Review 2481: Memorial

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Benson is a young Black gay man living in Houston with his Japanese boyfriend Mike. When Mike’s mother is due to arrive for a visit for the first time in years, Mike tells Benson that his father is dying and he’s going to Osaka to be with him, leaving his mother with Benson, who has never met her before.

While Benson navigates the situation with Mitsuko, Mike’s mother, he also considers his relationship with Mike, which has been deteriorating lately. For his part, Mike must work through his resentment that his father deserted him and his mother when he was a teen. That, and Eiju’s general prickliness.

This novel explores the difficulties both men have had with their families and their relationships with each other. Each man also tentatively begins getting to know another gay young man.

Although this novel is supposed to be funny, the humor went right over my head. I found it perceptive and sometimes touching, although I am not a fan of explicit sex scenes. I read it for my James Tait Black project.

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A Century of Books: How Am I Doing? September Report

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In January, I foolishly decided to join Simon Thomas’s Century of Book Challenge, even though I knew that reading 100 books, one for each year in a century, from 1925-2024, would be tough because last year I only read 169. So, how am I doing?

Here are the holes in my project with the books listed for this month below. If you want to see the details, see my Century of Books page.

  • 1925-1934: entries needed for 1928, 1929, and 1931
  • 1935-1944: entry needed for 1939
  • 1945-1954: entries needed for 1945, 1948, 1949, and 1950
  • 1955-1964: entries needed for all years except 1956, 1958, 1959, 1961, and 1962
  • 1965-1974: entries needed for 1967, 1969, 1971, and 1973
  • 1975-1984: entries needed for all years except 1975, 1976, 1978, and 1983
  • 1985-1994: entries needed for all years except 1987, 1988, 1989, and 1992
  • 1995–2004: entries needed for all years except 1998, 1999, and 2004
  • 2005-2014: entries needed for all years except 2009, 2010, 2012, and 2014
  • 2015-2024: complete!

Since August 28, I read the following books:

  • Maitland: Scenes from Scottish Life by Margaret Oliphant from 1851 (too early for this project)
  • Germinal by Émile Zola from 1885 (too early)
  • Dead Ernest by Alice Tilton from 1944
  • The Chateau by William Maxwell from 1961
  • Passenger to Frankfurt by Agatha Christie from 1970
  • Fifth Business by Robertson Davies from 1970
  • Charity Girl by Georgette Heyer from 1970
  • Tropical Issue by Dorothy Dunnett from 1983
  • Death of a Hollow Man by Caroline Graham from 1989
  • I’m Not Your Eve by Devika Ponnambalam from 2022
  • The Dark Wives by Ann Cleeves from 2024

Review 2480: Glory

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I tried really hard to finish this book, as it is on my Booker Prize project list. I read more than half the book, but it was really not for me. Despite raves by critics, for me it was a DNF.

The novel fairly straightforwardly covers the recent history of Zimbabwe, beginning with the overthrow of Robert Mugabe but then going back in time to show the beginning of his reign of terror. The twist is that all the characters are animals. Everyone is giving the nod to Animal Farm, but Bulawayo credits a cultural background of using talking animals in stories. Both novels are satires and deal with the use of language, though.

Although using animals as characters does nothing for me, I also felt as if it did nothing for the book except make the characters emblematic—hence, undeveloped and one-sided. What was worse for me was being subjected to so much political and religious speech. The first chapter is 30 pages long and consists almost entirely of one speech after another lauding the Father of the Nation, known as Old Horse, on the occasion of the anniversary of the revolution.

In the next chapter we learn that Dr. Sweet Mother, his wife, intends to take the position from him. Only there is a coup by the vice president, Tuvius Delight Shasha, and at least in the next 200 pages, we never hear from her again.

Next, there is supposed to be a free and fair election, so everyone gets excited, but you can guess how that turns out.

