Review 1694: The Lady and the Unicorn

The Anglo-Indian Lemarchant family lives in the annex of a crumbling mansion in Calcutta. Belle, the oldest daughter, is beautiful, fair, and charming, with the reputation of a saint but a character lacking in morals. She is determined to do whatever it takes to get rich, which, for her, means marrying the right man. Rosa, the second daughter, is fair and gentle. She tells lies when she is scared, so has a worse reputation than Belle even though she is much more moral. Blanche, the youngest, is dark in complexion and generally treated disdainfully because of it but is the most honest.

At a party, Rosa meets Stephen Bright, a British young man who treats her respectfully and seems different than the others. But he is new to India and doesn’t understand how he’s expected to behave in 1930’s India. While he is dating Rosa, he becomes interested in the old mansion, where they find evidence of French nobility having built it.

Out in the garden at times Rosa and then several other characters see a sobbing woman and a little dog. Others report seeing a carriage departing from the house. These appear to be ghosts.

This novel is an unusual case of a doomed romance and an ancient mystery. I liked it, but it seems more cynical than Godden’s other Indian novels, though they often have sad endings.

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Review 1693: An Orchestra of Minorities

An Orchestra of Minorities has an unusual narrator. It’s the chi, a guardian spirit, of Chinonso, a young Nigerian poultry farmer. The chi has come before a sort of heavenly court to plead for leniency for his host, who has harmed a pregnant woman.

The chi’s story begins when Chinonso prevents a young woman, Ndali, from throwing herself off a bridge. Later, they meet again and become lovers. However, Ndali’s family is wealthy, and they don’t consider Chinonso a suitable partner for their daughter. Ndali is ready to split with them, but Chinonso decides to go back to school and earn his degree so he can get a good job.

His friend, Jamike, is attending a college in Cyprus, so Chinonso sells his farm and gives Jamike the money to pay for tuition and board and open a savings account in Cyprus, all without discussing this with Ndali. When he reaches Cyprus, he finds he has been scammed, that Jamike only paid for one semester in college but not for board, and there is no savings account.

Some people in Cyprus try to help him, but the hapless Chinonso falls into one misfortune after another. It takes him four years to get home.

I really struggled with this novel for so many reasons. It incorporates Igbo mythology and culture, which can be interesting, but every chapter and most of the smaller divisions of the novel begin with a story or a series of sayings or other digressions that slow down the narrative.

Then there is the character of Chinonso. He has low self-esteem and is weak, he is unbelievably naïve, he falls into traps that we can see coming pages ahead, he makes poor choices, his reactions to meeting Ndali’s parents seem cowardly. This might be a cultural thing. I have no idea what wealthy displeased Nigerians might be able to do to poor ones.

Then there’s his relationship with Ndali. For all we know of her, she might be a cipher. She is pretty much just something he wants. He calls her Mommy, for god’s sake. This is not a cultural thing, because she asks him why, and his answer creeped me out. I won’t say what happens to her, but it’s not good.

The only way I can justify not personally detesting this novel is if I look at it as a character study of what happens when a weak person is pushed beyond endurance. I strongly feel, though, that this novel shows an underlying hatred of women. What do women do in this novel? One dies at his birth. One leaves him without explanation. One is a prostitute. One makes a false claim of rape. One is steadfast and suffers a horrible fate. None have a personality. Detestably, at least for me, this novel is described as one about a man who will do anything for the woman he loves. Right.

And let’s not even mention the mistreated gosling that we hear way too much about. I read this novel for my Booker project.

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Review 1692: The Horseman

I was in the midst of putting a hold on Tim Pears’ The Redeemed to read for my Walter Scott prize project when I noticed that it was the third in his West Country Trilogy. The prize judges have an annoying habit of picking books for their shortlist that are well into a series, and I have paid the price before of trying to read just the nominated book, which you would assume would stand on its own. But sometimes not, so I went ahead and got the first two books of the trilogy as well. The Horseman is the first.

It is 1911. Leo Sercombe is the son of a carter on Lord Prideaux’s country estate in Western England. Leo is twelve and speaks seldom, but he has a strong love for and interest in horses. He frequently slacks off from school to help work on the various farms that make up the estate, and he is beginning to attract the attention of the estate’s head groom for his talent with horses.

Sharing his love of horses is the lord’s twelve-year-old daughter, Lottie, whom Leo occasionally encounters.

The novel minutely observes everyday life in an early 20th century rural setting, particularly the work. Although it is occasionally lyrical, the writing is mostly spare. I wasn’t sure how much I was enjoying it but somehow kept reading, even though terminology and process sometimes escaped me. I was actually intending to read a completely different book next, as I often do with series, but the ending, which is sudden and unexpected, made me want to read the next book immediately. If it’s a fast-paced novel you are looking for, this one is not for you, as it is more concerned with detail.

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Review 1691: The Norths Meet Murder

Mysterious Press has recently started bringing back the Mr. and Mrs. North series, which was extremely popular in the 1940’s and 50’s. Other bloggers’ reviews finally convinced me to try the first in this entertaining series.

