This week’s Best Book is Rush Oh! by Shirley Barrett!
Day 965: Strange Company
I read about half of Strange Company but decided not to finish it. It just wasn’t the book for me. I thought it might be interesting because it is about Native Americans during the Civil War.
Roderick “Dhu” Walker is a member of a group of the Cherokee Nation called the Pins, for pins they wear under their lapels. They are traditional Cherokees on the side of the Union who begged the government to protect them from the Confederates under the terms of their treaty. The government did nothing, though, and the Confederacy has forced the Pins to fight on its side.
Before a battle in Missouri, some of the Pins decide not to fight but instead to kill Confederate soldiers during the battle. Dhu kills a couple men but mostly because they get in his way while he’s trying to escape. Later, though, he is captured by the Confederates as a deserter.
As a prisoner, Dhu is teamed up with a Union soldier and forced to fight him at the instigation of Captain Gordon Early. This amusement is only stopped by the intervention of the Colonel. When the Union soldier, Ben Lacey, tells Dhu that Early is off to escort a load of gold from Mexico, Dhu talks Ben into escaping with the idea that, along with some other Cherokees, they’ll intercept the shipment.
The novel moves along fast enough but does little else. There seems to be no idea of characterization. Sentences are short and choppy. Although the writing is grammatical, it is not polished by any means. Any metaphors are clichés. In short, the novel is not very good. If you are interested in reading a Western, you’ll be much better off with one of the “Related Posts” at the bottom of this post.
Disclosure: This eBook was sent to me by the publisher in exchange for an honest review.
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Day 964: The Girl Who Kicked the Hornet’s Nest
I did an odd thing here. I saw that the third book of the Millennium Series was out in a graphic novel by Denise Mina, the terrific Scottish mystery writer, so I ordered it without looking for the other two (which I have since bought). So, I am reading and reviewing them out of order.
Thrust like this into the last volume and having not read the original books for several years, I had difficulty at first getting oriented. I especially had some problems with the multitude of characters, not realizing a cast of minor characters appears at the end. I remembered the general plot but not all the subplots. Still, this is not a problem for those who have read the series from the beginning.
Of course, the plot is the finale of the story of Lisbeth Salander, unjustly accused of murder of three people and of attempted murder of her own father, Zala. It is up to Mikael Blomkvist and the staff of Millennium Magazine as well as her other friends to try to help gather the evidence for her trial. In the meantime, the police are searching for her half-brother Niedermann, the scary murderer who can feel no pain.
The art and story line of this graphic novel are really fine, getting a bulky novel right down to its essence. This is the first time I’ve read the graphic novel for a book I’m already familiar with, and it made me contrast the two. I think the one thing a graphic novel loses is all sense of the original’s climactic moments. In particular, I’m thinking of two scenes: the one during the trial when Lisbeth finally speaks and the fight in the factory. The fight boils down several pages of suspenseful writing into a couple of frames. There’s no way to build up suspense similar to that of the novel. Still, my dabbling in this genre has made me feel it is an interesting one as long as I stay away from super heroes, which really bore me.
Related Posts
Day 963: The Trouble with Goats and Sheep
Mrs. Creasy has disappeared, and the neighborhood is worried. Ten-year-old Gracie and her best friend Tilly decide that if they find God, he will help them find Mrs. Creasy. The neighbors are concerned because nine years ago, some of them did a horrible thing. People talk to Mrs. Creasy, and they are afraid she has found out.
Walter Bishop is the neighborhood outcast. The neighbors have wanted to drive Walter out of the neighborhood since they decided he did something wrong. As the novel alternates between following Gracie and the other neighbors, we finally learn what happened nine years before.
Although I was interested enough in this novel to finish it, I had some problems with it. The first was with the portions that Gracie narrates in first person. Some of these sections do not sound like a ten-year-old. Although at times the two girls are convincingly naive, sometimes Gracie shows a sense of irony that a ten-year-old wouldn’t have. I have taught college level, and trust me, even most college freshmen don’t understand irony. There is an interesting discussion of the problems of using child narrators in this issue of Tea or Books? I also found it unlikely that Gracie, who comes from a family that is not at all religious, would suddenly decide that God is the answer.
I felt at times that I was being clubbed over the head with the novel’s message and at other times manipulated, as the characters’ secrets are revealed. I like the idea behind this novel, about what happens when a man is persecuted because he is a little odd, but I had some problems with its execution. So, this one is a maybe for me.
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Day 962: The Red Queen
The Red Queen is a novel split in two. The first half is a narrative written by the ghost of an actual 18th century Korean princess, Lady Hyegyŏng. The second half follows a modern British academic, Dr. Barbara Halliwell.
