Day 550: The Invisible Woman: The Story of Charles Dickens and Nelly Ternan

~ whatmeread ~ 12 Comments

Cover for The Invisible WomanThe Invisible Woman is the interesting story of the relationship between Charles Dickens and Ellen Ternan, the true nature of which is still being debated. Although Dickens’ reputation was jealously guarded by himself during his life and by his friends and family after his death, Claire Tomalin shows convincing evidence that the two had an affair during the last 13 years of his life.

They met when Nelly was just 18 and he was at the height of his fame at 45. She and her mother and two sisters were struggling, hard working but respectable actresses, or as respectable as actresses could be during the Victorian era. It is possible that Dickens at first thought he had latched onto a bird of a different feather as he befriended the family.

Although Nelly was excited by the attention of such a famous man, it seems clear that she succumbed to him only reluctantly. He offered her a chance at a life free from the worries of poverty but one in which she could not be a member of society.

This is a fascinating story, particularly because of the lengths Dickens went to protect his own image even while shedding his wife Catherine in a cruelly public way and telling lies about it. The actions of his sister-in-law at this time toward her own sister seem almost inexplicable. Also interesting is how Nelly managed to reinvent herself after Dickens’ death.

This book is an engrossing, well written, carefully researched account of events in Dickens’ life that were hidden for years. Only a few years ago I read another biography of Dickens that glossed over this friendship, alternately suggesting that it was perfectly innocent and that Nelly was a gold digger while never actually committing itself about the nature of the relationship. Although there were rumors even at the time of the affair, the cover-up was so pervasive that details are still being uncovered.

Day 549: Classics Club Spin #6! Herland

~ whatmeread ~ 13 Comments

Cover for HerlandHerland is the novel chosen for me from my Classics List by the Classics Club Spin #6!

******

I guess most of my reaction to Herland is based on a dislike of utopian fiction, which seems to be more than ordinarily didactic. I like the occasional dystopian novel, but in my experience the dystopian writers are a bit more subtle about their lessons. Or in the case of Margaret Atwood’s Maddaddam trilogy, if not subtler, funnier. I chose this novel for my list just because I thought I had never read it and I was trying to make sure I selected quite a few notable works by women.

Vandyck Jennings, Jeff Margrave, and Terry Nicholson are traveling when they hear of a land of only women and female children. They hear that men are not welcomed, so of course, they decide to go there. The land is isolated at the top of an unclimbable mountain, but the three fly up in Terry’s plane. There they are taken prisoner by the women, who educate them in their customs before allowing them to mix freely with the inhabitants. It is this education and subsequent discussions that make up the bulk of the novel.

These women have been isolated for thousands of years and began to reproduce asexually through parthenogenesis. Their world is a garden, perfectly peaceful, with no disease or strife. Although two of the men are sympathetic characters (the third is a first-class chauvinist), the implicit message is somewhat misandrist—that women can get along perfectly well, better really, without men.

The book is funny at times, as these bewildered males take in the lessons of Herland. The funniest scene is after the men marry, and Van is trying to get his wife Ellador to understand the pleasures of having sex more often than when she’s scheduled to reproduce. But most of the charm the novel has is overridden for me by its didacticism, even while I believe Gilman brings up some important issues.

Development of character is not something Gilman is very interested in for this novel. The men all have distinct but pretty much one-dimensional personalities, and the women are virtually indistinguishable except for older versus younger. Science and psychology must have been hot topics at the time (1912), because terms from both are thrown around quite a bit. Unfortunately, there is also an implicit advocacy for some of the theories of eugenics.

What I was most interested in was what happened to Ellador after she and Van escort the exiled Terry out of the country. But Gilman doesn’t say.

In Gilman’s time, many of the ideas that don’t seem so revolutionary now—like the need of all people to have a sense of purpose and the idea that subordination results in stunted humans—were probably revelatory and maybe even shocking. Some of them still are. Gilman certainly deserves to be read, but I prefer some of her other works, notably The Yellow Wallpaper.

