Review 1587: Captain Paul

Quite a few years ago now, I bought the collected works of several 19th century writers in ebook form from Delphi Classics and resolved to read them all, starting from the earliest works. I didn’t get very far—read one or two novels by each—before life got in the way of my project and I forgot it. But recently, I thought I would occasionally interject one of those novels into my regular reading, and the first one is Captain Paul by Alexandre Dumas, his second novel.

Now, this novel is quiet peculiar, for Dumas was inspired for it by James Fennimore Cooper’s The Pilot, which is about John Paul Jones. I haven’t read The Pilot, but it seems that Dumas has taken some liberties with Jones’s life if not with Cooper’s book. In particular, while naming his character Paul Jones, as Cooper apparently does in his book, and using some actual episodes from John Paul Jones’s life, he makes him a Frenchman (he was, of course, Scottish-American), and he gives him an entirely fictional but romantic lineage as the illegitimate son of a French count (although JPJ was born on an estate, the son of a gardener, so maybe Dumas was making some sort of assertion about his birth).

In the novel, Captain Paul, unaccountably donning two disguises in the first few pages, takes onboard his ship a prisoner of France that he is supposed to deliver to the prison island of Cayenne. The crew is not supposed to speak to the prisoner, but his conduct during a battle with an English ship leads Captain Paul to ask for the story of the prisoner, Hector de Lusignan.

Six months later, Captain Paul visits Count Emmanuel d’Auray, who originally delivered Lusignan to the ship, to tell him he knows he imprisoned Lusignan unlawfully. Lusignan’s crime was to fall in love, without fortune, with d’Auray’s sister, Marguerite, and have a child with her. While d’Auray got rid of Lusignan, his mother, the Marchioness, removed Marguerite’s child. Now, they are trying to force her to marry a fop who has promised d’Auray a commission. Captain Paul announces his intention to get Lusignan a pardon and remove Marguerite’s child from wherever it is hidden. But when he learns Marguerite still loves Lusignan, he decides to help the lovers.

There are more secrets to come, including Captain Paul’s own identity.

This is a short, fast-moving novel once you get over your bemusement about poor John Paul Jones. It is entertaining, but after all the action is over, Dumas couldn’t resist adding an Epilogue, which tells us how everyone ended up and also contains more of Jones’s real (maybe) exploits. The Epilogue, therefore, is about as long as two or three of the chapters, and everything bogs down tremendously. This is the addition of an inexperienced writer, and we all know he improved.

By the way, I believe that the figure depicted on the cover above (which is not the edition I read) is actually supposed to be Alexandre Dumas’s father, who was a famous general.

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Review 1586: Literary Wives! The Age of Innocence

Cover for The Age of Innocence

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

Cynthia of I Love Days
Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

* * *

I reviewed this novel, one of my favorites, back in 2015, and I find I still agree with my original review. So, I will not re-review it, but instead am providing the link to the original review. Then I will go on to consider our usual question for this club.

What does this book say about wives or about the experience of being a wife?

“Ah, no, he did not want May to have that kind of innocence, the innocence that seals the mind against imagination and the heart against experience!” So thinks Newland Archer in contemplating May Welland, his fiancée. But of course, that’s the kind of innocence May has, as he is too slow to discover, just as he is too slow to discover he is actually in love with May’s cousin, the Countess Olenska. Newland has fastened on May’s shining purity, so that even as he hopes never to live a life of sameness, to teach May to appreciate the arts and travel, he hasn’t seemed to notice the sameness that the Wellands pursue as they cater to their hypochondriacal patriarch, spending the late winters in St. Augustine and the summers in Newport, carefully following the dictates of society.

In this novel, we don’t so much see what it’s like to be Newland’s wife as to be May’s husband. On their honeymoon, after May has dismissed the tutor Newland wishes to invite for dinner as “common,” with her limited, provincial thinking, Newland “perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him, but . . . he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. ‘After that I suppose we shall have pretty nearly finished rubbing off each other’s angles,’ he reflected; but the worst of it was that May’s pressure was already bearing on the very angles whose sharpness he most wanted to keep.”

Two years into the marriage, he makes plans to take flight with Ellen Olenska, thinking he can talk her into it when she is resolved not to betray her family. Wharton has just explained that Newland has given up reading poetry in the evenings because May “had begun to hazard her own [opinions], with results destructive to his enjoyment of the works commented upon.” In that scene, where he finds himself literally stifling, “As she sat thus, the lamplight full on her clear brow, he said to himself with a secret dismay that he would always know the thoughts behind it, that never, in all the years to come, would she surprise him by an unexpected mood, by a new idea, a weakness, a cruelty or an emotion.”

The other important marriage in this novel is only hinted at, but it underlies all of the action. That is Ellen’s marriage to Count Olenski. We are told the man is a brute, that he is a womanizer. When the Count’s secretary comes to make Ellen an offer to return to her husband, he tells Newland he has seen a change in her—that she must not go back.