“Lady Hong” relates her difficult life as the girl chosen at the age of nine to be the bride of Crown Prince Sado. This role is already a perilous one, and she and her parents are terrified. It is made more terrifying, though, by the fraught relations between Prince Sado and his demanding father King Yŏngjo.
When it slowly becomes apparent that Prince Sado is mentally disturbed and somewhat dangerous, his wife’s life becomes even more one of stress and fear. The princess’s story eventually builds to the climax of her husband’s horrible death.
The Crown Princess’s story is interrupted occasionally by the comments of her ghost, who provides an acrid note informed by writings of thinkers like Voltaire and Freud. Obviously, this ghost has been doing a little reading since she died. I found these interjections odd, but they did little to disturb the flow of what was a fascinating story.
Then I got to Barbara’s half of the book. Barbara has received the princess’s memoirs anonymously and takes them along with her on a trip to an academic conference in South Korea. The ghost makes clear that she sees Barbara as a host whose purpose is to extend her legacy. Barbara is fascinated by the memoir and goes to visit some of the settings of the princess’s life, but she is also engaging in an affair with a famous Dutch sociologist who is the keynote speaker for the conference.
Here is where I thought the narrative broke down. Despite the occasional presence of the ghost and some similarities of taste and experience between Barbara and the ghost, I felt that there was only a flimsy connection between the two halves of the novel. And I wasn’t really interested in Barbara and her fascination with Jan Van Jost.
Additionally, the second half is narrated by some sort of pixie-like guardian angels who have no apparent role. What’s wrong with third-person limited? She’s writing in that anyway with an occasional lapse into second person plural. This seems like a pointless device that becomes even more wink-wink when Drabble introduces herself as a minor character. So, with a little sleight-of-hand, the novel becomes postmodern, but it does not contain any of the cleverness of technique and approach of other postmodern novels I’ve read. This novel is introduced as a tragicomedy, but I didn’t find it comic. Whimsical, perhaps, ironic, certainly.
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Day 961: Rush Oh!
Best Book of the Week!
Perhaps I am harping on this subject, but yet again a distinctive authorial voice has made for an outstanding novel. In this case, the voice is that of Mary Davidson, the 18-year-old daughter of a whaler in 1908, Eden, Australia. Mary is relating the events of the year from a distance of 30 years later.
At that time, some of the whaling in Australia was done from shore, the whalers rowing out to chase the whales. In this activity, the whalers of Eden were assisted by, amazingly, a group of killer whales, who behaved more or less like really rough sheepdogs, herding and battering the other whales. In the novel, the leader of the killer whales, Tom, summons the whalers when whales are in the bay by smacking his tail loudly, and the whalers at times attempt to call the killer whales by smacking their oars.
The story begins with the arrival of a young man hoping for a seat in one of the boats. He is John Beck, reputed to be an ex-Methodist minister. Beck very soon seems to be courting Mary, although he is inconsistent in his attentions. Also, there are some indications that he has not been strictly truthful about his past.
Mary’s father George is short on men and had a very bad whaling season the year before, when they caught not a single whale. Although George “Fearless” Davidson (an actual historical person) is highly esteemed in the region, the financial situation is dire, and he must accept this totally inexperienced man onto his second boat.
The novel is peppered with rampaging whaling scenes and descriptions of the whaling life. It is written in a sprightly, witty, and engaging tone that reflects the personality of naive young Mary. Although it documents a disappearing way of life, it is wonderfully entertaining, and I loved every minute of it.
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Best Book of the Week!
This week’s Best Book is The Perpetual Curate by Margaret Oliphant!
Day 960: Silence for the Dead
Kitty Weekes has been living a catch-as-catch-can life ever since she fled from her abusive father four years before. To support herself and hide from her father, she has taken on several different identities the past years. Now she has forged credentials as a nurse to get herself a job at Portis House, an asylum on the coast of England.
When Kitty arrives at the isolated mansion, separated from the village by a bridge, Matron sees through her right away. But the hospital is understaffed, so Matron keeps Kitty on probation. The mansion was once beautiful but now it is forbidding, with sealed off areas that are crumbling. The patients are all ex-servicemen suffering from shell shock, depression, and other conditions related to the war. The routines of the place seem unnecessarily severe and the budget too limited. Then there is the mysterious Patient 16, whom only a few people are allowed to see.
Kitty soon finds herself working harder and longer hours than she was contracted for. But she also feels something is wrong. There are certain places around the house that don’t feel right. One night she sees a bare-chested man walking around when all the patients are accounted for. Another time when she is outside the house, she sees a unknown woman and when she goes to investigate, is knocked down.
Then she meets Patient 16 and is shocked to find he is Jack Yates, a hero of the war. Some information she gains from a previous nurse makes her wonder what happened to the family that owned the house, who simply vanished. When she and Jack begin exchanging information, they realize something strange is going on.
