Review 2192: Act of Oblivion

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It’s hard to know where sympathies might lie in this historical novel set right after the Restoration, in 1665. On the one hand, there is Richard Nayler (a fictional character), tasked with finding and taking to trial (or later, just plain executing) those deemed responsible for killing Charles I. A mighty task, but he performs it so zealously, not minding a dirty trick or two.

On the other hand, there are Colonel Edward Whalley and his son-in-law Colonel Will Goffe (historical characters), on the list because they signed the King’s death warrant after an illegal trial. They have escaped to America, but Nayler blames them for the death of his wife (in premature labor after they broke in on a religious service on Christmas Day, deemed illegal under Cromwell, and arrested people) and is determined to catch them.

Robert Harris states that this hunt for the regicides was the greatest manhunt of the 17th century so we may assume that’s his motivation for the book. Although I’m not particularly interested in the Puritan period of New England history, certainly there are interesting things I didn’t know disclosed in this novel, like the history of New Haven. In addition, Harris depicts the wildness of New England at this time more vividly than anything else I’ve read.

Harris manages to raise the tension of the novel at the end, when Nayler, long after everyone else has lost interest, finally locates Goffe, but overall, I was too turned off by the deeds on both sides of the English Civil War (usually I favor the Royalists, but he shows just how brutal both sides were) to care much about these antagonists. I read this book for my Walter Scott Prize Project.

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Review 2191: Sally on the Rocks

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Sally Lunton has been living in Paris as it waits for a German invasion in 1915, and she is at her wit’s end. Her sketchy career as an artist has been finished by the war, and she is stone broke. She has changed from a blithe Bohemian to a woman nearly middle-aged (by the standards of 1915—she’s 29) who thinks her only hope is to marry someone well off.

Then Sally gets an apparently friendly letter from Miss Maggie Hopkins telling her that there is a new bachelor in her home town of Little Crampton, a bank manager, and he will soon be snapped up by a young widow with a daughter. Sally thinks Mr. Bingley will be horrible, but she goes home prepared to fight for him. She returns to the home of her guardian, the mild-mannered and affectionate Reverend Adam Lovelady.

Mr. Bingley turns out to be worse than Sally expected. He is plump and unattractive but full of himself for his lofty position in town. He is also religious and judgmental and is looking for a wife who is above reproach. He is guided by a book left by his deceased mother telling him what to look for in a wife—or rather what to avoid (hint—everyone).

Unfortunately, Sally has a skeleton in her closet. Six years ago, madly in love, she went off to Italy with Jimmy Thompkins. But after a summer in Italy, he left her. Sally has never really recovered, but it is vital that Mr. Bingley not learn of this escapade. Unfortunately, Jimmy is living in the village with his wife and two children, and he thinks Sally should not marry Mr. Bingley without telling him.

Another peril is Miss Maggie, who senses there is something between Jimmy and Sally and is determined to ferret it out.

Despite these complications, Sally’s appearance and pretenses of admiration are getting her ahead of her rival, Mrs. Dalton. However, soon there is another problem. Up on the moors, Sally meets Robert Kantyre, a disgraced former officer on the point of suicide. Sally is determined to save him from himself and from alcoholism.

This is a complex little book considering when it was written. Not only is it a satire of village life, but it makes some surprising observations about the differences in how men and women in the same circumstances are viewed and treated. Although Mr. Bingley is usually a figure of fun, he shows another side, even though his feelings for Sally fight with his yearning for his dinner at times. The only real villain is Miss Maggie, whose idea of fun is mischief making at the expense of others’ lives.

Except for tiring a little bit of Mr. Bingley’s internal battles, I found this novel very enjoyable and insightful.

I received this book from the publishers in exchange for a free and fair review.

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Review 2190: Bleeding Heart Yard

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Detective Inspector Harbinder Kaur has transferred to London, where she is just meeting her two flatmates and her new team. Then she gets a high-profile case—while attending a school reunion, Conservative MP Garfield Rice, called Gary by his friends, has died of an apparent cocaine overdose. The only thing is, his friends say he doesn’t take drugs.

Attending the reunion are some notable figures—Isabelle Ister, a famous actress; Kris Foster, a rock star; Henry Skep, Labour MP—who used to belong to a popular group in school called The Group. Also members of The Group were Anna Vance, a teacher now living in Italy who is in London caring for her dying mother, and Cassie Fitzberbert, Harbinder’s Detective Sergeant. We know right from the beginning that Cassie believes she killed a boy when she was in school.

