Review 2320: The Haunting of Alma Fielding

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The two previous books I’ve read by Kate Summerscale were Victorian true crime stories. In The Haunting of Alma Fielding she changes genres (slightly) and periods to write about the spate of supernatural cases, and one in particular, that hit England when World War II was threatening in 1938.

The principal figure in the book is Nandor Fodor, a Hungarian emigré who studied the supernatural but also had an interest in Freudian psychology. When the Fielding case cropped up, he was in a difficult position, because although his mission was to prove whether there were legitimate supernatural occurrences, when he tried to use somewhat scientific methods of observation, he was accused of being unfriendly to mediums. His role at the Society for Psychical Research was contradictory at best and his notion of the scientific not very well developed.

The Fielding case began with a frightened family haunted by a poltergeist that hurled dishes and toppled furniture. Fairly quickly, it became clear that the activity centered around Alma, who lived in the house with her husband and lodger, and the spirits began to branch out by producing objects from her clothes at séances.

Fodor seemed so happy to have found what looked like legitimate supernatural activity that he believed everything he was told and actually encouraged the “spirits.” When later he found evidence that Alma deceived him, he still believed that some of the events were real and continued his investigation.

I found this book less interesting than the true crime books because I became so impatient with the gullibility of the investigators. And the medium tricks! After all, even if a spirit could produce small objects (called apports) from a person’s body, why would it want to? Obviously, because it’s an effect that can be faked.

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Review 2319: Trust

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Trust is like a stack of nesting dolls. It is the story of a fabulously wealthy couple set in New York of the 1920s and 30s. First, it is written in the form of a novel published in 1937, Bonds by Harold Vanner, in which the couple are called Benjamin and Helen Rask. While the husband makes money, the wife is a patroness of the arts who dies in an insane asylum.

The second section of the novel consists of chapters and notes from Andrew Bevel’s unfinished “autobiography.” Bevel is the actual tycoon depicted in Bonds, and his biography reveals a controlling and almost megalomaniacal personality. In this section, the biggest difference is how unequal the couple are, with Mildred Bevel being treated as the little wife who has the harmless hobby of loving music and encouraging a few musicians. There are also sections about what a financial genius the husband is. This section was so overbearing that I could barely stand to read it.

Patience is needed for this novel, because more is revealed at each level. In the third section, we meet Ida Partenza, the ghost writer of Bevel’s biography. Her narrative is split between two time frames, the “present” of 1985 in which she is an older lady who has just heard of Mildred Bevel’s papers being available for study at Bevel House, and her memoir of working with Bevel on his book as a 20-year-old woman just after World War II. Bevel’s main concern seems to be to refute the novel Bonds, especially in regard to how it depicts his wife, and it’s true that it depicts her as dying in an insane asylum instead of a health clinic. However, to Ida’s confusion, instead of sharing with her memories of his wife or letting her interview Mildred’s friends, he seems to want her to invent things. It is in this section that the novel begins to be really interesting. Who was Mildred Bevel? What are Bevel’s secrets?

The final section is Mildred Bevel’s journal, brief passages written when she was dying in Switzerland.

This is the kind of novel that unfolds more in each succeeding section. It is about money, power, and control but especially about control. It is like glimpsing an image in a sliver of mirror that reflects differently as it moves.

I read this novel for my Pulitzer project. Trust was a cowinner for 2023 with Demon Copperhead.

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Review 2318: Elegy for April

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This third of Benjamin Black’s Quirke series begins with Quirke drying out in a clinic. In the city, his daughter, Phoebe Griffin, is worried about her friend, April Latimer, a doctor and the daughter of a powerful family. No one has seen April for some time, and although she has gone away before, Phoebe thinks she would have told her.

Phoebe first goes to Dr. Oscar Latimer, April’s brother, even though she knows April is estranged from her family. Oscar doesn’t seem interested and says April probably ran off.

Phoebe is beginning to believe that April is dead. After Quirke gets out of the clinic, Phoebe turns to him. He talks to his friend Inspector Hackett, and the police eventually find a cleaned up pool of blood next to April’s bed.

The Latimers seem to be more concerned about their family reputation than they are about April and use their connections to get the investigation shut down. In the meantime, Phoebe is falling for Patrick Ojukuru, a Nigerian student in the small group of friends that included April. When Quirke tells her a Black man was seen visiting April, Phoebe denies knowing of any Black man.

