Day 167: City of Shadows

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Cover for City of ShadowsAlthough I have read and liked books from Ariana Franklin’s “Mistress of the Art of Death” mystery series, I think that City of Shadows, a stand-alone thriller about a different period, is particularly good. On a side note, I am sorry to hear that Ariana Franklin has died, so we will never learn what her plans were for the characters in her series.

Esther Solomonova is a mysterious scarred woman who works for the phony Russian prince and nightclub owner Nick Potrovskov in 1920’s Berlin. However, the book begins a step before we get to Esther, when a woman is being chased through the streets of Berlin and dives into a canal to get away. Nick hears that this woman, Anna Anderson, is claiming to be Grand Duchess Anastasia of the murdered Romanov family, so he decides to take her under his wing in the hopes of getting a share of the Tsar’s fortune that has been left in England.

Anna is in an asylum, and the inmates claim that every six weeks a man lurks outside, trying to get a chance to murder her. After Nick removes her from the asylum, people begin dying. Only Detective Schmidt pays attention to Esther’s theory that someone is trying to kill Anna, since the only evidence is the testimony of insane people.

Franklin does a convincing job of mixing the true story of Anna Anderson with the completely fictional murder plot. She evokes a real sense of the chaotic, anarchic, starving Berlin in the time in which Hitler is coming to power.

Day 166: We, The Drowned

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Cover for We, The DrownedBest Book of the Week!

We, The Drowned is an unusual novel by Danish writer Carsten Jensen that has become an international best seller. It relates the history of the author’s home town, the port of Marstal, Denmark, from 1848 to 1945. Although it picks principal characters to follow during these times, large portions of the novel are written in the first person plural, as though the entire town is the Greek chorus in a play. The novel follows the fate of the town as it rises to become a major shipping port to its near demise just before and during World War II.

The narrative style of the novel feels like a series of seafaring tales. Ships sink, sailors are never seen again, but the townsmen of Marstal continue to be lured out to sea. We follow them as the Danes go to war with Germany in the mid-19th century and the men of Marstal wonder why they are fighting men they traded with the week before. In this conflict, Laurids Madsen is shot upward from an exploding ship and lands again on his feet, unharmed, creating a legend about his boots.

Years later, his son Albert travels the South Pacific looking for his father, who went to sea when Albert was four and never returned. He finds him with a second family in Samoa.

As an old man retired from a prosperous career as a sea captain, Albert befriends a young boy, Knut Erik Friis, whose widowed young mother does everything she can to keep her son from going to sea. When she gains some economic power in the community, she undercuts the town’s shipping industry in an attempt to keep all the young men home.

These stories and many more, ending with Knut Erik’s experiences during World War II, tell the rich tales of the lives in this seafaring town. Although I was initially a little put off by the narrative style, I found myself barely able to put down this book.

Day 165: Alexandria

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Cover for AlexandriaFor years I avidly collected all of Lindsey Davis’s Didius Falco mysteries. My passion has cooled a bit, as it usually does for series mysteries, but I still enjoy them enough to pick them up when I find them.

Marcus Didius Falco is a cynical, rascally, wisecracking “informer” during the Roman Empire of Vespasian. I have followed his path from the first book when he met Helena Justina, the fiery, unconventional daughter of a senator. Falco has had to work his way up from the plebeian rank and earn enough money so that he can legally be permitted to marry her.

In Alexandria, the 19th novel in this series, Falco and Helena Justina have been married for awhile when they travel to Alexandria with their two daughters, their adopted teenage daughter, and their mongrel dog for a vacation and visit to his uncle. Almost immediately upon arrival Falco is plunged into an investigation when his uncle’s dinner guest of the night before, Theon, the head of the famed library, is found dead, locked in his own office.

Of course, Falco has to figure out how Theon was murdered and why. He soon finds that several of the library’s scholars may want Theon’s job. Of course, people begin dropping like flies, including a philosophy student who is mauled by a crocodile. Falco begins to suspect that something else might be going on.

Davis’s books always involve a multitude of interesting, shifty characters and lots of dirty politics and other shenanigans, and Falco is always engaging and amusing. Davis does a convincing job of re-creating the ancient world in her books.

If you are interested in this series, I recommend that you start with the first book, Silver Pigs (recently renamed The Silver Pigs). Although the mysteries are stand-alone, developments in Falco’s personal life make it more enjoyable if you read this series in order.

Day 164: The Bone Garden

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Cover for The Bone GardenThe Bone Garden is one of Tess Gerritsen’s Risoli and Isles series, but Isles only appears briefly, so it is more of a stand-alone mystery.

