Review 1726: To Calais, In Ordinary Time

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It’s 1348, two years after the battle of Crécy, which won Calais back from the French to the English. Will Quate is betrothed to Ness, the prettiest girl in his Cotswold village, but his liege lord, Sir Guy, wants him to join a group of archers on their way to defend Calais. Will would rather stay, but he bargains for a document showing he’s a free man. Sir Guy tells him he will send along the paper with Captain Laurence Haket in exchange for five pounds once he has won his fortune.

Will agrees to go. In fact, his attitude toward Ness seems ambivalent. He doesn’t seem to care that she had an affair with Haket and became pregnant. Will’s friend Hab is plainly in love with him, but Will doesn’t seem inclined.

Sir Guy’s daughter Bernadine is incensed that Sir Guy has betrothed her to a man his own age when she is in love with Laurence Haket. Inspired by La Roman de la Rose, she feels she is entitled to a more romantic life, so she runs away, following Haket on his way to Calais.

Another voice on the journey is Thomas Pitkerro, a proctor, who is sent along with the archers on his way to his home in Avignon to give last rites, if needed. Thomas is afraid of the plague, which is said to be moving north from Italy and France.

To Calais, In Ordinary Time echoes its medieval inspirations with its tale of adventures while on a journey. It does so in more than just plot, however, for it is written with only words in use in the time it was set. Thomas, who is writing letters and keeping a diary, writes in a stiff, bombastic style that thankfully loosens up . The novel is narrated in a style a little less formal than the speech of Bernadine, which contains some French modes of expression. Several times the point is made that her workers do not understand many of the words. The speech of Will and the characters around him is littered with expressions native to the Cotswolds.

This attempt is similar to that of Paul Kingsnorth in The Wake, which I read several years ago—written to be readable to modern audiences but to have the feel of Old English (in the case of The Wake, that is). This effort doesn’t seems as likely to me except in the speech of the characters of the lowest status, which has a flow to it. The dialogue between characters of higher status seems overly elaborate, even pretentious, and perhaps echoes written work of the time.

Meek doesn’t do much to get readers interested in his characters, so at first I had difficulty becoming involved in the novel. After a while, I got more interested. I read this novel for my Walter Scott prize project.

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Review 1725: Cluny Brown

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Best of Ten!

Mr. Porritt, the plumber, is worried about his niece, young Cluny Brown, because, he says, she does not know her place. Why, the other day she went to the Ritz just to see what it was like. When he catches Cluny about to take a bath in a gentleman’s lovely bathtub after she made a plumbing call, Mr. Porritt decides to take advice and send Cluny into service.

She ends up as a parlor maid in Devonshire for Lady Carmel and Sir Henry. There, although she’s not very adept at being a parlor maid, she finds she likes the country and she befriends a golden lab belonging to Colonel Duff-Graham, who allows her to take the dog out for walks.

In the meantime, Lady Carmel’s son Andrew has met Mr. Belinski, an eminent man of letters who has had to abruptly flee Poland and is barely getting by. Andrew invites Mr. Belinski to stay at his parents’ manor, where he can write. Andrew himself is preparing to propose to the beautiful Betty Cream.

Cluny is struck by Mr. Wilson, the chemist, and he rearranges his shop’s closing day to take walks with her. There’s something about Cluny, who is direct and forthright and doesn’t seem to understand customary boundaries.

This is a wonderful comic novel, absolutely delightful, and my first by Margery Sharp (I have reviewed one that I read after this one). I’ll be looking for more.

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Review 1724: The Mist

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Here’s another book for RIP XVI.

I didn’t realize until just now that The Mist is the third book in a trilogy. Having not read the other two books, I’m not sure how much it would have affected my reading if I had read them.

Detective Hulda Hermannsdóttir is back at her desk after a traumatic experience. She is having trouble focusing, however, on the case of a missing young woman. Then she is called out of the office to investigate bodies found on a remote farm in the east of Iceland.

The story goes back three months to show what happened to Hulda and on the farm. Erla and her husband Einar are snowbound at the farm just before Christmas when a mysterious man appears at their door, claiming to be separated from his friends on a hiking trip. Erla is immediately suspicious of him, and he certainly acts suspiciously. But Einar invites him to stay until the snowstorm stops.

This novel is complicated and at times suspenseful, but I had some problems with it. First, it’s obvious almost immediately what’s wrong with Hulda’s teenage daughter. Second, most of the action of the novel is triggered when a character receives a letter. The next obvious step would have been for him to take it to the police, whom he is already working with. But does he? Of course not. There wouldn’t be much of a story if he did, but novelists should avoid such silly pitfalls.

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Review 1723: A Fugue in Time

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Godden attempts something unusual in A Fugue in Time. She makes a house that has held the same family for a century into a sort of conscious entity and tells the story of the family in collapsing time.

It’s World War II, and old Rolls Dane has received notice that the 99-year lease on his house has elapsed and the owners want it back. The house was the one his parents moved into upon their marriage, and it has been the scene of many events, including his own unhappy love affair.