Quirke is falling off the wagon with a vengeance, but he continues looking into the case.

An investigator with a drinking problem is such a cliché, but otherwise I find this series set in 1950s Dublin to be well written and interesting.

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Review 2317: William

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William Nesbitt is a successful ship builder and owner, and at the beginning of this novel, he is contemplating the successes of his life. The only thing he feels he has missed is some romance in life, his wife Kate being a very practical woman. But he experiences romance vicariously, through his favorite daughter, Lydia, whom he views as a source of light.

Kate Nesbitt is a worrier, and she has a sense of impending doom. She also is extremely conventional and I think old-fashioned, even for the time (1925). For example, she disapproves of her daughter Dora going to visit Lydia in London without her husband. Kate has a sense that something is going to go wrong with what she sees as her family’s happy and content existence.

Of course, she is being almost willfully blind. Their son Walter and his wife Violet are content, but their daughter Dora is increasingly discontented with her husband Herbert. Their daughter Mabel and her husband John are self-righteous, and Mabel likes to complain and pretend they are poor when John’s business is going well. Janet, the youngest, unmarried daughter is silent and unhappy. Later, it becomes obvious that she thinks she’s in love with Oliver, Lydia’s husband.

Then, something bad does happen: Lydia leaves Oliver for Henry Wyatt, a writer. William is still accepting of Lydia, thinking she is trying to live her life honestly, but he begins to see that Kate is more rigid and unaccepting than he realized.

This novel is an insightful and nuanced study of how a crisis can affect a family. Since Young ran off with a married man, it’s interesting to speculate how autobiographical this novel may be. I found the novel deeply interesting, with complex characters.

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Review 2316: Undone

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Will Trent has taken his partner Faith Mitchell to the hospital because she passed out. While he is waiting, an ambulance brings in a woman who has been hit by a car. She is naked and has obviously been kept captive somewhere and been tortured. Even more horribly, her eleventh rib has been removed.

The Georgia Bureau of Investigation has to be invited into a case, but Will drives to the crime scene, which is only being investigated near the road. The police try to send him away, but he enters the nearby woods to try to find where the woman was escaping from. He finds a hole in the ground covered by a sheet of plywood. Inside the man-made cave, he finds indications that two women were there. Eventually, he finds a second woman hanging upside down from a tree, dead. This woman has been blinded.

Back at the hospital, the doctor, Sara Linton (who apparently is the heroine of a different series by Slaughter), tells Faith she is diabetic. This condition is complicated because Faith is also pregnant.

For his part, Will has married his lover Angie, but she took off almost immediately afterwards. To his dismay, Will finds Sara, a widow, attractive.

As Will and Faith try to identify the victims, with the local police withholding evidence, another woman disappears. Because she physically resembles both victims, Will and Faith think she might be another victim of the same person.

This is another fast moving and interesting entrant to this series about a dyslexic detective and his partner.

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Review 2315: #ReadingOrwell24: Burmese Days

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I picked out Burmese Days to read for Brona’s Reading Orwell event. It may be the only Orwell I read, though, unless one comes up in one of the biannual year reads hosted by Stuck in a Book.

There is nothing politically correct about Burmese Days, published in 1934 and probably set 10 years or so earlier. So, if bigotry bothers you, best stay away. Also, a warning for animal lovers—this book contains the murder of a dog.

John Flory is stationed in North Burma working for a timber concern. He hates most of the English people who live in Burma and spend their nights drinking and complaining about the natives. He wants to talk about books and more intellectual concerns, so his only friend is Dr. Veraswami, an educated Indian. However, when the subject of admitting an Asian to the European Club comes up, Flory doesn’t have the gumption to support the doctor’s admission.

He learns later that this admission is more important than he thinks, because Dr. Veraswami has offended U Po Kyin, a corrupt magistrate who is determined to ruin him. Membership in the club would make the doctor impregnable.

Flory doesn’t want to leave Burma, which he loves, but he is desperately lonely. He decides the only option is to find a woman who loves Burma too and is interested in intellectual discussion.

On the scene comes Elizabeth Lackersteen, a young woman who has been left penniless and has come to Burma to find a husband. Because she came from Paris, Flory immediately imagines her hanging out with artists and thinks he’s met his soulmate. He doesn’t even notice how she hates being among the Burmese and is exactly the type of woman he dislikes.

