This period’s Best Book is Do Not Say We Have Nothing by Madeleine Thien!
Day 1180: Travels with a Donkey in the Cévennes
Mary Stewart’s My Brother Michael is the first place I heard of Robert Louis Stevenson’s Travels with a Donkey. It is a short travelogue of a journey Stevenson took in 1878 in the remote Cévennes area of southern France with only a donkey for company.
This book is full of descriptions of the people and scenery and relates with some humor the author’s struggles with Modestine, the donkey. It also tells some of the legends and history of the area, which was the site of a religious revolt by the Camisards, a sect of the Huguenots, in the 17th century.
Although this history is interesting, for my tastes Stevenson spent too much time discussing religion, particularly as he asserts at one point in the book that he does not believe in God. Yet, he makes comments that sound like he does believe. He has several discussions about religion with people he meets on the trip, and he muses on the subject.
It seems natural to compare this work with that of Patrick Leigh Fermor, particularly the trip he made as a youngster through Europe. But Fermor’s work is at once more sparkling, witty, and erudite, although the type of content is the same. I felt that this book was only of moderate interest.
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Day 1179: In the Wolf’s Mouth
Another book for my Walter Scott Prize project, In the Wolf’s Mouth is very different from the last novel I read by Adam Foulds. It is about the incompetent “liberation” of Sicily by the Allies during World War II, from the point of view of two characters. Will is a British field security officer who is ambitious to accomplish something. Ray is an Italian-American soldier who gets accidentally detached from his unit.
Although the plot of this novel is disjointed, it hinges upon the use by the American army of Sicilian exiles in its capture of Sicily. Unfortunately, some of these exiles are mafioso who fled the island 20 years before under threat from the Fascists. Ciró Albanese is one of these men, and under the auspices of the American army, he begins taking charge of his old activities. He considers Angilú one of his enemies, as the ex-shepherd took over his job and his house after he was kicked out. He also wants his wife back, even though she has remarried after thinking him dead. Eventually, Will gets wind of his activities.
Although this story is coherent enough, Ray’s story has very little to do with it. His is one of a soldier suffering from too much exposure to violence. His story is loosely connected by place and a link to the Princess, daughter of Angilú’s employer. This looseness gives the novel a disjointed feeling. After enduring a certain amount of tension through the problems of Angilú, we end with a fizzle, with Ray.
Finally, none of the characters are very knowable. We only really see one or two facets of their personalities. The sense of place depends on a few descriptions and a general aura of confusion. Although the novel kept my interest, I felt frustrated by it.
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Day 1178: Do Not Say We Have Nothing
Best of Five!
When Balzac and the Little Chinese Seamstress was so popular, I was not a fan. I disliked how the two male college students patronized and abused the girl, even though she won through in the end. I also vaguely felt that the events of the Chinese Cultural Revolution were being trivialized, even though I was not really sure about the facts. Reading Do Not Say We Have Nothing confirmed that I was right.
Marie is a young immigrant Chinese girl living in Vancouver, British Columbia, in 1991. She and her mother are confused and grieved, because after the family escaped from China, her father, Jiang Kai, first deserted them to move to Hong Kong and later committed suicide.
Marie’s mother receives a call from China, from Ling, the wife of Jiang Kai’s beloved teacher, Sparrow. Ling says that her daughter, Ai-Ming, has had to leave China because of involvement in the Tiananmen Square protests, but she has missed the amnesty offered by the U.S. Ling asks that they give Ai-Ming a home.
Ai-Ming becomes an older sister to Marie. She tells her stories about her family—her great uncle, Wen the Dreamer, who courted her aunt Swirl with chapters from a forbidden book called the Book of Records; her grandparents, Big Mother Knife and Ba Lute, wandering musicians; and her father Sparrow, a composer of music. Ai-Ming tells of the days of her father, her cousin Jhuli, and Marie’s father, Jiang Kai, at the Shanghai Conservatory. Shadowing all their lives is the Cultural Revolution and its horrible excesses—murder and exile of intellectuals, forced denunciations of relatives, ransacked homes, humiliation and ruining of the innocent.
