Review 1875: Death of a Bookseller

Published in 1956, Death of a Bookseller has long been unavailable except for costly used editions. I was surprised by the publication date, because in many ways the book reads like a much older novel. It employs a rather formal, factual narrative style, and although it is more of a police procedural, it espouses notions about policing that seem naïve and decidedly rosy compared to the probable reality. Also, it refers to phrenology as if it were a considered a science when it was largely debunked by the 1840’s.

Sergeant Wigan decides to take up a hobby, and the one that appeals to him is collecting books. In learning about them, he develops a friendship with Michael Fisk, a buyer and seller of rare books. He has a collection of very rare ones at home, quite a few about the occult.

When Fisk is found murdered in his home, Wigan is assigned to help the Detective Inspector because of his interest in books. He notices that someone has stolen a rare edition of Keats from his collection, but later learns that someone may have also stolen one of Fisk’s books on the occult, substituting in its place a book of little value.

Very quickly, a runner named Fred Hampton is arrested for the crime with serious evidence against him. Hampton claims he is being framed, and Sergeant Wigan tends to believe him, but the D. I. thinks he has his man. However, he gives Wigan permission to continue investigating on his own time. Wigan does so with the help of Charlie North, another runner.

This novel is interesting in its information about the bookselling trade and has a complex plot, although the clues didn’t seem to me more likely to point at one one suspect over another until the very end. One extremely unlikely plot point was the seriousness with which some characters treated the supernatural angle, as Fisk was apparently trying to raise the devil when he was killed. This feature was another thing that made the book seem more like a 19th century mystery.

I received this novel from the publishers in exchange for a free and fair review.

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Review 1874: The Fire Court

The second book in Andrew Taylor’s Marwood/Lovett series, The Fire Court begins shortly after the Great London Fire that was the setting of the first book. James Marwood’s father wanders off in his senility and discovers a salacious scene in chambers near where the Fire Court sits—a lascivious painting of a woman dressed like a whore stretched out on a couch.

His father comes home with blood on his sleeve babbling about what he has seen, but James thinks he has experienced a senile delusion. However, a few days later the body of a woman is discovered nearby in a pile of rubble. She is dressed up like a whore, but she is not one. She is Celia, the widowed niece of Mr. Poulton, a client of Mr. Hakesby.

Hakesby has given refuge to Cat Lovett, who has fled her family. She is now going by the name of Jane Hakesby, supposedly Mr. Hakesby’s cousin and servant. But Mr. Hakesby is very frail, suffering from an ague. Cat has been helping him with his architecture work, and he badly needs the custom of Mr. Poulton, who has a case before the Fire Court.

The Fire Court’s mission is to make decisions quickly about competing rights of property so that London can be rebuilt. Mr. Poulton wants to develop some property called Dragon yard that is mostly owned by himself and his niece Celia, and Hakesby is drawing up the plans. But Philip Limbury, an upperclass personage with influence at court, has some rights to Dragon Yard and also wants to develop it. Marwood is sent to look into the death of Celia, and he soon realizes that his father must have seen her murdered in the apartments of Mr. Gromwell, his father’s description of where he went being so vivid. Marwood begins to believe there is some sort of conspiracy going on involving the Fire Court, and both he and Cat are soon in danger.

Although I felt the characters in this book took too long to realize they were involved in real estate conspiracies, this was another complex and interesting novel in this series. The 17th century setting seems convincing, and James and Cat are interesting characters.

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Review 1873: Juggernaut

Esther Rowe is a Canadian nurse who has just finished delivering a patient in Cannes and finds herself having to make a decision. Will she return to snowy New York or try to find a job in beautiful, warm Cannes? She decides on Cannes and soon accepts a post with Dr. Sartorius even though he seems intimidating.

Celebrating her new job by getting a drink at an expensive café, she overhears a conversation between a young man and a beautiful woman. He is telling her he has a job in Argentina, and she doesn’t want him to go. Later, the woman comes to Dr. Sartorius’s office for an injection. She is Lady Clifford, the much younger wife of Sir Charles Clifford, a wealthy manufacturer.

Not long after Esther starts working for Dr. Sartorius, he informs her that he is closing his practice to care for Sir Clifford, who is suffering from typhoid along with other ailments. However, he invites her to come along as the day nurse.

She hasn’t worked there long when she beings noticing odd things. Lady Clifford doesn’t pay much attention to her husband but insists on giving him his milk every day. The house is frequented by Arthur Holliday, the young man Esther saw with Lady Clifford at the café. Roger Clifford, Lord Clifford’s son, arrives unexpectedly after Lord Clifford suffers a downturn. He never received the cable sent to summon him home.

