Review 1891: Keeping Up Appearances

I’m not sure if it was because I was on vacation while reading Keeping Up Appearances, but it took me much longer to read it than usual for a novel its size. I did notice I occasionally had a hard time paying attention to it while at other times felt I was reading a script for I Love Lucy.

Daphne and Daisy are opposites in personality, but they’re constantly together. Daphne is confident, witty, and brave, perhaps a higher class than Daisy, while Daisy is shy, unsure, and not always swift on the uptake. Daisy is ashamed of her class origins and the circumstances of her birth, even though she has been raised by higher class family members. Daphne could care less about all that.

At the opening of the novel, both young women are vacationing with the Folyot family on an island in the Mediterranean. Mrs. Folyot works against tyranny and reminds me of Mrs. Jellyby. She is obsessed by her causes and so later has a hilarious scene of talking at cross-purposes with Daisy’s mother.

Both girls care for Raymond, the Folyot’s oldest son, a biologist. Although Daisy doesn’t like to look at the little animals Raymond shows her as much as Daphne does, Daisy fears she cares for Raymond more than Daphne does, but he likes Daphne more than her. Unfortunately, an incident with a wild boar makes Daisy too embarrassed to stay, and Daphne goes, too.

Daisy doesn’t think the Folyots would approve of her profession. Not only is she a successful author of middlebrow novels, but she takes assignments from a newspaper to write silly articles about women that the paper assigns her. Daisy is a snob, and she is proud of neither activity even though we suspect she is a better novelist than she thinks.

Macaulay obviously had fun skewering the newspapers, because the ideas for articles are ridiculous and sexist, as is clearly the attitude toward Daisy’s novels.

Although this novel satirizes the publishing industry, it is really about identity and self-image. Most of the characters are not quite likable except Daisy’s mother, who is a hoot.

I received this novel from the publisher in exchange for a free and fair review.

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Review 1890: Harlem Shuffle

Colson Whitehead is certainly a story teller. In Harlem Shuffle, he tells the story of Ray Carney, whom he describes as “only slightly bent when it comes to being crooked.” Carney’s father broke knees for a living, and Carney hated him, so Carney has earned a degree in business and has worked hard to keep his furniture store going. He only occasionally deals in suspect merchandise.

However, Carney’s cousin Freddie, who grew up like a brother, is the type of guy who is always up to something and it never turns out well. In the first section of the book, Freddie is planning a heist with some guys, and when they need a fence, he suggests Carney. Carney knows this is way above his head, so he says no. He is tipped off that Freddie is in trouble when he gets a call from some men working for Chink Montague, a notorious criminal, looking for something that belongs to Chink. It turns out Freddie has not conveyed Carney’s refusal to the gang, and soon Carney finds himself in possession of a large emerald necklace that is part of the robbery of a hotel vault.

This novel is set in late 50’s and 60’s Harlem, and vividly depicts the events of this period at the beginning of the Civil Rights movement. Whitehead is clever about earning the readers’ sympathy for Carney despite his misdeeds. He makes it clear how difficult it was during this time for an African-American who starts with nothing to make a success of himself. Aside from Freddie’s plots, Carney has to deal with the slights of his in-laws, who think their daughter married beneath herself, as well as paying off both the thugs and the police, being cheated by supposedly respectable businessmen, and so on. Another absorbing novel by Whitehead.

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Review 1889: Apricot Sky

Mrs. MacAlvey is looking forward to a happy summer in her home in the Scottish Highlands. Her three grandchildren who live there are home from school. Her daughter Raine is getting married to Ian Garvine, the younger brother of the local laird, and her daughter Cleo is returning from eight years in the United States. Mrs. MacAlvey also expects guests, and she loves entertaining.

Primrose, one of the grandchildren, thinks Scotland is heaven. She is ready to run wild with her brothers all summer.

Cleo seems to have left home because she was hopelessly in love with Larrich, Neil Garvine, and at first sight of him she realizes she’s not over it. However, she was too homesick to remain in the States. Neil seems more interested, though, in Inga, a young widow whom everyone but Cleo seems to love.

I really loved this novel, and its descriptions made me want to visit the Highlands even more than I already did. It’s about an eventful summer in the life of an attractive, easy-going family in 1948. The characters are likable, it is funny and has a romance, and it’s a lot of fun.