At first, I was irritated by the style of Ai-Ming’s story, which feels a little like a fairy tale, but it was not long before I was completely absorbed in it. The novel is a heart-rending tale about identity, music, love, and political destructiveness. This was another excellent book that I read for my Man Booker Prize project.
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Day 1177: Song of a Captive Bird
I have this little quirk. I’ll pick out a book, but when I actually get around to reading it, I don’t look at the blurb to remind myself what it is about. If I’d done that, I would have known that Song of a Captive Bird is about an actual person, and that knowledge may have affected my reaction to it. On the other hand, a novel should stand or fall on its own merits, not because of what you know or don’t know about it before you begin reading it.
In the 1950’s and 60’s Iran, Forugh Farrokhzad is having a difficult time with the strictures of her culture. She wants to be a poet, but the role of women in her country is still only that of a wife and mother. She has always been a difficult child, and as a young woman, her first act of rebellion is in trying to select a husband for herself. She chooses her cousin Parvez because of a shared interest in poetry.
She marries Parvez but at the cost of losing the regard of her father, a powerful general under the Shah. But marriage isn’t what she expected. Instead of staying in Tehran, her husband takes her home to his small village where they live with his disapproving mother. In the village, her every action is scrutinized.
The novel follows Forugh as she pursues her career as a poet and later a film director despite being slandered, attacked, and viewed as a prostitute by most of Iranian society. It is interesting in its evocation of this time and culture, especially the details of everyday life and the build-up to the Iranian revolution. However, something was missing for me. The novel did not seem particularly successful as an inspiring and moving story of one woman’s courage.
I think my reaction was because of Darznik’s choice to write this novel in first person. There was something about that perspective that didn’t work, particularly at the end of the novel. Although I think I would have ordinarily been touched by this woman’s story—she was certainly gifted and courageous—something about the novel kept me from getting fully involved.
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Day 1176: The Native Heath
Julia Dunstan is delighted to have inherited her uncle’s Belmont House in Goatstock. Belmont House was the place of her fondest memories of childhood, when she and her cousin Dora would visit there. Dora, too, she is meeting for the first time in years, since Julia’s widowhood and return from life in the colonies. As Julia is given to impulsive and kind acts, she invites Dora to live with her at Belmont House, Dora having had such a hard life.
In Goatstock, the neighbors are all agog to set eyes upon Julia. And eccentric neighbors there are aplenty. Mrs. Minnis dresses like a juvenile and borrows from the neighbors; if returned, the objects are broken. Mrs. Prentice is so embarrassed at being caught looking into the house from the street that she fails to call. The vicar and Miss Pope are being preyed upon by Miss Briggs, who sees Alaric Pope as a future husband. Lady Fincy is the expert on food and gives lectures about eating nettles.
Of young people, there are only three. Julia has brought along her nephew, Robert, just qualified as an engineer. Marian Prentice is engaged to a missionary in Africa, and her best friend, Harriet Finch, would like to see her stay in England. Harriet plots to throw Robert and Marian together before she realizes she quite likes Robert herself.
As for Julia, her kind heart soon has her feeling responsible for several people. But she eagerly renews her friendship with her cousin, Francis Heswald. He always did like her, she thinks, but maybe he likes Dora a little more.
I’ve found all of Elizabeth Fair’s books delightful, and this one is no exception. They have been compared to the work of Angela Thirkell, minus the sentiment. I don’t actually think of Thirkell’s novels as sentimental, however, so I’m not sure what that comment means. With Fair’s flair for eccentric characters and their lightness, her books remind me more of some of those of Elizabeth Cadell.
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Best of Five!
