Tag: 19th century

Day 910: The Sisters Brothers

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Cover for The Sisters BrothersThe Sisters Brothers is a book I read for my Walter Scott Prize project, but it also turns out to qualify for my Man Booker Prize project. It is a peculiar novel indeed. It is blurbed as hilarious. I did not find it so. Satirical, maybe; dark, yes; picaresque, definitely.

It  is 1851, and the Sisters brothers are on their way from Oregon City to California to kill a man named Hermann Kermit Warm. They are hired killers who work for a man known as the Commodore. Charlie is the Commodore’s man, but Eli is tired of the life and wants to own a store.

This is definitely a road trip novel, and on the road, Eli and Charlie encounter many odd people. Most of them they deal with brutally. Eli and Charlie are themselves almost self-parodies, as is their mode of speech.

Although there is an underlying plot, the novel is a series of episodes, where the brothers encounter one situation after another and get out of them more or less fantastically. There is a bit of dark humor in the dialogue, but unlike some other reviewers, I did not find the novel funny. I was interested in Eli’s mental journey, but after he and Charlie blew away a bunch of people, not so much.

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Day 907: Victorian Fairy Tales

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Cover for Victorian Fairy TalesApparently, in Victorian times there was a fashion for fairy tales. Not only did some writers, especially of children’s books, concentrate on them, but many writers of other types of works wrote them as well. Although Victorian Fairy Tales is published as a scholarly work with notes and essays, the tales are well worth reading by anyone, and many of them are by well-known writers.

My favorite tale was “The Rose and the Ring,” by William Makepeace Thackeray. It is about a couple of usurping kings and the confusion that results when an enchanted ring and a rose that each make the wearer irresistible to the opposite sex are traded around among the characters. The story is very funny, with different types of humor to appeal to both adults and children, as well as silly names and repetition, which children love. The pictures by Thackeray from the original are wonderful.

“Prince Prigio” by Andrew Lang is another funny tale, about a prince who is so smart that he annoys everyone. Another outstanding tale is by E. Nesbit, “Melisande,” about a princess who is cursed by a wicked fairy to be bald. Her father gives her a wish, and as happens in fairy tales, she doesn’t wish wisely.

Other favorite stories are “The Queen Who Flew” by Ford Madox Ford and “The Reluctant Dragon” by Kenneth Grahame. “The Reluctant Dragon” and “The Selfish Giant” by Oscar Wilde are the only stories in the volume I have read before, although I vaguely remember there being a copy of “The Little Lame Prince” by Dinah Mulock Craik around our house.

There is much to enjoy in this book, both for children and adults. I thought a couple of the stories were a bit ethereal and symbolic to be enjoyed much by children (or by me), but most of them were fun to read.

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Day 905: The Rector and The Doctor’s Family

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Cover for The Rector and The Doctor's FamilyThe Rector and The Doctor’s Family is in fact a collection of two novellas in Mrs. Oliphant’s Chronicles of Carlingford, the first two works, I believe. Out of order, I have already reviewed two of this series—Miss Marjoribanks, which I found delightful, and Salem Chapel, which was funny and moving. Fortunately, although these novels have some characters in common, they don’t depend upon one another except for incidentals and the occasional reappearance of characters.

The Rector, a very short work that is mostly a character study, begins on a comic note but then becomes more serious. Before Mr. Proctor, the new rector, arrives, everyone wonders whether he will be high church or low church. Upon his arrival, all Carlingford finds that they can’t tell what he is. Instead, they wonder if he will marry Miss Wodehouse.

Mr. Proctor knows nothing of women and is upset by the notion that he might marry, even though he first learns of this idea from his elderly mother. Soon, though, there is something more to concern him. Called in to comfort a dying parishioner, Mr. Proctor finds himself useless. His 15 years at All Souls College have not prepared him for certain of his duties. All his essays on religious doctrine are no help. Mr. Proctor is appalled, and doesn’t know what to do, and he is humbled when he sees that the young Perpetual Curate does.

The main character of The Doctor’s Family is young Dr. Edward Rider, who is trying to build a practice in Carlingford. He is a little bitter because his poor financial position obliged him the year before to give up the idea of marrying Bessie Christian, but instead he gained a more unwelcome burden. His shiftless older brother Fred returned from Australia five months earlier and has been lounging around the doctor’s home drinking and smoking ever since. Edward Rider has been all the more resentful because Fred’s behavior apparently cost him his previous practice.

To this unhappy household some unexpected visitors arrive. Edward is shocked to learn that Fred left behind him in Australia a wife, Susan, and three children. They have journeyed to find Fred, accompanied by Susan’s astonishing sister Netty. Edward is immediately attracted by Netty, who is small and dynamic. Fred’s wife Susan is lethargic and stupid and quickly shows a disposition to blame her family’s situation on Edward. Netty removes the household to its own lodgings and runs it single-handedly, taking on all the responsibilities of the family for the two lazy and irresponsible parents.

