Review 1692: The Horseman

I was in the midst of putting a hold on Tim Pears’ The Redeemed to read for my Walter Scott prize project when I noticed that it was the third in his West Country Trilogy. The prize judges have an annoying habit of picking books for their shortlist that are well into a series, and I have paid the price before of trying to read just the nominated book, which you would assume would stand on its own. But sometimes not, so I went ahead and got the first two books of the trilogy as well. The Horseman is the first.

It is 1911. Leo Sercombe is the son of a carter on Lord Prideaux’s country estate in Western England. Leo is twelve and speaks seldom, but he has a strong love for and interest in horses. He frequently slacks off from school to help work on the various farms that make up the estate, and he is beginning to attract the attention of the estate’s head groom for his talent with horses.

Sharing his love of horses is the lord’s twelve-year-old daughter, Lottie, whom Leo occasionally encounters.

The novel minutely observes everyday life in an early 20th century rural setting, particularly the work. Although it is occasionally lyrical, the writing is mostly spare. I wasn’t sure how much I was enjoying it but somehow kept reading, even though terminology and process sometimes escaped me. I was actually intending to read a completely different book next, as I often do with series, but the ending, which is sudden and unexpected, made me want to read the next book immediately. If it’s a fast-paced novel you are looking for, this one is not for you, as it is more concerned with detail.

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Review 1691: The Norths Meet Murder

Mysterious Press has recently started bringing back the Mr. and Mrs. North series, which was extremely popular in the 1940’s and 50’s. Other bloggers’ reviews finally convinced me to try the first in this entertaining series.

Pam North has decided to have a party, and she thinks the empty apartment upstairs in their building would be a perfect place to have it. So, one afternoon Jerry and Pam North go up to look at it. There they find a man’s naked dead body in the bathtub.

Lieutenant Wiegand has some difficulty identifying the body, but it turns out to be that of Stanley Brent, a lawyer. Brent was a man disliked by many, part of a social set that intersects with that of the Norths. Pam North soon finds a clue, a paper with the name “Edwards” inserted into the mailbox to make it look as if the upstairs apartment is occupied. Wiegand is also able to find Clinton Edwards, a businessman and part of the same social set as Brent. Edwards claims to know Brent but to have few dealings with him.

But there are other suspects—Brent’s wife Claire; the Fullers, as Brent has been behaving as if he’s having an affair with Jane Fuller when he is not; maybe Mr. Berex or even Kumi, Edwards’ houseboy.

Mrs. North is an interesting character whose mind seems to always be ahead of her tongue. Mr. North is adept at interpreting what she means. There’s an awful lot of drinking going on in this novel, but it is humorous and engaging. It had fun reading it.

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Classics Club Spin #27

I just posted a new Classics Club list last week, and coincidentally, now they have announced a spin. The way it works is, if you want to participate, you pick 20 books from your list and post that list. The spin picks a number, and that determines which book you read next. The deadline for reading the book this time is August 22.

Since I have a new list to work with, I decided to pick 20 of the books I want to read most. Here they are:

  1. Sense and Sensibility by Jane Austen
  2. The Bride of Lammermoor by Walter Scott
  3. The Black Arrow by Robert Louis Stevenson
  4. Grand Hotel by Vicki Baum
  5. Weatherley Parade by Richmal Crompton
  6. The Woods in Winter by Stella Gibbons
  7. The Grand Sophy by Georgette Heyer
  8. Much Dithering by Dorothy Lambert
  9. A Town Like Alice by Nevil Shute
  10. The Moon Spinners by Mary Stewart
  11. Miss Plum and Miss Penny by Dorothy Evelyn Smith
  12. Rhododendron Pie by Margery Sharp
  13. Merkland, A Story of Scottish Life by Margaret Oliphant
  14. The Dead Secret by Wilkie Collins
  15. The Return of the Native by Thomas Hardy
  16. Our Mutual Friend by Charles Dickens
  17. The Methods of Lady Waldenhurst by Frances Hodgson Burnett
  18. Music in the Hills by D. E. Stevenson
  19. Phineas Finn by Anthony Trollope
  20. The Castle of Otranto by Horace Walpole

Review 1690: Tension

When Sir Julian, who is on the board of the local commercial and technical college, mentions the name of the new Lady Superintendent to his wife, she recognizes it. She believes Miss Marchrose is the young woman who jilted her cousin.

Lady Rossiter’s belief in her own kindness conceals her meddlesome and ill-natured personality even from herself. She dislikes Miss Marchrose on sight. When she sees a friendship growing between Miss Marchrose and Mark Easter, the popular Superintendent, she makes it her business to spread insinuations about Miss Marchrose’s character.

Sir Julian likes Miss Marchrose and disapproves of his wife’s interference in the running of the college. I kept waiting for him to step in and stop her.

This novel, while it sparkles with wit and contains several comic characters, is about the serious subject of the damage of loose talk and gossip. Don’t look for a silly romantic novel here. I was rapt by this novel, as I found Miss Marchrose gallant and detested Lady Rossiter’s hypocrisy and self-deception.

