Review 2672: Night Watch

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This novel begins in 1874 with ConaLee, a thirteen-year-old girl in a wagon with her mother and a man she calls Papa. Her mother had twins three months before and has not been able to care for herself since, nor does she speak. On the journey, Papa tells ConaLee that he is not her father, that he has given away his children by her mother and sold everything. He is taking her mother to an asylum, where she is to say her mother is called Miss Janet and she is her servant. He drops them off at the gate and goes on, and they do what he tells them, only her mother soon begins to speak and care for herself.

Returning to 1864, we follow ConaLee’s father, a Union sharpshooter in the Civil War. He has hidden his family, his pregnant wife Eliza and the woman he considers his mother, Dearhbla, as high up on the West Virginia ridges as he can, hoping to keep them out of the war. He has been gone three years, but in the Wilderness battle, he is injured so badly by an explosion that he loses an eye and part of his brain—and his memory. Thus, when the war ends, he does not return home. And his family is left prey to Papa.

This novel contains quite a few mighty coincidences. One that gives nothing away is that Dearhbla, an Irish wise woman with second sight, travels to the hospital in Alexandria because she knows her son is there. They will not let her in because of an epidemic, so she gives the name he took when he went to war—for all of them are fugitives. But no one of that name is there, so she leaves. All the while, he is watching her from the window, with no idea that he knows her.

Despite the coincidences, I found this novel absolutely enthralling. It captures the chaos during and after war, the fear that doesn’t stop just because the war does. It is altogether a compelling story. I read it for my Pulitzer Prize project.

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Review 2671: The Hazelbourne Ladies Motorcycle and Flying Club

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Constance Haverhill has an uncertain future post-World War I. She and her mother helped out her mother’s school friend, Lady Mercer, for years, and she took them in after the death of Constance’s father, a farmer. However, now that her mother has died, Lady Mercer has made it clear there is no place for her. She is giving her the summer as a companion to her mother, Mrs. Fog, who is recovering from serious illness at a seaside resort. A problem is that, with the end of the war, young men are returning to the work force, so young women are losing their jobs.

In the lobby of the hotel, Constance encounters Poppy Wirral, who runs her own business transporting people around the seaside town in the sidecars of motorcycles. She has ridden there to meet her mother, Lady Wirral, for lunch, but she has forgotten to bring proper dress. Constance ends up lending her a skirt, and Poppy invites her to lunch with her mother and brother, Harris, an ex-RAF pilot who lost a leg in the war.

It’s obvious from the beginning where the relationship between Constance and Harris will go, although there are impediments. Most of the novel is about the remaining effects of the war, particularly upon women and disabled soldiers. Harris, for example, tries to get work as a flight instructor and failing that, a promised job in his late father’s bank, but everyone just assumes he can take up the job of running his estate. But the estate needs money. Poppy has been employing only women motorcyclists in her transport business, but then she is told that a new law by the labor board will require her to employ only men. Constance, although she ran the Mercer estate during the war, faces sex discrimination and worse when she tries to find a job as an accountant or bookkeeper.

Of course, the problem with all this is the predictable romantic finish. It’s all very well to write a book protesting the problems of women trying to make a living, but that message is undercut somewhat when the heroine’s problems are all going to be solved by marriage. (I don’t think this is going to be a surprise for anyone, so I didn’t warn about spoilers.) I commented on this same thought in a recent review of a contemporary novel from the same period.

Another theme is snobbishness and racism, as embodied by Lady Mercer and her daughter’s fiancé, an American named Percival Allerton. It was actually hard for me to imagine that a man in the diplomatic services would behave the way he does. Part of this theme involves Mrs. Fog’s reunion with old school friends, Mathilde de Champney and her brother Simon. Mrs. Fog’s family has repeatedly separated her from them, as they are of mixed blood.

Another thread in this theme concerns Mr. Pendra, an Indian representative of one of the states of India, whom Constance and the Wirrals befriend.

My final criticism hints around at a spoiler. Harris’s and Constance’s insipient romance is disturbed by the intervention of a spiteful character. However, this problem is resolved in about two pages, and then (spoiler, really!) Constance gets to run into his arms for that blissful finish. Only if it was me, after what happened, he’d have a lot more ‘splainin’ to do.

