Review 2246: One Year’s Time

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Liza, a “bachelor girl” in 1930s London, has a job as a secretary in an office where she likes all the people and a basic flat that she’s fixing up. It’s January 2 and she’s painting the floor and feeling lonely when she gets a call from Walter, a young man she met at a party. She invites him over and they quickly become lovers.

Everything is smooth at first, and she quickly falls in love, but she is always trying to match his mood and to appease him. When he disappoints her, she thinks it is her fault for being disappointed. She madly wants to marry him, but he doesn’t ask.

In April, he decides to spend the summer in the country. He asks her to go, and with very little planning, she quits her job and gives up her flat.

Liza is the type of person who’s either very happy or in the depths of despair. She has high expectations for this trip, but we already know it won’t go as planned.

I hope girls have gained more self-confidence, but I’ve known girls like this who spent a lot of time waiting by the phone (which you presumably don’t have to do anymore, because you carry it with you), and even when I was young, quite a few decades after this book is set, I knew girls who were focused only on marriage. It was interesting but sometimes excruciating to observe what’s going on in Liza’s mind. When will she realize she always puts Walter first and so does he, charming as he may be?

This is an unusual novel for the 30s, showing how things have opened up a little for women sexually but not too much, as her fretting over her fake wedding ring shows. I felt both impatient with and sympathetic to Liza for most of the book.

I received this book from the publishers in exchange for a free and fair review.

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Review 2245: LOTE

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This is a very unusual book, and von Reinhold has created an unusual protagonist in Mathilda.

Mathilda worships beauty, a particular baroque, florid kind of beauty. Black, gay, and from a poor background, she is trying to work her way into higher echelons of society to live an opulent life. She periodically becomes obsessed with different figures from the 20s and 30s, Black artists in the periphery of the Bloomsbury Circle, and doesn’t so much research them as immerse herself in them. She calls them her Transfixions. The latest is a Black poet named Hermia Druitt.

Because Mathilda does not always earn her money honestly, she has to sometimes change her identity. She’s been staying in a vacant flat of a friend who is away when her host returns and meets neighbors who know her as Sadie. She has just lost a job at an archive because it wasn’t an official position. She needs somewhere to live and some money, so she thoughtlessly applies for an artists residency that she sees is located in Dun, a town in Europe where Hermia lived. To her surprise, she gets it.

When she arrives in Dun, she finds the town enchanting but the residency dire. The other residents seem to be uniformly drab, so much so that at first she fears she has unwittingly applied for a business residency. They always carry around textbooks written in incomprehensible jargon and speak in that jargon. Mathilda continues her search for evidence of Hermia while pretending to do her work on the residency.

Behind the bemusing and sometimes funny portrait, von Reinhold has a serious theme—the erasure of Black European culture from the public consciousness. A good deal of Hermia’s story is told by excerpts from Mathilda’s Bible, a book called Black Modernisms. Sometimes this novel was a bit esoteric for me, but it was always interesting. I read it for my James Tait Black project.

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Review 2244: #ThirkellBar! Love at All Ages

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If Love at All Ages can be said to have a plot, it’s the wedding of the vicar Mr. Oriel and Lady Gwendolyn, the sister of the Duke of Towers (not to be confused with the Earl of Pomfret Towers). If these names do not sound familiar, it’s because as far as I can remember, we have not met these characters before, or anyone else in that family, and we don’t really seem to get to know them now. However, other familiar characters help with or appear at the wedding.

The back of the novel also mentions the christening of the first child of Lady William Harcourt (previously Edith Graham, who monopolized at least three of the previous novels), but by the time we get done with the wedding, I’d forgotten it.

The title hints that the book includes another love affair, and since Lady Gwendolyn and her intended are well into middle age, the implication is that it involves younger people. This is just a hint that there may be a suitable mate for young Ludo, Lord Mellings, the heir of the Earl of Pomfret.

Otherwise, the book contains the usual plethora of literary allusions, tea parties, boating parties, and so on. The preoccupations that I complained about last time are still all there, too—including yet another mention of Mrs. Fewling’s lack of proper undergarments when she was still Margot Phelps—although not repeated as often. However, there is a scene where Lydia Merton remembers her husband’s old infatuation (with someone very much like Mrs. Brandon but not her, I can’t remember) and then two pages later, her husband thinks about it, and as if that weren’t enough, it’s mentioned again later in the book.

