Review 2110: Classic Club Spin Result! The Saga of Gösta Berling

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The Saga of Gösta Berling begins with the story of a young minister. He has been so depressed by his difficult job and his gloomy house in a remote region of Sweden that he has begun drinking, going so far as to miss some Sunday services. His parishioners have complained, so the bishop and other senior clergymen have come to his parish to attend Sunday service and dismiss him. However, that morning he is sober and gives a passionate and inspiring sermon. The clergymen question the parishioners and they suddenly have no complaints. So, the clergymen give the minister a talking-to and depart. The young minister is Gösta Berling, and now he resolves to reform, to stop drinking and dedicate his life to others. But then one of his old drinking buddies, who drove away with the clergymen, tells him they won’t bother him again. He has given them a terrifying sleigh ride to the station and then threatened them. Gösta knows they won’t believe he didn’t have a hand in it. So, off he goes to become a defrocked priest, a vagrant wandering in the wilderness.

This bit is typical of what we find in this episodic novel, situations apparently resolved for the good, only to end in some ironic twist. It is an unusual novel, and the only thing I can think of that it reminds me of is Peer Gynt, except that Peer Gynt didn’t seem to have good intentions.

Years later, we find Gösta at Ekeby, the home of the majoress. She has a sad past but for years now has ruled Ekeby and its iron mines and farms through having married the major. She has given free room and board, indeed a wing of her house, to 12 cavaliers, who are required to do nothing except enjoy themselves and raise hell. The only catch is that each year, one of them dies. Gösta is one of the cavaliers.

On Christmas Eve, a “black gentleman” emerges from the chimney during the cavaliers’ party and convinces them that everything wrong with their lives is the fault of the majoress, that she has made a pact with the devil to get power. He particularly convinces Gösta even though the majoress rescued him from poverty. They make a pact with him to have control of Ekeby for one year, and if one of them acts unlike a cavalier in that time, he will have all their souls. So, on Christmas Day the cavaliers drive the majoress out of her house to wander the countryside.

This event is only two or three chapters into the book, but by this time there had already been several episodes in which Gösta proved himself charismatic but mercurial and unreliable. I was getting disgusted with him and took a break from the novel.

But coming back to it, I began to appreciate Lagerlöf’s extravagant prose style and vivid descriptions. It’s clear that she loves the Värmland area of Sweden, which was her home and the setting of the novel. Plus, I got more involved in the action of the novel, which has the feel of stories of the past being told around a fire.

Still, I found Lagerlöf’s idea of a fitting ending as well as the religious overtones fairly off-putting. So, a so-so for Gösta. I read this novel for my Classics Club list.

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Review 2109: Orphans of the Carnival

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After reading Carol Birch’s Jamrach’s Menagerie, I had high expectations for Orphans of the Carnival, especially as it had in common the carnival setting. However, my reactions to this novel were much more mixed.

The subject of the novel is a woman who really existed, Julia Pastrana, a 19th century performer. Julia was more than a performer, though. She was a famous “freak” at a time when such shows were popular. She is described only here and there and in pieces so that we slowly get an idea of what she looked like, but she was labeled an ape-woman, among other names.

The novel opens as Julia has decided to take up a showman’s offer and leave her home in Mexico, where she works as a servant, to travel to New Orleans to work in a sideshow. But her hunger for travel and adventure is stifled, because her boss wants her to stay out of view except when she’s on exhibit, discouraging her from even walking around heavily veiled, as she usually does.

Julia eventually changes agents and quickly becomes world famous, being an accomplished performer and speaking several languages. But she yearns for a fulfilling private life.

The trouble is, Birch didn’t succeed in making Julia an interesting personality. This problem may be because she was a real person and Birch didn’t want to take too many liberties, but sometimes I want to say to authors, “Your characters aren’t inherently interesting even if you put them in interesting situations. You have to make them interesting.” Further, she doesn’t do much with the carnival setting.