The Best Book of the last five is Atonement by Ian McEwan. Also, recommended, The Blazing World is a reread and a Best Book of 2015.
Day 1175: Anne of Avonlea
A while back, some bloggers were having an Anne of Green Gables reading challenge. That led me to reread Anne of Green Gables, and I was pleasantly surprised to see how well it held up for adults. Other bloggers went ahead and read the entire series.
I don’t think I read the entire series when I was a girl, but I know I read up through the time when Anne married Gilbert, so I’m guessing I read three or four books back then. When I ran across a copy of Anne of Avonlea, the second book in the series, I decided to give it a try as an adult.
In this book, Anne is sixteen and just about to begin her career as a schoolteacher in Avonlea. Most of her old friends are also teachers at nearby schools. The novel follows her adventures during the next two years as she teaches, makes new friends, and begins to grow up a little. She and Marilla also take on the upbringing of two six-year-old distant cousins of Marilla, Davey and Dora.
I’m afraid I didn’t enjoy this book as much. The dreamy, romantic Anne, with all her comments about fairies and so on isn’t as convincing as an older girl. The novel relies for humor mostly on the comments of Anne’s students and the misbehavior of Davey. I found the first a little cloying, and I couldn’t help comparing the second to a similar situation in A Girl of the Limberlost, which is handled much better. I have to admit to not developing any feelings for any of these children, whereas Anne as a child was very sympathetic.
Finally, there’s not much of a sense of plot to this novel. It is almost as if, in these transitional years, Montgomery didn’t know what to do with Anne. The most dramatic events center around her friend, Miss Lavendar Lewis, but they are predictable. I think this is a book that adolescent or pre-adolescent girls might love, but it holds little attraction for me.
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Day 1174: Literary Wives! The Blazing World
Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!
Eva of Paperback Princess
Kate of Kate Rae Davis
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink
TJ of My Book Strings
My Review
The Blazing World was one of my favorite books of 2015, so I won’t recap my review but instead provide you the link so that you can read my original review. Then I’ll go on with my comments for Literary Wives.
What does this book say about wives or the experience of being a wife?
Although Harriet is a widow at the beginning of the book, all her actions are centered around her experiences of being first a daughter and then a wife. She has been a good wife, but she has had no support from her art dealer husband for her art. She has sat quietly by and watched him claim credit for her ideas. Fiercely intelligent and original, she has become convinced that as an older woman, she is almost invisible. In fact, her entire focus on the project that she conceives and that drives the plot of the novel is fueled by anger at the paternalism of first her father and then her husband.
Unfortunately, she finds that the art world is paternalistic in just the same way, as she has trouble claiming her own art after conducting her experiment. This is a powerful novel about institutional sexism—particularly the difficulties women still have in being taken seriously in any realm except that of the household, but especially in the creative arts.
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Day 1173: Atonement
Best Book of Five!
Ian McEwan is a master at turning everything you think you know about a novel on its head, and he does that effectively in Atonement. This novel is a reread for me, the first one by McEwan I ever read, and I found it breathtaking. It is just as enjoyable when you know its secrets.
On a hot summer day in 1935, Briony Tallis commits a terrible crime. At thirteen, she is an imaginative but naive girl, a budding novelist. She misunderstands some interactions she witnesses between her older sister, Cecilia, and Cecilia’s childhood friend, Robbie, and this misunderstanding provokes her to tell a dreadful lie that ruins lives.
Five year later, Briony is a nurse at the start of World War II. She is trying to get published as a writer, but she is also concerned to atone for the lives she ruined.
This novel draws you in to the hot summer day and carries you along. It is beautifully written, and it shows great insight into the mind of the romantic, self-important child that Briony was. I can’t say much more about this novel without giving it away to the few of you who haven’t read it or seen the movie, but I believe it to be a postmodern classic. In short, this is a great book. It is intelligent, with ideas to ponder but with a narrative that just sweeps you along.
What? Me Read? 