Although it isn’t very hard to figure out what’s going on in the Clifford house, Esther is a strong, feisty heroine and the novel depends more on psychology than the complex plots more usual in 1928, when Juggernaut was written. Also, there is an understated romance, and the last 50 or so pages are extremely suspenseful. Juggernaut is Campbell’s first book, and I am looking forward to more.

I received a copy of this book from the publishers in exchange for a free and fair review.

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Review 1872: The Bass Rock

Told in three compelling narratives that take place over centuries, The Bass Rock is a novel about the history of violence toward women. The novel is located on the banks of the Firth of Forth, an area of Scotland dominated by the Bass Rock.

Early in the 18th century, the local priest comes upon some young men raping a very young girl, Sarah. The priest rescues her, but the young men claim she must be a witch because she enchanted them and forced them to do it. Soon, the men have burned down the priest’s house, and the entire household must flee toward the beach.

Post-World War II, Ruth and her husband Peter have recently moved into the big house in North Berwick. Ruth doesn’t quite understand the reason for the move, since Peter works in London. He says it is for the benefit of his sons by his previous marriage, Christopher and Michael, but they are being sent off to school. Soon, newly wed Ruth finds herself left very much on her own with only the housekeeper Betty for company. She begins to discover some secrets in the family.

After Ruth’s death as an old lady, Michael’s daughter Viv is hired by the family to sort through the things left in the house so it can be sold. She has recently had some mental issues and feels like she is the family failure. Almost despite herself, she befriends Maggie, a homeless occasional sex worker who has an interesting take on things. Maggie tells her there is a ghost in the house.

This is a powerful novel. Although its theme is grim, its main characters are relatable and sometimes likable. I loved All the Birds, Singing, and this is another winner from Wyld.

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Review 1871: Four Gardens

Furrowed Middlebrow calls Four Gardens one of Margery Sharp’s most beloved books. At first, I thought the novel was just okay, but gradually it won me over. It’s essentially a character study of Caroline, a woman born into the Victorian era who has to learn to adapt to more modern times.

The novel begins with Caroline as a teenage girl, still in the 19th century. She comes from an ordinary middle-class family and recognizes a big divide between herself and the people she knows and the others from the Common, the area where the wealthier people live. She and her family, for example, work on the annual festival, but they are not invited to it.

In the neighborhood is a deserted house with extensive gardens. Although it is trespassing, Caroline sneaks in there and meets Vincent, an upper-class boy. During the summer, she runs off to meet him in the garden. But once he sees her with her family, he stops coming.

Beginning with this disappointing first romance, Four Gardens follows Caroline as she marries, has children, meets with a change of fortune, gets through World War I, and continues into middle age and older. She is an endearing heroine, realistically experiencing the changes of the times. It’s an affectionate and lovely novel.

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Classics Club Spin #30

The Classics Club has announced another spin. To participate, members post a numbered list of 20 of the books from their personal lists, to be posted by this Sunday, June 12. The club announces a number, and that determines which book to read by Sunday, August 7.

So, with no more further ado, here is my list:

  1. The Castle of Otranto by Horace Walpole
  2. Cecilia, Memoirs of an Heiress by Fanny Burney
  3. The Moonspinners by Mary Stewart
  4. The Aeneid by Virgil
  5. Phineas Finn by Anthony Trollope
  6. Miss Mole by E. H. Young
  7. Weatherley Parade by Richmal Crompton
  8. Sleeping Murder by Agatha Christie
  9. Love’s Labours Lost by William Shakespeare
  10. Sense and Sensibility by Jane Austen
  11. Merkland, A Story of Scottish Life by Mrs. Oliphant
  12. The Saga of Gosta Berling by Selma Lagerloff
  13. Grand Hotel by Vicki Baum
  14. The Deepening Stream by Dorothy Canfield Fisher
  15. The Ten Thousand Things by Maria Dermoût
  16. Tis Pity She’s a Whore by John Ford
  17. The Return of the Native by Thomas Hardy
  18. Castle Rackrent by Maria Edgeworth
  19. Iza’s Ballad by Magda Szabo
  20. A Double Life by Karolina Pavlova

Review 1870: Absent in the Spring

For some reason, I always thought that the novels Agatha Christie wrote as Mary Westmacott were romance novels. Absent in the Spring, however, is a character study with an edge, reminding me more of some of the novels of Elizabeth Taylor.

Middle-aged Joan Scudamore gets stranded for several days at a guest house on her way from Baghdad to London. Before this happens, there is a revealing encounter between her and an old school friend, Blanche Haggard. Joan is judgmental toward Blanche, thinks she looks old and untidy and blames her appearance on the unfortunate choices she has made in life. Blanche cheerfully admits her bad choices but says she has enjoyed her life. She also hints at something about Joan’s daughter Barbara. We realize we like Blanche more than Joan.