Rolls has been leading a reclusive life with only one servant left in the big house, and he is not pleased when his great niece, Grizel, an American officer, comes to ask if she can stay in the house. Later, Pax Masterson, an RAF officer being treated for burns, comes to visit the house that he’s heard about all his life from his mother, Lark, the girl Rolls’s father brought home many years before after her parents died in a railway accident.

Although I eventually got involved in this novel, its basic premise seemed at first affected and I didn’t think it was going to work. Early on, for example, there is a five- or six-page description of the house that slowed momentum to a standstill. Then, the shifts in time sometimes take place within the same paragraph, and at first it’s hard to grasp the when. There are some cues, for example Rolls’s name changes from Roly to Rollo to Rolls.

This is not one of my favorite Godden books, but the idea behind it is an interesting one. It reminded me a little of A Harp in Lowndes Square, in which images and sounds of the future and past reside in a house.

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Review 1722: Punishment

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Here’s another book for RIP XVI.

I thought maybe I had read an Anne Holt mystery years ago, but it appears not. In any case, I got interested in reading her Stubo/Vik series after watching Modus, a Swedish television series based on her Norwegian characters. It’s interesting, having seen the television series first, to notice the changes they’ve made.

Johanne Vik, a university researcher doing work on convicted criminals who maintain their innocence, is contacted by an old lady who has long been convinced of a miscarriage of justice. In 1988, Aksel Seier was convicted of the rape and murder of a young girl based on flimsy evidence. After he served nine years, he was mysteriously released from prison and all the case paperwork disappeared. The woman wants Johanne to find out if Seier was innocent. Although this is not the kind of work Johanne does, she becomes interested in the case and agrees to help.

At about the same time, Detective Adam Stubo sees Johanne on television and asks her to help brainstorm the case of a series of kidnapped and murdered children. At first, she refuses but is drawn in by his persistence.

All along, we follow the story of Emilie, one of the kidnapped children who has not been killed, as well as the thinking of the murderer. This lends an extra layer of suspense about whether she will be saved.

I think this is a complex and well-plotted novel with interesting characters. There are a couple of huge coincidences at the end that I’m not sure of, but I am more than willing to continue the series.

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Review 1721: Winter and Rough Weather

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According to the Foreword of Winter and Rough Weather, it is related to two other books by D. E. Stevenson, Vittoria Cottage and Music in the Hills. It has been a long time since I read Vittoria Cottage, and none of the characters in Winter and Rough Weather rang a bell. I finally had to look up my old review to find the link between the two is James, who is a minor character in this novel.

Jock and Mamie Johnstone are preparing for the arrival of their nephew, James Dering Johnstone, and his bride Rhoda. James and Rhoda will be occupying Boscath, the farm adjoining the Johnstone’s Mureth, except separated by a river that can at times be raging.

Rhoda has abandoned a promising career as an artist to marry James and at first finds herself unhappy in their remote farm that doesn’t have a telephone and can be cut off by weather. After a while, though, she makes friends in the area and begins painting again and teaching a promising youngster named Duggie, who is the son of Lizzie, the Mureth cook.

This novel has a firm sense of place in the border country of southern Scotland and has a host of mostly likable characters. It is about everyday post-war life there, although it has a few subplots—Adam and Nan Forrester, the village doctor and his sister, both have unhappy love affairs. The neighboring farm to Mureth, Tassieknowe, has been bought by a rich man whom everyone dislikes and who is running his farm poorly.

I enjoyed this novel and mean to look for the other one, Music in the Hills, which I believe comes before this one.

I received this book from the publishers in exchange for a free and fair review.

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Review 1720: Lyndon Johnson and the American Dream

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As a young adult in the late 60’s and 70’s, I did not have a high opinion of Lyndon Johnson. Although I was not political, like many people, I was against the Vietnam War. It wasn’t until I lived in Texas that I saw another side to Johnson, who was revered for, among other things, bringing electricity to rural Texas to ease the work of women.

Doris Kearns Goodwin worked in the White House in the late 60’s, and when Johnson asked her to help him write his memoirs, she declined because she also was against the war. However, Johnson was a master of persuasion, and she finally agreed. The memoir never got written, but Goodwin had unprecedented access to Johnson because of it and eventually used her notes to write this biography.

Goodwin is obviously interested in the pursuit and use of power, and Johnson is a perfect subject for that interest. She depicts a man who did not pursue power for itself but for the good he could do with it. I failed to mark them in the text, but many of his comments about the presidency and the use of power contrast starkly with the thinking of our last regime, which was fizzling out as I read this book.

Goodwin paints a picture of a complex man, brilliant but at times crude, organized, manipulative, a consummate negotiator, but a man with good intentions. It’s a pity that the war overshadowed and overwhelmed the other accomplishments of his presidency. Because of it, we forget that he put into process programs to help the needy and people of color. Medicare and the Voting Rights Act are down to him as well as other programs that were not handled as well because of his preoccupation with the war or that were gutted by Richard Nixon.