Birch also uses at least one anachronism when she puts Julia in pantyhose. Pantyhose wasn’t actually invented until 1959 and was called “panty legs” at first. The term “pantyhose” didn’t become common until the mid-1960’s.

There is also a present-time story about a woman who fills her apartment with lots of odd objects she’s picked up. There seems to be no connection between the two story lines until the very end of the book. However, when they do link up, the connecting is haunting.

The end of the novel is very much the best part of the book, but otherwise I had trouble staying with it and read two other books in between starting and finishing it. This for me means I am having trouble concentrating on the one I’m reading.

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11th Anniversary! Top Ten Books of the Year!

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It’s my 11th anniversary for this blog, and as is my habit, I am using it to post my top ten books of the year. This year’s books are all fiction, which isn’t unusual. What is unusual is that six of them are historical novels, and a few others are partially historical. Only one is set in the current time (the other nonhistorical novels in the recent past). Of the historical novels, most are set in the 20th century, but one each is set in the 16th, 17th, and 18th centuries. Five of the books are by women, five by men, and two involve the supernatural. Four books are set in the United States, two in Scotland, and one each in Australia, Madagascar, France, and an island in the Indian Ocean off what would become Australia.

This year’s choice was difficult, because I read some really good books, but here they are, in the order in which I posted the reviews:

Here’s wishing you a year of happy reading!

Review 2108: The Paris Apartment

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Jess needs to leave London quickly, so she calls her brother Ben in Paris and announces she is coming for a visit. He tells her it’s not a good time but ends up giving her instructions to his apartment.

All doesn’t go well for her travel plans, and she ends up arriving late. However, she can’t get Ben to buzz her in or raise him on her phone. She ends up following someone in and picking the lock to his apartment.

When Ben doesn’t appear the next morning, Jess begins asking about him. The neighbors, though, are hostile and unhelpful. The building itself is old and unusual, surrounding a courtyard with each apartment occupying a single floor. It seems much more expensive than Ben, a journalist, can afford. Moreover, in the apartment Jess has found a spot smelling strongly of bleach and a cat with blood on its fur.

I think I’ve read enough Lucy Foley. Her plots are puzzling enough, but her style gets old. All the books I’ve read by her are narrated the same way—in short chapters moving back and forth in time and changing narrators. Her style seemed unusual at first but it doesn’t change from book to book.

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Review 2107: Spring

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Spring is the third in Ali Smith’s seasonal quartet. Like with most of Smith’s books, there is a point where I say, “What the f— is she on about?” and a point where I say, “Oh.”

Richard Lease is an older man, a filmmaker who has done good work. He is grieving after his old friend Paddy’s death. Paddy had been his screenwriter, a woman who supported and inspired him and a good friend. He is further upset because the screenwriter assigned for his next film is trying to turn a delicate work about two famous writers who never actually met each other into a story about a hot affair.

Supposed to be at a meeting about this film in London, Richard takes a train in the opposite direction and gets off in Scotland, thinking about throwing himself under the train.

About halfway through the novel, it suddenly focuses to a seemingly unrelated story. Brittany is a security guard in a detention facility for illegal immigrants. She, like many of the other guards, has started to become callous and treat the detainees as if they were criminals.

She has heard a rumor about a little girl who walked into a facility and spoke to the director. The next day the toilets were spotlessly cleaned. Then one day on her way to work, she meets the child she thinks is that girl. The child Florence wants to know how to get to the place in Scotland shown on an old postcard she has. Suddenly, Brittany finds herself going along.

The novel is obviously about how we treat immigrants, but it makes comments about other things, like social media, on the way. There were times when its digressions got on my nerves and particularly one that I skipped once I had its measure. But somehow even when I’m frustrated by her, Smith always manages to pull me into her story and impress me with her intelligence.

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Review 2106: The Mere Wife

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Maria Dahvan Headley called The Mere Wife her novel about monsters in suburbia. It certainly is, but it’s also loosely based on the Old English epic poem Beowulf, only about women, not men.