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Ellen herself is reticent about her marriage, and I am actually not sure what Olenski’s brutishness is supposed to consist of, but I think we are to understand that she has found, despite its faults, New York society possesses a fineness and honesty that is not present in her former milieu. She wants to become a better person, so she will not go back and she does not wish to betray May and the rest of the family despite her love for Newland. And May, despite her false assumption that the two are having an affair, finds the best way to thwart Newland’s plans.

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Review 1585: Eight Perfect Murders

I had a hard time rating this high-concept mystery on Goodreads, because there were things I liked about it and things I didn’t like. Overall, however, I felt it was a fast-paced novel with a love for books, especially old-fashioned crime novels.

Malcolm Kershaw has a visit from the FBI at the beginning of the novel. He is part owner of a mystery and crime bookstore in Boston. Years ago, when he first went to work there, he wrote a blog post named “Eight Perfect Murders” in which he listed eight mystery novels with near-perfect murders. Agent Mulvey has figured out that someone is using the list to re-create not the murders but the spirit of the murders. Moreover, one of the victims is someone Malcolm knew, an annoying woman who used to frequent his bookstore before she moved away. Agent Mulvey wants Malcolm to help figure out if any other deaths are related to his list.

Right away, I knew Malcolm wasn’t a trustworthy narrator, and almost immediately I guessed there would be some connection to the death of his wife, Claire. The novel takes lots of twists and turns, but I expected some of them. Still, it clipped right along, was well written, and was full of references to fiction I loved.

Why did I have trouble rating it? First, it got bogged down in the explanations at the end. The murderer explains things, and then Malcolm explains what he’s been holding back, and it’s a lot. Finally, I don’t know that I like so much these high-concept twisty-turny novels that are so popular lately, possibly because they have too many twists to be believable. They remind me of the old mysteries that are only concerned about the difficult puzzle, only with better characterization.

Then again, the book is strongly atmospheric, set in a frozen, stormy Boston, and I liked most of it. There are almost no clues about the identity of the murderer but lots of clues about Malcolm’s own secrets.

I see that Goodreads has this novel labeled Malcolm Kershaw #1. I hope that’s a mistake. I’m just saying that because of the ending. Now I bet you’re mystified. (Note: I am posting this review from my notes about six months after I read the book, and I can remember almost nothing about it. That doesn’t happen very often, so I doubt that this book is going to become a classic mystery.)

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Review 1584: Milly Darrell

When Mary Crofton attends a charmless school to learn to be a governess, she is befriended by an heiress, Milly Darrell. Milly is a beautiful and good-natured girl whose life becomes complicated when her widowed father remarries.

Augusta Darrell doesn’t like Milly, but the situation changes for the worse with the reappearance in the area of a neighbor, Angus Egerton. Before he returns, the girls hear the story of his falling out with his mother after he fell in love with a girl of low birth. When his mother prevented the marriage, he swore never to return while his mother was alive and was said to have lived dissolutely. His mother dead, he returns to try to repair his dilapidated estate.

It is easy to guess that Mrs. Darrell has something to do with this story but not so easy to see how that will affect the plot. This thickens when Milly and Angus fall in love with each other.

This novella is a typical sensation work of its time. It is short and fun to read. For some reason, though, the publisher has chosen to add an alternate ending which, while not materially different from the original, is a travesty of purple prose—an indication of a lack of discrimination on their part.

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Review 1583: The Northern Lights

I so much enjoyed Howard Norman’s My Darling Detective that I made a note to myself to read more by him. I finally chose The Northern Lights because of its setting.

In the 1950’s, Noah Krainik lives with his family on an isolated lake in northern Manitoba. His father Anthony is a geographer who is mapping the far reaches of Manitoba and Saskatchewan, so he leaves Noah, his mother Mina, and his cousin Charlotte alone for months at a time. He blames his work, but there are some events that don’t add up. For example, while out working he somehow ended up in Halifax and arranged for Charlotte to live with them after her parents were killed in a factory collapse. Halifax is a long way from either Manitoba or Saskatchewan.

Every summer, beginning when he is nine, Noah takes the mail plane to Quill, 90 miles away, to live with his best friend Pelly and Pelly’s aunt and uncle, Nettie and Sam. There he experiences the richer life of a village of Cree Indians, trappers, and others who prefer this wilderness life that smacks of a much earlier time period. The novel begins, though, in 1959, when 14-year-old Noah learns of Pelly’s death.

This evocative novel explores the life in the wilderness and what happens when Anthony’s desertion provokes a move out of the wilderness to Toronto. There, Mina gets a job at the Northern Lights movie theater, where she first met Anthony.

This is a novel full of interesting, colorful characters, and I greatly enjoyed it. I especially liked the portion set in remote Manitoba.

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Review 1582: The Mirror and the Light

Best of Ten!
At last, Hilary Mantel has produced this long-awaited third volume of her Thomas Cromwell trilogy, begun with Wolf Hall. One of the remarkable traits of this trilogy is that it lives fully within the thoughts of its main character, and never has a character been so thoroughly drawn.