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Review 2670: Doorstoppers in December! The Deepening Stream (and Holiday Greetings!)

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Merry Christmas, everyone! This isn’t exactly a festive entry, but I have a real treat here in my one contribution to Doorstoppers in December. Although I had already read one book by Dorothy Canfield Fisher and thought it was far ahead of its time, The Deepening Stream was captivating.

This novel follows the life of its protagonist Matey from her first memories of childhood to the end of World War I. Apparently, the novel parallels Canfield Fisher’s own life, with the difference that Matey is a more ordinary person, according to the Introduction, than Canfield Fisher was, an everywoman.

Matey Gilbert and her sister Priscilla and brother Francis grow up affected by the state of their parents’ marriage, in which there is a continual state of one-upmanship. Matey’s father is a Midwestern college professor whose “company manners” are entertaining and charismatic and, Matey believes, false. But whatever his wife’s current interests are, he trivializes them, and his moods rule the household.

As a young teenager, Matey lives a year in Paris with the Vinets while her father is on sabbatical. (They always go to France because of her father’s field of study, where her mother cannot speak the language. A painful memory is the trip they took to the Netherlands, where her mother could speak but her father could not, and the fuss he made about it.) There she learns about a different kind of home life and a different way of conducting her own life. Used to running wild with little supervision, she sees that she is behind the Vinet children, who are younger, and begins taking her schoolwork and piano lessons seriously. She also feels at home.

Priscilla, whom Matey as a child believes is fearless, eventually copes with their home situation by making herself too busy to notice things, and this becomes a habit that continues to adulthood and keeps her from developing. Francis copes by treating everything as unimportant. Matey takes much longer to process her parents’ relationship, and it affects her throughout her life. However, when her father dies unexpectedly of an untreated wound, she is the only one to see that there was more to their parents’ relationship than they understood.

After her parents’ deaths, Matey learns that she has relatives on her mothers’ side that she has never heard of, because her parents never returned to her mother’s home after they were married and never talked about them. Matey has received a small bequest from her Cousin Constance, and when she goes to Rustdorf to inquire about it, she remembers her cousin’s home from when she stayed there as a child. At the bank, she meets Adrian Fort, a young distant cousin brought up as a Quaker who has just returned from Paris, where he has had to admit he’s failed as an artist and will join his father at the savings bank. He will become her husband, their relationship a close one. But she first has to learn how to be close to anyone.

With the advent of World War I, despite the U. S. neutrality, she and Adrian decide they want to go to Europe—Adrian to be an ambulance driver and Matey to use her legacy to help the Vinets and others who need it. Their friends and family are incredulous when they decide to take their two young children. Most of the rest of the book is about the struggles and conditions of World War I.

This is an absolutely fascinating novel. There were a few pages toward the beginning of the novel when Canfield Fisher was writing about the importance of play to children (childhood development being one of her interests) when I got a little bored, but after that, I was completely captured by the novel. It explores the intricacies of marital and other personal relationships, the influence of upbringing on children, the effects of war on humans, our responsibilities to others, and other issues that Matey thinks through, and it does all this without seeming weighty.

This is a terrific and thoughtful novel. It also is on my Classics Club list, so it serves two purposes. Three, really, because it is so, so good.

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Wanderlust Bingo: I Guess I Get a C

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I didn’t actually participate in the Wanderlust Bingo Card challenge. In fact, I haven’t really gotten the point of the bingo card challenges. However, FictionFan put her card up last week showing how she had filled it out pretty well without attempting the challenge. Actually, she got all of them. So, I decided to try it myself. Unfortunately, I found that although I had many choices for some of the entries and several for others, as far as I can remember the settings of all the books I read, this year I had none for several locations.

Here’s how my card came out:

Here are my books:

As you can see, the spaces that are missing are

  • Subcontinent
  • Central America
  • Caribbean

Maybe I’ll do better next year.

Review 2669: Dean Street December! The Musgraves

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My last selection for Dean Street December is The Musgraves by D. E. Stevenson. It’s a little inconsequential compared to some of her others but makes a pleasant read nonetheless.

