Day 1019: The White Cottage Mystery

Cover for The White Cottage MysteryThe White Cottage Mystery is not one of Margery Allingham’s Albert Campion mysteries, and there is a good reason for that. But explaining that remark gives away too much. This novella instead features W. T. Challoner and his son Jerry.

Jerry falls into the mystery when he offers a lift to an attractive girl who lives at the White Cottage. Just after he drops her off, when he is in conversation with a policeman, he hears a gun shot. Then a parlor maid runs out of the house asking for help.

It seems that someone has shot and killed a visitor to the house, Eric Crowther, the next door neighbor. Crowther was disliked by the entire household. However, the finger of guilt seems to point to Mr. Cellini, an occupant of Crowther’s house, who has fled to France.

About a third of the way through the book, I gave a sigh. Golden Age mystery writers seem to love larger-than-life plots, so when mention was made of a huge crime syndicate, I thought, why can’t this be a straightforward mystery? But the syndicate turns out to be a red herring, I don’t mind saying.

link to NetgalleyThe solution to the mystery turns out to be quite surprising. Challoner unearths some juicy secrets, and the situation is complicated by Jerry falling in love with Norah Bayliss, the sister of the house’s owner.

The cover of the new Bloombury Reader edition is retro and lovely. It reminds me of some of the covers coming out lately from Poison Pen Press and the British Crime Series.

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Day 1018: The Beautiful Dead

Cover for The Beautiful DeadEve Singer is a crime reporter. Although her boss is horrible, Eve is desperate to keep her job, because she is supporting her father, who is deep in the grip of dementia.

Eve is on the way home from reporting on a murder when she hears a man approaching her. Sure she is going to be attacked in the dark street, by instinct she turns to him and asks him to walk her home. What she doesn’t know is that the murder she has just reported on, of a woman just feet away from a busy street, is the latest in a string of serial killings. The man who walks her home is the murderer.

The trust Eve shows him hypnotizes the murderer, so he begins calling her to lure her into cooperating with him. At first, she doesn’t and turns to the police, agreeing to keep some clues secret. But later, a fear for her job makes her broadcast details about the crimes that she promised to hide.

link to NetgalleyAfter the killer lures her and another news team to the death of one of her rivals, Eve gets a police bodyguard. But when the killer kidnaps her father, she realizes she is going to have to think like a serial killer.

Although The Beautiful Dead belongs with the usual dark thrillers that Bauer usually writes, she is experimenting with throwing in the lightest touch of romance and more likable secondary characters. This is a good move for Bauer, as it lightens up what would be an extremely dark book and gives her more to work with. I think I enjoyed this novel more than the last few as a result.

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Day 1017: The Midnight Assassin: Panic, Scandal, and the Hunt for America’s First Serial Killer

Cover for Midnight AssassinI lived in Austin, Texas, for more than 20 years (not anymore, yay!), so I already know that Austin had a serial killer before Jack the Ripper. That didn’t make this book any less interesting, though.

Journalist Skip Hollandsworth was very surprised when he learned about it. In fact, he says he didn’t at first believe that, starting in 1884, Austin suffered a series of brutal attacks on women that ultimately culminated in several murders.

At that time, serving women usually lived in little shacks at the backs of their employers’ homes. Most of the victims were dragged out of these homes—other occupants either hit over the head or merely threatened—and then brutally attacked somewhere nearby. Most of the first victims were black, so of course (it being Texas and the 19th century), the authorities looked to African-American men for the perpetrator. Then they decided it was a gang of them. The idea of a serial killer seemed inconceivable to them.

Hollandsworth’s strength in this book is in bringing 1880’s Austin to life. He does a great job of setting the stage. I also enjoyed all of the photos of Austin from that time. This is an interesting story, one that many Austinites are unaware of. Of course, it doesn’t have a solution as the killer was never caught. We may never know who this murderer was or why he stopped. Hollandsworth follows up some interesting leads, though.

If you are interested in this topic, Steven Saylor has written a fictional account of it, using O. Henry as a character. His solution is a bit far-fetched and easy to predict, though.

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Day 1016: Orfeo

Cover for OrfeoBest Book of the Week!
Richard Powers is clearly a lot smarter than I am, for I did not always understand him. But I enjoyed his novel Orfeo immensely. It is by coincidence the second reworking of a Greek myth that I’ve read recently.

Peter Els had a career as an avante-garde composer, although with one exception most of his works were only heard by a few hundred people. Now retired, he has taken up a hobby in chemistry, the field he originally intended to work in. Although he has broken no laws, he is trying an experiment to compose music that will last forever, in the genetic code of bacteria.

When his dog unexpectedly dies, an unfortunate series of incidents brings the police to his door. They are alarmed by his chemical periphernalia. He thinks all he will have to do is explain himself, but when he arrives home to find Homeland Security raiding his house, he flees in alarm.

