Review 2600: Helen

I thought I had read all of Georgette Heyer’s books, but when I looked up something recently, Amazon showed me that there were several I’d never heard of. So, I got a Conservatory Press print-on-demand copy of this one. It is one of her very few contemporary novels that are not mysteries, published in 1928.

Helen’s mother dies in childbirth, and although her aunt offers to take her, her father insists on keeping her. She is brought up in wealth on a country estate enjoying riding, hunting, and sports. She has old-fashioned values when she becomes an attractive young woman. Then everything is upended with World War I.

This novel spends a lot of time with the bright young things that emerged after the war. Helen is drawn into the set by some friendships, but her older friends are dismayed. She also attracts a young artist who may be a dangerous type.

There are long conversations in this novel meant to show how the younger generation is changing its attitudes from their Edwardian parents. It seemed to me that both sides had intolerant viewpoints, but the younger people, meant to be witty, seemed silly. In any case, I hate to say it, but I found this focus as well as Helen’s relationships to be a little tedious after a while. I didn’t think that this more serious romantic novel was Heyer’s forte. And both generations expressed attitudes about women that we find objectionable now.

As with most machine-read books, I found lots of wrong words. Not typos, but the wrong word replacing a correct one. I thought perhaps no human had read the book between machine-reading and publishing, but maybe someone read the beginning. I say this because the errors increased so much in the last third of the novel that sometimes it was difficult to guess what was meant. Helen is fairly consistently called “he” instead of “she,” and at one point, she is called “Heaven” instead of “Helen.” So, you can imagine how several errors could mount up to make the text unintelligible at times.

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Review 2599: The Lonely Girl

The Lonely Girl is the second novel in Edna O’Brien’s The Country Girls trilogy. The trilogy is quite autobiographical without matching the details of O’Brien’s life exactly. I did a little reading about O’Brien lately and was interested to learn that her books were originally banned in Ireland because of their frankness about sex and other women’s issues.

If you haven’t read the first volume, you may not always understand what’s going on at first. It is very short, so I recommend it.

Caithleen and her friend Baba are still living in a rooming house in Dublin at the beginning of the novel. I was happy to learn that Caithleen has broken with Mr. Gentleman. However, the girls are living a giddy life, crashing parties, trying to find men to buy their drinks, and hanging out with people Caithleen disapproves of. They are happy to be thought fast but still very innocent and silly.

We saw in the first novel that Caithleen is attracted to older men, and early in the novel, she meets Eugene Gaillard, a documentary film maker, who is older. He is obviously attracted to her, but it is she who takes the initiative to see him. Although he is attracted by her freshness and innocence, he doesn’t understand how innocent she is. Eventually, she finds out that he has been married, and although they are separated, they are not divorced. Caithleen is still very Catholic, so there would be a problem even if he were divorced.

Some ill-wisher gets involved and sends anonymous letters around, including to her father, which makes a difficult situation even worse. I was struck by how everyone assumes these letters are true (they are not) without asking her.

Although I think Caithleen is very silly at times, she is struggling with a lot considering her total ignorance of sex, her uncertainty with Eugene, her jealousy of Eugene’s wife, and so on. She is kind of a wet noodle in this one, always in tears, but I still want to find out what’s next.

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Review 2598: A Place to Stand

The first novel I read by Ann Bridge was contemplative. This one becomes much more action oriented. But both are about women developing new conceptions of themselves. This one is about a young woman becoming an adult.

A Place to Stand was published in 1951, but it is set ten years earlier. Hope Kirkland is a little bit spoiled, a nineteen-year-old American whose wealthy father is an oil executive living in Budapest for the last eight years. Although she and her mother have lived there that long, neither of them seems to understand much about what’s going on around them politically.

Hope is engaged to Sam Harrison, a young journalist who has just been transferred to Istanbul. At his departure, he gives Hope a large box of chocolates, which she thinks is an odd goodbye gift. However, when she opens it, she finds it contains two passports for young men and money with a note of where to take them. So, she does. In a less desirable neighborhood, she finds a group of Polish refugees, an old woman, her two sons Jurek and Stefan, and Jurek’s fiancée Litka.

Hungary is neutral, but Poland is fighting the Nazis. Some Hungarian politicians are pushing the country toward Germany, so Polish refugees are in potential danger. Stefan and Jurek are almost ready to leave the country, but they are waiting for something to arrive from Poland first.

Hope is immediately drawn into the affairs of the Polish group. She is struck by what was clearly once a wealthy family having no home and no possessions. Then the Nazis arrive in Budapest and immediately begin looking for Poles. At the same time, the Americans are asked to leave the country.