Of course, it turns out that Gary was murdered by an injection of insulin. His friends find it hard to believe, because Gary was liked by everyone.

There turns out to be more than one line of inquiry. Gary had received several anonymous letters featuring a bleeding heart, and he was regularly meeting other Conservative leaders at a restaurant in Bleeding Heart Yard. Also, the team learns that during exam week before the reunion attendees graduated years ago, a boy named David died when he fell in front of a train, and Gary was the principal witness. Harbinder wonders if David was actually pushed.

The book alternates narrators with members of The Group in first person and Harbinder in third person. I don’t remember if Griffiths used this form of narration in the other Kaur novels, but it began to irritate me. First, the first-person narrators should each sound different, but they don’t. More importantly, with the narration skipping around across very short chapters, the novel started to feel choppy.

So far, I have enjoyed the Harbinder Kaur series, but I didn’t like this one as much, despite it having an unpredictable ending. I still like Griffiths’ Ruth Galloway series best.

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Another Classics Club Spin!

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Classics Club has just announced another spin. How does the spin work? Club members select 20 books from their Classics Club list and post them in a numbered list by this coming Sunday, June 18. The club then picks a number and that determines which book you read next, attempting to post a review by Sunday, August 6. So, with no further adieu, here is my list for the spin:

  1. Dust Tracks on a Road by Zora Neale Hurston
  2. The Deepening Stream by Dorothy Canfield Fisher
  3. The Princess of Cleves by Madame de La Fayette
  4. Our Mutual Friend by Charles Dickens
  5. A Double Life by Karolina Pavlova
  6. Castle Rackrent by Maria Edgeworth
  7. The Methods of Lady Walderhurst by Frances Hodgson Burnett
  8. Incidents in the Life of a Slave Girl by Harriet Jacobs
  9. Tis Pity She’s a Whore by John Ford
  10. The Tavern Knight by Rafael Sabatini
  11. The Tree of Heaven by May Sinclair
  12. The Passenger by Ulrich Alexander Boschwitz
  13. Miss Mole by E. H. Young
  14. Merkland: A Story of Scottish Life by Margaret Oliphant
  15. The Three Musketeers by Alexandre Dumas
  16. Cecilia, Memoirs of an Heiress by Frances Burney
  17. Love’s Labour’s Lost by William Shakespeare
  18. The Book of Dede Korkut by Anonymous
  19. The Return of the Native by Thomas Hardy
  20. The Book of Lamentations by Rosario Castellanos

Are you participating in the spin? Which book would from your list do you hope is picked?

Review 2189: Faith Fox

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The cover of my Europa edition of Faith Fox is a little misleading, because although the plot of the novel revolves around a child, the child is a baby, not the young girl shown on the cover. You have to wonder sometimes if the artist ever reads the book or even knows what it is about.

When Holly Fox dies in childbirth, her mother Thomasina can’t bear to see the baby, Faith. The baby’s father, Andrew Braithwaite, seems oddly uninterested in her and anyway works brutal hours in the hospital. So, he decides to take her to his brother Jack, an Anglican priest who runs any experimental farm up in Yorkshire.

Jack is a sort of living saint, whose work barely supports a small community made up of ex-cons and Tibetans. The down side of this is his lack of sense. He trusts everyone, has no concept of a feasible project, and tends to forget the practical aspects of life. His little community lives in extreme discomfort and doesn’t accomplish much. He forgets Faith almost as soon as she arrives and his wife Jocasta has her reasons for avoiding Faith—she has been in love with Andrew since they met, but he could not afford to marry. So, he dropped her and her son off at Jack’s and later got engaged to Holly.

In fact, the only people yearning to see and care for Holly are Andrew’s parents, Toots and Dolly. But they are elderly and Andrew avoids bringing her to visit. Philip, Jocasta’s ten-year-old son, also cares about Faith and worries about her at school, but her care is basically left up to the Tibetans.

In the meantime, Thomasina scandalizes her friends by missing her daughter’s funeral to go to Egypt with Giles, an elderly colonel she just met. And Andrew and Jocasta have revived their affair after he brought Faith up to Yorkshire.

Gardam certainly has a gift for depicting dotty upper-class characters, selfish people, and hopeless charitable projects in the novel, as well as some peculiar lower-class characters. She also clearly understands the workings of grief, both bereavement and the lovesick kind. I’ve discovered Gardam late, but I’m really enjoying her.

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Review 2188: Which Way?