Day 548: The Good Lord Bird

~ whatmeread ~ 8 Comments

Cover for The Good Lord BirdBest Book of the Week!
Henry “Onion” Shackleford is a boy working with his father in a barber shop when John Brown and his followers ride into town. He relates his story many years later when he is more than 100 years old.

Henry and his father are African-American slaves living in the Kansas Territory near Laurence, a hotbed during the Border Wars, referred to as Bleeding Kansas. Brown has come to help the Free Staters, those who want Kansas to be free of slavery. But Brown’s ultimate goal is to rid the country of slavery, and he doesn’t care how he does it. In the resulting fight, Henry’s father is killed, and Brown “frees” Henry by kidnapping him.

Because, as Henry points out several times in his narrative, John Brown sees only what he wants to see, he mistakes Henry in his potato sack clothing for a girl. From then on, Henry is a girl as far as Brown’s followers are concerned, and Brown calls him Onion.

What follows is an an account of the deeds of John Brown, leading up to the assault on Harper’s Ferry. This tale is often cynical or ironic, boundlessly energetic, irreverent, and funny as well as touching. Brown is depicted as a sort of half-crazed, raggedy zealot, who is capable of stopping midway across a stream while being pursued by his enemies to pray for half an hour. Only his son Owen is brave enough to interrupt him and try to get him on his way.

Onion and other slaves they encounter are reluctant to be freed, afraid they’re going to end up in hotter water than they started. They have some cause. Onion, in fact, is almost always planning how he’ll escape the group and does so several times. But he always ends up back with Brown. His adventures lead him to residence in a whorehouse, a visit with Frederick Douglass (who gets drunk and tries to seduce “Henrietta”), and a more impressive meeting with Harriet Tubman in Canada. All the while, Brown attempts to “hive the Negroes” to revolt at the appropriate time.

The wonder is that with all this poking fun, McBride somehow manages to make us care deeply for John Brown and to honor his place as a trigger for the Civil War. This is an unusual novel—highly entertaining yet also deeply serious.

Day 547: Signed Confessions

~ whatmeread ~ Leave a comment

Cover for Signed ConfessionsI confess to only having read about half of the stories in Signed Confessions, which was not to my taste. The main characters in the first few stories are all unlikable men who have committed acts for which they desire forgiveness.

After his gay son’s suicide, an implacable attorney regrets how he treated his boy. He remembers an earlier time when as a young boy, he was cruel to a bereaved schoolmate and found how that cruelty gave him power. Another man deserts his family and then spends his time making up stories to tell in support groups.

These two stories are written in a virile style that seems like an imitation of writers like Philip Roth and Norman Mailer. The third comes from another genre—that of dark Jewish comedy. A Jewish man who plagiarizes insults ala Don Rickles to be funny is suddenly gripped with remorse and tries to beg forgiveness of some of his victims. I will admit that the results are a bit humorous.

Walker ties the first few stories together by giving a character in one story some characteristic that you can recognize and then bringing him in as an unnamed character in another story. In one case, the attorney of the first story throws legal terms into regular conversation, as does a member of a support group in the second story. My problem was that I couldn’t imagine a lawyer actually talking that way, especially one who was son of a lawyer. It seems more likely the behavior of someone who has taken one or two law courses.

In general, the stories are written in uninspired prose and show no signs of subtlety. The fourth story, “Ode to Billy Jeff,” is a little more thoughtful than the others. Nevertheless, I chose not to finish the collection.

A disclaimer here: I received this book from from the author in exchange for an honest review.

Day 546: Boy, Snow, Bird

~ whatmeread ~ 4 Comments

Cover to Boy, Snow, BirdI find it fascinating when someone takes a well-known story and puts a wildly creative spin on it. Such is the case with Boy, Snow, Bird, Helen Oyeyemi’s re-imagining of the story of Snow White.

The story begins in the 1950’s with Boy Novak. Boy flees to a small town in New England to escape her verbally and physically abusive father. Although Boy is a strikingly beautiful icy blonde, she has no sense of herself, so much so that when she looks in a mirror, she sometimes cannot see herself.