After Flory take Elizabeth on a hunting expedition, she seems inclined toward him, especially as her uncle has been approaching her inappropriately. But then the dashing Lieutenant Verrall appears, and Mrs. Lackersteen discovers he is an Honourable. In the meantime, U Po Kyin has expanded his efforts to disgrace the doctor to include his friend Flory.

This is a bitter satire against the British Raj with few likable characters and a dark ending. I’m sure it is meticulously observed, even though many of its characters seem like caricatures.

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Review 2314: Bolla

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Arsim is an Albanian literature student in Pristina, Kosovo, in 1995 when he meets Miloš, a Serbian medical student. They are immediately attracted to each other and soon begin a torrid affair. Although he is young, Arsim has already been married for four years to Ajshe, and on the day he consummates his relations with Miloš, she tells him she is pregnant.

The affair continues through Miloš’s graduation, but shortly thereafter, it becomes too dangerous for Albanians to stay in Kosovo, and Ajshe and her brother arrange for the family to leave the country. As soon as he learns Arsim is leaving, Miloš joins the Serbian army.

Arsim’s relatively linear narrative is broken by short sections narrated by Miloš that are harder to understand and move back and forth through time. He is the more fragile of the two and becomes damaged by his war experience.

This novel, which I read for my James Tait Black project, is beautifully written and ultimately haunting. However, I so disliked Arsim that it was hard for me to read. He is absolutely vile in his behavior to almost everyone in the book but especially to his wife and children, whom he periodically deserts and beats when he is there. When he thinks later that he did his best by them, he defines this as financial support. Really, he deserts anyone who poses any difficulties.

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Review 2313: Kate Hardy

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I usually like D. E. Stevenson’s novels for very light reading, but Kate Hardy seemed all over the place.

Old Quinings is a village that has been left in the past, and the residents like it that way. They are interested to learn, though, that Mr. Morven has sold the Dower House. The new owner is Kate Hardy, a writer of adventure stories who has been yearning to get out of London and away from her selfish sister and spoiled niece.

Kate has bought the Dower House sight unseen, but she loves it as soon as she sees it, even the resident ghost. She meets Mr. Morven early on, but he is careful to visit only rarely because he is old-fashioned and married, although he and his wife live apart.

Kate doesn’t mean to be a recluse even though she needs time to write, and she gets involved in all kinds of things. When she barely knows Mr. Morven, she receives an anonymous letter alleging an improper relationship between them. Another letter goes to Mrs. Morven, who comes back from America hoping her husband wants a divorce. Then Kate arranges to take care of the couple’s nine-year-old daughter Susan, which is an odd offer to a stranger and even odder for the stranger to accept. Susan arrives, but we hardly spend any time with her.

In a gesture that seems sweepingly condescending, Kate also gives a party to welcome back Mrs. Stack’s son Walter from his service in India even though she has just met Mrs. Stack and doesn’t know Walter. There’s a class issue here, not only because of the invitation but because Walter has bettered himself in the service but is stubbornly insisting on keeping his promise to take back his old job and take care of his mother. His old mates are resentful of his getting his job back, although that was promised when he went to war, and his mother and Kate think he could do better.

Then there is the witch plot, which is just silly.

I think there is too much going on in this novel. Maybe the whole thing with the witches was meant to give atmosphere, but it just seemed sort of thrown in, as does the presence of Mr. Morven’s daughter. Also, Kate ends up with two suitors without us having much of a sense of what they are like. I noticed in addition a couple of occasions when Stevenson tells us what people talked about without recounting the dialogue—and the dialogue gives us a better sense of what people are like. Its not very convincing to be told a character’s views are interesting instead of learning what they are or hearing the character say them.

So, I don’t think that this was one of Stevenson’s best.

On the old subject of mistakes in the Furrowed Middlebrow series, which we haven’t encountered in a while, Mrs. Stack is called Mrs. Stark on the back cover of the book, and there is a section after the novel ends that was apparently written by Stevenson but in my copy appears to be missing pages, because it has no heading and starts in the middle of a sentence.

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Review 2312: Bright Young Women

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Bright Young Women is a novel centering around the true story of a famous serial killer, whose last killings took place in a sorority at Florida State University in Tallahassee in 1978. Apparently, Knoll believes as I do that men commit such acts at least partially for the attention so she calls the killer The Defendant throughout the book instead of his name. So will I.