The novel takes place in two time periods. In the present day Julia Hamill has just purchased a 130-year-old house when she discovers an old skull in the overgrown garden. Medical examiner Maura Isles determines that the victim, a woman, was murdered long ago. Julia becomes fascinated with a box of newspaper clippings and letters that hold the key to the mystery.

In 1830’s Boston, Norris Marshall has joined the “resurrectionists,” grave robbers, in an effort to pay for his medical education. After a nurse and a doctor are murdered on the university hospital grounds, Norris finds he is a suspect. He seeks help from another student, Oliver Wendell Holmes.

I have only read a few Risoli and Isles books. I thought this one was passable, but I didn’t like it as well as others I have read. The attempt at 1830’s dialogue is awkward and painful to read, and in this case I didn’t see any reason to use a real historical person in the novel when a fictional one would have done just as well.

Day 163: Ghostwritten

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Cover for GhostwrittenBest Book of the Week!

Ghostwritten, one of David Mitchell’s earlier books, is about the nature of fate and the strange interconnections between people and events in the modern world. In this unusual novel, Mitchell illustrates his points through the narrations of nine different characters, who at first seem only vaguely connected.

The novel begins with the crazed Quasar, a member of a religious cult who has fled to Okinawa after placing poisonous bombs in the Tokyo subway. As his sect falls apart, he waits for word and instructions from his leader, His Serendipity.

In Tokyo, Satoru, a teenage employee of a record store, falls in love with a pretty customer. In Hong King, Neal Brose, a financier who has conducted some shady business with a mysterious Russian, is letting his life fall apart after his wife leaves him.

In China, an old lady lives through the various upheavals of the 20th century while she tries to keep her tea shop on a sacred mountain from being destroyed, again. In Mongolia, an entity that can move from one human being to another tries to find out what it is and where it came from.

In Russia, Margarita Latumsky, a woman who has made her way in life by seducing powerful men and has landed a job at the Hermitage, is plotting with her gangster boyfriend to steal a Delacroix. In London, Marco Chance is a drummer, ghostwriter, and womanizer whose day isn’t going very well.

Mo Muntervary is a world-famous physicist who returns home to a remote Irish island after fleeing from the CIA for several months. Her decision to stop running has fateful results. Finally, Bat Segundo is a late-night DJ in New York who begins getting annual phone calls from the mysterious Zookeeper.

As these characters pursue their own activities and thoughts in a way that seems completely organic to their natures, Mitchell slowly and skillfully weaves their stories into a dystopian nightmare that works in actual events from the late 1990’s, when the book was written.

I am continually amazed by Mitchell’s imagination and intellect and his ability to write novels that are completely engrossing. Although not every technique he uses is completely successful–for example, there are real and metaphorical ghosts in the novel (in addition to the entity, whatever it is)–his approaches are all still interesting. Ghostwritten reminds me a bit of one of his later books, Cloud Atlas, which I admire very much.

Day 162: Religion and the Decline of Magic

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Cover for Religion and the Decline of MagicKeith Thomas’s Religion and the Decline of Magic, first published in 1971, is not for the faint-hearted. Thomas is a British historian, and this book is considered an important work because of its then revolutionary combination of research in the fields of history and anthropology.

With that kind of background, you might expect the book to be academic in writing style. It is not, but in fact is actually very accessible and well written. I say it is not for the faint-hearted because of its length and the numerous examples of every point, expected for an academic text but a little rough on the casual reader. These examples are mostly interesting; it is the number of them illustrating every point that threatens to become tedious. The book is 800-900 pages long, depending upon the edition, and nearly half of it is devoted to notes, additional explanations, and references. And truth be told, I was reading the electronic version so could not judge my progress, but it felt like I was reading a lot more than, say, 500 pages. (I did not read the back matter.)

Thomas concentrates upon the history of magic in England from roughly 1500 to 1700, tracing the changes in how the different types of “magic” are viewed and treated by the common people, the judicial and governmental authorities, and the religious ones. His definition of magic is rather broad, including alchemy–which at the time was considered a science and is now generally regarded as the forerunner to modern science–and astrology–which again was considered a science at the time. I believe his inclusion of these disciplines was because at some time they were also considered magic, at least by the church.

Thomas shows that the Catholic church actually encouraged a belief in magic in some ways–linking the connection between prayer and incantations, for example, and fostering a belief in the efficacy of exorcism–consciously building on pagan beliefs to encourage conversion just as it did when it adopted a slew of pagan holidays and modified them to its own purposes.