Pam North has decided to have a party, and she thinks the empty apartment upstairs in their building would be a perfect place to have it. So, one afternoon Jerry and Pam North go up to look at it. There they find a man’s naked dead body in the bathtub.

Lieutenant Wiegand has some difficulty identifying the body, but it turns out to be that of Stanley Brent, a lawyer. Brent was a man disliked by many, part of a social set that intersects with that of the Norths. Pam North soon finds a clue, a paper with the name “Edwards” inserted into the mailbox to make it look as if the upstairs apartment is occupied. Wiegand is also able to find Clinton Edwards, a businessman and part of the same social set as Brent. Edwards claims to know Brent but to have few dealings with him.

But there are other suspects—Brent’s wife Claire; the Fullers, as Brent has been behaving as if he’s having an affair with Jane Fuller when he is not; maybe Mr. Berex or even Kumi, Edwards’ houseboy.

Mrs. North is an interesting character whose mind seems to always be ahead of her tongue. Mr. North is adept at interpreting what she means. There’s an awful lot of drinking going on in this novel, but it is humorous and engaging. It had fun reading it.

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Classics Club Spin #27

I just posted a new Classics Club list last week, and coincidentally, now they have announced a spin. The way it works is, if you want to participate, you pick 20 books from your list and post that list. The spin picks a number, and that determines which book you read next. The deadline for reading the book this time is August 22.

Since I have a new list to work with, I decided to pick 20 of the books I want to read most. Here they are:

  1. Sense and Sensibility by Jane Austen
  2. The Bride of Lammermoor by Walter Scott
  3. The Black Arrow by Robert Louis Stevenson
  4. Grand Hotel by Vicki Baum
  5. Weatherley Parade by Richmal Crompton
  6. The Woods in Winter by Stella Gibbons
  7. The Grand Sophy by Georgette Heyer
  8. Much Dithering by Dorothy Lambert
  9. A Town Like Alice by Nevil Shute
  10. The Moon Spinners by Mary Stewart
  11. Miss Plum and Miss Penny by Dorothy Evelyn Smith
  12. Rhododendron Pie by Margery Sharp
  13. Merkland, A Story of Scottish Life by Margaret Oliphant
  14. The Dead Secret by Wilkie Collins
  15. The Return of the Native by Thomas Hardy
  16. Our Mutual Friend by Charles Dickens
  17. The Methods of Lady Waldenhurst by Frances Hodgson Burnett
  18. Music in the Hills by D. E. Stevenson
  19. Phineas Finn by Anthony Trollope
  20. The Castle of Otranto by Horace Walpole

Review 1690: Tension

When Sir Julian, who is on the board of the local commercial and technical college, mentions the name of the new Lady Superintendent to his wife, she recognizes it. She believes Miss Marchrose is the young woman who jilted her cousin.

Lady Rossiter’s belief in her own kindness conceals her meddlesome and ill-natured personality even from herself. She dislikes Miss Marchrose on sight. When she sees a friendship growing between Miss Marchrose and Mark Easter, the popular Superintendent, she makes it her business to spread insinuations about Miss Marchrose’s character.

Sir Julian likes Miss Marchrose and disapproves of his wife’s interference in the running of the college. I kept waiting for him to step in and stop her.

This novel, while it sparkles with wit and contains several comic characters, is about the serious subject of the damage of loose talk and gossip. Don’t look for a silly romantic novel here. I was rapt by this novel, as I found Miss Marchrose gallant and detested Lady Rossiter’s hypocrisy and self-deception.

That being said, the novel contains some very funny characters, for example, silly Iris Easter, the author of a novel entitled Why Ben! A Story of the Sexes, and her pseudo-Scottish lover, Douglas Garrett, or Mark Easter’s horrendously behaved children, Ruthie and Ambrose, alias Peekaboo. This is another excellent book from the British Library Women Writers series.

I received this book from the publisher in exchange for a free and fair review.

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Review 1689: The Sleeping and the Dead

I have to say that it’s very unusual for me to guess the murderer in an Ann Cleeves mystery. For this standalone mystery, however, I guessed the culprit almost immediately, although not from any clues. Nor could I figure out how the person was connected to the murders.

The lake at an adventure camp is unusually low when one of the instructors takes her canoe out. It is so low that she can see a body underwater next to what used to be a pier. When the body is examined, it is deemed to have been in the water at least 10 years.

When Detective Peter Porteus’s team finally identifies the body, it belongs to a teenager named Michael Grey. Although he disappeared in the 1970’s, he was not even reported missing until his elderly foster parents died a few years later, leaving him their house. What is odder is that the team can find no evidence that he even existed before he attended school in Cranford.

Hannah Morton, now a prison librarian, was Michael’s girlfriend in school. The last time she saw him was at a cast party for the school play just before A level exams. But Porteus knows there is something she’s not telling him.

It is not too long before there is another death, but how can Porteus connect these two murders 40 years apart? Another good one from Cleeves.

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Review 1688: The Chianti Flask

Did she or didn’t she is only part of the concern of this psychological drama that is more of an apres-crime novel. Or was it a crime?

