Category: books

Day 680: As Chimney Sweepers Come to Dust

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Cover for As Chimney SweepersAfter 12-year-old Flavia de Luce’s last adventures, she starts out this most recent novel in the series on her way to Toronto. She has been sent away to school, to Miss Bodycote’s Female Academy. Lest you worry that this will turn the series into a nonmagical version of Harry Potter, never fear.

Flavia has arrived by boat in the company of Dr. and Mrs. Rainsmith, an unlikable couple who are associated with the school. They drop her there late at night, and true to form, Flavia has discovered a corpse by morning.

Or rather, another of the boarding students by the name of Collingwood has. In an attempt to hide from the headmistress when she is out of her room at night, Collingwood crawls up the chimney in Flavia’s room, only to fall down again along with a desiccated body wrapped in a Union Jack.

Of course, Flavia is soon on the job, trying to identify the body. Several girls are rumored to have disappeared from the school. And then there is the mysterious death of Dr. Rainsmith’s first wife, even though she went overboard during a cruise, which makes the death a little harder to fit.

Although the series has taken a somewhat fantastical turn, with Flavia seemingly being groomed to be some sort of spy, she continues her inimitable self, naive enough to draw some pretty ridiculous conclusions from her evidence but smart enough to find the facts, and entirely neglectful of the school rules. I have to admit, though, that I miss Flavia’s village and the eccentric members of her family.

I’m sure I am not the only one to enjoy Flavia, an expert in chemistry who thrills over an electron microscope but still believes in Santa Claus, as we discovered a few volumes ago.

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Classics Spin #9!

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Cover for The MoonstoneI always enjoy the Classics Club spin, where the club invites members to post a list of 20 book from their Classics Club lists, draws a number, and then you promise to read the book corresponding to that number by the deadline. Unfortunately, the date for posting that list always seems to fall on the same day as Literary Wives club, so I’m posting it a little early. Here is my list, and I will read the book chosen by May 15.

  1. The Vicar of Wakefield by Oliver Goldsmith
  2. Henry VI Pt I by William Shakespeare (chosen by the spin)
  3. The Idiot by Fyodor Dostoevsky
  4. The Call of the Wild by Jack London
  5. Night by Elie Wiesel
  6. The Moonstone by Wilkie Collins
  7. Vanity Fair by William Makepeace Thackeray
  8. Troy Chimneys by Margaret Kennedy
  9. Far from the Madding Crowd by Thomas Hardy
  10. Rebecca by Daphne du Maurier
  11. The Remains of the Day by Kazuo Ishiguro
  12. The Beggar Maid by Alice Munro
  13. Ada by Vladimir Nabokov
  14. Red Pottage by Mary Cholmondeley
  15. A Wreath of Roses by Elizabeth Taylor
  16. Bleak House by Charles Dickens
  17. Middlemarch by George Eliot
  18. O Pioneers! by Willa Cather
  19. The True Heart by Sylvia Townsend Warner
  20. Beloved by Toni Morrison

Day 679: The Bees

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Cover for The BeesThe Bees is a collection of more serious poems than those included in The World’s Wife, also by British poet laureate Carol Ann Duffy. This collection is more diverse in subject matter and quite varied in form, containing sonnets, haiku, free verse, and even drinking songs. And many of the poems are about bees.

In “Bees,” Duffy even presents her poems as bees: “brazen, blurs on paper,/besotted; buzzwords, dancing/their flawless, airy maps.” In this poem she finishes with “and know of us;/how your scent pervades/my shadowed, busy heart,/and honey is art.” My niece, a beekeeper, would especially appreciate that.

I understand that after Duffy’s mother died, she did not write for some time. Especially touching are some of the poems about her mother. In one, she gives her dying mother a last drink of water and remembers the times her mother brought her water when she was a child. In another, a remembered kiss from her mother after she was out in the cold as a child makes her think of kissing her dead mother’s lips.

Some of the mythological figures visited so vividly and amusingly in The World’s Wife, Sisyphus and Achilles among them, are revisited more seriously here.

The poetry is lyrical. It is sometimes harder to understand than the works in The World’s Wife, but it always sings.

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Day 678: Castle Dor

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Cover for Castle DorIt is clear from the number of books Daphne du Maurier set in Cornwall that she found the region inspiring. In the case of Castle Dor, a book I had not heard of until recently, she actually finished a book begun by Sir Arthur Quiller-Couch, which is a retelling of the ancient Cornish legend of Tristan and Iseult. The novel also features another interest of du Maurier’s, the unexplained.

Dr. Carfax is the observer of this story set in the early 1800’s. He has a theory that he shares with a French visitor, elderly Monsieur Ledru, that the events of the old legend took place in the area of Cornwall where he lives. Monsieur Ledru has in fact traveled there to investigate just that subject. Ledru has also taken an interest in a young French onion-seller named Amyot Tristane and helps him free himself from his abusive ship’s master and get a job on the Bosanko’s farm.