So, no improvement here and less interest, because so much of the book is about characters we don’t know and don’t get to know. However, there’s only one book left to go. (In fact, the cover of my book says this one is the last one, which if it were, would be quite a disappointment as the last in the series.)

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Review 2243: Antarctica

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Looking for more to read by Claire Keegan, I came across this collection of short stories written in the late 1990s.

In the title story, a happily married woman decides to try a one-night stand, with disastrous results.

In “Men and Women” a girl still young enough to believe in Santa gains some insight into her parents’ relationship.

“Where the Water’s Deepest” contrasts the care an au pair has for a boy with her employer’s disdain of her.

“Love in the Tall Grass” tells what happens after Cordelia’s married lover asks her to wait for him for ten years.

“Storms” is about a young girl’s memories of her mother, who has been put away in an asylum.

These are summaries of the first few stories, but there are several others. Many of them are about the mistreatment of women by their partners. Keegan’s writing is always beautifully lucid and her stories contemplative.

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Review 2242: The Oppermanns

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One of my brothers and I have gotten into the habit of buying each other books that we think are excellent. The Oppermanns was his Christmas present to me, and I just got around to reading it.

The novel is astounding because it was written concurrently with the events it describes, That is, it begins late in 1932 and ends in the summer of 1933 and was written during that time period. It tells the story of a wealthy German Jewish family. It’s considered the last masterpiece of the German-Jewish literary movement.

The Oppermanns are wealthy well-known residents of Berlin whose family owns a chain of furniture stores. Martin runs the stores. Gustav is an intellectual who spends most of his time enjoying art, literature, and music. Edgar is a world-famous scientist and surgeon. At the beginning of the novel, all three are happy with their lives, and although Martin has half-heartedly sought a merger with a competitor to mask the Jewish ownership of the family store, he has muffed it and doesn’t much care. The Nationalists, as the Nazis are referred to throughout the novel, seem to be on the wane.

However, within weeks the Leader (his name is never mentioned) has been made Chancellor because foolish landowners and big business, having drained the country dry, think they can use the Nationalists. Things begin to turn bad. One of Gustav’s friends emigrates to Palestine, but Gustav thinks he is being alarmist. After all, this kind of thing has happened before, and it always dies down.

This novel documents the slow horror of the Nationalist take-over (not so slow, really) and shows how easy it is to fool oneself and stay in one’s comfort zone even when it becomes uncomfortable.

The novel is all the more chilling because of how early it is written, because readers today know more about what will happen than Feuchtwanger did. It has a slightly optimistic ending, implying that the German people—whom he always differentiates from the Nazis—would not put up with brutality forever, but of course we know the German people didn’t stop anything.

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Review 2241: Suddenly at His Residence

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The grandchildren of Sir Richard March gather together in London to drive down to Swanswater Manor for an annual remembrance of Serafita, Sir Richard’s first wife. They are driving down with Philip and his wife Ellen, but before others arrive, his cousin Claire forces an admission from Philip about his relationship with her. Philip tells his wife he wants to be with Claire. Ellen seems to take this lightly, but she is upset.

It’s clear that the young people behave brashly with each other and tease their grandfather. He, however, becomes offended and vows to disinherit them all and make his second wife, Bella, his sole heir. Peta is currently the principal heir, but Philip, Claire, and Edward are due to get some money.

That afternoon, Sir Richard insists on spending the night by himself in a lodge after summoning Stephen Garde, his solicitor, to change his will. During the afternoon, Bella and Peta go there to try to convince him to sleep in the house or accept company, and Ellen takes him his green pen. In the evening the gardener rakes and sands all the paths around the lodge.

In the morning, Claire goes to the lodge and finds Sir Richard dead. Her tracks are clearly the only ones on the path. The family assumes he died from his heart condition, but he turns out to be poisoned with his medication.

The family tries not to think the murderer may be 17-year-old Edward, whose mother’s fascination with psychiatry has lead him to fancy himself with problems and who allegedly goes into fugue states. Although Edward knows that some of his problems are feigned, sometimes he’s not sure what he has done.