During his flight, he revisits the memories from his past. Most of these have to do with music, and Powers’ use of prose is lyrical as it describes what Peter hears and imagines. The world for Peter is full of music, from bird song or a penny whistle to the most formidably intellectual modern composition. I wasn’t familiar with many of the pieces Powers describes, but his descriptions make me want to hear them.

Although Powers’ writing can be so cerebral that it is thought by some to limit its emotional power, I did not find that to be the case with this novel, even though I did not grasp every idea. Ils decides to visit the important people from his past to make amends for any wrongs he’s done them. As he travels, we continue to revisit his memories. A strong theme of paranoia in the post-9/11 world also prevails.

I found this a touching and powerful novel, full of the joy of music. It probably also includes the best evocation of the creative scene from the 60’s that I’ve ever read.

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Day 1015: Tales of Mystery and the Macabre

Cover for Tales of Mystery and the MacabreAs I am familiar with an Elizabeth Gaskell who wrote relatively realistic (for a Victorian) novels about ordinary people in different stratas of society, I was surprised to find this collection of strange and gothic tales. That shouldn’t have surprised me, though, because the supernatural and the fantastic were preoccupations of the Victorians. Séances were popular, and many reputable people believed in the supernatural.

That being said, these stories are not Gaskell’s best. When I looked them up, I was surprised to find that she wrote them later in life. They are about what you’d expect from the genre, though less fantastic and not really scary. Straight narrative dominates over dialogue and scenes.

In “The Old Nurse’s Story,” a little orphaned girl goes to live in a relative’s house that is haunted by the ghost of another little girl. In “The Squire’s Tale,” a new neighbor is found to be a robber and murderer. “The Poor Clare” is a story about a woman who inadvertently curses her own granddaughter.

I found three of the stories too tedious to finish. “The Witch Lois” is about an unsuspecting English girl who arrives in Salem, Massachusetts, to live with relatives just in time for the witch scare. “Curious, If True” seems to be about a lost traveler who comes upon a party of fairy tale characters. And “Disappearances” is a string of short anecdotes about people vanishing that did not seem to link up.

So, a disappointing book this time. Almost all of the main characters are women, and them so virtuous and retiring that they weren’t very interesting.

Happy holidays!

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Day 1014: The Stranger from the Sea

Cover for Stranger from the SeaThis eighth Poldark novel begins in 1810, ten or eleven years after the last one. Ross and Demelza’s oldest two children are a young man and woman, and to some extent the novel focuses on their futures.

The Stranger from the Sea begins with George III descending yet again into madness. This situation creates a problem for the country. Wellington is recently in charge of the British army in the Peninsular wars, but the Tories fear that if George’s son is made regent, the Whigs will come into power and make peace with France. Some of Ross’s friends in Parliament ask him to go to Portugal and observe Wellington.

While Ross is away, his son Jeremy pulls a drowning man from the sea. This man is Stephen Carrington, who first says that his own ship went under in a storm but later admits to being a common sailor. Demelza is not altogether sure he can be trusted. Unfortunately, her daughter Clemence is greatly attracted to him.

On an expediction to reclaim the lugger Carrington says is his prize, Jeremy runs afoul of revenue officers and is hidden by the intervention of Cuby Trevanion. Jeremy is smitten, but her family makes it clear that he is not worthy enough.

George Warleggan has also been smitten, 10 years after the death of his wife, Elizabeth. The woman who has attracted him is a widow, Lady Harriet Carter. Although she herself is impoverished by her husband’s debts, she comes from a much higher social strata than George, so he makes some risky investments in an attempt to impress her brother.

Ross and Demelza are still very present in this novel, but the focus seems to be moving to their children. Since we don’t know them well yet, this novel feels transitional. Still, I was interested as ever to see how things would work out.

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Day 1013: Mystery in White

Cover for Mystery in WhiteI have made it a tradition the past few years to review a Dickens Christmas story at Christmas time. We moved in October, though, so I have not yet unearthed my collection of Dickens Christmas stories. Wanting to read something seasonal, I settled on Mystery in White, which is set on Christmas Eve and Day and is also a sort of ghost story, which fits my tradition.

A heavy snowfall halts a trainful of people on their way to various Christmas gatherings. They are sitting there wondering how long they’ll be stuck when an older man, Mr. Maltby, a psychic researcher, abruptly leaves the train to walk to another station.

This action inspires a group of young people to follow him. They are a brother and sister, David and Lydia Carrington; a chorus girl, Jessie Noyes; and a young clerk, Robert Thomson. The only passenger from their car who stays is a blowhard.

Shortly after leaving the train, the party loses Mr. Maltby’s path and gets into difficulties in the snow. Luckily, they eventually find a house, but it has been left in a strange condition. The front door is unlocked, water is on the boil, tea is prepared, but no one is in the house.