Silence for the Dead is another supernatural suspense novel from Simone St. James. It is quite good at developing an atmosphere of foreboding. Kitty is a plucky heroine, and this is another enjoyable light read from St. James.
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Day 959: The Perpetual Curate
Best Book of the Week!
After the failure of Mr. Proctor in The Rector, the new rector, Mr. Morgan, has arrived to take charge of Carlingford Church. But he is almost immediately offended by the activities of the Perpetual Curate of St. Roque’s. Failing any leadership from the first two rectors but with their permission, the young Perpetual Curate has established a place of worship and a school in the poor area of what Mr. Morgan views as his own district. Now the curate refuses to give up these activities.
If you’ve read any of the earlier books in the Chronicles of Carlingford, you’ve had glimpses of the Perpetual Curate, Frank Wentworth, coming and going from the green door on Grange Lane, where the Wodehouses live. He and Miss Wodehouse have been working together on their charities, and he and Lucy Wodehouse are innocently in love. This love remains unspoken, for a Perpetual Curate cannot afford to marry.
The curate’s poor but apparently blissful and blameless life is first disturbed by the arrival of his aunts, just before Easter. His aunts have the gift of a living to bestow, which if given to Frank Wentworth would allow him to marry, and it will soon be available. But the commanding Miss Leonora Wentworth has religious views that are much more stern than Frank Wentworth’s, and he knows she will disapprove of the lilies on the altar and the surplice he wears in conducting his services. Frank’s adoring yet foolish (and irritating) Aunt Dora has supposed that Miss Leonora will be swayed in Frank’s favor if they attend his Easter service, but Frank knows it will not work that way, and it doesn’t.
Then Frank is suddenly besieged on all sides. Miss Wodehouse has asked him to secretly take in a lodger, a man who seems to be disreputable. Talk has just begun about this when Frank makes the mistake of escorting Rosa Elsworthy, the shopkeeper’s niece, down Grange Lane to her home one evening. Her foolish aunt and uncle make too much of this, even though he tells them sharply not to let her walk around alone at night. Then he is called home unexpectedly to try to talk his older brother Gerald out of resigning his post and turning to Rome.
This novel has some of the most endearing characters I have encountered so far in Oliphant’s work. Frank Wentworth at first believes naively that, having lived and worked blamelessly in Carlingford for years, people will understand his character, which is charitable and upright. But as circumstances build against him, even his friends have moments of doubt.
As a secondary plot, we occasionally visit Mrs. Morgan. She has waited ten years to marry Mr. Morgan and is disappointed to find him capable of pettiness and malice in regard to Frank Wentworth.
I just loved this novel. Mrs. Oliphant is able to create great suspense over a conjunction of trivial incidents that make Frank Wentworth look guilty of misbehavior. She introduces characters who are lovable, funny, and irritating, some all at the same time. This is another great novel from Mrs. Oliphant.
Related Posts
The Rector and The Doctor’s Family
Passages in the Life of Mrs. Margaret Maitland, of Sunnyside
Day 958: Merivel: A Man of His Time
It wasn’t until I started reading Merivel for my Walter Scott prize project that I realized it was a sequel to Rose Tremain’s better-known novel Restoration. I hadn’t read Restoration in 20 years, but I decided not to reread it first. I only remembered that it was about a doctor who got caught up in the debaucheries of the court of Charles II.
Merivel is a picaresque novel, like its predecessor. In its bawdy exuberance, it reminds me a bit of Tom Jones or Tristam Shandy. It begins in 1683, when Robert Merivel is living alone on his estate, an older man suffering from melancholy. His young daughter Margaret spends much of her time with the neighbors, who have four daughters. He is lonely and feels his life has had little purpose. He discovers his original manuscript (presumably the text of Restoration), which he refers to as the Wedge, but he doesn’t have the energy to read it.
On a whim, he decides that since Margaret is going on a trip with her friends to Cornwall, he will journey to the court of Louis XIV in Versailles and offer his services as a physician. To do this, he gets a letter of introduction from Charles II.
It is difficult to describe the plot of this novel. It doesn’t have a central concern except the feeling of its hero of having accomplished nothing. Merivel has many adventures, including falling in love with a woman he meets at Versailles and dueling with her husband, but they are all related in a semi-comic, mocking manner. Merivel, who seems ready to fall into every folly, is a sort of hapless anti-hero who hasn’t grown up much from the first novel.
Behind the scenes, we see that England is faltering. The poor are getting poorer as the court indulges itself. Merivel, who remains aware of the plight of others, can’t help observing that Charles II seems to feel no responsibility for this. Although this novel is not one of my favorites on the Walter Scott Prize short list, it certainly seems to reflect the time period in which it is set.
What? Me Read? 