Inspector Cockrill is not sure who committed the murder, but the inquest finds a verdict of murder against Ellen because of a silly theory that she could have injected the poison using his pen, but also because she is the only “foreigner.”

Aside from the ridiculous belief that looking up suddenly could bring on a fugue state, which I assume was a belief of the time, I liked the characterization in this novel, which is accomplished mostly by dialogue. I thought that one aspect of the solution was unlikely and that the motive was thin. However, generally I enjoyed this one.

I received this book from the publishers in exchange for a free and fair review.

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Review 2240: Deception

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Since I discovered recently that I had missed one of Denise Mina’s books, I looked again and found I had also missed Deception (also published as Sanctum), from 2002.

Lachlan Harriot is on his way to his wife Susie’s trial at the beginning of Deception. She is a psychiatrist accused of having had an affair with a convicted serial killer, Andrew Gow, and then murdering him and his wife after he was released from prison on appeal. Lachlan is sure she is innocent and will get off. He is certain she never had an affair with Gow.

But Susie is convicted after the prosecution spins a lurid story. Lachlan begins spending his insomnia-filled nights in Susie’s office—previously off-limits—looking for evidence that can be used for an appeal. Slowly, he begins turning up indications that nothing is what he thought it was, starting with proof that Susie has lied. Months before the murder, she was fired from her job at the prison after being accused of stealing Gow’s files. She always said she was fired because of sexism and did not take the files. But Lachlan finds them in the office.

This is a slow-building novel that takes a little patience. The facts Lachlan turns up aren’t as shocking as promised by the cover blurbs, but Mina is a superb plotter. The book doesn’t disappoint.

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Review 2239: Love Comes Home

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Jane Cranstoun is enjoying her stay in London with friends George and Kitty Mariner when she is summoned home by her mother because of the return from finishing school of her sister, Love. Jane is not really looking forward to going home, where she is expected to take charge of numerous commitments made by her mother, but also because she has begun to hope for a proposal of marriage from John Marsh, a young naval officer.

At her farewell party, Jane gets her proposal and accepts it but asks John to keep it a secret until her parents get to know him better. He has recently accepted a post that is nearer to her parents’ house in Scotland, so he agrees.

On the train north Jane meets Peregrine Gilbert, whom she takes to be shy and uninteresting, not realize he has become her neighbor. Then she meets him again the next morning and tries to send him off for trespassing.

When John appears, Love begins monopolizing him and throwing Jane together with Peregrine. In fact, there was a scene before he appears when I was certain Love already knew John. But that turns out not to be the case, even though it’s clear Love means to marry him before she even meets him. Silly misunderstandings lead to a broken engagement, and this situation was clumsily handled, I thought. In fact, although Love explains later that she thinks Jane and John are not well suited, she has decided this before she ever meets John.

I have enjoyed reading Clavering, but this one, I think, is the closest to a standard pattern romance than the others. I didn’t like Love, who takes over the story gradually until it is more about her. I also didn’t like John or later Kitty when she reappears. The only characters I liked were Jane and Peregrine and the girls’ brother, Meggie. Love is supposed to be 19, but she acts more like 14. I was a little disappointed in this one.

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Review 2238: Castle Rackrent

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Castle Rackrent is a novel I picked for my Classics Club list. Published in 1800 although set before 1782, it is an early example of the use of an unreliable narrator.

That narrator is Thady Quirk, a servant to the ancient Irish Rackrent family, but the novel is also annotated by a scholarly character called the Editor. Thady informs us in the first paragraph that he’s known as “Honest Thady,” a phrase that puts us on the alert.

Thady quickly runs through the older history of the family and then tells in greater detail the story of the last three owners of the Castle, Sir Murtagh, Sir Kit, and Sir Condy. These are satirical tales of mismanagement either by penny pinching and bleeding the tenants or by wasteful consumption. Thady is vehement in his avowals of support for the family and in this role makes some astonishing assertions, such as, about Sir Kit who married a woman for her money and then locked her away for seven years because she refused to give him her jewels, “He was never cured of his gaming tricks, but that was the only fault he had, God bless him.”

This novel is a light commentary on the class system and its abuses, as the series of barons get up to all manner of hijinks while the servants (particularly Thady and his son) arrange to purchase assets at low prices. It is moderately funny but is considered by critics to be an astonishing first novel by a woman at this period.

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