The novel is narrated by two different people in three different time frames. In 1978, Pamela is the president of a sorority and is about to become an important witness. In 2021, she is still trying to track down evidence that will lead to the body of one of his earlier victims.

That victim is Ruth, the second narrator, who in 1975 had the misfortune to meet The Defendant at the beach in Issaquah, Washington.

This novel doesn’t want to focus on The Defendant so much as on the girls he was after. The novel sticks with Pamela from the day before the crime through the days after she sees a strange man fleeing the sorority house, but it focuses on Pamela’s self-development afterwards. At the beginning, she is living an expected life as head of the sorority with the brightest girls on campus, engaged to Brian and planning to attend law school, only an inferior school even though she was accepted to Columbia because Brian couldn’t get in. Pamela is obviously in shock after the event because she doesn’t realize for hours that two of the girls are dead. But she clearly tells the sheriff that although she at first thought the man she saw was Roger, her best friend Denise’s boyfriend, she realized the man was a stranger. Nevertheless, the sheriff focuses on Roger, and this is only one instance of the incompetence of the law enforcement work on the case. Pamela is disregarded and patronized time and again in this novel.

One of Knoll’s themes is her idea that The Defendant, having performed poorly at college and not having been accepted into law school, was picking out successful, attractive women to kill. Then the media fed into his own view of himself by depicting him as smarter and more handsome than he was, despite his ridiculous performance when he eventually defended himself. Basically, they admired the killer while denigrating his victims.

Ruth’s self-evolution takes her from a lesbian woman dominated by an unloving mother who doesn’t want the neighbors to know her “shame” to a confident, lovely girl who has found a place for herself, largely because of the help of her friend Tina. It is Tina who later comes to Pamela and tells her she thinks The Defendant murdered Ruth as well as the sorority girls. Although Tina is right about everything, law enforcement disregards her and warns Pamela against her.

Knoll’s late 1970s certainly sound more like the 60s to me. In Michigan, I didn’t know any girls who were interested in sororities or still used hair spray or dressed as described in the novel anymore. Then again, it was Florida.

I found this a fascinating novel with a strong feminist message. I am looking forward to what Knoll does next.

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Review 2311: Big Ben Strikes Eleven

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Financial tycoon and former politician Sir Robert Boniface is found shot to death in his limousine in the Vale of Health on Hampstead Heath. At first, the police aren’t sure if the death is murder or suicide—only the lack of the gun tells them it is murder.

The body is discovered by a window washer, but Matt Caldwell, an artist, is present in a nearby pub. He is not only able to identify the victim and his car, having painted Sir Robert’s portrait, but he is happy Sir Robert is dead.

Enquiries by Inspector Beckett and Superintendent Mooney lead in the direction of Sir Robert’s nephew, Frank Littlewood, who was recently fired by Sir Robert. However, two office mates, Sir Robert’s confidential secretary Miss Pritt and the obsequious Mr. Fuller, seem too eager to drop him in it.

Then the police find the gun and establish that it belongs to Matt Caldwell. Unfortunately, he is nowhere to be found.

I haven’t paid much attention to this issue until other bloggers pointed it out about other novels, but I would say this novel is about 100 pages longer than it needs to be. First, the action is brought to a screeching halt while the author lays out the case against the original three suspects—as if readers haven’t been paying attention—then we follow Matt Caldwell’s progress in a completely unnecessary romance that coincidentally brings more clues to light. The information is important, but it seems as if it could have been introduced in a different way that didn’t take two or three chapters.

But my biggest problem was with the actual investigation. Early on, Miss Pritt tells the police that the murder had nothing to do with business and uses that reason to withhold information about Sir Robert’s appointments. And the police just go along! Later, the Superintendent just hands her her handkerchief, which he found at the scene of the crime! In other ways, the approach to evidence is just as casual.

Finally, an interview with the Earl of Rollesborough, on the board of the trust that Sir Robert works for, seems called for from the beginning but doesn’t take place until the end. And no wonder, because it pretty much makes everything obvious.

I was able to identify the murderer fairly early on, but that didn’t bother me as much as the sloppy police work, or possibly lack of knowledge about police work.

I received this novel from the publishers in exchange for a free and fair review.

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