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Review 1888: The Fishermen

The family life of ten-year-old Ben begins to disintegrate when his father, a bank employee, is transferred to a town in a dangerous area of Western Nigeria. Ben and his three older brothers begin fishing in a forbidden river. About the time they get into trouble for that, Abulu, a madman who makes prophecies known to become true, makes one about Ikenna, Ben’s oldest brother. It is that Ikenna will be killed by a fisherman.

Ikenna becomes convinced that his brother Boja is going to kill him, even though the two have always been close. His attitude toward his family changes. He becomes angry, disrespectful toward his parents, and solitary. He locks himself into the room that he shares with Boja, only letting him in when he is out of it. Eventually, there is a shocking crisis.

I know a lot of people have liked this book, which I read for my Booker Prize project, but it didn’t do much for me. Most interesting about it was the background of Nigerian home life and customs, but these are not ours, and what, for example, might be called strictness in Nigeria is for us child abuse. Let me just say that for a novel about four brothers not set in wartime, this novel is extremely violent, graphic, and even at times amoral.

Then there is Obioma’s writing, which I found immature. A lot has been made of his unusual metaphors, but many of them don’t work very well or are just plain awkward. Occasionally, he uses the wrong word, like “haul” instead of “throw,” unless perhaps that is some kind of idiom I’m unaware of. He also loves to use polysyllabic words instead of simple ones, giving an overblown effect to his writing.

I didn’t notice some of these faults in his subsequent novel, but instead in that one I noticed lots of misogyny. I’m not proving to be an Obioma fan.

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Review 1887: Edith Trilogy Read-Along: Grand Days

I decided to participate in the Edith Trilogy Read-Along hosted by Brona of This Reading Life, but my copy didn’t arrive until June 29th, so I am late for the first one, which was to be read in June. I hope to be on time for the second in the series. This series introduces me to Frank Moorhouse, a highly regarded Australian writer.

On a train from Paris to Geneva to work at the newly created League of Nations, Edith Campbell Berry meets Major Ambrose Westwood, who will be a more senior officer in another section of the League. Edith is naïve and dedicated, a quirky person who has her Ways of Going but is determined to become more cosmopolitan than her Australian roots have made her so far. On the train, she and Ambrose share a kiss.

Edith and her coworkers are excited to be working for this important organization with its worldwide focus and its aim to prevent war. Edith conscientiously studies diplomacy from Ambrose and other senior officers and makes contributions of her own, enough to attract their attention and mentorship.

She does not always make the right choices and finds herself in some ridiculous situations. She also begins an affair with Ambrose, whose unusual proclivities lead her in unexpected directions.

At first, I wasn’t sure how much I liked Edith, particularly her habit of listing and examining what she thinks she knows and her almost aggressive questioning of ideas until she’s sure she understands them. I also noticed that she seemed not to pay much attention to events developing in Europe toward the end of the 20’s. But eventually I was charmed by her.

There were some pages toward the middle of the book when she was enumerating ideas that I skipped after reading several paragraphs, and shortly thereafter, when she was contemplating her poop, a scene I know was supposed to be funny, I was not amused. Still, I’m interested to read Cold Light, the next novel, especially because the book cover description contains a detail that I hope is wrong.

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Review 1886: Dostoevsky in Love

Up until now, it has seemed to me that biographies fall into two categories: more academic works that are full of notes and citations and are sometimes turgid or too detailed or works meant primarily for the public that often list no backup material whatsoever and are sometimes sensational or even untruthful. Dostoevsky in Love makes an interesting compromise between the two. It is short at a couple hundred pages, it does include notes, and it somehow distills a sense of the true person that pages and pages of detail may not. Dostoevsky lived an interesting life and Christofi relates the events and Dostoevsky’s ideas in an interesting way, including quotations from his work to illustrate his points.

Dostoevsky’s life was difficult. He was poor for most of it, yet one reason was his generosity. (Unfortunately, another was his addiction to gambling, which he finally conquered.) Most of his life was spent in ill health, including epilepsy, serious bladder infections, and finally emphysema. As a young author, his first work was acclaimed, his next reviled, and then he was arrested for his radical politics and spent four years in Siberia (after suffering through a fake execution), followed by a stint of extra compulsory military service (he had already completed his usual service) with years before he was allowed to go to either Moscow or St. Petersburg.

Finally, in the last few years of his life, he gained the recognition he deserved, but he was still so poor that his wife Anna had no money to bury him with.

I found this to be an absorbing book. I have always wondered why most of Dostoevsky’s characters seemed to be in a frenzy, and now I think it’s because he himself was often in a frenzy, beset as he was with cares.

