Tag: #1954 Club

Review 1842: #1954 Club! Nectar in a Sieve

~ whatmeread ~ 4 Comments

I don’t usually post on Saturdays, but I had one more book that I read for the 1954 Club.

When I saw that Nectar in a Sieve qualified for the 1954 Club, I was excited to read this landmark novel. It depicts the life of poor Indian peasants, and as the Afterword of my Signet Classics edition states, nothing much has changed for them in the 80 years since it was written.

As the daughter of the village headman, Rukmani might have expected a more memorable wedding, but she is the youngest daughter, so no dowry was forthcoming and she is plain. So, Rukmani is married at the age of twelve to a poor rice farmer, Nathan, who does not even own his own land. But, she thinks as an old woman recollecting her life, her parents made a good choice, for Nathan was good and kind.

Rukmani remembers her life, a precarious one where they were never able to afford to buy the land, where one misfortune could mean disaster—and they had several.

Rukmani thinks things start to go wrong with the arrival of the tannery, which turns their village into a town and brings in many strangers. But one year of flood followed by one of drought cause starvation and worse problems when Rukmani and Nathan are middle-aged.

By coincidence, just before I read this novel, I read The Year of the Runaways by Sunjeev Sahota, about the life of Indian illegal immigrants in London. In all these years, nothing much seems to have changed except the ultimate outcome.

In some ways, Nectar in a Sieve is more like social reporting than a character- or plot-driven novel. The only character we really get to know is Rukmani herself. However, the novel is poetically written and tells a powerful story.

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Review 1841: #1954 Club! The Bird’s Nest

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When I saw that a Shirley Jackson novel I hadn’t read qualified for the 1954 Club, I knew I had to read it.

Twenty-three-year-old Elizabeth Richmond is a quiet girl with very little affect. Her mother died a few years ago, and she lives with her aunt Morgen. When she reluctantly seeks help for debilitating headaches, she is referred to Doctor Wright. After a series of baffling hypnosis sessions, Dr. Wright realizes that Elizabeth is exhibiting multiple personalities.

Elizabeth herself is restrained and has difficulty expressing herself. Another personality, which Dr. Wright calls Beth, is sweet and melancholy. Eventually, a third teasing and raunchy personality, Betsy, appears, and after a disastrous trip to New York, there is Bess, obsessed with the money she is due to inherit. Wright believes he can fuse these partial personas into a whole person, but soon they are fighting for their existence.

I don’t know how likely this novel would be considered now by those in the mental health profession, but it seems to be right up there for the 1950s. The novel is both bizarre and a little frightening and weirdly, macabrely funny, both effects which are probably intended. As to the novel’s resolution, well, that’s less likely but entirely 50s in nature.

I can see why some other of Jackson’s works are better known and more widely read, but The Bird’s Nest is still very good.

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Review 1840: #1954 Club! Destination Unknown

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I read Destination Unknown for the 1954 Club, and it is really more of a suspense/espionage novel seemingly based on Cold War politics than it is one of her usual mysteries. It is also not nearly as effective.

Thomas Betterton is just the latest of a series of scientists and researchers who have seemed to drop off the face of the earth. Although his wife Olive says she doesn’t know where he is, Jepson and his colleagues in a labyrinthian government office building think he has defected. When Olive asks for permission to travel for her health, they decide to have her followed.

Hilary Craven has left England for Morocco in the hope that a change of scenery will lessen her despair after first her husband left her for another woman and then her only child died of meningitis. But it doesn’t help, and she soon is going from pharmacy to pharmacy collecting sleeping pills. She is about to take them when Jepson bursts into her room with an alternative. The plane she was supposed to take to Morocco has crashed. She missed it and got another one, but Olive Betterton was on it. Both women are physically similar and have red hair. Will Hilary take Olive’s place and hope to be contacted, to try to find out where the scientists are even though it’s likely she won’t survive this mission? She agrees.

Although there are some complicated strands to the plot, not only is the novel not a mystery but it doesn’t feature the deft characterization or humor that are usually part of Christie’s books. Not one of her best, I’m afraid.

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Review 1838: #1954 Club! Katherine

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The latest year-based club sponsored by Simon and Karen is the 1954 Club! As usual, in this first post for the club, there are several books published in 1954 that I have already reviewed, so here they are:

Actually, I thought there were a lot more, but it turns out they were books I had read previous to my starting my blog, books like Madam, Will You Talk? by Mary Stewart, The Eagle of the Ninth by Rosemary Sutcliff, Lord of the Flies by William Golding, The Fellowship of the Ring by J. R. R. Tolkein, Mary Anne by Daphne Du Maurier, and don’t let’s forget Jeeves and the Feudal Spirit by P. G. Wodehouse.

Katherine is the first book I read for the club. It is a highly romanticized tale of Katherine Swynford, the mistress for many years of John of Gaunt, the Duke of Lancaster and second son of Edward III, who eventually married her and legitimized their children.

In 1366, Katherine de Roet leaves the convent where she has been raised to join her sister Philippa at court. Philippa is to marry Geoffrey Chaucer and hopes to find a husband for her sister. Soon, one appears, for Katherine is astonishingly beautiful. She is offered a marriage she couldn’t normally expect to Sir Hugh Swynford, a landed knight who is infatuated with her. She is repelled by him, but she has no say in her marriage.

Hugh is the Duke of Lancaster’s man, and Katherine finds Duchess Blanche to be a beautiful and kind woman. She is entranced by the Duchess, but she finds herself uncomfortably attracted to the Duke.

Hugh takes Katherine home to their estate, which is meager and poorly run, and basically leaves her there pregnant while he goes off to war, the Duke being determined to capture Castile and rule it. The novel details her life, and after the deaths of both their spouses, their love affair.

Seton says in the beginning of the book that she used nothing but historical fact for her story. Yet, I wasn’t quite buying it. It seems clear that Katherine and the Duke were seriously attached, but Seton depicts Katherine as sweet and naïve, without ambition. She probably had to in 1954, to legitimize having an adultress (as Katherine would have been viewed then) as a heroine. I’m willing to bet that a woman who rose from almost nothing in that age to be the second highest woman in England had some ambition. And more power to her.

The novel shows a great deal of knowledge of medieval customs, dress, and cuisine. Still, it’s so highly romanticized that I found it a little hard to take at times. What it accomplished for me was a desire to read about Swynford from a reputable biography.

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