The ways in which religious leaders and common folk viewed magic, then, changed radically with the Protestant Reformation. Protestant clerics were actually less likely to, for example, attempt to prosecute witches even though the laws defining witchcraft and the penalties against it were prone to fluctuate between more strict or more lenient over time. On the other hand, prosecutions of witches that originated with demands by the common people–who initially were not inclined to fear witchcraft but had to be taught to do it–became more common and more hysterical as the Protestants increased their preaching against it.

Thomas’s premise is that the ultimate decline in witchcraft as a concern of the public and the powers of justice was a result of the Enlightenment–the increasing number of truly scientific studies and the assumption that everything can be understood in terms of science–and ultimately the increase in technology that eventually became the industrial revolution.

This book can be an absorbing study for those who are interested in the subject. I made a good-faith effort to finish it but found that I eventually was unable to cope with the myriad of examples of every point. I skipped maybe 50-100 pages to the conclusions, but when I found the same technique employed there too, I finally gave myself permission to quit. I found the writing style interesting and even dryly witty, but overall the intent of the work was too scholarly for my total enjoyment as a more casual reader.

Day 161: Peony in Love

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Cover for Peony in LoveI’ll start out right away by saying that after reading the touching and engrossing Snow Flower and the Secret Fan, I was disappointed by Lisa See’s Peony in Love. The innocuous description on the back of the book gives you no warning of the subject of the novel. I think that is unfortunate, because not very many readers of See’s other books will be prepared for it.

Peony’s sixteenth birthday is approaching. In six months she will “marry out” to the man who has been her fiancé since she was a child, although she only knows his name. She is excited because that night her family will begin hosting an epic opera by Tang Xianzu that she loves, and the secluded women will be allowed to watch it through a screen.

The story of the opera is important to the novel. It is about a girl who dies for love and haunts her lover until she is eventually brought back to life in honor of her steadfastness.

That evening, Peony peeps out from behind the screen and spots a handsome young man, with whom she falls instantly in love. Later in a brief absence from the performance she encounters him accidentally, and he begs her to meet him the next night. Such behavior is strictly forbidden. She has never been alone with a man outside her family, but she meets him anyway.

I usually try not to give away important plot points, but I will tell you one thing that happens in the first third of the book because I don’t think you can make a fair decision about reading it without knowing. So, this is my spoiler warning. Unfortunately, I don’t see any way to impart my objections without revealing this key plot point.

Convinced that she will be forced to marry a man she does not love even though she doesn’t know who her fiancé is, Peony starves herself to death, like the heroine in the opera. Just before she dies, when it is too late to save her, she finds out that her beloved actually is Ren, her fiancé (a twist that I found predictable). Presumably, she spends the rest of the novel as a ghost. I say presumably because after another 100 pages or so I quit reading.

I was already fed up with Peony because she wastes two opportunities to avoid the misunderstanding that causes her death. As in many movies, a few words could have cleared things up. That is, she and her lover never bother to exchange names. In addition, after the opera, when she is still in the audience, her father introduces her fiancé to the company. She is so convinced he is a stranger that she shuts her eyes. How likely is that?

Peony is already an extremely foolish girl even before she begins starving herself. I continued reading out of interest in Chinese beliefs about the afterlife, but when Peony begins manipulating Ren’s wife, I found this development too distasteful to continue. I regret that I cannot recommend this book, although I am still eager to try other books by Lisa See.

Day 160: A Rule Against Murder

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Cover for A Rule Against MurderI am going to read Louise Penny’s latest soon, so in preparation I thought I’d review an earlier Inspector Gamache book, A Rule Against Murder. Inspector Gamache and his wife Reine-Marie are celebrating their anniversary at the remote but luxurious Manoir Bellechasse. The only other guests are the strange Finney family, there for a reunion. They intend to erect a statue on the grounds of the resort to the family patriarch, who is deceased. The Finneys are wealthy and privileged but treat each other and others with disdain.

Julia Martin, daughter of the family matriarch, Irene Finney, is attending the reunion for the first time in years, after her husband has been disgraced and imprisoned following a financial scandal. She is in the midst of divorcing him. The older brother is spiteful and his wife seems insecure. Gamache is surprised to find that “Spot” and his wife Claire, for whom the family has been waiting, are actually his friends from Three Pines, Peter and Clara Morrow. Unfortunately, Peter seems to revert to bad behavior under the family’s influence. The only pleasant member of the family is Irene’s second husband.

One night after a terrible storm they find Julia’s body, which has been crushed by the statue of her father. Gamache and his team must find out who murdered her, but they also must figure out how the huge statue could even have been moved.

As usual, I find Penny’s novels atmospheric and well written. Penny also creates believable and interesting characters. I am looking forward to reading her next book.