Boy meets Arturo Whitman, a widower with a little girl named Snow. Although Boy believes she loves someone else, she marries Arturo. It is not until she has her own dark-skinned daughter, whom she names Bird at Snow’s suggestion, that she learns she has married into an African-American family passing for white.

Boy is appalled to learn that Arturo has a sister, Clara, whom she has never met. Arturo’s mother Olivia sent Clara away as a child because her features were too African-American.

Boy is also worried about Snow, a beauty who has always been fawned over by her family for her pale skin. Boy sees something hidden in Snow and begins to fear for Bird. Finally, she has Arturo send Snow away to live with Clara.

Bird takes up the story at the age of fourteen. She shares her mother’s problems with mirrors. She is a bright, lively girl who is intensely curious about her sister Snow. Soon she begins a correspondence with Snow. When Boy, Snow, and Bird are finally reunited and other secrets emerge, they are forced to explore the differences between appearance and reality.

The setting of this novel during the beginnings of the Civil Rights movement adds dimension to this truly original novel. It is also beautifully written. I felt it slowed down a little in the section where Snow and Bird are corresponding, but it was otherwise absorbing. Although the novel has a realistic setting, it harks back to its fairy tale beginning through dreams, a few hallucinatory moments, and the symbolism of the mirror.

 

Day 545: Twelfth Night

~ whatmeread ~ 1 Comment

Cover for Twelfth NightFans of the Lady Julia Grey mystery series will probably enjoy this novella, which seems as if it was written for Christmas even though published in June. It is a simple little holiday story, a bagatelle.

The Marches, Lady Julia’s family, have gathered together during the holidays to celebrate Twelfth Night. Every decade the family itself performs the Revels, which are attended by the countryside around. During the rehearsals, an abandoned baby is found in the stables.

Lady Julia’s father asks her husband Brisbane to try to find the mother, but Brisbane’s initial inquiries turn up nothing. Lady Julia has heard her young niece and nephew buzzing about a witch living in an abandoned cottage, and then Lady Julia catches her niece Perdita sneaking out at night to see the witch.

http://www.netgalley.comThis short piece doesn’t involve much of a mystery, but it is always enjoyable to spend time with Julia and Brisbane.

Day 544: Death in Venice

~ whatmeread ~ 3 Comments

Cover for Death in VeniceGustave Aschenbach is a renowned author who has devoted his life to intellectual pursuits and his art. He leads an orderly life, conscientiously applying himself to his work.

One day when he is feeling over-taxed, he goes out for a walk and spots a red-haired man dressed as a traveler. Although the man appears to view him with disdain, at the sight of him Aschenbach is suddenly possessed with the desire to travel.

After stopping a few days on an island in the Adriatic, he decides to go to Venice. The city is gray and unwelcoming. The air is miasmic, and he wonders if he should have come. Then at the hotel he sees a beautiful boy. At first he simply enjoys looking at him, but eventually he becomes erotically fixated.

In writing this novella, Mann wanted to examine the relationship between art and the mind, a life of the senses and a life of intellect. At first, Aschenbach tries to rationalize his obsession by philosophizing about it. Mann makes many allusions to Greek mythology and calls the boy’s beauty godlike. But Aschenbach is lead inexorably into mental degradation. On the boat to Venice he was repelled by an older man, hair dyed and face rouged, who was traveling with a bunch of students. By the end of the novella, he has become that man.

While respecting the merits of the novella, I found Aschenbach’s obsessions and rationalizations repulsive, but I believe that is what Mann intended. In many ways, the story has similarities to Nabokov’s Lolita. However, while Nabokov’s language was beautiful enough to make me somehow grasp what Humbert Humbert felt, Mann’s was written with a different intent, I think.

Day 543: The Royal Succession

~ whatmeread ~ 2 Comments

Cover for The Royal SuccessionThe recently married Queen Clémence of France is already a widow and expecting a child at the beginning of this fourth book of The Accursed Kings series, The Royal Succession. Her husband Louis X reigned for only 18 months and in that short time managed to create chaos in France and impoverish the country.