Feeling they have no choice but to take shelter, the four make themselves at home. Jessie has sprained her ankle and Mr. Thomson becomes very ill. Mr. Maltby soon appears with another man, and the blowhard shows up. Soon, some of the party begin to feel uncomfortable in the house. Mr. Maltby is certain that something unpleasant has happened there, and the party soon learns that there was a murder on the train.

I have recently read several John Bude mysteries from the same period, and I admit to preferring Farjeon. He spends a lot more time with his characters instead of creating elaborate puzzles. I found this novel a pleasant way to spend a chilly December evening.

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Day 1012: Phoebe Junior

phoebe-juniorBest Book of the Week!
Rich but insolent Mr. Copperhead is hosting a ball. He has invited Lord and Lady Dorset and the Misses Dorset along with their cousin, Ursula May. It is Ursula’s first ball, and she is happy to dance three times with Clarence Copperhead. She also admires from afar the popular girl dressed in black.

That girl is Phoebe Beecham. Phoebe is the daughter of Reverend Beecham, the dissenting pastor of Crescent Chapel, outside London. Her mother was Phoebe Tozer, daughter of the butterman who featured heavily in Salem Chapel. After Phoebe Tozer married the pastor, she was thought by her peers in Carlingford to be putting on airs, so the Beechams moved to London and brought up Phoebe Junior as a fashionable and proper young woman.

Phoebe Junior has met her Tozer relatives only occasionally, because the Beechams have kept her away, so she does not know what to expect when she travels to Carlingford to care for her ailing grandmother. She is shocked and dismayed at her grandparents’ vulgarity but determined to do her duty.

Ursula also lives in Carlingford. She is the oldest of motherless children, the daughter of Mr. May, the incumbent of St. Roque’s. When we meet the Mays, Mr. May is trying to force his son Reginald to take a position at the College, caring for the welfare of poor old men. Reginald is high minded and doesn’t want to take what he sees as a sinecure with no duties. But Mr. May is extravagant with money and sees the position as an expense off his hands.

At a meeting, Mr. Northcote speaks against the established church and uses Reginald’s sinecure as an example of its abuses, naming the Mays. Knowing that Reginald will refuse the position if he hears, Mr. May forces him to make a decision. Oddly, Reginald and Mr. Northcote meet as enemies but become friends.

Ursula also befriends Phoebe when she meets her on Grange Lane. Grange Lane is no longer what it was. Now it is peopled mostly by old folks, and the location is not as desirable. So, both girls are happy to have a neighbor of the same age.

When Clarence Copperhead arrives to be Mr. May’s pupil, a cheerful set of unlikely young friends develops. But underneath the gaiety, Mr. May’s mishandling of money is brewing a disaster.

I really enjoyed this last novel in the Carlingford Chronicles, about how good and generous feelings can overcome prejudices in class and religion. Phoebe Junior is a redoubtable heroine and Ursula a naive and good one. I have finished the Carlingford novels but will continue to read Oliphant.

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Day 1011: Once in a Blue Moon Lodge

Cover for Once in a Blue Moon LodgeIn the present day, Nora is writing a memoir for her three triplet daughters to tell them about their lives. She begins explaining how she got pregnant after a one-night stand just before she met the love of her live.

The novel begins in Minneapolis, where Nora’s mother Patty Jane is closing down her “salon within a salon,” that is, a hair salon where she schedules cultural activities. But soon enough, Nora gets an offer to buy a stunning lake house from an eccentric older woman.

This novel is crammed with eccentric characters, and that is one of its problems. It has so many eccentric characters, what with complicated familial relationships, Patty Jane’s former customers, and various friends, I couldn’t keep them straight because we learn very little about them. Instead of building fully realized characters, Landvik simply throws out a few details about each one or briefly shifts the focus to one and then shifts it back. I see that this novel is a sequel or closely related to Landvik’s previous novel, so perhaps she is relying on people’s knowledge of the previous novel to know who these people are. But I hadn’t read it, and some of the characters are new. Since the novel is supposed to be written by Nora, the shifting point of view is a problem. Why would we suddenly get several paragraphs from, for example, Henry’s point of view (Henry being Nora’s mother’s lover’s son)?

link to NetgalleyAnother problem is the plot, at first relatively easy to follow even though broken up by many unsignaled time shifts. But after Nora has her triplets, the story seems to lose focus and we just get anecdotes as the girls age. In fact, there are really no ups and downs or climaxes, except ones we can predict.

When you combine all this with an unrelieved feel-good quality, you’ve probably guess that it isn’t my style. I can actually get into a novel full of eccentric but nice characters and can think of many that I’ve loved. But they have to be well executed and funny. This one isn’t.

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