Review 1772: The Fall of Light

The Fall of Light is like all the Irish epics rolled into one, minus the gruesome murders. It’s the tale of Dierdre of the Sorrows applied to one family.

It’s the early 19th century, and Francis Foley is moving on again. Throughout his life, he has become angry at his fate and moved from one place to another. This time, he’s had a great argument with his wife, Emer, and she left the house. Now, he and his four sons are on the run, because he broke into the lord’s house, stole his telescope, and burned the house down.

They have been heading west, for Francis believes they will make their home on the Atlantic Ocean. But when they reach the River Shannon, Francis, always hasty, never to be denied, says they must cross it where they are without looking for a bridge or ford. They cannot even see the other side. And in that fateful crossing, Francis is swept away from his sons Tomas, the twins Finbar and Finan, and Teige, who is only 10.

One by one, the brothers lose each other, and the story becomes each one’s journey to find a family and a place in the world, through famine and terrific hardships. This is a lyrical, lush story that makes the journey of a family into a tale of mythic proportions.

Four Letters of Love

History of the Rain

This Is Happiness

Review 1771: Umbrella

Some of the reviews of Umbrella refer to modernism, as in “a magnificent celebration of modernist prose.” This kind of encomium shivers me timbers. And then I think, isn’t modernism over? Aren’t we into postmodernism now? Apparently not.

Umbrella has a plot, but don’t expect the book to leap into action, because it’s more concerned with its devices. Self uses few paragraphs, and the ones he inserts aren’t necessarily making the expected division, some of them positioned in the middle of a sentence. Self uses three points of view, but they shift without warning, sometimes in the middle of a word. Stream of consciousness is used abundantly and confusingly, and Self loves his allusions, most of which I did not get. What Self isn’t very concerned with is being easy on his readers.

The novel is inspired by Oliver Sach’s Awakenings. In 1971, psychiatrist Zack Busner realizes he has a group of patients who are post-encephalitic, and they are stuck repeating activities that are meaningful to them but at such fast or slow speeds that they are difficult to detect. He gets permission to administer L-DOPA to them, and they unfreeze, or wake up. Among them is Audrey Death, the oldest patient in the mental hospital.

Aside from following Dr. Busner as a young psychiatrist, we also follow him as an old man. We see from Audrey’s point of view as a girl and a young woman and from her young brother Stanley’s during World War I.

Sometimes the narrative gets carried away into ridiculous flights that last for pages, such as the one involving Stanley falling into a subterranean existence. I didn’t know what to make of it. Although critics have foamed at the mouth in admiration of this novel’s style, I’d call it self-indulgent. I had to make two attempts before I finally managed to read this novel.

This is one of the books I read for my Booker prize project.

Ducks, Newburyport

There but for the

As I Lay Dying

Review 1770: The Stone Circle

Forensic archaeologist Ruth Galloway is called back out to the wooden circles on the Norfolk coast because bones have been discovered there, along with a hagstone. Ruth thinks they are quite likely those of Margaret Lacey, who went missing at the age of 12 in 1981. And so they prove to be. Ruth is also sure the bones have been moved recently from a more loamy soil.

Ruth has received a letter similar to the ones that arrived during her first case set near the stone circle. So has DCI Nelson, Ruth’s occasional lover and the father of her daughter Kate. Nelson had decided to leave his wife Michelle for Ruth when Michelle announced that she was pregnant. Nelson’s son Charlie has just been born.

One of the suspects in Margaret’s disappearance had been John Mostyn, but his crippled mother gave him an alibi. Now John lives by himself, a hoarder and a collector of stones, but Margaret’s family think he is harmless. Soon, though, he is found murdered.

The Stone Circle is another excellent mystery by Elly Griffiths. I am even more interested in Ruth’s private life, and the mystery itself is a good one.

The Dark Angel

The Chalk Pit

The Woman in Blue

Review 1769: The Man from St. Petersburg

Back in the days when Ken Follett and John Le Carré were the major names in the espionage genre, I used to read both and sometimes confuse them. However, at some point I realized that, of the two, Le Carré is really the master of the genre and the better writer, so I stopped reading Follett. When Pillars of the Earth came out, I read that and decided that historical fiction was not Follett’s genre (I know many would disagree), so I stopped reading him altogether. This is a long way of staying that I picked up The Man from St. Petersburg by mistake.

The premise is intriguing. It’s 1909, and Winston Churchill wants to avoid a war with Germany by making a pact with Russia. The czar wants Prince Aleksey Andreyevich Orlov to handle the negotiations, so Churchill wants Lord Walden, whose wife Lydia is Orlov’s aunt, to handle the British side. Back in Russia, the anarchists want a revolution, which they believe would be kicked off by a war, so they want the negotiations stopped. One of the anarchists, Feliks, must kill Orlov, and he goes to England to do so.