Esther Musgrave married a much older man when she was quite young, and her biggest regret of that time was that she was unable to befriend his son Walter, who was only a few years younger than herself. Despite her efforts, he was jealous and sulky, and when Charles tried to call him to order, he left university and disappeared. Charles died years later without hearing from him again.

Now two of Esther’s daughters are grown, and the other one has just finished school. Margaret is happily married to Bernard, a solicitor. Rose is dreamy and affectionate. Only Delia, the oldest daughter, poses a problem. She has very little to do and resents being asked to help out. At Bernard’s suggestion, Esther has moved off the family estate because she can’t afford to keep it up. Now Bernard is trying to sell it. Esther is happy in her small house, but Delia constantly complains about it. Delia’s only interest is in the local drama club, and she has fought for the lead in the upcoming play, but now she’s having trouble learning her lines.

A new resident has moved into the neighborhood, Eulalie Winter. Delia befriends her and becomes jealous of her, so much so that Esther feels she should not call on her. Bernard says he recognizes her as the companion of a wealthy woman who died, leaving her all her money. Her appearance and name are changed, but Bernard thinks she’s the same woman he met on a cruise with the old lady.

Rose, quite naïve, has met a young man in the woods by the abbey. Young, maybe, but a lot older than she is. He has been working on her sympathies and has convinced her not to tell her mother about their meetings.

And Walter comes to call! He has come to England on business from South Africa and says he regrets the pain he caused everyone.

Esther herself is a bit silly and ineffectual, a big worrier. But everyone in the family is going to experience a change.

I liked this one, but I didn’t really get pulled into it or feel affection for any of the characters. Still, I wanted to know what happened.

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Review 2668: The Pale Horse

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When an elderly priest is summoned to a woman’s deathbed, she tells him about some wickedness. We readers aren’t told what it is but that she has a list of names. When the priest leaves the deathbed to walk home, he is attacked and killed and his pockets rifled. But because he has a hole in his pocket, he put the list of names in his shoe, so it ends up in the hands of Inspector Lejeune.

Mark Easterbrooke is out one night when he witnesses an altercation between two women, one of them Tommy Tuckerton. A few days later he sees an announcement of her death. Later, a girl he knows makes a strange reference to a place called The Pale Horse, and when he visits a friend, he learns it is the name of the home of two old ladies, supposedly witches. One of them claims the other can predict who is going to die.

Mark begins to put together some odd ideas, which he discusses with Inspector Lejeune, and there he learns of the list. He can identify three names on it, all of whom are of dead people, including Tommy Tuckerton, who had been an heiress, and Lady Hesketh-Dubois, his own godmother. He begins to believe that a murder-for-hire scheme is afoot, and he enlists a friend, Ginger Corrigan, to pretend to be his ex-wife, who wishes he was dead.

This is a pretty far-fetched but entertaining story—and it was perfect for the season when I read it in October. Christie fooled me completely on the identity of the mastermind behind the plot.

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Review 2667: Dean Street December! Cecil

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Through about 20 years’ time, Lady Anne Guthrie becomes more and more concerned about the relationship between her husband’s much younger stepbrother, Cecil, and Cecil’s mother, Lady Guthrie. Anne’s husband Charlie was already an adult when his elderly father married Edythe, who was very young. They had only one child, and Lady Guthrie, who plays the invalid card, does everything to keep her son with her, saying he is too nervous to be sent to school, keeping him out of university, and opposing his proposed career as a diplomat. This novel is set in the late 19th century, seemingly for no apparent reason, perhaps because the events later in the novel are more believable then.

Anne, who finds Lady Guthrie tiresome, thinks her decisions are misguided, but Charlie’s cousin Nealie thinks Edythe is more selfish than misguided. As Cecil grows to an adult, it becomes obvious that his mother will do anything to prevent his marriage, but Cecil sees only the sacrifice she has made to live with his frequently ill father and raise him virtually on her own.

Charlie and Anne try to help Cecil, whom they are fond of, but the events of the novel become darker as it proceeds. This is a terrific character study of a “delicate” woman who uses her health and close relationship with her son to manipulate him. I found it very involving.

