Review 2098: Yoked with a Lamb

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After reading several Clavering books, I’ve decided that one of her strengths is in depicting a warm family and village life. It comes slowly in Yoked with a Lamb.

The village of Haystown in Southern Scotland is shocked and excited to learn that the Lockharts are returning to the area—all of them, including Andrew, who ran off with another woman several years ago. Andrew and Lucy are trying again and moving back to his beloved home. Lucy Lockhart has asked Andrew’s cousin, Kate Heron, to oversee preparations to open the house.

Although Lucy and the children are supposed to arrive there before Andrew, one day he stops by on his way north. Kate spends some time with him and his good friend Robin Anstruther. She begins to be attracted to Robin when she learns that he also was madly in love with the woman Andrew ran off with.

Kate thinks Andrew has treated Lucy abominably, but as the family gathers, she sees that Lucy constantly finds fault with him and throws his past in his face. She also tends to boss her children around and deprive them of small pleasures for no apparent reason. As Andrew and Lucy try to work out their problems, Kate tries to deal with her feelings for Robin.

I am enjoying the Furrowed Middlebrow reprints of Molly Clavering’s work very much. She was a neighbor and friend of the better-known D. E. Stevenson, but I have found Clavering’s books slightly more substantial.

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Review 2097: Death in the Tunnel

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I have enjoyed reading the Golden Age crime novels published by British Library and Dean Street Press, but many of them put a complicated plot ahead of the development of character and motive. At some point, I think many of these puzzle-driven novels get too tangled in their clues to be enjoyable. One of these is Death in the Tunnel, which actually faces us with two puzzles—how the crime was committed and how another crime got it started.

Sir Wilfred Saxonby gets on the train home from London one evening and asks for a private compartment. When the train is midway through a tunnel, the driver sees a signal to stop and slows almost to a halt before getting the green light to speed up again. When the train gets to its destination, Sir Wilfred is found dead, shot by a small-caliber pistol. Everything Inspector Arnold can discover seems to point to suicide. But there is that strange halt and other anomalies. Arnold’s friend Desmond Merrion is inclined to suspect murder. But the locked train compartment amounts to a locked room mystery.

First of all, let me just say that it’s a good thing Desmond Merrion is around, because Inspector Arnold has got to be one of the dumbest cops in history. For example, as soon as the tunnel’s ventilation shaft was mentioned, I knew it was important, but it takes another day and Merrion’s suggestion for them to look at it and still Arnold has to have the car tracks that lead to it pointed out to him. Later again he fixates on a poor old man when it is obvious he has been framed.

The murder itself isn’t hard to understand, but a crime that kicked it off had my head reeling with details about when checks were signed. And that leads me to the things I didn’t buy at all: (1) that a man could tell immediately the brand of typewriter used to type something (with comparisons to samples, yes, but not at one glance) and (2) that “experts” could tell by looking at a check whether it had been endorsed when it was written or later.

So, all in all, I didn’t enjoy this one as much as some others. By the way, there was no discussion of motive at all.

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Review 2096: The Raven’s Children

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I thought Yulia Yakovleva’s Punishment of a Hunter was an excellent 1930’s-era Russian mystery, so I looked for more. But all I could find was The Raven’s Children, a children’s book.

In Stalinist Soviet Union, seven-year-old Shura lives with his older sister Tanya, his baby brother Bobka, and his parents. All of them are patriots, but one night his father disappears. The next day, their mother behaves oddly, packing a suitcase, saying she quit her job, but she doesn’t tell them anything. The family unusually has a two-room apartment with Shura and Tanya’s bedroom accessed by a wardrobe so the second room is not obvious. That night Shura is awakened to see someone being taken away in a black car. The next morning, their mother and Bobka are gone, and Shura overhears a neighbor saying that they were taken away by the Black Raven. Their neighbors won’t speak to them except the timid old lady down the hall, who gives them a purse of money from their mother with instructions to go to their aunt.

Neither child wants to go to the aunt, so they spend the day wandering around talking to the birds (who talk back), trying to find the Black Raven. Gradually, they understand that their parents are thought to be spies and traitors. They think there must be some mistake and if they find the Black Raven they can tell him so. Then when they arrive home at their apartment that night, they find their neighbor living in it.

I always go under an assumption that the age of the protagonist in a children’s book is roughly the age of its intended audience. That being said, I think that children that age would understand very little of this book and be terrified by some of it. And I’m not a person who thinks children shouldn’t be scared by books.