Now Edward has rid himself of his brother, but he haunts their household to see Netty and falls in love with her. But Netty won’t relinquish her duties. Who will do them if she doesn’t? she reasons. And she knows that Edward won’t be able to tolerate the situation with his brother’s family.

This little novel shows such a knowledge of human foibles. I was completely captivated by the story of Edward and Netty, even while realizing that Netty would not be thanked for her efforts. I was also not at all sure how the story would end, because Oliphant often surprises us.

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Day 896: No Country

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Cover for No CountryA story about Irish immigrants to India seemed like an interesting change to me. But I decided not to finish this 500+-page book.

It begins in 1989 in upstate New York, where the bodies of a couple are found and their daughter is being questioned. The promise is that the novel will answer the question of who killed them or whether they committed suicide, but at least in the first 200 pages, after this brief opening, the book doesn’t return to the crime.

Instead, the story goes back in time to 1843 Ireland. There, we meet two boyhood friends, Brendan and Padraig. Through several unlooked-for occurrences, Padraig ends up on a ship to Bangladesh with every intention of returning immediately, while Brendan adopts Padraig’s illegitimate daughter Maeve and ends up fleeing the famine for Canada.

Everything about the Irish section of the novel seemed clichéd to me, and because Ray spends no time at all on characterization, we’re not especially interested in the characters. The point of view switches between characters, but they don’t have distinctive voices or personalities. Finally, there is no sense of place to the novel. So, I decided to stick it out until the novel moved to India, hoping that would change things.

In Calcutta in 1911, we meet Robert, Padraig’s Anglo-Indian grandson. I didn’t stay with Robert very long because I still didn’t feel very interested, and again there was no sense of place. It seems obvious that the couple who die in 1989 are going to find they are related in some unanticipated way, but by then the relationship will be so distant, it would hardly seem to matter.

In fact, the story seems to be one of unrelenting misery, but a misery so detached that we feel little empathy as we read the catalog of horrors experienced by Brendan and his family in Ireland and on the way to Canada. The novel is ambitious to tell the story of these families but in a way that didn’t capture me or make me want to invest the time to finish it. From reviews I’ve read, it just becomes more complex, one reviewer mentioning it needed a family tree. But that would probably give away the ending.

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Day 895: Red Pottage

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red-pottageBest Book of the Week!
Red Pottage is another find for me this year of a novel by a terrific classic author. I can include Mrs. Oliphant, Dorothy Whipple, and Julia Strachey in this list of classic authors I have not read before that I really enjoyed. My Doughty Library edition says the novel contains “every ingredient for a Victorian bestseller” and mentions wickedness and greed.

Hugh Scarlett has been having an affair with a married woman, Lady Newhaven. At first he thought he was in love with her, but now he has recognized her for who she is—a shallow and stupid beauty. He has already decided to break with her when he meets Rachel West at a party. At one glance he decides that Rachel is the woman to make a better man of him.

Rachel has also attracted the attention of Dick Vernon, a wine grower from Australia who is visiting his friends and family. Rachel likes him, but she is thinking of others.

Rachel has an unhappy past. Once the daughter of a wealthy man, she lost her fortune with her father’s death. For seven years she struggled to support herself, living in London’s East End and working as a typist. At that time, she fell deeply in love with an artist, Mr. Tristram, and was devastated when she realized he had no intention of marrying her. At the beginning of the novel, she has inherited another fortune and still believes herself in love with Mr. Tristram. Now that she has a fortune, though, she is looking like a much better prospect to him.

Another important character is Hester Gresley, an author who has been Rachel’s friend since childhood. Although Hester is better born than Rachel, her fortunes have suffered as Rachel’s have improved. She lives with her brother James, a rector who disregards her talent as a novelist and can only see his own point of view. James’s wife is jealous of Hester, and the children lovable but noisy. Hester finds herself unable to work during the daytime, so she stays up into the morning working, only to be accused by her sister-in-law of laziness.

Red Pottage is a story about morals and manners. That sounds boring, but it is quite satirical at times, while at other times it brought me to tears. The central conflict begins shortly after Hugh meets Rachel, when Lord Newhaven confronts him about Hugh’s affair with his wife. He makes Hugh a challenge, that they draw “lighters” (matches? straws?) and whoever draws the short one must take his own life within four months.

To complicate matters, Lady Newhaven eavesdrops on this conversation but does not learn who drew the short lighter. Then foolish, self-centered Lady Newhaven confides in Rachel, along with her assumption that if her husband dies, she will marry Hugh.

The story turned out just about how I thought it would, but I found the journey completely gripping. Another success from my Classics Club list!

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Day 890: Charlotte and Emily

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Cover for Charlotte and EmilyI have read two of Jude Morgan’s literary biographical novels but never felt I was really seeing the true character of the subjects. However, with Charlotte and Emily, Morgan seems to have found his subject.