During the five days Joan is stranded, she begins reconsidering her self-satisfied attitude, realizing some truths about herself and her family that she has hidden from herself. It is clear to the reader that she has bullied her husband and children, but she sees her behavior as doing her best for them. She thinks she has helped them to happy lives, but she has tried to make them all do what she thinks is right.

The big question is whether Joan can change her attitude. Let’s just say the novel is much more in the Realism school than Christie’s mysteries.

And by the way, let me just state my objection to this book being relabeled under Christie’s name. On the cover of my edition, the Christie name is more noticeable than Westmacott. Although I see no harm in acknowledging somewhere that they’re the same person, this is a marketing ploy that I don’t agree with. She wrote the book under the name Westmacott, so that should be the predominant name.

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Review 1869: The Widows of Malabar Hill

In 1920’s Bombay, Perveen Mistry is the only female lawyer in the city. She is working with her father at the Mistry law office when a question comes up about the trust for the three widows of Omar Farid. First, the family’s agent Mr. Mukri says the widows want to change the purpose of the trust from support of veterans to the establishment of a madrassa. Further, the wives are giving up their mahr (sort of a dowry) to the trust. That may not be allowed by law. But Perveen also notices that the signatures of two of the women appear to be the same. Since the women are living in purdah, Purveen talks her father into allowing her to interview the wives.

When Perveen visits the wives, she finds Mr. Mukri rude and uncooperative and only Sakina, the second wife, understands and agrees with the requested changes. Sakina is shocked to find out that Razia, the first wife, is the administrator of the trust. Razia is unaware that Mr. Mukri has filed for a change in the purpose of the trust, but she is clearly afraid of him. Perveen also finds out that the agent has not been paying the household’s bills and that the third wife, Mumtaz, is trying to hide a pregnancy from the rest of the household. Perveen believes Mukri is mishandling the estate’s funds.

This novel is being marketed as a mystery, but it is about 80 pages before Perveen goes to see the women and 120 before a murder is committed. That is mostly because Massey devotes about half the novel to Perveen’s personal life, particularly her brief marriage. It seems to me that she could have accomplished what she needed to do in a few paragraphs or a chapter, because we don’t invest much in this relationship. Perveen is afraid of her ex-husband at the beginning of the novel, but the reasons could be explained in a lot less space.

Massey does a good job of giving the feel of the indoor spaces and food and costume, but I didn’t get a good sense of what Bombay was like at this time, something that I look for in a novel set in an exotic location or other time. And, in fact, Perveen’s visit to Calcutta for the first time is an excellent opportunity to describe that city, but there is no description.

At first, too, I thought I was going to object to Perveen being too much out of her time, for I really dislike historical novels where the heroines behave more like they live in the present. This particularly bothered me in the section about Perveen’s romance, but as the novel continued, it stopped being an issue.

This is not a mystery, however. Perveen pokes around a bit, but the solution just depends on her being in the right place at the right time. It is her father who actually finds the most important clues. So, overall I was disappointed in this novel.

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Review 1868: The Swiss Summer

When Lucy Cottrell’s friend takes her to visit an elderly friend, Lady Dagleish, she has no idea how her immediate plans will be affected. Lady Dagleish is sending her companion, Freda Blandish, to spend the summer at her chalet in Switzerland to inventory its contents, and Lady Dagleish tells Lucy she must go along and spend the summer in the chalet, inviting any friends she wishes.

All during her marriage, Lucy has fallen in with her husband’s ideas for a holiday, he preferring to stay in England or Scotland and near convivial friends. But Lucy has yearned for the alpine meadows of her honeymoon, for quiet and beautiful scenery, so she is surprised but delighted by Lady Dagleish’s invitation.

Lucy is thrilled to arrive at a beautiful, large chalet high up in the mountains. Although she was not impressed by Mrs. Blandish when she met her, Lucy herself is an amenable person, and at first things go well. Then Mrs. Blandish’s teenage daughter Astra arrives and makes it clear that Lady Dagleish doesn’t like her and wouldn’t want her there. Mrs. Blandish asks Lucy not to tell her, and Lucy reluctantly agrees.

Lucy finds she likes Astra but is dismayed to learn that Mrs. Blandish expects more guests—paying guests—her friend Mrs. Price-Wharton and her family, and she expects Lucy to keep quiet about it. Utta, the Swiss housekeeper, is certain these people should not be there, but she doesn’t know what to do about it.

Finally, Lucy’s own guests arrive, her godson and a friend who are mountain-climbing in the area. The two young men begin to make friends with Astra and snobbish friend Kay Price-Wharton. Lucy does not quite have the quiet holiday she desired.

This novel has some likable characters and some not so likable. It is full of the beauties of Switzerland in the 50s, and like another novel, The Enchanted April, made me want to go to its setting immediately. I had to laugh at all the references to the characters’ healthy red (or tanned) faces, though. This novel is charming, with just a hint of the sardonic.

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