about mourning and its preoccupations. Particularly perplexing is a side plot about a book on parenting secretly written by the paternalistic government and potentially planned to be fraudulently released as being a result of the committee work.

Set against a bleak England of the 1980’s, occasionally featuring beggars and soup kitchens, the novel seems oddly dreamlike at times while at other times dark and disturbing.

Day 206: Special Assignments: The Further Adventures of Erast Fandorin

Cover for Special AssignmentsI have been following Boris Akunin’s Erast Fandorin series for several years. At first I liked Akunin’s shy, skinny, intellectual young hero. But then Fandorin transformed himself into a muscle-bound Putinesque superhero wannabe, so I lost most of my affection for him.

Set in Tsarist Russia, Special Assignments is actually two novelettes about Fandorin cases. The first, “Jack of Spades,” is a silly case where Fandorin is pursuing a clever con artist. It is supposed to be funny, I think, but I mostly missed the humor and found it ridiculously overcomplicated.

The second story I did not finish once I grasped where it was going. Called “The Decorator,” it is about Jack the Ripper moving his operations to Moscow. However, it becomes quickly obvious that Jack is supposed to be not only a woman but one who is murdering prostitutes because they are defiling their bodies. The whole idea was so abhorrent to me that I refused to read any more of it.