That being said, the novel contains some very funny characters, for example, silly Iris Easter, the author of a novel entitled Why Ben! A Story of the Sexes, and her pseudo-Scottish lover, Douglas Garrett, or Mark Easter’s horrendously behaved children, Ruthie and Ambrose, alias Peekaboo. This is another excellent book from the British Library Women Writers series.

I received this book from the publisher in exchange for a free and fair review.

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Review 1689: The Sleeping and the Dead

I have to say that it’s very unusual for me to guess the murderer in an Ann Cleeves mystery. For this standalone mystery, however, I guessed the culprit almost immediately, although not from any clues. Nor could I figure out how the person was connected to the murders.

The lake at an adventure camp is unusually low when one of the instructors takes her canoe out. It is so low that she can see a body underwater next to what used to be a pier. When the body is examined, it is deemed to have been in the water at least 10 years.

When Detective Peter Porteus’s team finally identifies the body, it belongs to a teenager named Michael Grey. Although he disappeared in the 1970’s, he was not even reported missing until his elderly foster parents died a few years later, leaving him their house. What is odder is that the team can find no evidence that he even existed before he attended school in Cranford.

Hannah Morton, now a prison librarian, was Michael’s girlfriend in school. The last time she saw him was at a cast party for the school play just before A level exams. But Porteus knows there is something she’s not telling him.

It is not too long before there is another death, but how can Porteus connect these two murders 40 years apart? Another good one from Cleeves.

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Review 1688: The Chianti Flask

Did she or didn’t she is only part of the concern of this psychological drama that is more of an apres-crime novel. Or was it a crime?

The novel begins with Laura Dousland on trial for the murder of her much older husband. But whether he was murdered or committed suicide is really the question. It all seems to hinge on a missing Chianti flask that the police think may have been used to deliver the poison. Laura says they were out of Chianti, but their Italian servant says a Chianti flask was on the table during dinner. A search for the flask finds nothing.

Laura is found not guilty but is overwhelmed by the attention she continues to get. She has been left nearly penniless with only a gloomy and poorly maintained house to sell, as Fordish Dousland notoriously only spent money on his own interests and his income was only for his life. All the money Laura saved during her years as a governess was spent trying to maintain the household and feed them.

Laura just wants to be left alone after the trial, but her well-meaning but insistent ex-employer, Mrs. Hayward, thinks Laura would be better off engaged in society. Left ill from imprisonment, Laura begins to get worse.

Dr. Mark Scrutton, whom Laura knew slightly before the trial, makes it his business to get her out of the Hayward’s home and into an isolated seaside cottage owned by his family. But soon there is another conflict when Scrutton tells her he is in love with her.

The Chianti Flask is an effective psychological novel that really gripped me. I got so caught up in the couple’s difficulties because of Laura’s notoriety that I almost forgot I was reading a mystery.

I received this book from the publishers in exchange for a free and fair review.

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My Third Classics Club List

With The Sea Hawk I have finished my second Classics Club list. By some marathon reading, I finished posting my last reviews exactly a week later than my original deadline, owing to my neglect of the list for a couple of years. I was reading a lot of classics, just not the ones on my list, and I forgot to notice my deadline until six months ago.

In any case, it is time for a third list. Here it is. I am posting this list on July 7, 2021, and setting myself a deadline of July 6, 2026. As usual, I am attempting to read some classics from different centuries. I am also picking books from a few more countries than just England and the U. S. In some ways, this list seems more imposing than my previous ones.

BC

  • The Aeneid by Virgil (30 to 19 BCE)

15th Century

  • The Book of Dede Korkut by Anonymous (14th or 15th century)

16th Century

  • Hero and Leander by Christopher Marlowe (1598)
  • Love’s Labour’s Lost by William Shakespeare (1598)

17th Century

  • The Fair Jilt by Aphra Behn (1688)
  • Tis Pity She’s a Whore by John Ford (1633)
  • The Princess of Cleves by Madame de La Fayette (1678)

18th Century

  • Cecilia, Memoirs of an Heiress by Frances Burney (1782)
  • The Castle of Otranto by Horace Walpole (1764)

19th Century

  • Sense and Sensibility by Jane Austen (1811)
  • The Dead Secret by Wilkie Collins (1856)
  • Our Mutual Friend by Charles Dickens (1865)
  • The Three Musketeers by Alexandre Dumas (1844)
  • Belinda by Maria Edgeworth (1801)
  • The Return of the Native by Thomas Hardy (1878)
  • Incidents in the Life of a Slave Girl by Harriet Jacobs (1861)
  • The Saga of Gosta Berling by Selma Lagerloft (1891)
  • The Prophet’s Mantle by E. Nesbit (1885)
  • Merkland, A Story of Scottish Life by Margaret Oliphant (1851)
  • A Double Life by Karolina Pavlova (1848)
  • The Bride of Lammermoor by Walter Scott (1889)
  • The Black Arrow by Robert Louis Stevenson (1883)
  • Phineas Finn by Anthony Trollope (1867-1869)