It is the doctor who begins to feel an eerie familiarity in the behavior of Amyot once he unfortunately encounters Linnet Lewarne. Linnet is the most beautiful woman in the region, and she has at 18 married a much older man, the innkeeper Mark Lewarne. After Amyot meets Linnet, he seems to be aware of the history of the area in a way that is unlikely for the unsophisticated foreigner that he is. As Dr. Carfax views certain events and sees in them the similarities to the legend, he begins to fear the same fatal result for Amyot.

Linnet, although she is also presumably taken over by the strong forces of the past, is depicted unsympathetically, as ambitious and remorseless. As in the legend, there is a potion, but instead of being a love potion, it is poisonous.

The characters in this novel are rather one-sided, but it is the atmosphere and the legend that are important in the novel, set in the vicinity of the legendary Castle Dor. However, this is not one of du Maurier’s best, and for a retelling of the legend, I prefer Dorothy Robert’s The Enchanted Cup.

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Day 677: The History of Love

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Cover of The History of LoveBest Book of the Week!
At times I wasn’t sure that I would be able to figure out what was going on in The History of Love. This feeling may not be unfamiliar to readers of Nicole Krauss. My book club was so frustrated by Great House a few years back that I had to draw a diagram to help figure out the series of owners of a desk. However, The History of Love eventually becomes clear, with an eminently satisfying ending.

For most of the novel, we follow two main characters. Leo Gursky is an old Jewish immigrant in New York, a survivor of the holocaust from Poland. Years ago he fell in love with Alma Mereminski but was separated from her just before World War II when she went to America. When he tracked her down after the war, she had married. Her oldest son, though, was 6.

Leo has led a lonely life, during which he yearned for Alma and for his unacknowledged son, Isaac Moritz, who became a famous writer. As an old man, he spends part of each day trying to draw attention to himself in some small way, so that if he dies that day, someone will have seen and remembered him.

Alma Singer is a lonely 14-year-old. Years ago her father died, and her mother has ever since lived a life of quasi-mourning, seldom coming out of her room and only doing some occasional translation work. Alma’s brother Bird is a strange boy who believes he is blessed by god. He is preparing an ark for the coming flood.

Alma has been trying to find a boyfriend for her mother so she won’t be sad. One project that interests her mother is a request to translate a book called The History of Love by Zvi Litvinoff that had a small publication run in Chile. This book was very important to Alma’s parents, and Alma was named after a character in the book. Alma thinks she perhaps can strike up a relationship between her mother and the man who requested the translation. But then she notices that the only character in the book who doesn’t have a Spanish name is Alma Mereminski. Reasoning that it may be a real person’s name, she decides to find Alma.

It is Leo who actually wrote The History of Love, we understand, inspired by his love for Alma. But then what happened?

This novel is intricate and vividly imagined. Ultimately, it is emotionally involving. I did not really enjoy the excerpts from the novel within the novel, which seem to be trying too hard to be profound, but those make up only a very small part of the book.

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Day 676: The She-Wolf

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Cover for The She-WolfThe fifth novel in Maurice Druon’s wonderful Accursed Kings series begins where the first one did, with the problems of Isabella of France, unhappy queen of England and sister to Charles IV of France. While Charles IV’s administration is being ably handled by his uncle Charles of Valois, the same cannot be said for that of Isabella’s husband, Edward II. He is completely under the sway of Hugh Despenser the Younger, his rapacious lover. At the beginning of the novel, Despenser has taken everything from Isabella’s dowry for himself and forces her to give him the valuable book she is reading.

Roger Mortimer is the only person to have ever escaped from the Tower of London, and he soon arrives in France. He too has been a victim of the greedy Despensers. He has a fateful meeting with Isabella when she arrives to broker a treaty. Soon their actions will cause the overthrow of a king.

The powerful Countess Mahaut of Artois still remembers Isabella’s testimony, which condemned her daughter and cousin to prison in the first book. She will make it her business to cause trouble for Isabella. And we know what trouble can mean, for in The Poisoned Crown, Mahaut had Charles’ oldest brother murdered so that her daughter could be queen of France.

Druon’s knowledge of medieval history, customs, and architecture is especially noticeable in this book, with its extensive historical notes. This fantastic series continues, with Druon specializing in snark.

The sixth book in this series will soon be available in paperback while the last is soon to be published in hardcover. Years ago, I read all but the last book, which I was unable to find, so I am looking forward to finally being able to read the entire series.

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Day 675: Amsterdam

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Cover for AmsterdamThe Booker Prize people liked Amsterdam a bit more than I did. Although the shattering last page of McEwan’s Atonement absolutely upended that novel, the same technique did not work as well for this one. Perhaps the problem lies with my having seen McEwan do this several times already.

The novel begins with the death of Molly Lane. Two old friends, both former lovers of Molly, meet at the funeral. Clive Linley is a world-famous composer, and Vernon Halliday is an editor trying to save a floundering newspaper. At the funeral is another of Molly’s former lovers, foreign secretary Julian Garmony, a right-wing bigot whom both men dislike. They all pay stiff respects to Molly’s possessive husband George.