I had to get over my initial reaction to Hope and her general obliviousness, which was made worse for me by Bridge’s continual use of the word “little” to describe just about everything about her, her little hand, her little figure, etc. However, this novel turns into an adventure that results in self-discovery for her. I enjoyed it quite a bit, acknowledging that probably many rich American girls at the time were silly and clueless (although ones living right there in Budapest? I’m not so sure).

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WWW Wednesday!

It’s the first Wednesday of the month, so it’s time for WWW Wednesday, an idea I borrowed from David Chazan, The Chocolate Lady, who borrowed it from someone else. For this feature, I report

  • What I am reading now
  • What I just finished reading
  • What I intend to read next

This is something you can participate in, too, if you want, by leaving comments about what you’ve been reading or plan to read.

What am I reading now?

I am reading English Magic by Uschi Gatward, one of the last books for my James Tait Black Award project, since I’m trying to wrap it up. It’s a collection of short stories. I don’t always get on well with short stories, but so far, I’ve found some of them interesting and some of them frustrating.

What did I just finish reading?

I just finished The Librarian by Salley Vickers. I’m not sure how this book got on my list, but I enjoyed it. It’s about a librarian who moves to a small English town in the 1950s and tries to get more children to use the children’s library. At first, I thought it was going to be a standard romance, but it didn’t turn out that way.

What will I read next?

This can always change, but what’s next in my pile is Night Watch by Jayne Anne Phillips. It’s a historical novel set during the Civil War, and it’s been on my list for some time.

What about you? What are you up to with your reading?

Review 2597: Death Under a Little Sky

Maybe I’m a little old-fashioned, but there seems to be a vogue for calling characters just by their first names these days. But when we’re strangers, as we are to characters, we don’t often go straight to first names, do we? Yet, after reading many books, I have a hard time finding the main characters’ last names. This time, I had to look it up.

Jake Jackson has retired early from being a police detective because of the combination of a separation from his wife and an inheritance from his uncle. He has been left a house in the isolated countryside, not even a road to it, and quite a bit of money, his uncle wanting to give him the gift of solitude. The name of the house is Little Sky.

There were a few things about this house that I found hard to believe, since parts of it are very old and it is huge, so presumably at one time had servants. First, why is there no road to it if it’s been there a long time? How was it built? How did they get furniture to it? Second, why are there no bathing facilities? Third, why no laundry, however primitive? Even a rustic abode would have a big metal tub for baths and a place to wash clothes.

These are nitpicks, you might think, but then, of course, Abell needs his hero to live in a perfectly remote area (it could have been an island, Stig, that would be believable), he wants his scene where Jake is caught in the nude after his morning swim (Stig, he can swim even if he has a bathroom), but that doesn’t really explain the laundry.

Oh well. So, Jake begins living in this house, mostly being by himself but slowly getting to know his neighbors. His closest neighbor is the local vet, Livia. Livia what? I don’t know. No last names are exchanged. You can tell I find this irritating. Livia is a lovely mixed-race woman with a little girl named Diana. Jake is immediately interested. Since his home also has no phone or reception, Livia gets to take him by surprise when he is swimming nude.

One thing Livia does is encourage him to participate in a local custom, a hunt for St. Aethelmere’s bones. The local storekeeper hides a bag of sticks marked “bones,” and there’s a contest to see who can find it, if anyone can. Jake finds the bones, but they turn out to be really bones, and human, as judged by Livia and the local biologist, Dr. Peter.

Jake reports the bones to the police, and he meets the local man, Chief Inspector Gerald Watson, who seems happy to have Jake poke around and try to figure out who the bones might belong to. They are of a woman in her thirties and are about 10 years old. A look through his uncle’s old newspapers provides a possible name, that of Sabine Rohmer, a foreign farmworker who fell from a tower on the farm where she had worked for years. The death had been ruled misadventure.

However, when the police examine Sabine’s grave, they find bones in it. Watson seems inclined to think the whole thing is a wild goose chase, but Jake convinces him that perhaps Sabine’s death was not an accident, because someone, hearing the grave would be exhumed, has hastened to put bones in it to throw them off, and as it turns out, the bones in the grave are too old to be Sabine’s.

Jake’s investigations turn up little cooperation, just hostility, threats, and violence, principally from the people on Smith’s farm where Sabine had worked and from some lay-abouts and nogoodniks around the village, including Sabine’s old boyfriend, a man named Rose. Then Dr. Peter, who has been helping Jake, is killed.

