Review 2188: Which Way?

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Which Way? is an early speculative novel about how a small choice can affect the rest of your life. After a beginning section that introduces us to Claudia Heseltine and gets her to the age of 22, she is presented with a choice of invitations—two by letter and one by phone—for the same weekend. Then the rest of the novel is split into thirds depending upon the invitation she decides to accept.

Claudia is a popular girl with intellectual and cultural interests. She has a close friendship with Hugo Lester, and at the point where the decision comes in, she has promised to visit his family home, and it is clear that he plans to propose to her. So, selecting another of the invitations means breaking her promise.

I found interesting what Benson makes of Claudia’s three fates and how these reflect the times. In two stories she marries, although only in one does she marry Hugo. In one she has a romantic (as opposed to sexual) affair with a married man and in another a full-fledged affair with the same man. All of the stories involve some pain, but Claudia herself changes with the situations she is in, so that in the story where she is faithful to her husband she seems the most superficial and frivolous.

Although, interestingly, she ends up happiest in the story where she remains single, she thinks she has missed the most important things in life—which are, of course, marriage and motherhood. There’s no happy career girl in the novel, although Simon Thomas points out in the Afterword that at her marriage she is much more innocent than he would have expected for the 1920s. In both stories in which she is married, she spends her honeymoon crying after ignoring the vaguely ominous things her mother tries to tell her.

I thought this book was most interesting as a portrait of the times, for the choices that are available and how Claudia views them.

I received this book from the publisher in exchange for a free and fair review.

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Review 2187: Dead Woman Walking

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I enjoyed Sharon Bolton’s thriller The Craftsman, but I have to say that I had lots more problems with Dead Woman Walking.

Jessica and her sister Isabel are on a hot-air balloon excursion in Northumberland National Park with 10 other passengers when they pass low over a farm and see a man beating a girl over the head with a rock. The man has a rifle, and once he notices them, he starts firing at them. They get away, but then they find that the pilot’s head has been shot off. In trying to flee and land the balloon, they make several mistakes and end up crashing.

The man has followed them through the forest on an ATV, so by the time the police get there, all the passengers that can be found are dead, apparently from the crash. Jessica, however, is missing. The police can’t figure out why she seems to be fleeing rather than trying to contact them, especially as it turns out she is also a police officer.

The plot switches between the investigation by Detective Alex Maldanado, the past history of Jessica and Isabel, and the hunt for Jessica by the murderer. It is written, especially at first, in short chapters and paragraphs which I think are supposed to heighten the urgency but instead irritate. I didn’t really buy that a man firing a rifle from the ground could shoot off the pilot’s head, but even if he could, I found that detail unnecessarily gruesome. There is enough to indicate he’s a ruthless killer.

None of the characters are well defined, even Jessica and Isabel. There are family secrets confusing the issue, and Jessica’s investigation to find out about. And speaking of which, the odds of the balloon going over this particular farm seem very low, even given my knowledge having read the book.

Finally, Bolton has a big reveal at the end, only I guessed it about halfway through the book.

Although Bolton starts with an interesting idea, it’s not a very thrilling book. In fact, it dragged for me in several places.

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Review 2186: Eyes of the Rigel

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This third novel in Jacobsen’s Barrøy trilogy has Ingrid Barrøy leaving remote Barrøy Island at the end of World War II to find the father of her daughter. Alexander was a Russian prisoner of war whom she rescued after the prison ship, Rigel, sank.

Ingrid only has faint leads as she rows, walks, takes the train, and rides the bus from one place to another in Norway, bringing her infant daughter with her. She starts with the people she left Alexander with after she smuggled him off the island and follows the trail from one person or location to another. None of the people she meets seem eager to help her, and she continually feels that they are lying. Ingrid is surprised to learn that not all people are happy the war is over, and she is naïve about lingering resentments and distrust.

I have been completely entranced by these books and felt that this was a fitting ending to the series. Ingrid is brave and determined, the writing is beautifully spare, the journey difficult and unpredictable.