Louis’ older brother, Philippe of Poitiers, is occupied in Lyons with the problem of the election of a pope when he hears of his brother’s death. The cardinals seem to be hopelessly deadlocked, and France wants a pope who will be friendly to its interests. Philippe is caught between his desire to finish his mission and his ambition to be appointed regent to the unborn child. Finally, he locks all the cardinals inside the Church of the Jacobins, telling them they will not be freed until they elect a pope. Then he rides to Paris to claim the regency.

Philippe is unaware that he has come into power with the help of his mother-in-law Mahaut of Burgundy, who had his older brother poisoned. Hugue de Bouville, the queen’s protector, is keenly aware of the threat to the queen and her child. Later in the novel, his and his wife’s fears cause them to make a fateful decision.

As usual, Robert of Artois is creating as much havoc as possible for his aunt Mahaut. He is supported at a distance by Philippe’s uncle Charles of Valois, who wanted the regency for himself.

Although Guccio Baglioni spends most of the novel locked up with the cardinals, the Cressay brothers bring his wife Marie to Guccio’s uncle in disgrace. They do not believe the couple is married, and in any case won’t accept their sister’s marriage to a merchant. Marie is expecting, so Uncle Spinello Tolomei takes her to a convent. A twist of fate makes her the wet nurse to the baby King Jean.

Druon relates the story of complex politics, venality, chicanery, and outright evil in his usual acid tones. We sympathize with Philippe, who is plainly more able and upright than his brother, but he is already finding that the path to power corrupts, even those with the best intentions. This series continues to be terrific.

 

Day 542: The Burgess Boys

~ whatmeread ~ 10 Comments

Cover for The Burgess BoysBest Book of the Week!
I had an unusual reaction to The Burgess Boys. Part of the way through, I was interested in how it would come out but at the same time wondered if I was liking it. By the end of the novel, though, I found it extremely satisfying.

The novel is about the clearly dysfunctional Burgess family, from a small town in Maine. When the three Burgess children were small, their father was killed in a freakish accident, run over by his own car rolling down the hilly driveway. All three kids were inside the car, and four-year-old Bob was behind the wheel when their mother came out to find their father dead. Mild-mannered Bob has carried this burden all his life, dealing with ridicule from his brother Jim and dislike from his twin sister Susan.

Jim and Bob long ago left Maine for New York City. But they are called back by a distraught Susan. Her son Zach has committed the inexplicable act of throwing a pig’s head into a mosque during Ramadan. Although Susan shows a good deal of ignorance about the local Somali population, the family cannot comprehend Zach’s action. He is a quiet misfit teenager, confused and pathetic, who has no friends. Unhappy especially since his father left for Sweden, he nevertheless does not seem to be angry or have any strong feelings at all except for being plainly terrified by the trouble he is in. He has a reason for his actions that is generally clueless, but it takes awhile for the family to discover it.

A former hotshot lawyer in Maine and famous for having won a high-profile case, Jim is the person Susan is relying on. Zach goes in to the police station to confess to the crime, and it seems as if the case will be handled quietly, but the civil liberties groups get involved and soon there is an uproar. When Jim’s grandstanding at a political event does more harm than good, Zach is charged with a hate crime.

As Jim takes charge while Bob tries to calm and comfort, the dynamics within the family emerge. At the same time, we learn a little about the terrified, disoriented Somali community. During the initial hearings, shopkeeper Abdikarim glimpses the true Zach and tries to help him.

As for the characters, I heartily disliked the person that everyone else admires. I think Strout intended that, and part of my satisfaction with the novel is about how that turns out.

Strout’s rich, detailed exposition is matched by her empathy for all her characters. Although I disliked some of them, they are complex and deeply human. This apparently simple story wisely examines the dynamics of guilt, family tensions, social isolation, and blind political correctness.

Life in the small Maine town seems gray and dismal at first, brightened only by the fall foliage and the hues of Somali garments. Jim and Bob have fled, and Susan and Zach are unhappy. There is little employment or hope for the residents. By the end of the novel, everyone has a little more hope.