I quit because the plot finally seemed to be moving a little with the return of a goat named Destiny who has been missing for 10 years, but then we got yet another chapter where the different views of the election are aired. I just couldn’t take it. I wasn’t enjoying one word.

This is going to be a book you either love or hate, although in glancing at some reviews, I was astonished to see a five-star review by a person who only read 50 pages and then blamed her dislike on herself. At 400 pages, this novel is extremely repetitive, going over and over the same tropes, sometimes repeating a word or phrase many times for emphasis, and using the word “tholukuthi,” which is a word for emphasis, sometimes several times in the same sentence.

The characters have no depth and there is no real character development. There are lots and lots of political speeches and sermons.

This novel is deemed important because of its look in the recent history of Zimbabwe. Maybe it would have been too difficult to read with people as characters, but it would have been much more readable and relatable for me.

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Review 2479: Classics Club Spin Result! Merkland

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I have read and enjoyed all of Margaret Oliphant’s Carlingford series as well as her first novel and one other. Merkland (which has different subtitles depending on where I look at it: in my eBook it says “A Story of Scottish Life” and in my hardcopy it says “or, Self-Sacrifice”) is her second novel and shows her inexperience. I read it for my Classics Club Spin.

Although the main character of the novel is Anne Ross, it has two plots concerning the fates of two disgraced young men. At the opening of the novel, Anne learns from her unsympathetic stepmother not only that her older brother Norman Rutherford, long believed dead, may be alive, but that he is believed to be the murderer of Arthur Aytoun, who was found shot to death 18 years before. Anne is horrified when she learns that her great friend, Mrs. Catherine Douglas, has invited this man’s daughter, Alice, to stay with her, for she thinks Alice must hate her family.

Mrs. Catherine, for her part, is facing a dilemma. She has unexpectedly inherited some money and, being already wealthy herself, had intended to give it to hard-working but poor young James Aytoun, Alice’s brother. However, two old friends have come to her to ask for help for Archie Sutherland, the young local laird, who has fallen in with bad companions and is badly in debt. She decides in Archie’s favor, but before she can send him the money, he loses his entire estate gambling.

Mrs. Catherine sets about rescuing Archie by bringing him home to recover and arranging honest employment where he might eventually earn enough to buy back his heritage.

For her part, Anne discovers a letter that indicates Norman may be innocent of the crime even though the circumstantial evidence against him is strong. She makes it her goal to try to clear her brother’s name, especially important because Alice Aytoun has fallen in love with Anne’s young stepbrother, Lewis.

So far, so good. Two interesting plots plus other subplots such as the identity of a mysterious child and the fate of Rutherford’s estate in the hands of his dissolute English ex-companions. However, this novel is much longer than it needs to be, containing passage after passage of moralizing and sermonizing. Modern audiences may also be dismayed at its strong message against women’s rights. Further, the novel takes several chapters beyond the crisis to wrap up its loose ends, and by the end I was just skimming the paragraphs trying to finish.

A final note about the edition I read. I dislike reading eBooks, so even though I have Oliphant’s complete works on my iPad, I looked for a paperback version. Drat these print-on-demand books! I ended up with the edition shown above, published by Horse’s Mouth, that had all the evils except that it was corrected for misreadings by machine reading, which I have encountered before. No page numbers, no copyright or any other kind of information except a short biography and a list of other works, no formatting (the text starts at the bottom of page 2). Worst of all, it is only in about 6 pt. type at the largest, when anyone who knows anything about it knows that about the smallest you can go and still be readable is 9 pt.

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Review 2478: Village Story

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Like Buckmaster’s Family Ties, Village Story presents us with lots of characters and we begin slowly to sort them out and differentiate them. Buckmaster, who frequently speaks directly to the reader, states that Mrs. Ethelburger is her heroine, but Mr. Noyce gets more attention.

