Day 1274: The 1944 Club! No Exit

Cover for No ExitThe 1944 Club crept up on me. I found I didn’t have time to read anything very long, so I decided to reread Jean-Paul Sartre’s No Exit. When I say reread, I mean that I must have read the play before, as I own a copy of it and took a course in Absurdist drama that included it. However, I don’t really remember it except that I knew the premise, which is famous, going in.

Sartre himself wasn’t exactly an Absurdist but an Existentialist who believed that people can define their own essence. That done, though, they must be authentic to that essence.

In No Exit, three people are locked in a room. They are dead, and they are in hell, but hell is not like what they expect. Inez is a lesbian who is attracted to Estelle. Estelle is a beautiful young woman who needs the attention of men. Garcin is a journalist who is preoccupied with the fear that he was a coward after he deserted because of principle.

I’m sure that No Exit was shocking and controversial in its day, but I found it predictable and sexist. The arguments among the characters that provoke the conflict and lead to the famous conclusion “Hell is other people” seem contrived, and Garcin is the only character who is even slightly sympathetic. To me, the women seem stereotypical—Inez as the woman who hates men and Estelle as the cloying dependent type.

So, I’m not sure how well this play translates to the modern day. I think I generally have problems with works that are about ideas rather than actual people, and these characters do not seem like real people to me.

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Day 1273: The 1944 Club! They Were Sisters

Cover for They Were SistersBest Book of Five!
I was going to save my review of They Were Sisters for our February Literary Wives club, but I saw it was also published in 1944, so applied to the 1944 Club! So, for Literary Wives, I will just have to refer back to this review and then make my further comments about the depiction of wives in fiction.

I previously read another book published in 1944. Here is its link:

Friday’s Child by Georgette Heyer

* * *

Lucy’s sisters, Vera and Charlotte, are much younger than she, so much so that she was largely responsible for raising them when their mother died. Lucy never thought she would marry, but she is, happily, to William, who is a bit eccentric. She has misgivings, though, about her sisters’ choices of husbands, especially Charlotte’s.

Vera’s husband, Brian, is solid and devoted. Lucy likes him, but Vera, who is a stunning beauty, seems to be bored with him. She has a constant entourage of male followers and loves to entertain. They have two daughters, Meriel and Sarah. Meriel is close to her father and paternal grandmother, who hates Vera and is always trying to make trouble. Sarah is closer to her mother, but she is the volatile one, who has trouble making friends.

Charlotte married Geoffrey. As a young man, he was constantly pulling pranks, and Lucy couldn’t see what Charlotte saw in him. As a husband, he is hypercritical and verbally abusive, teaching his daughters, Margaret and Judith, to disrespect their mother.

1944 club logoThe three women have been apart for years when they get together at the beginning of the book. After that visit, Vera and Lucy vow to keep in better contact with Charlotte because they are worried about her. Only Lucy pursues this, however, and through her efforts falls completely for Judith as a child. Although Charlotte avoids Lucy as she loses herself to alcoholism, Judith becomes a regular visitor to Lucy and William’s home, where she sees a more normal home life than the one she has. She also makes unlikely friends with her cousin, Sarah.

This novel is an insightful study of the bonds of sisters, despite their differences. It is a lovely book, also about how the act of caring on Lucy’s part has ramifications beyond her own sisters’ lives. Again, Whipple gets better and better. I will be sad when I will have read all of her books.

More about this book in February for Literary Wives!

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