Day 127: Hush

Cover for HushI have read a few Kate White mysteries, but this one was disappointing. The heroine of Hush, Lake Warren, is a shallow, stupid woman who is so afraid she will lose her children in a custody battle that she lies to everyone all the way through the book, even when it doesn’t seem necessary. She is so stupid that even though she has been told to be careful about her behavior while custody is in question, she can’t resist having a one-night stand with a doctor she’s been flirting with at work. Afterwards, she falls asleep on his terrace, only to return to find he’s been murdered.

Her fears about drawing attention to herself extend to the point of ridiculousness. She doesn’t report that her cat was drugged and all its hair shaved off, that she has been receiving sinister calls, or that a man attacked her with a knife. Even when she finally finds someone she can trust, she never tells him what is really going on.

In the course of investigating the murder herself, she uncovers corruption at the doctor’s fertility clinic. Even an idiot would be about five steps ahead of her all the way. I used to enjoy the TV series “Sex and the City,” but this book reminds me of that sort of vapidity that often appears in chick lit, without the great script. A predictable, even annoying novel.

Day 126: Dombey and Son

Cover for Dombey and SonI recently re-read Dombey and Son after not having read it in so long that I could not remember its plot. The novel is Charles Dickens’s tale about Paul Dombey, a wealthy, cold, self-important man who cares only about his son, not about his wife or his gentle, loving daughter Florence. His wife dies in childbirth, and his son Paul is weak and often ill, but Paul and Florence have a loving relationship. When Florence is kidnapped as a child, she is rescued by Walter Gay, a young employee of Dombey. Dombey ships him off to Barbados to get him away from Florence, but Walter’s ship is lost and he is presumed drowned.

With Walter gone, Florence has only her brother Paul for her friend. Then Paul dies, and her father even resents Florence for the love his son had for her, which he did not give to his father.

Dombey meets a beautiful widow, Edith Granger. She is a cold, haughty but impoverished woman, and Dombey essentially “buys” her by marrying her. She despises Dombey for his pride and herself for having married him for his money. The only person she is kind to is Florence, which provides more fuel for Dombey’s dislike of his own daughter. His attempts to subdue his wife end in her disgracing him as best she is able by running away to Dijon with Mr. Carker, one of Dombey’s rivals. When Florence attempts to offer sympathy, Dombey strikes her and she leaves the house, friendless and destitute.

Although the novel is not critically accepted as one of Dickens’s major works, it is still enjoyable. It is full of vibrant characters–mostly those of good will but also some villains–and it is gripping to the end. Some critics have noticed a change in the novel that takes place with the death of the young Paul, believing that having the colorless Florence and the unlikable Dombey as the main characters is not enough to carry the story forward. The absence of Walter and his uncle through much of the book is also thought to be a problem. However, the novel has all of the Dickens hallmarks–social commentary, comic absurdity, realism, pathos, and transformation. Dombey and Sons was written before most of Dickens’s real masterpieces like Bleak House or David Copperfield, but it certainly shows the movement from his lighter, shorter works toward the qualities of his more major works.

Day 125: Arcadia

Cover for ArcadiaAfter reading Lauren Groff’s first book, The Monsters of Templeton, I was expecting something totally different, something perhaps more sinister. But Arcadia is a quiet and thoughtful novel. It is the story of Bit, the first child born in a group of a couple dozen hippies who are following a charismatic musician named Handy–essentially a bunch of groupies–during the 1970s. They are also idealists who want to create a utopian commune where they can support themselves entirely from their own efforts, living off the land. The book follows the rise and fall of the commune and its aftermath.

The first part of the book takes place when Bit is a young boy. The group has settled on a large estate in upstate New York to found their commune. Bit’s father Abe is a master carpenter and his mother Hannah is a baker and the group historian. We sense that Abe is the parent more fully invested in this way of life, as Hannah does not accept or observe all of the commune’s rules.

Hannah is a golden earth mother type who is active and ebullient in the summer but falls into severe depressions in the winter. One winter, Bit sets himself a test inspired by a fairy tale book he found in the ruins of the property’s mansion house by making himself a bargain to stop speaking until she comes out of her depression. Abe is absorbed with trying to organize the renovation of the house so that everyone will have a warm place to live, since for years they all have been living out of their cars and vans and homemade shacks.