This novel is really more of an action book than a mystery, as we’re given no hints to the identity of the killer until the same second Jake figures it out. And, although I don’t fall into the camp that believes mystery and romance don’t mix, I think there was too much emphasis on the romance, and it was a clunky one, with scenes that Abell obviously found sexy but left me cold. Usually, women who are trying to develop a relationship slowly because of their child don’t engage in salacious banter at an early meeting, even if they see a guy naked.

The novel is a very slow developer, which I didn’t mind. I enjoyed the descriptions of the countryside and the work Jake does to improve his property. However, my comments above have me wondering how interested I am in reading the second book in the series.

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Review 2596: The Chosen

The Chosen, which I read for my Walter Scott project, is about the weeks after the death of Thomas Hardy’s wife, Emma, and also about the writing of Tess of the D’Urbervilles. Hardy is working in his study when the maid comes to ask him to go to Emma. Although she indicates there is some urgency, Hardy is oblivious and continues working for a while before going up to his wife’s rooms in the attic. When he arrives there, she is dead.

The aging Hardy plunges into guilt that is made worse when, a few days later, he finds her diaries, in which he reads that Emma was deeply unhappy in their marriage. As he reads the diaries, he relives his own memories of the same days, realizing he had no idea of how aloof he seemed to her and how oblivious.

This is not really a novel of plot but more of feelings and realizations. Lowry explains at the end of the novel that Hardy burned the diaries soon after he found them, but she did quote from Hardy’s work and from letters. Emma’s death apparently spurred a collection of poems.

Waiting in the wings is Hardy’s secretary, Florence Dugdale, who seems to expect to take Emma’s place (and eventually did). She cannot understand why, after telling her so many times how unhappy he was, Hardy can now only talk about Emma.

For Hardy fans, especially, this is an insightful and beautifully written novel. It makes me wish I had known more about Hardy’s life before I read Maugham’s Cakes and Ale and this book. Although I read Claire Tomalin’s biography, it was so long ago that I don’t remember what it said about his home life (although I said it was interesting in my review).

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Classics Club Spin Result! Review 2595: The Passenger

I know I’m early in reviewing my Classics Club Spin book, but it just so happens that when it was picked for the spin, I had just read it but not reviewed it yet. Lucky for me, because so many of the books remaining on my list are really long!

I am not sure how The Passenger made it onto my Classics Club list, but its origins are certainly interesting. Boschwitz, who had already escaped Germany with his mother, was so affected by the events of Kristallnacht that he wrote this novel in a great hurry. It was published in England in 1939 and in the U. S. in 1940, but then it just vanished. Revisions he mailed to his mother never arrived. Then, in 1942, he and his manuscript were on a passenger ship that was torpedoed by a German U-boat, and they were lost. Nearly 80 years later, a correspondence with Reuella Shachaf, Boschwitz’s niece, mentioned to Peter Graf that the manuscript for the book was held in an archive of the Deutsche Nationalbibliothek. So Graf looked it up and helped edit it and get it republished. It came back out in 2018.

The book opens with wealthy Jewish businessman Otto Silbermann handing over 51% of his business to a friend, Becker, to save it from being taken. As Becker points out, there is nothing Silbermann can do about it because he’s Jewish. Jewish men are being rounded up, but Silbermann has an advantage of not looking Jewish.

Back at home with his Christian wife, he tries to sell his house to another friend, Findler, who cheats him. Again, there is nothing he can do about it. Then thugs begin pounding on the front door, so Findler sends him out the back, saying he’ll protect Elfrieda.

Silbermann begins a journey lasting days, traveling by train from one city to another to find a way to escape Germany. His goal is to go to his son Eduardo in Paris. But Eduardo has been unable to get him the papers he needs. In the meantime, he lives in a state of paranoia, listening to constant insults to Jews, fearing strangers, and thinking he’ll be arrested any minute.

This is a tense novel that seems very realistic, although Silbermann occasionally becomes incandescent with anger about the injustice, thereby risking his own life. It’s a compelling novel.

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Review 2594: Clear

I have read some excellent novellas lately, a form I don’t usually choose. That makes me glad I participated in Novellas in November last year. I think I read about this book during that event.

John Ferguson is a 19th century Scottish minister on a difficult mission. Because of the breakup of the Scottish church, in which he participated, he has left his church to join the Free Church and is thus unemployed, no new churches having actually been established. He and his wife are entirely without money, and he doesn’t want to borrow from his brother-in-law, so he takes a job of surveying a small island in the far north of Scotland for clearance. The island only has one inhabitant, who will be forced to leave, and part of John’s job is to tell him.