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Review 2666: Classics Club Spin Result! ‘Tis Pity She’s a Whore

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I have to admit I picked this play for my Classics Club list because knowledge of the plot was a major clue in the first Midsomer book, The Killings at Badger’s Drift. A clue that I missed.

John Ford was a playwright in the Jacobean and Caroline eras. Really nothing is known about him, and although I took a graduate course in drama that started with Christopher Marlowe and included Jonson, Kidd, Webster, and Tourneur, he was never mentioned. He was a famous playwright during the reign of Charles I, and his plays usually deal with the tension between passion and the laws of society. ‘Tis Pity She’s a Whore is his best-known play, and despite its subject matter, it is regarded as a classic of English literature.

And this is truly a gruesome play, with few redeeming characters. The drama is around a situation that evolves immediately in Act I. Arabella is a beauty of Parma who is courted by several noblemen. But it is Giovanni, her own brother, who wins her, and their relationship is consummated at the end of Act I. Spicy stuff!

Arabella is being courted by Soranto, but he has his own drama. He once seduced Hippolyta with promises of marriage if her husband died. Her husband now lost and believed to be dead, her reputation is ruined for nothing, because Soranto has dropped her. When she confronts him, he calls her a few bad names. She wants her revenge, and Vasquez, Soranto’s Iago-like servant, pretends to be sympathetic only to learn her plans.

As could be expected but apparently isn’t, Arabella finds herself in a situation where she has to get married. She reluctantly agrees to marry Soranto.

Interestingly, we seem to be expected to sympathize with Arabella and Giovanni. Certainly, there aren’t any other nicer characters. The Cardinal favors a Roman nobleman after he murders a man, and the Priest, who has been Giovanni’s confidante, runs away when things get dicey. Arabella’s governess apparently sees nothing wrong in her having an affair with her brother.

No one goes unpunished, but the fate of the women is much more gruesome than that of the men.

I thought the play was surprisingly readable and went very quickly. It doesn’t have beautiful speeches like Shakespeare, but it is partially in verse. I am sure its audiences found it very exciting.

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Review 2665: Dean Street December! The Coldstone

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Here’s an old-fashioned mystery/suspense novel that has everything—an ancient secret, rumors of buried treasure, a curse, a possible ghost, and a romance. What more could you want?

When Anthony Colstone unexpectedly inherits Stonegate, he is asked to promise never to move or disturb a ring of standing stones (well, just two of them) in one of his fields. But offered no explanation, Anthony refuses to promise, and of course this request makes him curious about the stones.

One of the first things he does when he arrives is to go look at the stones, about which everyone in the village is suspiciously close-mouthed. He has to plunge through a hedge to see them, and while he is there, he notices a stranger staring at him with a hostile expression.

Anthony is referred for information to his benefactor’s elderly daughters, Miss Agatha and Miss Arabel, but they simply hint at dreadful things and refer him to Susan Bowyer, at more than one hundred, the oldest resident of the village. He doesn’t learn much from her, but he meets her great-granddaughter, Susan, down from London for a visit, and is much struck. We like both Susans immediately but know the younger one has some kind of relationship with the strange man Anthony saw in the field.

Anthony’s first night in the house is disturbed by a feeling that someone else besides the servants is in the house, too. He goes down to the library and is knocked over the head but not before he sees what appears to be the portrait of one of his female ancestors moving her arm. We learn that he saw Susan, and her gasp prevented two housebreakers from breaking his leg.

Anthony awakens in a different room with his head in a woman’s lap, but when he regains consciousness, she runs away. He knows it was Susan, though, because he has noticed her resemblance to the portrait. From her, he learns of a secret passageway between Susan Bowyer’s house and his. He also hears confusing rumors of fire and devils under the altar stone of the standing stones.

What is going on? Certainly, a man named Garry has copied a key to the house and is breaking in. But isn’t the secret hidden out in the field?

This novel turns out to be lots of fun, and it doesn’t fall into the cliché of having Anthony doubt Susan when he realizes she knows Garry.

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