In the second part, Bit is a teenager trying to cope with the disintegration of Arcadia, which is overcrowded with runaways, junkies, and other refugees from outside and having problems with the law. He is also in love with Helle, Handy’s disturbed but beautiful daughter.

The third part takes place a few years into a dystopian future. Everyone has left Arcadia. Bit is a photography professor living in New York City, a single parent mourning the departure of his wife. It is a time of social disintegration because of the forces brought about by climate change, especially a series of pandemics.

The novel is the work of a vivid imagination, as Groff is able to fully realize what it would be like to grow up completely cut off from the world, learning mores that are different from those of society, and how that would affect the rest of a person’s life. The novel’s biggest weakness is in having too many characters to get to know them well, especially in the middle section, where Bit’s teenage friends all sort of blur into each other. I found the tale interesting but at times slow moving, somewhat meditative, which I believe is intentional.

Day 124: Whose Body?

Cover for Whose BodyIt has been years since I read Whose Body? by the British writer from the Golden Age of Mysteries, Dorothy L. Sayers. Unfortunately, as soon as I saw the murderer’s name, I remembered who did it, so I was not able to judge how difficult it was to guess.

Mr. Thipps finds an unidentified body in his bathtub wearing nothing but a pair of pince-nez. The body bears a resemblance to a missing financier, but it is not him. Who is the dead man and how did the body get into the tub? Where is the missing financier? Is this one case or two? Of course, the police suspect Mr. Thipps. After Mr. Thipps’s mother asks him to help, Lord Peter Wimsey gets interested in the case and decides to find the answer to these questions in his inimitable way.

As always, Sayers is fine in characterization, much better than many of her Golden Age peers. Lord Peter is his usual apparently frivolous self. He and his man Bunter are fun. Lord Peter’s mother, the Dowager Duchess, is adorably ditzy. The plot is clever. However, as with many early mystery novels, it is overcomplicated and very unlikely. For people who haven’t read any Lord Peter books, I recommend Murder Must Advertise as a better starting place.

As a total side note, the cover I’m showing is not the one for the book I read, but is just one I found on Amazon. It occurs to me, why would they show the body of a woman when the victim is a man? This disconnect in publishing is always a mystery to me. One peek at the first few pages would have told the artist the sex of the body.

Day 123: The Judgment of Paris

Cover for The Judgment of ParisThe Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism is Ross King’s account of the art and politics of the decade beginning in 1863 and ending in 1874 with the first Impressionist show. The book follows the lives and careers of several significant French artists in the years leading up to the introduction of what was eventually called “Impressionism.”

At that time in France, artists were taught that the proper subjects for art were scenes from history, mythology, or the Bible. The “best” paintings observed the minutest of details, colors were muted, and the surface of the painting was smooth so that brush marks could not be distinguished.

Although the book touches upon the careers of many artists, in particular it follows the fortunes of two–Ernest Meissonier, who was considered one of the greatest artists of his time and was certainly the highest paid, and Edouard Manet, an unofficial representative for the younger painters. Meissonier progressed from painting small, very detailed scenes from the 17th or 18th Century of “goodfellows” in ordinary domestic scenes, such as playing chess or smoking, to huge  historical paintings, several of events in Napoleon’s career. The younger painters were more interested in depicting scenes from modern life. At that time they were called Realists, not for their painting style but for their subject matter.

The book begins with the preparations for the Paris Salon of 1863. The Salon was the most important art show of its time, almost essential to getting an artist’s work viewed. King explains how changes in the rules affecting how the jury was selected resulted in most of the landscape painters and those with less traditional approaches being shut out of the show. So many artists were excluded and the outcry was so great that Emperor Louis-Napoleon authorized a second exhibition called the Salon des Refusés to show the paintings refused by the jury. Ross continues on from there to show how the new art moved slowly from the scorn and derision of the artistic community to acceptance and admiration. I was particularly surprised to find that the first place this new way of looking at the world was accepted was not France, but the United States.

King’s explication of the prejudices and politics surrounding the evolution of new approaches to painting is extremely interesting, as is his corollary discussion of the reign of Napoleon III, the disastrous Franco-Prussian War, and the subsequent shifts in the government of France, and how all this had its effect on the acceptance of the new art.