The novel begins with the Darlingtons because they have the nicest garden in the village, but it’s only their daughter Linda who has a minor role in the story. Linda, we’re told, having been pronounced “gifted” in school, has been spoiled. Hoping to keep her out of trouble, Mrs. Darlington takes her up to the big house in the village, the Noyce’s house, and gets her a job as a housemaid. There, she proceeds to make trouble by telling everyone that Mr. Noyce has been making love to her in the drying cupboard. This is a lie. In fact, Mr. Noyce is hardly even polite to her. But from a 21st century viewpoint, this minor plot is troubling on lots of levels, not least of which is the author’s attitude toward girls’ education. We must try to view it in the context of its time, where these views were not unusual.

Next, we briefly meet Mr. Noyce, who led a cosmopolitan life before settling down in the village on the family estate after his father died. Mrs. Noyce is an artist, one whom Mr. Noyce believes could become great, so he encourages her to keep painting. Even though that’s what she wants to do, her relationship with Mr. Noyce is on edge, and she seems to be rude to everyone. Of course, the village thinks she shirks her household duties.

Mrs. Ethelburger isn’t much interested in household duties, either, and since she has several small children, her house shows it. We’re told she and Mr. Ethelburger love each other, but he isn’t much of a character in the novel, and she is just breaking off an affair with Mr. Browning, a young businessman who lives with his mother. Mrs. Ethelburger used to visit old Mr. Noyce, so one day she wanders onto the property—now much more private—and strikes up a friendship with Mr. Noyce.

Also in the village are the Sparks, the rector and his wife, an elderly couple. He tends to be studious while she has decided to become a Communist without really understanding anything about Communism.

The novel only has the suggestion of a plot, mostly about the party the Noyces decide to have and the fate of the Noyce’s marriage. But somehow Buckmaster ties it all in with the fate of the village itself. I was interested in the story but sometimes couldn’t remember who all the characters (many more than I described) were and wondered where it was going.

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Review 2477: The Time of Women

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In 1950s Soviet Union, Antonina has a child out of wedlock. She is lucky to be allotted a room in a house with three old ladies, making a deal with them to cook and clean if they’ll take care of the baby while she’s at work at the factory. The deal becomes even more important when they realize Suzanna isn’t talking at the right time. They all become terrified that the girl will be institutionalized or at least that Antonina will be forced to take her from one doctor to another.

So, Suzanna stays out of school and the grannies teach her to read and write and even to understand French. She imbibes Russian fairy tales as well as some strange beliefs and superstitions, and the grannies sneak her to church to have her baptized.

All goes well until a man at work, Nicholai, starts paying attention to Antonina. Although they have done nothing but have tea, the union people at work assume they are having an affair and begin pressuring them to get married.

Then the situation turns serious. Antonina has cancer. How will the grannies be able to arrange to keep Suzanna after Antonina dies?

This novel effectively depicts the poor living conditions and the uncertainty of life in Soviet Russia, where the state can become involved in the details of anyone’s private life. The narration moves from person to person, and a lot of action is conveyed in somewhat elliptical dialogue, so I wasn’t always sure what was going on. Dreams and stories are also given a lot of importance.

I found the ending, which is another story, fairly unsatisfying, though.

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Review 2476: Hungry Ghosts

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I feel safe in saying that if I wasn’t reading Hungry Ghosts for my Walter Scott project, I wouldn’t have read it at all. It is absolutely brutal.

In 1940s Trinidad, Krishna lives with his family in the Barracks, run-down ex-military barracks that are leaky and filthy, where five families live in each building, one to a room. Krishna’s father Hans has aspirations for better and insists that Krishna attend school in the village, but there he is mercilessly teased and bullied by other students as well as teachers. Krishna and his cousin Tarak have begun to hang with two twin brothers, Rudra and Rustrum, who have a bad reputation because their father was a murderer.

Hans works for Dalton Changon, a prosperous man. Changon’s wife Marlee has recently noticed some disturbing changes in his behavior—a heightened paranoia and a tendency to hallucinate. Then he disappears during a night when there’s a terrible storm.