The brush with mortality makes both Clive and Vernon a tad hypochondriac, and they end up exchanging a pledge. But various stresses will soon interfere with their friendship. Clive is struggling to complete what he thinks will be his masterpiece in time for a performance in Amsterdam. And George has offered to sell Vernon some compromising photos of Julian that he found in Molly’s papers. Vernon has to decide whether publication of these photos will result in increased sales or backlash.

This novel is darkly humorous. None of these men is a sterling individual. In fact, they are all morally bankrupt. Clive seems the least at fault for quite some time, but then he does something unforgivable and justifies it as being for his art.

It’s difficult to explain my main criticism without revealing the ending. I can only say that the implications of the final page do not make sense, that there is no way that the character could have known how things would work out. So, I do not think the surprise ending works as well in this case as in other McEwan novels.

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Day 674: In a Lonely Place

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Cover for In a Lonely PlaceWhat makes this post-World War II noir crime novel stand out is that it was written by a woman and the crime is solved by two sharp women. Although there are plenty of women mystery writers, it is less common to find women writing noir mysteries at that time. Reminiscent of The Killer Inside Me, In a Lonely Place tells the story of a serial killer of women from the point of view of the killer.

Dix Steele is an ex-pilot being supported by his uncle in Los Angeles while he pretends to write a novel. He is living in a posh apartment of an old Princeton friend, wearing his clothes and driving his car and telling everyone his friend is in Rio. About once a month he picks up a girl at a bus stop or some other lonely place and strangles her.

Dix decides to get in touch with an old friend from the military, Brub Nicholai, but is taken aback to find Brub is now a police detective. Brub has also married, and his wife Sylvia doesn’t like Dix.

Dix meets an attractive redhead, Laurel Gray, who lives in the apartment complex and is divorcing her wealthy husband. Soon they begin a torrid romance.

This novel was convincing in its depiction of a serial killer. Although we see things from Dix’s point of view, we are not drawn into his dilemmas as we are, say, for The Talented Mr. Ripley. We want him to be caught and worry about Laurel or about the next time he is going to find the need to kill.

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Day 673: The Illuminator

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Cover for The IlluminatorIt is the 14th century, and Lady Kathryn finds herself in a precarious position. She is a widow and owner of Blackingham Manor, the mother of 15-year-old twin sons. The church has been incessant in its demands for tithes, and there are also the king’s taxes. She suspects her overseer of being dishonest, and he is certainly disrespectful, but she has no one who could replace him.

When Father Ignatius makes yet another demand of her, she has nothing to give him but her mother’s pearls. Still, the church could make trouble for her, so she gives them up. Later Brother Joseph arrives with a message from the Abbott. If Lady Kathryn will house an illuminator who is working for the abbey, along with his daughter, the abbey will let up on its demands for tithes. For the price of food, Kathryn thinks this is a bargain.

Soon the artist Finn arrives, along with his beautiful daughter Rose. Lady Kathryn is immediately worried about her son Alfred, who likes to dally with the serving maids. Finn’s arrival is made more chaotic because of the news that Father Ignatius was murdered. Although this happened after he left her house, Kathryn doesn’t want to draw attention to herself, so she lies to the sheriff, Sir Guy, and tells him she hasn’t seen the Father recently. This of course turns out to be a lie she regrets.

Sir Guy, being the rapacious type, has his eye on Lady Kathryn and her estate, which is her own and does not go to her son. But Kathryn and Finn are soon drawn to each other. To get Alfred away from Rose, Kathryn asks him to supervise the overseer. Soon involved with Finn herself, she does not notice the depth of Rose’s friendship with Colin, the younger twin.

Other important characters in the novel are Half-Tom, a dwarf who befriends Finn, and the anchorite Julian of Norwich, a real woman famous for her writings about religion, reflecting unusual views.

I wanted to like this novel more than I did. Overall, my impression could be summed up as meh. At first I was worried that it was going to be a historical romance, which I usually do not enjoy, but it was not. It shows a solid grounding in the time period, with convincing detail. I think I was turned off by the depiction of the church. This was a violent time in history, and the Catholic Church was in a period of corruption, but I don’t think that is a good reason for depicting every representative of the church (except Julian of Norwich) as a cartoonish villain. It is clear that the author’s sympathies lay with the Reformation, but that movement had its own abuses. In fact, in the 14th century, it is doubtful that many people in England would have even envisioned a Reformation. Martin Luther didn’t put up his theses until 1517.

I think that my biggest problem with the novel is that only a few characters were at all developed. The others were simply villains. I also had problems with the situations created in the novel simply by both Kathryn’s sons departing without notice. Alfred pulls a nasty trick on Finn before leaving—one that endanger’s Finn’s life and leaves Kathryn open to blackmail. Both sons behave like spoiled adolescents instead of the young men they would have been considered at the time, and Kathryn makes several poor or dishonest decisions regarding them.

There is also a theme of Kathryn’s changing religious beliefs, but I found this decision sudden and unlikely. I would have liked to see more about Finn’s art, but there was very little.

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