Dana Mills is a U. S. Marine fighting in a desert country when she is captured and appears to be publicly executed on television. She awakens in the middle of the desert six months pregnant with no memory of what happened. Since she can’t tell the conditions under which she was impregnated, the Marines put her in prison stateside. She escapes and returns to her home town, which her family has lived in for generations, only to find it demolished with a suburb built on top of it.

Dana finds her way to caves in the mountain surrounded by the suburb. Inside the mountain is a train station from when the town was thriving. Living in the cave, she has her baby, but she is traumatized by PTSD and thinks he is a monster.

Seven years go by, during which Dana has been training her son, Gren, to survive, which she believes includes staying away from other people. But Gren sneaks out and makes friends with a boy in the nearest house, Dylan, who has been both spoiled and restricted and neglected. When Dana finds out about this friendship, she has only dread. Despite her efforts to keep him away, Gren sneaks out and attends a New Years party. Willa, Dana’s mother, has been aware that something has been in her house, a wild animal, she thinks. When Dana comes to fry to fetch Gren home, a series of overreactions on her part and that of Dylan’s parents result in catastrophe. Soon the police are hunting down Dana and her son. Enter a macho policeman named Ben Wolff.

This is really a rough read. Stylistically, it’s beautiful and poetic, but it is also harsh and cynical. The question Headley forces on you is, Who is the monster? Well, there are lots of them.

The novel features a chorus of women and a strong distaste for men as well as for hypocrisy.

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Review 2105: The Royal Secret

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When James Marwood and Cat Lovett, now the widowed Mrs. Hakesby, meet Mr. Van Riebeeck at the theater, Marwood has no idea that his investigation of someone selling state secrets will involve him. Cat, who has carried on her husband’s architectural business since his death two years before, has thought she would never be drawn to a man, but she is to Van Riebeeck.

When Marwood’s investigation begins to focus on Van Riebeeck, he tries to warn Cat, but she just thinks he is jealous, which he is. In the meantime, Cat is working on plans for a chicken house for the King’s sister, Madame, and is asked to take them and a model to France.

Van Riebeeck has already killed three people and proposed marriage to Cat before he disappears. But since one of the murdered is Marwood’s own footboy, he is determined to find him.

This is another excellent entry in the Marwood/Lovett series. The main characters remain interesting, and Taylor involves them in some intriguing plots. I am enjoying them.

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Review 2104: The Other Side of the Bridge

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Mary Lawson’s milieu is the tough life in remote northern Ontario. In The Other Side of the Bridge, she examines the relationships between parents and children and between brothers.

In the late 1930s, Arthur and Jake Dunn are a farmer’s sons. Jake was born after their mother had several miscarriages, and she has been so worried about him that he has not been made to work the farm, while Arthur works hard to help his father. Jake gets by on charm and recklessness, while Arthur tries to protect his mother by lying about the various fixes Jakes gets himself into. Arthur, who is quiet, solid, and dutiful, realizes at one point that Jake is purposefully making trouble for him.

Although his mother loves only Jake, Arthur has the moral high ground until a fateful accident on a bridge.

In the 1950s, Ian Christopherson is a high school student whose mother has left him and his father. He is harboring hatred for his mother for leaving and a disinclination to become a doctor like his father just because it’s expected. He also has a crush on Laura Dunn, Arthur Dunn’s wife, and asks for a summer job on the farm just so he can sometimes be around her. The couple seems content, but their relationship is more complex than he realizes until brother Jake comes home after having been gone for 15 years.

This novel is deeply affecting, dealing with long-suppressed emotions and intricate relationships. It is written in beautifully spare prose. Another great book from Lawson, who deserves a lot more attention than she seems to be getting.