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Reading Thirkell’s Barsetshire Series in Order: #14 Miss Bunting + #13 The Headmistress Wrap-Up

It’s time to wrap up The Headmistress and continue on to July’s book. Thanks to everyone who participated in the discussion, made comments, or sent links for The Headmistress. They were (and I hope more will appear)

Our book for July is Miss Bunting, which is a reread for me. I’ll be posting my review on Thursday, July 28. I hope some of you will join me. And here’s our little badge.

If I Gave the Award

Having just posted the review for the last of the shortlisted books for the 2020 James Tait Black Award, I find it is time for my feature, where I decide if the judges got it right. This time it’s going to be a hard one, for none of the nominated books struck much of a chord with me. Usually, I judge the books by how I reacted to them, as most people would do, I think.

Often, I start with the book I liked least, but I am not even sure which one that is. So, I guess I’ll start with the winner, Ducks, Newburyport by Lucy Ellman. This book is by far the most experimental of the four shortlisted books, which I’m guessing is why it’s the winner. It is mostly one 1000-page sentence—except for short passages of regular narrative—and it breaks just about every rule of fiction I can think of. I felt that Ellman got details wrong for her character, a middle-aged American Midwestern housewife. She seemed too old and too British. The novel was compelling enough in an odd way for me to finish (that is, I kept wondering why I was still reading it), but didn’t have much of a payoff.

A lot of people are calling linked short stories novels these days. The James Tait Black award is for fiction, but almost every entry I have read so far has been a novel or a novel of linked stories, so Sudden Traveler by Sarah Hall is an anomaly. That is, it is definitely a collection of short stories rather than linked stories making a novel. Some of these stories are slice of life and some quite fantastical. Although I liked another book I read by Hall, I am not generally so comfortable with short fiction (although I like the linked story novels) or with the fantastic, and I found some of the stories perplexing. If this book had any overarching theme, I guess it might be girl power.

Although I liked Girl by Edna O’Brien, it is definitely the least experimental of all the entries. It is a very short, straightforwardly told story about a young Nigerian girl who is kidnapped and the results of that even after she is returned to her family. O’Brien’s writing is beautiful and the novel is affecting.

I’m ending with Travelers by Helon Habila, a novel of linked short stories about the plight of African refugees in Europe. Does that mean I liked it best? I’m not even sure. If I had to pick a winner, I guess it would be either Girl or Travelers. I had more of a response to Girl but think it is slighter than Travelers. Do I think the judges got it right this time? If they are awarding for experimentalism, maybe, but I’m not even sure whether Ducks, Newburyport deserves all the accolades it got. I think that sometimes reviewers in any genre of media get excited because something is different, and this may be a case of that.

Review 1885: Travelers

When I first began reading Travelers, I thought I would be disappointed in it, because the bio said Habila had won several awards for his writing, but I found a misplaced modifier in the first few pages. Can’t help it—I’m a grammar nerd. However, I soon found the novel compelling.

It is structured as six novellas, which are linked by the presence or acquaintance with the unnamed narrator. He is a Nigerian student who is supposed to be finishing his dissertation in Washington when his American artist wife receives a fellowship in Berlin. Their marriage has been suffering since she had a miscarriage, and they see the move as an opportunity for a new start, but while his wife works hard, the narrator seems to be aimless, wandering around Berlin and ignoring his work. He becomes interested in a group of activists living in a squat and taking part in demonstrations. Several of them are refugees from Africa, including Mark, a transgender artist.

In this first novella, we meet Manu, who we learn about in the second novella. As Manu’s family crossed the Mediterranean in a derelict boat, the boat sank and he lost track of his wife and baby son. Every Sunday, he and his daughter search the area around Checkpoint Charlie for his wife and son.

In the third story, Portia, a Zambian studying in England, has traveled to Basel to meet Katharina, who used to be married to her brother David. She has gone there to understand her brother better, a man who always seemed to want to leave home, but also, at her mother’s behest, to find out why Katharina killed him.

In the fourth story, after meeting Portia and traveling with her to Basel, the narrator listens to the tale of a Somalian whom he meets on a train. This man and his son have suffered unimaginable hardships trying to find a place for themselves and their family. However, in a moment of confusion, the narrator loses his identity papers and finds himself incarcerated in a refugee camp.

This novel examines the state of many east and west African countries and the plight of African refugees in Europe. Habila is a master at quickly involving readers in the lives of its many often incidentally encountered characters. I read Travelers for my James Tait Black project.

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