The Mirror and the Light begins with the beheading of Anne Boleyn, which Cromwell has largely brought about at the urging of Henry VIII. Indeed, he has been avenged against most of the people who ruined his first and beloved master, Cardinal Wolsey, and Anne Boleyn was one of them.

However, his service is now devoted to that of his current master, Henry VIII. He sees that service to bring down Henry’s enemies but also to save Henry from the worst of his excesses. One of his first acts is to save Mary Tudor’s life by bringing her to obedience to her father. He also works to keep the realm within the Protestant religion. So, after the death of Henry’s third queen, Jane, following childbirth, he tries to find Henry a wife who will bring him allies from the Protestant German states. For England is alone and open to attacks from all Catholic countries.

I know my Tudor history, so I knew all along how this would end. The novels show a man who can be ruthless but who is also charitable, kind, and loyal. Not all of his cheerful, unruly household of semi-adopted sons turn out to be as loyal to him.

The last thirty pages or so of this novel had me in tears. For me, there can be no better compliment to a book.

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Review 1581: Somewhere in England

When I received a review copy of Somewhere in England from Furrowed Middlebrow, I realized that it was a sequel. So, I ordered the previous book, the delightful Nothing to Report, to read and review first.

To introduce the plot of Somewhere in England, I have to include a spoiler or two for the previous book. The novel begins with 18-year-old Pippa Johnson, who is about to take a position in a war hospital established in the family home of Mary Morrison, the main character of the previous book. In between novels, Mary Morrison married Kit Hungerford, who had purchased her family home. Now, Mary Hungerford is administering the hospital.

The first part of the novel has to do with Pippa meeting the hospital staff and villagers. It is more concerned with the social side of things than the war work as we meet familiar characters again. Elisabeth, who made her debut the summer of 1939 in the previous book, is a nurse whose fiancé has died, and she is rude to young Pippa. Lalage is friendly and will make a good nurse, but her sister Rosemary and mother Marcelle continue with their selfish ways. Most people, though, are occupied with some kind of war work.

The second part of the novel returns to the point of view of Mary, who is constantly dealing with difficult situations all the while worried for her husband overseas.

I enjoyed this novel, but it is hard to describe. It was fun to revisit the characters of Nothing to Report and see how they’re doing during the war. I think that as a sequel it stands well enough alone, but my enjoyment was enhanced by having read Nothing to Report first.

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Review 1580: Barometer Rising

I got interested in the 1917 Halifax Explosion through my friend Naomi of Consumed by Ink. She has a page of books she’s read about the event, from which I selected this novel, written in 1941.

Penny Wain believes that her fiancé, Neil Macrae, died in action in France. She is aware there is more to it than that, but no one will tell her what it is, even her father, Colonel Wain, who was Neil’s commanding officer. But then, her father hated Neil. Penny has been working as a ship designer and has just had a design accepted by the Admiralty.

Penny has an admirer, Angus Murray, a doctor who is home on leave because of an injury. Angus is a lot older than Penny and is considered washed up because of his drinking, but Penny sees more in him.

What Penny does not know is that Neil is in Halifax. He was due to be courtmartialed for disobeying orders when the shed he was in was hit by artillery. He awakened with amnesia, having been mistaken for another soldier. Now, he is searching for a man he hopes will prove him innocent of the original charges.

This novel begins a few days before the cataclysmic event and ends a few days after. The description of the event itself, which caused an earthquake, a tidal wave, and an enormous wind, is impressive. Although I personally think Penny chose the wrong guy, I found this novel very interesting and involving.

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Classics Club Spin #25

It’s time for another Classics Club spin. The way it works is that Classics Club members pick 20 numbered books from their lists and post these lists by Sunday. The Classics Club selects a number, and that’s the next book you read, for a deadline of January 30. I’m glad of the long period this time, not because I usually have trouble finishing but because I plan my schedule of posts out about six weeks, so often I have to make adjustments to my schedule to add in my book for the spin. Not so this time. I think this change is a good idea anyway, because there are people who have difficulty getting the book read on time for the spin.

Without further ado, here is my list for the spin. I see I no longer have 20 books left to read, so I will have to repeat some:

  1. I Go by Land, I Go by Sea by P. L. Travers
  2. August Folly by Angela Thirkell
  3. Evelina by Fanny Burney
  4. The Sea Hawk by Rafael Sabatini
  5. The Prince by Machiavelli
  6. The Viscounte de Braglonne by Alexandre Dumas
  7. The Winged Horse by Pamela Frankau
  8. Edward III by Christopher Marlowe
  9. The Duchess of Malfi by John Webster
  10. Joanna Godden by Sheila Kay-Smith
  11. The Tenant of Wildfell Hall by Anne Brontë
  12. The Last of the Wine by Mary Renault
  13. My Brilliant Career by Miles Franklin
  14. Oroonoko by Aphra Behn
  15. Titus Andronicus by William Shakespeare
  16. The Brothers Karamazov by Fyodor Dostoevsky
  17. Three Weeks by Elinor Glyn
  18. The Tenant of Wildfell Hall by Anne Brontë
  19. The Sea Hawk by Rafael Sabatini
  20. August Folly by Angela Thirkell