On the island, Ivar has been alone for many years. The rest of his family left years before, because the island couldn’t support them anymore after foolish decisions by the owner. Ivar thought it could support him, and the factor hasn’t even stopped by to collect rent in years. He lives with a goat, an old horse, a blind cow, and some chickens.

When John arrives, he promptly falls off a cliff and is badly injured. Ivar finds him and takes care of him. They don’t speak a word of each other’s language, but they begin to like each other. John, though, can’t bring himself to try to explain why he’s there.

In the meantime, Mary hears about other clearances being done by John’s employer that disturb her. She decides to go get John.

This is a little gem of a book with a surprising ending. In its few pages, it pulls you totally into the story. It’s a keeper.

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Review 2593: There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby: Scary Fairy Tales

I’ve always been interested in Russian literature but have read mostly 19th century books. Ludmilla Petrushevskaya was a writer whose books were banned in the Soviet Union, even though they were not political and her plays were allowed. The introduction to my Penguin edition says that in 1973 because Lithuania was more open, she took a difficult trip to Vilnius to try to get something published and indeed got two stories published, but she was out of favor in her own country for years.

The first thing you notice when you look at this volume of stories is that it is backwards. You start with the back cover. Then, I guess, read the introduction, which I didn’t, because the translators explain the concept of nekyia from Ancient Greek literature. The word means “night journey,” which often includes visits to the underworld or the dead. The introduction states that every story in the book is a form of nekyia.

Lots of the stories involve people being dead without knowing it or people visiting the dead. The stories seem to belong to magical realism. That genre isn’t my favorite, but I have to admit that most of the stories are fascinating even though I didn’t always get the point. If there was one.

There is no characterization, really, because these are fairy tales, but the characters often live grim or dangerous lives. People are beaten up or have everything stolen from them. In one story, a family keeps moving farther and farther from civilization in places more and more hidden to keep people from stealing their potatoes and goat.

People also change forms, become different physically. In one story two sisters are united by a spell into one very fat woman, but this is probably the most extreme example. Petrushevskaya’s characters are mostly not nice.

This is certainly an unusual book. It’s not for everyone, but even though it wasn’t my preference, I found it oddly fascinating.

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Review 2592: Death Comes As the End

I have been trying to pick off Agatha Christie’s books I haven’t read without looking to see what they are about. So, I was surprised by this one. At first, I thought maybe the ancient Egyptian setting was the introduction to a more modern mystery, but then I realized it wasn’t.

Renisenb has returned with her young daughter to her father’s house on the lower Nile, her husband having died. At first, it seems as if everything is the same. Her father, Imhotep, a property owner and priest, is still watchful of his own authority and eager to have control of everything. Her oldest brother, Yahmose, is still dutiful and careful of Imhotep’s interests—his wife Satipy thinks too much so and nags him to be more assertive. Satipy argues with her sister-in-law Kait over precedence one moment, and they giggle together the next. Kait’s husband Sobek, the younger brother, is still full of big ideas and wasteful of his father’s money. Renisenb’s orphaned nephew Ipy is still young but disrespectful and spoiled by Imhotep. Esa, the grandmother, is frail but sharp.

Renisenb still cannot bring herself to like Henet, the servile but sneaking servant, and she still feels comfortable with Hori, her father’s main scribe. However, when she tells Hori that everything is still the same, he warns her that it is not.

Imhotep goes off on a business trip, and when he comes back he has brought two people—a young concubine named Nofret and a secondary scribe named Kamini, who claims some relationship to the family. It becomes clear that Nofret is malicious and means to make trouble. Almost immediately, she has problems with the two sisters-in-law. Renisenb tries to be friendly to her but feels she dislikes her.

Nofret begins to succeed in dividing Imhotep from his two sons. Imhotep, angry about an incident, threatens to send the sons and their families away. The next thing they know, Nofret is dead, having fallen from the cliff path that goes to the tomb Imhotep is responsible for keeping.

The two sisters-in-law suddenly change behavior. Satipy, formerly shrewish, becomes timid and withdrawn. Kait becomes more forceful. Renisenb and Hori wonder if Nofret’s death was an accident.

The next event seems clearly not an accident. The two brothers are poisoned after drinking some wine. Sobek, having drunk more, dies.

Renisenb, Esa, and Hori get together to try to figure out who the murderer is, but there are more evil events to come.

Christie doesn’t offer many hints to figure out the murderer, and I didn’t guess the solution. However, I also didn’t find this novel as interesting as some of the others. Perhaps Christie was trying a change of pace or just wanting to write something that reflected what she learned on her archaeological digs. Still, it worked almost wholly on an understanding of the characters rather than any real clues.

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