20th Century

  • Go Tell It on the Mountain by James Baldwin (1953)
  • Grand Hotel by Vicki Baum (1929)
  • The Passenger by Ulrich Alexander Boschwitz (1938)
  • The Methods of Lady Walderhurst by Frances Hodgson Burnett (1901)
  • The Book of Lamentations by Rosario Castellanos (1962)
  • Sleeping Murder by Agatha Christie (1976)
  • Weatherley Parade by Richmal Crompton (1944)
  • The Ten Thousand Things by Maria Dermoût (1955)
  • The Deepening Stream by Dorothy Canfield Fisher (1933)
  • The Moorland Cottage by Elizabeth Gaskell (1950)
  • The Woods in Winter by Stella Gibbons (1970)
  • The Mayor’s Wife by Anna Katherine Green (1907)
  • The Grand Sophy by Georgette Heyer (1950)
  • Les Misérables by Victor Hugo (1862)
  • Dust Tracks on a Road by Zora Neale Hurston (1942)
  • Much Dithering by Dorothy Lambert (1938)
  • The Tavern Knight by Rafael Sabatini (1904)
  • Rhododendron Pie by Margery Sharp (1930)
  • A Town Like Alice by Nevil Shute (1950)
  • The Tree of Heaven by May Sinclair (1917)
  • Miss Plum and Miss Penny by Dorothy Evelyn Smith (1959)
  • Music in the Hills by D. E. Stevenson (1950)
  • The Moon Spinners by Mary Stewart (1962)
  • Iza’s Ballad by Magda Szabo (1963)
  • Father by Elizabeth Von Arnim (1931)
  • Miss Mole by E. H. Young (1930)
  • We by Yevgeny Zemyatin (1920)

Review 1687: The Sea-Hawk

Sir Oliver Tressilian is in a good place. As one of Elizabeth I’s privateers, he has made a fortune and gained the Queen’s favor. He is also engaged to marry the woman he loves, Rosamund Godolphin, or at least she has promised herself to him. When he calls on her brother Peter to ask for her hand, though, Peter refuses it, determined to keep up the feud begun between their parents. Indeed, he is insulting to the proud Sir Tressilian, so much so that Oliver would have killed him had he not promised Rosamund he would not.

Peter’s refusal seems of little moment to Oliver, because Rosamund will soon be of age. When Oliver’s brother Lionel returns home, however, he has fought with Peter without witnesses and killed him. Oliver promises to protect him but later learns that the wounded Lionel left a trail of blood to his door and everyone thinks Oliver murdered Peter. When Oliver tries to speak to Rosamund, she refuses to hear him. He is able to prove he is innocent to a magistrate and a minister because he has no wounds, but Rosamund will not listen.

Lionel becomes frightened that Oliver will tell the truth, so he arranges with a shady sea captain, Jasper Leigh, to kidnap Oliver and sell him into slavery. Jasper Leigh actually intends to let Oliver buy himself back, but their ship is taken by Spain and both Oliver and Jasper end up as galley slaves.

When next we meet him, Oliver is named Sakr El-Bahr, the Sea-Hawk, for his famous acts of piracy. He has adopted Islam and is a chief of Asad-ed-Din, Basha of Algiers. He learns that his brother and Sir John Killigrew have had him declared dead and Lionel has taken over his property and his former fiancée. Upon hearing this, Sir Oliver sends a messenger to Rosamund with the proof of his innocence in her brother’s death, but she throws it unread into the fire. Oliver is overcome with anger against both Lionel and Rosamund. How will it end?

I thought this was a very interesting swashbuckler, mainly because both the hero and heroine have more dimensions than in the usual adventure tale. There are times when both of them behave very badly, and I especially disliked Rosamund for much of the book because she was so quick to distrust Oliver. However she is also more brave and self-possessed than the majority of adventure story heroines. They get into some seriously exciting situations.

This is my last book from my second Classics Club list, which I have finished a couple of weeks late, so I’ll be publishing another list tomorrow.

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If I Gave the Award

Having just posted my review of the last book on the shortlist for the 2016 James Tait Black fiction prize, I am now posting my feature wherein I examine whether I think the judges got it right. In this case, of the four nominees, I liked two and disliked two.

I’ll start with the winner of that year’s prize, You Don’t Have to Live Like This by Benjamin Markovits. I felt that it handled its themes of racism and gentrification poorly and employed constructs of magazine writing that don’t really work in fiction. It also seemed bogged down by lots of ineffective and inconclusive conversations between characters and by an ineffectual main character.

The other book I didn’t really enjoy that much was Beatlebone by Kevin Barry, a fantasy about John Lennon visiting Western Ireland. Not much happens in this book, and what does happen, I didn’t find interesting. Although the novel is very well written, I thought it seemed like fanboy fiction.

The First Bad Man by Miranda July tickled my funny bone, with its plethora of eccentric characters. I found this novel bizarre but touching.

I would have given the prize to The Wolf Border by Sarah Hall. It’s about the isolation of an emotionally detached woman and events that allow her to open the door to the people in her life. I found it thoughtful and vital.