I did get a little bogged down in the chapter about the war, and it being a different time, today’s readers may have problems with how Johnson and others refer to minority groups. Still, I found this book really insightful and interesting, as it explores the reasons for some of his controversial decisions.

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Review 1719: The Nonesuch

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Often when I am in the middle of some hefty nonfiction book, I take a break by reading some sort of light fiction. I was reading a biography of Lyndon Johnson when I thought I hadn’t read any Georgette Heyer lately, so I picked The Nonesuch out of my library.

The inhabitants of the village of Oversett are all interested when they hear that Sir Waldo Hawkridge, known as the Nonesuch, has inherited Broom Hall from the miserly Joseph Calver and will be arriving to look it over. The young men are excited to see this notable whip. Up at Staples, kindly Mrs. Underhill is dismayed to learn that Sir Waldo has arrived with a lord, his young cousin Lord Lindeth, for her unprincipled but beautiful ward, Tiffany Wield, has announced that she means to marry into the nobility. Tiffany’s governess/companion, Ancilla Trent, remarks with her customary humor and calmness that they will just have to convince Tiffany she is wasted on anyone under a Marquess.

Lord Lindeth meets Tiffany after she carefully arranges an encounter while he is out fishing. When Waldo sees her and her affect on Lindeth, he is dismayed. However, he is much struck by Ancilla. It is Ancilla who does not have a high opinion of Corinthians, the set to which Waldo belongs.

As usual with Heyer, this novel is full of likeable characters, humor, and an engaging hero and heroine. I tend to like Heyer’s sillier plots best, because they are so funny. This is not one of them, but I enjoyed it very much just the same. A perfect Covid-era lightener. (I re-read it last January.)

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Review 1718: Literary Wives! The Amateur Marriage

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

* * *

It’s December 7, 1941. Michael Anton is working in the family store in an Eastern European Baltimore neighborhood when Pauline comes in with some neighborhood girls. It’s apparent to everyone that he’s a goner. Excitement is in the streets because of that day’s declaration of war against Japan, and in the impulse of Pauline’s excitement, Michael enlists.

Michael is injured during training, so he never goes to war but instead marries Pauline. Michael is steady, perhaps a little stolid. Pauline is emotional, reacting to every little thing and often over-reacting. The Amateur Marriage follows what is really an ill-assorted couple through their marriage—children, deaths, family crises—and beyond.

Tyler is excellent in her minute observations of everyday life. She sees the cracks in the American dream and reveals them with empathy. I enjoyed this novel, although at times Pauline drove me crazy.

What does this book say about wives or the experience of being a wife

At first, I thought Tyler was going to show how this admittedly mismatched couple could still make a lasting marriage, but that turned out not to be the case. The couple come together almost completely by chance, and later, when we learn about Pauline’s previous dating career and her career while Michael is in the service, we realize that if Michael had gone to war, Pauline would almost certainly have found someone else before he got back.

In the beginning of the relationship, the chemistry between them works pretty well, even though they obviously go into marriage with different expectations. Michael, for example, believes they will continue to live above the store, while Pauline assumes they will buy a house in the suburbs even though they can’t afford one. Michael at first seems relatively unambitious, while it is Pauline’s ideas that push him to do better than his parents’ store. The difficulties come when the chemistry starts to wear off.

This novel depicts a couple a little older than my parents although more conservative. In fact, in many ways they resemble my parents, some in temperament and others generationally. However, frankly Pauline is sometimes so volatile that I don’t know how anyone could live with her. It seems as though someone more expressive than Michael would make her feel more secure but would be even more likely to fight with her. And some of the things she says when she’s upset, which in later years seems like all the time, are really nasty.

Although Tyler isn’t explicit about this, I can’t help thinking that a lot of Pauline’s unhappiness comes from the sterile suburban life that my mother also lived, because the Antons do eventually move to the suburbs. Theirs is a typical 50’s marriage, with Michael away working a lot and not as involved with his children as he could be, with Pauline taking all the responsibility for the house and child care.

Pauline, a social girl, is isolated in the suburbs except for neighborhood parties and gossip by the pool or visits back to the old neighborhood (which, however, was not her old neighborhood, but Michael’s). However, she also cultivates a helplessness that I found shocking, when later in life she can’t light her own pilot light or shovel her own driveway.

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Michael is a little more of a mystery because we don’t hear from him as often. He makes the same kind of mistakes as my father did, for example, buying practical gifts instead of frivolous or romantic ones. They fight about money, but he has had a careful immigrant upbringing of scrimping and saving, while hers has been more privileged—and she does seem to do some reckless spending.

I also felt this novel showed how people tend to concentrate on the negatives of their relationship when they’re at odds. It is only when things are long over that both Michael and Pauline begin to remember some of the things that brought them together in the first place.

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