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Review 2103: Kill Me Tender

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When I asked Dean Street Press to send me books for Dean Street Press in December, I felt that a mystery starring Elvis Presley might be clever and amusing. This was despite my usual dislike for mysteries using an actual person or someone else’s character as the detective. So, I asked for the first book in the series. Unfortunately, I wasn’t able to post my review until now, so I missed the event.

Elvis is feeling strange and unfocused since he returned from his army service. He keeps an eye on his correspondence and is distressed to learn that the president of one of his fan clubs, a young girl, died of a heart attack. Also, someone has sent him a record of an Elvis impersonator singing one of his songs, only with the lyrics horribly changed. Then, he learns that another fan club president has died unexpectedly—and both girls had a red spot on their tongues. After a third death, Elvis begins to suspect that someone is killing off his fans. Elvis feels he must get to the bottom of this.

His investigation leads him to meet colorful characters—an uncredentialed doctor serving the Black community and his beautiful nurse, a whole room of Elvis impersonators, an expert on criminology, and a hippy-like jail resident who seems to be psychic.

The humor of this novel seems to be based in strange encounters and outrageous behavior, and it didn’t really work for me. Far from the witty maybe sharp novel I expected, it comes off as a fanboy tribute.

What bothered me more, though, was that while Klein obviously researched Elvis, he didn’t spend the same amount of time checking the accuracy of his memory of 1965. For example, a 14-year-old Southern girl of the time would be very unlikely to even know the language that one character uses. Elvis’s affair with a black nurse is also unlikely. But there is at least one downright anacronism—the use of the term “serial killer” ten years before it was coined.

Characterization is mostly one-dimensional in this novel except for Elvis himself. The rest of the characters are just being put through their paces.

I received this book from the publisher in exchange for a free and fair review.

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Review 2102: My Soul To Take

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A quote on the cover of My Soul To Take says that it is chilling, but apart from its grim subject matter, it is actually surprisingly light. Conversations and the tone of the second Thóra Gudmundsdóttir novel are often quite jokey.

In 1945, a man drops a small child into a freezing coal bunker to die. From a nearby farmhouse, someone sees him.

In the present time, lawyer Thóra Gudmundsdóttir is contacted by her client Jónas Júlíusson, who has just built a New Age hotel from a remodeled farmhouse on the Snaefellsnes peninsula. He wants her to look into whether he can claim damages from the previous owners because of ghosts on the property. Thóra reluctantly agrees to come to the hotel to investigate.

Shortly after Thóra arrives there, Birna, the project’s architect, is found brutally beaten and raped on the beach. Thóra thinks that Birna was investigating something about the property. In any case, Thóra finds herself looking into her case because Jónas is a suspect. Thóra’s German friend Matthew, with whom she began a romance in the previous novel, joins her there. Just when it’s possible that the police might have believed the murder is unconnected with the hotel, another body turns up, that of the hotel aura reader.

As I said, this novel is surprisingly light in tone. Even more surprisingly is how it deals with Thóra’s children, who seem to be there only for light comic relief. Thóra’s 16-year-old son has made his girlfriend pregnant, and Thóra has left them and her younger daughter with her ex-husband. But she learns mid-case that her son, who doesn’t have a driver’s license, has left with his sister and pregnant girlfriend to drive to Thóra. On learning this, Thóra does nothing for several hours and then tells her ex where to pick them up. When, surprise, surprise, the children arrive the next day, Thóra basically ignores them. They have no apparent personalities except silliness and disobedience. It’s hard to understand why Sigurdardóttir even decided to make Thóra a mother.

One more very picky thing. At the opening of the novel, Thóra is dealing with a client who is having a dispute with the post office because the mail slot in his door is at the wrong height. The story is he bought a kit house from the States. But I’ve never seen a door for sale here with a mail slot already in it., and most people in the U. S. have mail boxes, either attached to the house or at the street. You seem to only see slots in old city neighborhoods on old doors. This just seems like an oddly wrong detail for her to have come up with.

I enjoyed the first book in this series but don’t think I’ll bother with the third.

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