This week’s Best Book is The Trespasser by Tana French!
Day 1090: The Vicar of Wakefield
I originally selected The Vicar of Wakefield for my Classics Club list because I was trying to choose a few works from different centuries. For the 18th century, I selected this novel and a few others.
Apparently, there is some debate among scholars about whether to take this novel straightforwardly as a sentimental work or to view it as a satire of sentimental novels. Since it reminds me of nothing so much as Candide, I take it as a satire. Even the title is confusing, since the vicar leaves Wakefield for another town early in the novel.
Reverend Primrose leads a comfortable life with his family as the Vicar of Wakefield. His own private fortune is enough that he has made over his salary to various charities. However, early in the novel, he loses his fortune when the merchant he has invested it with runs off. At that point, he leaves Wakefield and his considerable salary for a much smaller salary in another town. Why he does this instead of using his salary for himself is unclear.
Although the family is now poor, Primrose is determined that they can still live happily if they simplify their lives. However, some of his family are not willing to simplify, and their troubles are not over. His oldest boy, George, has had his engagement broken off by his fiancée’s father. And things even get worse. From here on, every decision they make turns out poorly, touching everyone in the family. In fact, though trusting and ready to see the good side of everyone, Primrose shows himself to be remarkably poor in judgment. The family is cheated, deceived, and persecuted by enemies. All the time, though, Primrose tries to see the good in every situation.
This short novel moves along nicely and has a charming though inconsistent narrator in Reverend Primrose. Its narrative is occasionally interrupted, though, by philosophizing and sermonizing, which I found tedious. Some of the plot twists and masquerades are easy to predict, but overall the novel is lively and a bit silly.
Related Posts
Day 1089: Literary Wives! The Awakening
We have two new members of Literary Wives joining us today, I hope. They are Eva of Paperback Princess and TJ of My Book Strings. Welcome, Eva and TJ!
Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!
Ariel of One Little Library
Eva of Paperback Princess
Kate of Kate Rae Davis
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink
TJ of My Book Strings
My Review
Literary critic Elaine Showalter, in her introduction to The Awakening, says it is “recognized today as the first aesthetically successful novel to have been written by an American woman.” I’m not at all sure what she means by “aesthetically successful,” but there is no doubt that the novel was revolutionary, and controversial.
The novel begins with a summer on Grand Isle, south of New Orleans. The Pontelliers are vacationing there, or at least Edna and the children are. Léonce spends the week in the city.
Edna has an almost constant companion, the young man Robert Lebrun. As he adopts a young married woman every summer to worship, no one takes him seriously. But sometime during the summer, Edna realizes she is in love with him.
Edna begins a slow self-realization during which she tries to cast off the parts of her life that are not really hers. Shockingly for her audience in 1899, these include her duties to her husband and children.
Even from the beginning of the novel, her husband criticizes her child-rearing and housekeeping skills, and her mothering is contrasted to that of the other mothers very simply. We’re told that when her children fall down, they pick themselves back up and go on instead of crying and being fussed over by their mothers. This sounds like good mothering to me but apparently was not the norm in Edna’s set of Creole neighbors. Creole in the New Orleans sense means of French descent, and tellingly, Edna is the only one among them who is not Creole.
The descriptions of this summer are heavy with atmosphere and lush, almost sensual. Although barely perceptible on the island, Edna’s awakening affects her behavior after Robert leaves for Mexico and she returns to the city. She is no longer able to lead a conventional life.
Although the novel is considered a feminist classic and was radical for its time, from a modern feminist viewpoint, Edna’s behavior is still defined by her relationship to men. She is awakened by her feelings for Robert, but even in her emancipation her fate is determined by her relationships to men.
What does this book say about wives or about the experience of being a wife?
Even before her awakening, Edna seems bored and disenchanted with marriage, although she perhaps doesn’t know it. She is married to an older man who is both critical and generous, at times controlling, at times neglectful. She loves her children but does not dote on them or even seem to think of them very often. In truth, she seems a lot like my mother, dreamy and abstracted and not very prone to domesticity.
As her foils in the story, she has two opposites. Madame Ratignolle is the personification of motherhood, with a loving relationship with her husband. Mademoiselle Reisz, the musician, lives a meager and bitter existence alone. These two opposites seem to pose extremities of alternative lives for her.
For Edna, marriage is stifling. She attempts to move out of the bounds of marriage and take up a creative life. To do so, she feels she must shed everything pertaining to her previous life.
Related Posts
A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx
Day 1088: The Trespasser
Best Book of the Week!