I thought that sounded interesting, but not too far in I felt like Follett was just putting his characters through their paces, making them do what he needed them to do. The diplomatic conversations lacked the subtlety they actually would have had. They just seemed crude and too direct. Finally, a major plot point that was supposed to be a surprise on about page 80 was too loudly telegraphed on page 10. I stopped reading about one third of the way into the book.

Code to Zero

Munich

The Revolution of Marina M.

Review 1768: Venetia

I didn’t remember Venetia as being one of my favorite Georgette Heyer books, but actually I liked it very much. It features a sparkling heroine.

Venetia Lanyon has lived almost secluded in the Yorkshire countryside. When her mother died, her father became a recluse and refused permission when the time came for Venetia to be brought out by her aunt. Now 25, since her father’s death she has been taking care of her brother’s estate until he returns from the wars, at which time she plans to take a house with her younger brother, Aubrey. Although she has two suitors, she cares for neither of them and believes she will need to be there for Aubrey, who has a bad hip and does not relish meeting people.

The Lanyons’ neighbor, Lord Damerel, is seldom home and has such a bad reputation that when they were children Venetia and her brothers called him the Wicked Baron. Venetia is out picking berries one day when she meets Damerel. He at first mistakes her for a village girl and kisses her. However, he soon finds his mistake and doesn’t know what to make of her reaction. Fairly quickly, they find themselves friends.

Of course, this will never do, think her friends and relations, and we’re off for another funny romp with Heyer.

Black Sheep

Regency Buck

Frederica

Review 1767: Classics Club Spin! A Town Like Alice

Best of Ten!

I haven’t ever read anything by Nevil Shute, so I decided to put A Town Like Alice on my Classics Club list, and then it was chosen for the latest spin. I’m glad I chose it for my list, because it’s a really good book, hard to categorize—part war story, part love story, part adventure story, about brave and resourceful people and challenges faced. I loved it.

The novel is narrated by Noel Strachan, an elderly solicitor, who finds himself the trustee for a young woman named Jean Paget. After they befriend each other, Jean confides to him that during World War II she was in Malaya when she and a group of women and children were taken prisoner by the Japanese. Since the Japanese didn’t know what to do with them, they were marched hundreds of miles back and forth over the Malay peninsula. Half of them died until Jean made a deal with a village headman that he would allow them to stay there if they helped with the rice harvest. During the time they were wandering, an Australian POW who was driving trucks for the Japanese tried to steal food for them and was crucified by the Japanese. Jean decides to use part of her legacy to dig a well in the Malayan village to thank them for helping.

While in Malaya, Jean learns that the Australian man, Joe Harman, did not die as she thought. She decides to go to Australia to try to find him. As fate would have it, however, he comes to Strachan’s office in London looking for Jean, having learned that she was single after thinking all this time that she was married.

About half the novel is about the couple finding each other, but then Jean sees the nearby town to the remote station where Joe works. She learns that the girls won’t stay in town because there is nothing there for them, and Joe can’t keep men on the station because there are no girls. The resourceful Jean decides that if she can’t bear to live in the town, something must be done to improve it.

It’s easy to see why this novel is so beloved, although caution—there is incidental racism that reflects the times. That being said, I found this novel deeply satisfying—engrossing, touching, full of life and spirit.

The Narrow Road to the Deep North

My Brilliant Career

Salt Creek

Review 1766: China Court

Old Mrs. Quin dies, leaving her beloved house, China Court, dilapidated from lack of money and her even more beloved garden tended only in a few places. Her descendants gather, assuming the house and contents will have to be sold to pay for the taxes and the leftover money divided. Among them is Tracy, her only grandchild, who loved the house as a child but was taken away by her mother to lead a wandering existence. Mrs. Quin’s children are indignant about the presence of Peter St. Omer, who abandoned an aimless life four years ago to work the estate farm at Mrs. Quin’s encouragement.

When the will is read, there is a surprise for all, as Mrs. Quin has left the house to Tracy and the farm to Peter with an unusual proviso. But can they find the money to save the properties?

China Court was the novel I chose to read for Rumer Godden Week, hosted by Brona at This Reading Life. With a great deal of fluidity, it tells the story of the lives of several generations of Quins in their home of China Court. It moves back and forth among generations, the shifts triggered by an object or a smell, as it tells what happened to the family—the smart girl denied an education because of her sex, the wife madly in love whose husband was unfaithful at the first opportunity, the girl in love with one brother who married another.

Godden does this skillfully, inserting the seeds of the stories into the first chapter so that readers want to find out about them. She structures the novel by dividing it up like a book of hours, beginning each chapter with a description of the page of that hour from a specific book. I was perplexed about the reason for this device, but all is eventually made clear.