Day 122: The Tudor Secret

The Tudor SecretI have heard about C. W. Gortner before, but The Tudor Secret is the first book of his I have read. My overall impression is that the book reflects some knowledge of Tudor times and some research, but is generally on the light side, with a fairly predictable plot.

Brendan Prescott is a servant of the powerful Dudley family, a foundling who has been mistreated by the Dudleys all of his life. He is surprised when he is removed from the stables and given training as a body servant. He is dismayed when he is sent to court to wait on the cruel Robert Dudley.

He is almost immediately thrust into dangerous circumstances as he tries to help the Princess Elizabeth see her dying brother, King Edward. Edward’s regent Northumberland, Robert’s father, is trying to keep everyone away from the king.

Elizabeth is in contention for the throne against her half-sister Mary. But Northumberland is trying to manipulate his daughter-in-law, Lady Jane Grey, and his son Lord Guildford Dudley, onto the throne. Soon, Brendan finds himself spying for William Cecil to help Princess Elizabeth.

Although the Tudor era was a turbulent time, involving much intrigue and a lot of paranoia, I felt that some of the plots suggested in the book were absurd, such as Northumberland poisoning Edward so that he can put himself on the throne. I understand from reading one of the reviews on Amazon that this was an early book by Gortner and not up to his usual level, so perhaps I will try another.

Day 121: Gone Girl

Cover for Gone GirlBest Book of the Week!

A lot of people are reading Gone Girl by Gillian Flynn, and no wonder! Usually, I would wait awhile to present another Flynn book after just having reviewed one last week, but I couldn’t wait to do this one! If you like dark, twisted plots, and great psychological thrillers with a smidgen of evil humor, this is the book for you.

Nick and Amy Dunne are having some marriage problems. When they met, they were both cool young Manhattanites. He was a magazine journalist and she a quiz writer and the model for a series of Amazing Amy children’s books written by her psychologist parents. Five years later, they have both lost their jobs and moved to a dying small town in Missouri to help his mother take care of his ailing father. With the rest of Amy’s money, Nick has bought a bar to keep himself and his twin sister Go busy. Their relationship has been deteriorating ever since.

On their fifth wedding anniversary, Amy disappears, leaving evidence of violence. Of course, Nick is the police’s prime suspect, and it doesn’t help that he hasn’t been altogether truthful with them. The public, galvanized by the Amazing Amy connection, almost immediately turns against him. The investigation turns up money problems and worse. Secrets are flushed out.

Most of the first part of the novel is narrated alternately by Nick and by diary entries written by Amy. Amy seems disingenuous and appealing, almost giddy, reminding me sometimes of Bridget Jones. Nick commits many lies of omission. Here’s a hint. Both Nick and Amy are liars.

Just when we think we know what’s next, the plot twists. The book is completely engrossing and very darkly funny, suspenseful and chilling. Think psychopath, but guessing who that person may be is just one of the book’s pleasures. In the reviews, I’ve seen several comparisons to Patricia Highsmith, and I think that’s about right.

Day 120: Tigana

Cover for TiganaI decided to try a book by Guy Gavriel Kay because I read somewhere that he is a great historical novelist who disguises his books as fantasy. I read another book a long time ago but more recently picked up Tigana. Each of his books seems to have the setting and atmosphere of a different medieval European country, although they are set on other worlds. In this case, the country is Italy.

On a peninsula made up of nine provinces, the provinces have been conquered and divided up between two tyrant sorcerors, Brandin of Ygrath and Alberico of Barbadior. During one of the last battles, Brandin’s son was killed by Tiganian soldiers. As revenge, Brandin had the Tiganian prince’s family killed and cast a spell so that no one except those born in Tigana can remember its name. That is, I think, an interesting and original idea that has far-reaching effects.

Years later, a young singer named Devin falls in with a group of wandering musicians and learns from them that he is from Tigana, although he cannot remember, as his father took him away as a child. The group, lead by Alessan, the last prince of Tigana’s royal house, has been waging psychological warfare to free the province from both tyrants and revive the name of Tigana.

These novels are well written and rich in detail. Unlike Kay’s most famous work, The Fionavar Tapestry, which seems immature at times, it is more fully realized and mature.