Tana French’s Dublin Murder Squad series just gets better and better. One thing that makes it stand out is that it doesn’t feature a specific detective. Instead, the main character in each novel was a more minor character in the previous novel.
This novel, like the previous one, features Steve Moran and Antoinette Conway, but The Trespasser is written from the point of view of Conway rather than Moran. She and Moran are in a difficult position on the squad. Moran is a rookie, and Conway thinks that everyone on the squad wants her off. She has been faced with blatant sexism, and some of her cases have been threatened because of missing evidence or messages that have purposefully not been passed on.
Just as she and Moran are getting off shift, the boss sends them on what appears to be a standard domestic violence case. A young woman, Aislinn Murray, has been found dead in her flat, apparently the victim of a beating. Conway and Moran are taken aback because their boss insists that Detective Breslin also be assigned to the case.
Smelling a rat, Conway and Moran begin trying to work the bulk of the case behind Breslin’s back. Although they have an immediate suspect in Rory Fallon, the man Aislinn had a date with that night, he claims Aislinn never opened the door when he arrived. Breslin seems awfully set on focusing on Rory, and Conway catches Breslin discussing her and the case with his partner McCann, in a way that makes her suspicious.
I haven’t always liked French’s recent novels as well as I did her earlier ones, but this one is right up to form. She has created two fascinating characters with the belligerent Conway and her easy-going partner, Moran. The dialogue is really well done, and the conundrum of Aislinn’s life is interesting. This is a gripping novel.
Related Posts
Day 1087: Stormbird
Based on the recommendation of Helen of She Reads Novels, I decided to try Conn Iggulden’s series Wars of the Roses. This period of British history has always been fascinating to me, yet confusing, and I have read several nonfiction books about it, as well as a few stand-alone novels about major players in the wars.
When I picked up what I thought was the first book in the series, Margaret of Anjou, I realized it was the second. So, I had to hurriedly get a copy of Stormbird. This accident assures that I will be reading at least the first two of the series.
The novel begins in 1437. King Henry VI, who is clearly not the warrior his father was, has been ceaselessly praying for an end to the Hundred Years War with France. He commands his spymaster, Derry Brewer, to find a way to a truce.
The agreement made with France is that Henry will marry Margaret of Anjou in exchange for the lands of Anjou and Maine, which Henry’s father won back from the French. At no time does Henry give thought to the countless English families who will be displaced in these two provinces.
The point of view moves from person to person throughout the novel, but no one character is central to the story. Some of these characters are the young Margaret of Anjou; Derry Brewer; the loyal William de la Pole, Earl of Suffolk; Richard Plantagenet, Duke of York; Thomas Woodchurch, a former longbowman who is displaced from his farm by the truce and decides to fight; and Jack Cade, a resentful renegade who leads a band of Kentish men against London. Most of these characters were actual historical people, with the exception of Derry Brewer. At first, I thought this constant shift in point of view would become annoying, but I finally realized it allowed me to get to know those characters better.
Iggulden admits to compressing time, making a period of almost 20 years seem like months. I think he could have just as easily indicated some passing of time, because it is occasionally jarring to think only a few months have passed, only to be brought up short by remarks, for example, that the king and queen have been married for years without issue.
Although most of the books I’ve read agree that toward the end of the wars, anyway, the Yorkists had the better claim to the throne, in this preamble to the wars, the Duke of York is definitely the villain. Although he is in charge of Normandy at the time of the truce, he does nothing to protect the fleeing English from the French armies and actively works to blame his inaction on Suffolk, who does the best he can when he takes over York’s position. I notice that the novel is dedicated to a descendant of John of Gaunt, whose immediate descendants made up the Lancastrian side of the conflict.
Overall, I found the novel quick moving and suspenseful, with interesting characters. I’ll be happy to read the second book in this series.
Related Posts
Day 1086: Lady Cop Makes Trouble
Lady Cop Makes Trouble is the second book in Amy Stewart’s Kopp sisters series, set in pre-World War I New Jersey. Although entertaining, it did not really live up to the energy of the first novel.
Constance Kopp is in limbo in her career with the sheriff’s department in Paterson. Sheriff Heath has wanted to hire her as a deputy ever since the state of New Jersey made it legal to hire women as police. But the sheriff’s office is different, lawyers advise, and until he can hire her as a deputy, he has her working as a matron in the jail.
When a German-speaking inmate claims he needs medical attention, he refuses to describe his symptoms in English. Constance speaks German, so Sheriff Heath has her accompany the deputy and the prisoner to the hospital. When the hospital experiences a blackout, Constance sends the deputy away, claiming she can guard the prisoner, Baron Matthesius, herself. But the Baron escapes.