For one thing, Yakovleva slowly brings in an element of magical realism. The talking animals and even Shura becoming invisible and having people walk through him was okay. But Yakovleva makes metaphors become real, so ears and eyes appearing in the walls are really creepy. But the worms are the worst. And I don’t want to spoil anything, but some characters, once disappeared, stay disappeared.

Yakovleva wrote this novel because her grandfather had similar experiences as a child during Stalin’s Reign of Terror. This novel might work as a teaching tool, but I would advise it to be with discussions with an adult who has read up on the period. Otherwise, I don’t think children are going to understand this novel.

By the way, several adult Goodreads readers complained that they didn’t understand what was going on, and at least one of them said she was from a former Soviet country.

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Reading Thirkell’s Barsetshire Series in Order: #20 The Duke’s Daughter + #19 County Chronical Wrap-Up

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Again, I had fun revisiting old friends and meeting new ones in County Chronicle. I thank anyone who has had time to send in a comment. They are

The next book is The Duke’s Daughter, which I will be reviewing on Tuesday, January 31. If you get a chance to read the book or have read it or just have something to say, pop in and make a comment. And here’s our little badge.

Review 2095: We

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I am pretty well up on the 19th century Russian novelists, so when I was making my Classics Club list, I asked my husband to recommend someone more recent. He mentioned We.

The introduction calls Zamyatin an inconvenient citizen of both the czarist and Communist regimes, because he believed in complete freedom for the individual. His novel We is the granddaddy of dystopian novels and an inspiration to Orwell.

D-50 is a good citizen of the OneWorld, where everyone eats, sleeps, and works in unison. He is also the creator of INTEGRAL, which is going to be shot off into space to make the entire universe uniformly happy. He is writing a record to explain to the citizens of the universe why they should want to be uniform.

He thinks he is happy with O-90, whom he periodically requests for sex (the one time when they’re allowed to close the blinds of their glass apartments) until he meets I-330. There’s something mocking about her, and he thinks she’s up to something. Then she begins dragging him into situations that he should report her for to the Guardians. But he doesn’t, and soon he is madly in love with her and behaving strangely.

This novel is both dystopian fiction and a satire of some of the beliefs of Communism. At times, it is quite fevered in tone, and I wasn’t always sure what was going on. Characterization doesn’t even make sense in such a novel, so Zamyatin picks out weird facial features to identify people. Not my genre, but interesting.

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Review 2094: The Book of Cold Cases

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I had to read The Book of Cold Cases as soon as I received it, because there’s no one better than Simone St. James when it comes to a combination of mystery and the supernatural. It did not disappoint.

Twenty years ago, nine-year-old Shea got into a serial killer’s car. She survived, but the experience left her with several phobias and a great deal of fear. It also left her with a fascination for true crime, which she feeds by keeping a true-crime blog called The Book of Cold Cases.

At work one morning, She recognizes Beth Greer, a wealthy woman who was tried but not convicted of the murders of two men in 1973. Most people in their small Oregon town think she’s the first woman serial killer. She has never agreed to an interview, but after she catches Shea following her, she agrees to one.

Shea meets her in Greer’s parents’ home, an ugly mansion above the town with the ocean a sheer drop beneath a small lawn. Oddly, it is still decorated as her parents left it. Before the murders, her father was found dead in the kitchen, having been shot in the face by an apparent burglar. The manner of death was the same as that of two men shot several years later with the same caliber bullet, which was some of the evidence used against Beth.

Beth begins to tell Shea part of what she knows about the case, and Shea decides that although she doesn’t think Beth murdered the men, she knows more than she is telling. Then during a break, a weird thing happens. Shea goes to the kitchen and bathroom. First, all the taps turn back on after she turns them off, then all the kitchen cupboard doors open when she has her back turned to them.

When Shea tells Michael, her private investigator, what happened, he thinks Beth could have rigged up some kind of mechanism. But Shea isn’t so sure. Then when she is playing back her recording of the interview, she hears in the background the faint voice of a woman repeating, “I’m still here.” After she’s heard the voice, her phone dies and the recording disappears.

As Shea investigates the case, the novel moves back in time to events of 1973 and further back to Beth’s childhood to show what happened.

This is a great combination—mystery, thriller, and ghost story. St. James has always been good at what she does, but this book and her last were excellent.

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Review 2093: #ThirkellBar! County Chronicle

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In introducing County Chronicle, I find it impossible to avoid spoilers for those who have not read the previous book, The Old Bank House. So, beware.