Godden uses a similar technique in A Fugue in Time (written in 1945) but less successfully there, I think. In this novel I became very involved in the stories of some of the characters and the fate of the house. Godden has perfected this approach to fiction by the time she published this book in 1961.

A Fugue in Time

The Lady and the Unicorn

A Harp in Lowndes Square

Review 1765: Brooklyn

It wasn’t until I finished reading Colm Tóibín’s latest novel on Sunday that I noticed no review for Brooklyn, which I was sure I had read. I looked back at my old records, and sure enough, I read it in March 2016, but mistakenly removed the flag from my notes that indicates I haven’t reviewed it yet. So, here goes.

Brooklyn is a quiet story set in post-World War II Ireland and New York. It is about the tension between yearning for home and desiring to make your own way in the world.

Eilis Lacey has finished a bookkeeping course and is eager for work, but the only job she can find in her small Irish home town is clerking at Miss Kelly’s store on Sunday mornings. Her brothers have emigrated to England for work, and the family is supported by her older sister Rose, who works as a bookkeeper. Rose wants more for Eilis, so she arranges for Father Flood, a visiting priest, to find Eilis a job in Brooklyn.

The best he can do for her is a clerk’s job in a department store, Bartocci’s. Eilis enjoys her job, but she is frightfully homesick and does not much enjoy living in Mrs. Kehoe’s boardinghouse. Reasoning that being busy will make her less homesick, Father Flood signs her up for courses at Brooklyn College.

Soon, she is making a new life for herself, doing well in her courses, and even finding a boyfriend, a cheerful Italian plumber named Tony. She is finally settling into her new life when something unexpected occurs that takes her back to Ireland and a choice between her two lives.

Written in Tóibín’s graceful prose, Brooklyn is a quiet but powerful character study and exploration of the immigrant experience in post-World War II America.

Nora Webster

The Empty Family

Galway Bay

Review 1764: Literary Wives! The Summer Wives

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

* * *

In the summer of 1951, young Miranda Schuyler arrives on Winthrop Island for her mother’s wedding to Hugh Fisher. There, she is immediately drawn to the young fisherman, Joseph Vargas, one of the lower class full-time population of the island that is in summer also occupied by the wealthy elite. She doesn’t care about his social position, but her new stepsister, Isobel, claims him for her own despite being engaged to someone else.

In the summer of 1930, a very young and naïve Bianca Medeiro falls madly in love with Hugh Fisher. She does not understand how he views their relative social positions and believes that having sex with him means they are spiritually married, despite his engagement to another girl.

In the summer of 1969, Miranda, now a movie star, returns to the island, where she has been a pariah since the events of 1951. Slowly, we learn what happened back then and what led to Joseph’s imprisonment for the murder of Hugh Fisher.

My Review

Literary Wives logo

First, I have to say that this is absolutely not my kind of book, so I only read it because it was a selection for Literary Wives. I have read one other book by Beatriz Williams, but I’m guessing it was improved by being a collaboration with two other writers, Lauren Willig and Karen White. The Summer Wives is definitely chick lit, which I do not read, so I will attempt to comment on the other aspects of it.

The plot develops so slowly that I considered quitting about page 50, when nothing much had happened except girls swooning over boys. I was about at page 5 when I thought I knew every secret that was going to be revealed, and I was just about right, barring that by then only a few of the characters had appeared. I also expected more of a sense of what the island looked like and who the characters were, but they were very much one- or maybe two-dimensional.

The dialogue was uninteresting, and the writing was either fairly mundane or overstated. For example, Bianca is stunned at being given gin to drink, not surprised, not startled, but stunned.

The novel picked up a little at the end, but had a frankly unbelievable ending. And what is this fascination chick lit books seem to have with wealth? The novels all seem to be about rich people or poor girls brought into worlds of wealth. So, of course, Miranda’s mother marries a wealthy man and despite Miranda having been ostracized from the family at a young age, she doesn’t become just an actress but a movie star.

What does this book say about wives or the experience of being a wife?

Well, really not much. Despite its title, the novel isn’t really about wives so much as a series of illicit relationships and love affairs. In fact, the word “wives” is used ironically, I think. Bianca considers herself married to Hugh despite his engagement to another woman and is shocked when he actually marries her. The marriages that are depicted are all in some sort of dysfunction. Hugh Fisher and Bianca Medeiro marry others but cheat their spouses throughout their marriages. Miranda has just left her abusive husband who, of course, is a movie director. Another middle-aged wife has been seducing the young men on the island. These are not sincere depictions of marriage but stereotypes, and I find nothing much to say about them.

The Forgotten Room

War of the Wives

An American Marriage