The novel begins with Laura Dousland on trial for the murder of her much older husband. But whether he was murdered or committed suicide is really the question. It all seems to hinge on a missing Chianti flask that the police think may have been used to deliver the poison. Laura says they were out of Chianti, but their Italian servant says a Chianti flask was on the table during dinner. A search for the flask finds nothing.

Laura is found not guilty but is overwhelmed by the attention she continues to get. She has been left nearly penniless with only a gloomy and poorly maintained house to sell, as Fordish Dousland notoriously only spent money on his own interests and his income was only for his life. All the money Laura saved during her years as a governess was spent trying to maintain the household and feed them.

Laura just wants to be left alone after the trial, but her well-meaning but insistent ex-employer, Mrs. Hayward, thinks Laura would be better off engaged in society. Left ill from imprisonment, Laura begins to get worse.

Dr. Mark Scrutton, whom Laura knew slightly before the trial, makes it his business to get her out of the Hayward’s home and into an isolated seaside cottage owned by his family. But soon there is another conflict when Scrutton tells her he is in love with her.

The Chianti Flask is an effective psychological novel that really gripped me. I got so caught up in the couple’s difficulties because of Laura’s notoriety that I almost forgot I was reading a mystery.

I received this book from the publishers in exchange for a free and fair review.

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My Third Classics Club List

With The Sea Hawk I have finished my second Classics Club list. By some marathon reading, I finished posting my last reviews exactly a week later than my original deadline, owing to my neglect of the list for a couple of years. I was reading a lot of classics, just not the ones on my list, and I forgot to notice my deadline until six months ago.

In any case, it is time for a third list. Here it is. I am posting this list on July 7, 2021, and setting myself a deadline of July 6, 2026. As usual, I am attempting to read some classics from different centuries. I am also picking books from a few more countries than just England and the U. S. In some ways, this list seems more imposing than my previous ones.

BC

  • The Aeneid by Virgil (30 to 19 BCE)

15th Century

  • The Book of Dede Korkut by Anonymous (14th or 15th century)

16th Century

  • Hero and Leander by Christopher Marlowe (1598)
  • Love’s Labour’s Lost by William Shakespeare (1598)

17th Century

  • The Fair Jilt by Aphra Behn (1688)
  • Tis Pity She’s a Whore by John Ford (1633)
  • The Princess of Cleves by Madame de La Fayette (1678)

18th Century

  • Cecilia, Memoirs of an Heiress by Frances Burney (1782)
  • The Castle of Otranto by Horace Walpole (1764)

19th Century

  • Sense and Sensibility by Jane Austen (1811)
  • The Dead Secret by Wilkie Collins (1856)
  • Our Mutual Friend by Charles Dickens (1865)
  • The Three Musketeers by Alexandre Dumas (1844)
  • Belinda by Maria Edgeworth (1801)
  • The Return of the Native by Thomas Hardy (1878)
  • Incidents in the Life of a Slave Girl by Harriet Jacobs (1861)
  • The Saga of Gosta Berling by Selma Lagerloft (1891)
  • The Prophet’s Mantle by E. Nesbit (1885)
  • Merkland, A Story of Scottish Life by Margaret Oliphant (1851)
  • A Double Life by Karolina Pavlova (1848)
  • The Bride of Lammermoor by Walter Scott (1889)
  • The Black Arrow by Robert Louis Stevenson (1883)
  • Phineas Finn by Anthony Trollope (1867-1869)

20th Century

  • Go Tell It on the Mountain by James Baldwin (1953)
  • Grand Hotel by Vicki Baum (1929)
  • The Passenger by Ulrich Alexander Boschwitz (1938)
  • The Methods of Lady Walderhurst by Frances Hodgson Burnett (1901)
  • The Book of Lamentations by Rosario Castellanos (1962)
  • Sleeping Murder by Agatha Christie (1976)
  • Weatherley Parade by Richmal Crompton (1944)
  • The Ten Thousand Things by Maria Dermoût (1955)
  • The Deepening Stream by Dorothy Canfield Fisher (1933)
  • The Moorland Cottage by Elizabeth Gaskell (1950)
  • The Woods in Winter by Stella Gibbons (1970)
  • The Mayor’s Wife by Anna Katherine Green (1907)
  • The Grand Sophy by Georgette Heyer (1950)
  • Les Misérables by Victor Hugo (1862)
  • Dust Tracks on a Road by Zora Neale Hurston (1942)
  • Much Dithering by Dorothy Lambert (1938)
  • The Tavern Knight by Rafael Sabatini (1904)
  • Rhododendron Pie by Margery Sharp (1930)
  • A Town Like Alice by Nevil Shute (1950)
  • The Tree of Heaven by May Sinclair (1917)
  • Miss Plum and Miss Penny by Dorothy Evelyn Smith (1959)
  • Music in the Hills by D. E. Stevenson (1950)
  • The Moon Spinners by Mary Stewart (1962)
  • Iza’s Ballad by Magda Szabo (1963)
  • Father by Elizabeth Von Arnim (1931)
  • Miss Mole by E. H. Young (1930)
  • We by Yevgeny Zemyatin (1920)