The novel begins where the previous one left off, if not slightly before that, with Lucy Marling wondering how her parents are going to take her engagement to Sam Adams, the wealthy older ironmonger who is not from her class. They take it comparatively well. It is her beloved brother Oliver who tries to flatten her excitement with his disapproval, so that Lucy realizes for the first time how selfish he is.

Speaking of selfish men, Francis Brandon is now happily married, but he’s been taking his mother for granted and is even rude to her. His mild-mannered wife Peggy is distressed by it but doesn’t have the courage to say anything. Others are beginning to notice, and Mrs. Brandon realizes it was a mistake for them all to live together.

Isabel Dale, a cousin of Robin Dale, takes a job with Mrs. Marling to help her with Lucy’s wedding and stays on to help her with her correspondence. She also sometimes helps Oliver with his book.

Although the Barsetshire set have tended to stay away from the Omnium Castle crowd, Francis and Peggy Brandon have been spending time there doing amateur theatrics with Lady Cora and Lord Silverbridge, the Duke’s heir. We find the ducal family impoverished but very nice. Eventually, Isabel and Oliver are introduced to the family by Roddy Wickham.

Although I didn’t like this one quite so much as The Old Bank House, it was still good. Several characters’ problems are resolved in a satisfying way, and the two romances are as sweet as they are understated.

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Review 2092: The Fair Jilt

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I know that Aphra Behn wrote some bawdy comedies, and that’s what I was hoping The Fair Jilt would be. However, this prose work from 1688, which I read for my Classics Club list, is anything but funny.

Behn starts out with a long dissertation about foppishness, although it’s hard to say what that has to do with her story. She does not approve. Then she tells a story about a very beautiful woman named Miranda. She seems to like to pose her prose writing as if she is telling a true story with the names changed, as she did with Oroonoko.

Miranda starts out her career by flirting with all the men but never granting them favor. She lives in a sort of convent in Antwerp for women who have not made vows, but it seems to be full of her suitors. It is this kind of female aggression in her characters that has gotten Behn praise from feminists, but I’m not sure they understand her message. (Of course, she earns it for being a woman writer in the 17th century, as well as a spy.)

Miranda, who is as wealthy as she is beautiful, is living a gay and carefree life until she meets a beautiful young friar who is a prince with an unhappy past. She falls madly in love with him, but he is not interested. This fact enrages her and things go from bad to worse—for him.

Her continued career gets deeper into depravity after she marries handsome Prince Tarquin, even though he adores her. Her crimes include taking her husband’s ward’s fortune, lying, and incitement to murder.

So, you can imagine what a jolly tale this is. It even includes a man living after he is halfway decapitated. The biggest disappointment of this very unfunny work is that Miranda has a better fate than she deserves.

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Review 2091: Final Acts: Theatrical Mysteries

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British Library Crime Classics’ latest collection of mystery short stories has some connection to the theater. Some stories are only peripherally connected—feature an opera singer, perhaps—while others are set there and show a deep knowledge of that environment. As usual, the stories are ordered chronologically, beginning with a 1905 story by Baroness Orczy and ending with one from 1958 by Christianna Brand.

Baroness Orzcy’s “The Affair at the Novelty Theater” is a complicated story about the disappearance of some priceless pearls.

“The Affair at the Semiramis Hotel” by A. E. W. Mason is one of the super-complicated crime stories common in the earlier years involving people in costumes, a robbery, and a burglary.

“In View of the Audience” by Margarite Steen is a creepy one about a young man who gets on the wrong train and ends up accompanying a strange man to a derelict theater, where he hears about an old unsolved murder.

“Blood Sacrifice” by Dorothy Sayers leaves the reader to decide if there is a crime or not. Young playwright John Scales is furious with Mr. Drury, who has bastardized Scales’s play to make it a success. Then an accident places Drury in Scales’s power. This is the first story in the book in which characterization plays much of a role.

“The Blind Spot” by Barry Perowne is about a playwright who had a brilliant idea for a locked room mystery when he was drunk but can’t remember it sober.

“I Can Find My Way Out” by Ngaio Marsh probably shows the most knowledge of the theater, as a leading man is murdered in his dressing room.

“The Lady Who Laughed” by Roy Vickers is a strange story about a clown who murders his wife for finding him funny.

I enjoyed the satisfying surprise ending of “The Thirteenth Knife” by Bernard J. Farmer.

In “Credit to William Shakespeare” a poisoning onstage is solved through a man’s knowledge of Hamlet.

I think my favorite story was “After the Event” by Christianna Brand, where her detective, Inspector Cockrill, ruins the Great Detective’s favorite story by explaining how he got it wrong.

I received this book from the publishers in exchange for a free and fair review.

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