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Reading Thirkell’s Barsetshire Series in Order: #25 Never Too Late + #24 Enter Sir Robert Wrap-Up

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I only had one person with me for the last book, so I was hoping we had more participation for Enter Sir Robert, which Thirkell ended with a little inside joke, so I steamed on ahead and hoped that somebody would join me and two of my stalwarts did. For the last five books, I’m in uncharted territory, for I haven’t read any of them. In any case, my thanks to any who are still keeping up or making comments. They are

The next book is Never Too Late, and I’ll be posting my review on Friday, June 30. I hope someone will join me in finding out who is not too late and for what.

And here’s our emblem.

Review 2185: The Transit of Venus

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The Transit of Venus spans the 1950s through the 1970s. It is a modernist exploration of the love affairs, both unconsummated and consummated, of the characters surrounding two Australian sisters in England, Caroline and Grace Bell.

The novel begins when Grace Bell is engaged to Christian Thrale. Grace is a few years younger than her sister Caroline, who is 21. Both are staying with the Thrales when Ted Tice, an astronomy graduate, arrives to plan the placement of a new telescope with Professor Sefton Thrale, Christian’s father. Ted, who is shabby and unprepossessing at the time, falls in love with Caroline at first sight.

Caroline, for her part, falls in love with Paul Ivory, whose play is being produced and who has just become engaged to Tertia Drage, the daughter of a neighboring lord. Caroline and Paul have an affair, but Paul drops her for Tertia, choosing position and wealth over love.

Caroline is devastated. She goes off with a friend of the Thrales, a middle-aged roué who has been bedding Tertia, but she ends up in London, working at a poorly paid government job and leading a bleak existence. All the while, she is loved by Ted Tice.

As the years go by, most of the main characters of the novel are overtaken by love. Caroline and Paul rekindle their affair for a time, but Caroline eventually happily marries a wealthy American philanthropist, Adam Vail. Christian becomes briefly obsessed with a young secretary, while Grace falls deeply in love with her son’s noble doctor. Grace and Caroline’s difficult older half-sister marries, to their relief, but then is robbed and abandoned by her husband.

Until the ending of the novel, I felt that the novel was a fairly detached examination of these various relationships in terms of the dynamics of who holds the power. Then Caroline learns a secret that makes her re-examine her entire adult life and made me re-evaluate my liking for the book. It turns everything on its head and makes the novel a great one.

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Review 2184: Literary Wives! The Harpy

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

My Review

Lucy writes copy from home and is raising her two small sons, having given up greater career ambitions upon motherhood. Although bored, she is reasonably content until she finds out her husband, Jake, has been having an affair with an older coworker.

Lucy, whom we eventually learn grew up with a physically abusive father and a psychologically abusive mother, has always been fascinated by harpies. She is immediately filled with rage, yet she is also embarrassed by the concern of her friends once she realizes they all know, and in some ways she seems to find fault with herself. She thinks she is a poor housekeeper and a poor mother, although it seems clear that Jake doesn’t do much work around the house and that she is a loving mother.

The couple make a deal that she can hurt Jake three times in return for him hurting her. But the hurting seems to have two effects—it seems to bring out more savagery in Lucy and it seems to make Jake behave as if everything is all right.

I didn’t exactly enjoy this novel, although it provides insight into modern suburban life as well as abusive relationships. Frankly, it made me feel a little squeamish at times.

What does this book say about wives or about the experience of being a wife?

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Although this novel makes observations about marriage in crisis and dissolution, it also makes precise observations about the tedium, aggravations, and isolation of modern marriage and motherhood. Jake seems to think that after Lucy has had her three cracks at him, everything should go back to normal. For her part, Lucy realizes that when she forgave her father years ago for abusing her mother, her feelings became diluted. So, this novel is about Lucy recognizing and affirming her rage. Although that doesn’t seem to be a good thing for their marriage, no one seems to figure this out.

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Review 2183: The Leviathan

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In 1703, someone has awakened, someone Thomas Treadwater has been watching over for 60 years.