Marlee receives a threatening note, so she offers Hans a large amount of money to stay on the property overnight as a guard. He accepts, thinking to save a down payment on a house. However, soon he is involved in a torrid affair with Marlee, not even returning to his home when his wife, Shiveta, is hospitalized for an infected foot.

Meanwhile, Krishna, defending himself from some village boys who try to drown Tarak’s dog, injures Dylan Badree. Because Dylan’s father is a policeman, Krishna is put in jail and is only released after Marlee’s intervention. But the boys’ feud begins to go in evermore dangerous directions.

This book contains graphic descriptions of drowned dogs and murdered dogs and the killing of a rabbit. Everyone in it who seems like a good person either becomes bad or is victimized. The language of the book is impressive, but sometimes Hosein uses such obscure words that it seems pretentious. Hosein certainly describes a vivid world, but it’s not a place I wanted to be in.

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Review 2475: The Killings at Badgers Drift

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Here’s another book that qualifies for RIP XIX!

As such a longtime fan of Midsomer Murders, I decided it was time to have another go at reading the books. I tried reading this one long ago, but I was so disappointed in the character of Sergeant Troy that I didn’t continue.

While Miss Simpson, an elderly ex-schoolteacher, is out in the woods looking for an orchid, she sees something she wishes she hadn’t. Later, she is found dead of an apparent heart attack. However, her friend Miss Bellringer goes to Inspector Barnaby because she thinks there are suspicious circumstances.

In investigating, Barnaby encounters a slew of colorful characters, all with secrets. There is Doctor Lessiter, who mishandled the death diagnosis, and his sexy wife Barbara as well as the doctor’s sulky teenage daughter Judy. There are the creepy Dennis Rainbird, an undertaker, and his mother. At the big house, Henry Trace, a wheelchair-bound middle-aged man, is preparing for his wedding to beautiful Katherine Lacey, 19 years old. This is a wedding not celebrated by either Trace’s sister-in-law, Phyllis Cadell, or Katherine’s artist brother Michael.

Barnaby begins turning up all kinds of secrets, and soon there’s another murder.

I’m so familiar with the TV show that it was hard to judge how difficult it would be to guess the solution. Sergeant Troy is hateful, but he didn’t bother me as much this time around. Warning that the text contains some homophobic comments, mostly from Troy.

I think Graham is a deft plotter and constructor of interesting characters. I note that the TV show chose to have the murder victims die in more spectacular ways than in the original novel.

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Review 2474: North Woods

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In early colonial days, a couple flees one of the colonies into the wilderness of Massachusetts. There, they settle in a valley.

A settler with a baby is kidnapped by natives. When she becomes ill with fever, they leave her with an old white woman, who cares for her. But when white men come after her and plan to kill the natives—the old woman’s friends—she murders them. Before this happens, one of the men gives the captured woman an apple, and she drops the seeds on the ground.

An apple tree grows.

After the French and Indian Wars, Major Charles Osgood gives up his uniform and decides to grow apples. His friends think he has lost his mind. He searches all over until a child leads him to an apple tree near a ruined cabin in the wilderness. The apple is marvelous. He builds a house and takes cuttings from the tree to make an orchard, producing an apple called Osgood’s Wonder.

So Daniel Mason goes on relating the history of this plot of ground, from one owner to another. People die, are murdered, are conned, become ghosts, run mad, the wilderness recedes and then returns, the house is ruined and rebuilt, added to, ruined, rebuilt. Each section is linked to others by characters, coincidences, and place. Some of the incidents are funny, some fates are sad, some characters get what they deserve. Tales are punctuated by songs written from the grave.

I can’t really convey how much I enjoyed reading this unusual novel. It’s steeped in the beauty of the forest. It somehow manages to involve you despite some quite short (some longer) stories of its characters. You get worried about the fates of apple and chestnut trees! I loved this one. It did exactly what a book is supposed to do, pulled me into a different world and made me reluctant to leave it.

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