A law makes the sheriff responsible for escapes, so Sheriff Heath could be imprisoned for Constance’s mistake. Constance is determined to recapture the prisoner.
I didn’t find the plot of this novel as interesting as the last, nor were the characters as vibrant. Like the first novel, this one is based on newspaper clippings from the time. Constance Kopp really existed and had some interesting adventures.
Related Posts
Best Book of the Week!
This week’s Best Book is Everybody’s Fool by Richard Russo!
Day 1085: House of Names
Colm Toíbín has written some unusual novels, and such is House of Names. It is basically the Oresteia, and we can’t expect happy endings from the Ancient Greeks.
The novel begins with Clytemnestra. On his way to the Trojan War, Clytemnestra’s husband, Agamemnon, summons her and her daughter, Iphigenia, telling her that Iphigenia is to marry Achilles. But Agamemnon is lying. Iphigenia is to be sacrificed for the cause of favorable winds that will get the soldiers across the sea to Troy.
Clytemnestra despises Agamemnon for the deception and his readiness to sacrifice their daughter. She vows to murder Agamemnon when he returns from the war. To take command of the kingdom, she allies with Aegisthus, the enemy whom Agamemnon has kept captive for years. But Clytemnestra finds that she is not in charge after all.
Orestes is a boy when Iphigenia was sacrificed, but he sees what happens to her from afar. Returning home, he is imprisoned with the country’s other boys in Clytemnestra’s attempt to intimidate the villagers. But Orestes has been taken prisoner by Aegisthus. Clytemnestra did not intend him to go with the other boys.
And then there is Electra.
Beautifully written like all of Toíbín’s work, this novel is an interesting interpretation of an old legend, based on the plays by Aeschylus, Sophocles, and Euripedes. It is eerie and harrowing.
Related Posts
Day 1084: Dictator
Dictator is the final volume in Robert Harris’s trilogy about the great Roman statesman, Cicero. This trilogy has truly been spell-binding.
The novel begins in dark times for Cicero, when he and his family are hounded out of Rome by Julius Caesar, his greatest enemy. Cicero was made to look ridiculous in Colleen McCullough’s series about Caesar, but Harris sees him differently, as a man staunchly in support of the dying Republic. On the other hand, McCullough pictured Caesar much more sympathetically, while Harris shows him as a man run mad with the desire for power.
For me, this novel flagged just a little bit in the middle, while momentous events in Rome are described from afar. I think my reaction is partly because I thought I knew what happened to Cicero and was dreading it. But I actually didn’t know my Roman history that well, so I was a little bit off. In any case, the novel picks right up as soon as Cicero rejoins the action.
Robert Harris is rapidly becoming one of my favorite historical novelists. He writes a good, tight political thriller based on true events. I am already looking for his most recent novel.
Related Posts
Day 1083: Everybody’s Fool
Best Book of the Week!
I don’t think I am the only one to be delighted when I learned that Richard Russo was returning to the familiar ground of North Bath, New York, and Sully, of Nobody’s Fool. Sully has been diagnosed with a heart condition and has less than two years to live unless he undergoes a procedure he’s been avoiding. This situation leads him to consider a little more deeply some fundamental questions.
Sully’s friend Rab has felt a change in their relationship since Sully came into money. They no longer work together, and Rab feels that Sully neglects him. Rab is ridiculously dependent on him.
Sully is concerned for Ruth, his long-time lover, and her daughter, Janey. Janey’s abusive ex-husband is back in town, fresh out of jail.
A major character of the novel is Douglas Raymer. Once the rookie who waved his gun at Sully for driving on the sidewalk, Raymer is now the chief of police. He has always been obsessively self-conscious and unsure of himself. His self-esteem has not been improved by finding out on the day of his beloved wife Becka’s death that she was leaving him for someone else. The problem is, he doesn’t know who, but he has found the remote for someone else’s garage door under the seat of Becka’s car.
Raymer is already considering quitting his job when he begins one of the worst days of his life. While attending the funeral of a judge, he passes out from the heat and falls into the grave. Later he realizes that he must have dropped the remote, which he planned to use to find Becka’s lover, in the grave.
Russo is great at creating flawed but lovable and believable characters, and he specializes in settings of beaten-down working class towns in the rust belt. He also doesn’t flinch from pushing his characters to the heights of absurdity, in a sort of tongue-in-cheek style. Sometimes he goes too far with this, but other times it works perfectly to produce a serio-comic effect. This is one of those times. Empire Falls remains my favorite Russo novel, but this one is right up there.