In 1643, Thomas is on leave from the Parliamentary army, on his way home because of an urgent summons by his sister Esther. When he arrives home, he finds many of his father’s sheep dead and his father felled by an apoplectic fit.

Thomas is disturbed to find that Esther has incriminated a servant girl, Chrissa Moore, for witchcraft, blaming her for the state of their father and claiming that the girl has had relations with him. Worse, he finds that Joan, a long-time servant, is also incriminated. Almost immediately after Thomas arrives, Rutherford, an officer of the court, arrives to escort Esther to make a statement, and Thomas finds that Joan and her mother have been arrested as well as Chrissa, who is refusing to speak.

Esther goes down to the jail to see Joan but says she and her mother wouldn’t speak to her. When Thomas goes down to the jail, Chrissa asks him to speak to Lucy Bennett in Norwich. Then he discovers that Joan and her mother are dead, poisoned by hemlock.

Although I figured out part of what was going on almost immediately, thus begins a truly gothic story that involves an ancient legend, a family secret, and the poet John Milton. It’s full of adventure and is rivetting.

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Review 2182: The Love Child

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I guess I can say I’ve been theme reading lately with no plan to do so. By this I mean that I’ve been accidentally reading books with something unusual in common within weeks of each other. For example, I never read any books set in Sri Lanka (except one historical romance I read several years ago), yet within weeks I ended up reading two literary novels set there, one in the 80s and one more recently. Similarly, last summer I read two books set in Madagascar. Now, who would think that there were two books about an imaginary person who comes to life? Yet, a few weeks ago I reviewed Miss Hargreaves for the 1940 Club, and here is another novel on the same subject.

The Love Child is a different kettle of fish from Miss Hargreaves, though. The latter is an amusing romp, while the former looks more seriously at the fate of women in post-World War I England, where there was a surplus of them by nearly two million.

With the death of her mother, Agatha Bodenham (considered middle aged at 32) finds herself unexpectedly lonely. She and her mother have been very reserved and have not engaged in society, so she has no friends.

She remembers having an imaginary friend when she was a girl, a friend named Clarissa whom she romped with until her mother told her she was too old for such things. She begins by remembering the games she played with Clarissa, and eventually Clarissa reappears as an 11-year-old girl. Clarissa is a graceful, delicate girl, completely Agatha’s opposite. Agatha plays make-believe games with her and enjoys herself. But slowly Clarissa becomes visible to others.

When called upon to account for Clarissa’s existence, Agatha is confused and says she is her “love child.” No one believes this, but everyone assumes Clarissa is some relative.

Problems begin, though, when Clarissa starts to have a mind of her own.

This novel is quite a sad story, maybe, depending on how you understand the ending. It rests on then-current beliefs about how the lack of motherhood might affect women (it was published in 1927) and in the fate of unmarried women. I found it sometimes flagging for me but was interested to see how it ended.

I received this book from the publishers in exchange for a free and fair review.

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Review 2181: #ThirkellBar! Enter Sir Robert

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Enter Sir Robert is the last of the Thirkell Barsetshire books that I read before, so I’ll let my previous review stand as a good plot synopsis and use this post to point out things I noticed this time around.

The ending of this novel made me laugh out loud. I don’t want to give anything away, but I’ll just say that Sir Robert Graham has been referred to in most of the books of the series but has not once appeared. In this novel, he is retiring, and his wife, Lady Agnes, arranges for him to become a church warden and talks about the things he is planning to do. And finally he appears.

Edith, Lady Agnes’s youngest daughter, is the focus of this novel, and although there is no overt romance in this one, because at 17 she’s a bit too young, she meets two delightful young men in their 30’s. (I thought the novel said she was 18, but as she is still 18 for at least the next two books, I’m assuming she is 17 now.) George Halliday is in the difficult situation of running his father’s farm when he knows that his father, who is going downhill in health, would rather run it himself. John Cross is a bank manager leasing a house from the Hallidays.

Toward the beginning of the novel there is an unpleasant little diatribe against foreigners, particularly immigrants, that will strike some chords familiar today, but that’s just a small part of the novel.

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