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Which Way? is an early speculative novel about how a small choice can affect the rest of your life. After a beginning section that introduces us to Claudia Heseltine and gets her to the age of 22, she is presented with a choice of invitations—two by letter and one by phone—for the same weekend. Then the rest of the novel is split into thirds depending upon the invitation she decides to accept.

Claudia is a popular girl with intellectual and cultural interests. She has a close friendship with Hugo Lester, and at the point where the decision comes in, she has promised to visit his family home, and it is clear that he plans to propose to her. So, selecting another of the invitations means breaking her promise.

I found interesting what Benson makes of Claudia’s three fates and how these reflect the times. In two stories she marries, although only in one does she marry Hugo. In one she has a romantic (as opposed to sexual) affair with a married man and in another a full-fledged affair with the same man. All of the stories involve some pain, but Claudia herself changes with the situations she is in, so that in the story where she is faithful to her husband she seems the most superficial and frivolous.

Although, interestingly, she ends up happiest in the story where she remains single, she thinks she has missed the most important things in life—which are, of course, marriage and motherhood. There’s no happy career girl in the novel, although Simon Thomas points out in the Afterword that at her marriage she is much more innocent than he would have expected for the 1920s. In both stories in which she is married, she spends her honeymoon crying after ignoring the vaguely ominous things her mother tries to tell her.

I thought this book was most interesting as a portrait of the times, for the choices that are available and how Claudia views them.

I received this book from the publisher in exchange for a free and fair review.

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Review 2187: Dead Woman Walking

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I enjoyed Sharon Bolton’s thriller The Craftsman, but I have to say that I had lots more problems with Dead Woman Walking.

Jessica and her sister Isabel are on a hot-air balloon excursion in Northumberland National Park with 10 other passengers when they pass low over a farm and see a man beating a girl over the head with a rock. The man has a rifle, and once he notices them, he starts firing at them. They get away, but then they find that the pilot’s head has been shot off. In trying to flee and land the balloon, they make several mistakes and end up crashing.

The man has followed them through the forest on an ATV, so by the time the police get there, all the passengers that can be found are dead, apparently from the crash. Jessica, however, is missing. The police can’t figure out why she seems to be fleeing rather than trying to contact them, especially as it turns out she is also a police officer.

The plot switches between the investigation by Detective Alex Maldanado, the past history of Jessica and Isabel, and the hunt for Jessica by the murderer. It is written, especially at first, in short chapters and paragraphs which I think are supposed to heighten the urgency but instead irritate. I didn’t really buy that a man firing a rifle from the ground could shoot off the pilot’s head, but even if he could, I found that detail unnecessarily gruesome. There is enough to indicate he’s a ruthless killer.

None of the characters are well defined, even Jessica and Isabel. There are family secrets confusing the issue, and Jessica’s investigation to find out about. And speaking of which, the odds of the balloon going over this particular farm seem very low, even given my knowledge having read the book.

Finally, Bolton has a big reveal at the end, only I guessed it about halfway through the book.

Although Bolton starts with an interesting idea, it’s not a very thrilling book. In fact, it dragged for me in several places.

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Review 2186: Eyes of the Rigel

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This third novel in Jacobsen’s Barrøy trilogy has Ingrid Barrøy leaving remote Barrøy Island at the end of World War II to find the father of her daughter. Alexander was a Russian prisoner of war whom she rescued after the prison ship, Rigel, sank.

Ingrid only has faint leads as she rows, walks, takes the train, and rides the bus from one place to another in Norway, bringing her infant daughter with her. She starts with the people she left Alexander with after she smuggled him off the island and follows the trail from one person or location to another. None of the people she meets seem eager to help her, and she continually feels that they are lying. Ingrid is surprised to learn that not all people are happy the war is over, and she is naïve about lingering resentments and distrust.

I have been completely entranced by these books and felt that this was a fitting ending to the series. Ingrid is brave and determined, the writing is beautifully spare, the journey difficult and unpredictable.

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Reading Thirkell’s Barsetshire Series in Order: #25 Never Too Late + #24 Enter Sir Robert Wrap-Up

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I only had one person with me for the last book, so I was hoping we had more participation for Enter Sir Robert, which Thirkell ended with a little inside joke, so I steamed on ahead and hoped that somebody would join me and two of my stalwarts did. For the last five books, I’m in uncharted territory, for I haven’t read any of them. In any case, my thanks to any who are still keeping up or making comments. They are

The next book is Never Too Late, and I’ll be posting my review on Friday, June 30. I hope someone will join me in finding out who is not too late and for what.

And here’s our emblem.