Charlotte and Emily covers most of the Brontës’ lives, from the time they were children until Charlotte marries Arthur Bell Nicholls. By that time, all the other Brontë siblings have died.

Charlotte is the main character of the novel, although it is occasionally told from the point of view of Anne. Emily remains distant from the reader, harder to know.

Much of the novel is concerned with the focus of the entire family on the future of brilliant Branwell, the only son. The girls are sent for schooling so that they can be teachers and earn money to help educate Branwell. Although Charlotte wonders if she can become a writer and even tries sending poetry to Southey, the poet laureate, she is discouraged by both Southey and her father.

Of course, Branwell never finds a vocation and instead becomes a wastrel. Charlotte and Anne work doggedly as teachers, although they hate it. Emily gets herself sent home both from school and work.

I have read biographies of the Brontës, but this novel is the first I’ve read that gave me a sense of what their lives may have been like. I found it completely absorbing. If you are a Brontë lover, this is a book for you.

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Day 884: Tales from the Queen of the Desert

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Cover for Tales from the Queen of the DesertTales from the Queen of the Desert is a set of excerpts from two books by a remarkable woman, Gertrude Bell. Bell was a travel writer, diplomat, linguist, archaeologist, even a spy during World War I. She was widely regarded as an expert on the Near and Middle East and helped establish the country of Iraq.

She wrote the first book, Persian Pictures, after she visited her uncle in Persia (modern-day Iran) in 1892. She was very observant, and whether she is describing the landscape, the bazaar, or her impressions of Tehran, her descriptions are so vivid that it’s possible to imagine exactly what she saw.

In this book, she is sometimes a little snide, in a superior sort of way, although sometimes funnily so, as when she reports her impressions of the famous Peacock Throne of the Shah. At first she is astounded when she realizes that every inch of the room, including the carpet, is encrusted with jewels. But then she notices other objects among the jewels—patent medicine pills and toothbrushes, for example, which are also treated as treasures. As a final touch, she notes that the room is lined with boxes, which turn out to be music boxes. She understands that the Shah likes to turn them on all at the same time.

Some of her observations resound strongly even today. For example, at the beginning of the first chapter, she describes entering Tehran from the west gate. From that side, the city at the time was relatively unpopulated, the desert creeping in. But by the east gate, the town was vibrant and full of people. She concludes, “The East looks to itself, it knows nothing of the greater world of which you are a citizen, asks nothing of you and your civilization.”

Syria: The Desert and the Sown was published in 1907 after what was apparently Bell’s second trip to Syria, as she references a visit five years before. In this book, although she visits some of the area’s most important cities, the excerpts concentrate more on her travels in the hinterlands, where she meets many interesting people and examines archaeological sites. She also has another errand, which she does not discuss.

The excerpts from this book seem more fragmentary, for she begins chapters in different locations than she left off. Again, her descriptive powers are notable. By now, she gets by very well in Arabic and has studied the customs and courtesies of the area. Her attitude of slightly amused superiority is gone.

In both books, Bell’s writing is almost poetic at times. It’s easy to feel the romance and dangers of the East. There is nothing like some books for taking you to another place and time.

I received a copy of this book from the publisher in exchange for an honest review.

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Day 870: Jane Steele

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Cover for Jane SteeleBest Book of the Week!
Fans of Lyndsay Faye’s Timothy Wilde trilogy (I am one) have undoubtedly been looking forward to Jane Steele, which she describes as a riff on Jane Eyre. In this novel, which Faye dedicates to “Miss Eyre and Mr. Nickleby,” Jane Steele describes her life as one very similar to Jane Eyre’s, only with an important difference—Jane Steele is a serial killer.

At the beginning of the novel, Jane is nine or ten years old, living in a cottage with her mother on the grounds of Highgate House. Although her mother has told her Highgate House belongs to her, it is occupied by her Aunt Patience Barbary and her cousin Edwin. Mrs. Barbary hates Jane and her mother, and after her mother’s death from an overdose of some opiate, Mrs. Barbary wastes no time in preparing to ship Jane off to Lowan Bridge School, run by Mr. Vesalius Munt. But before that can happen, Edwin tries to rape Jane, who pushes him off a cliff to his death. Terrified by the perspicacious Constable Quillfeather, Jane goes meekly to school.

It is difficult to know how much to reveal in this review, but suffice it to say that almost every action in Jane Eyre is echoed in some way in Jane Steele, but always with a twist. Mr. Munt is, if anything, a worse sadist and hypocrite than the headmaster of Lowood School. Jane Steele has a dear friend in the school, Rebecca Clarke, who comes close to dying, but when Mr. Munt offers Jane a choice between further starving Clarke or agreeing to be sent to an asylum, Jane instead chooses to stab him with a letter opener. Jane being sixteen by then, she and Clarke run off to London.

link to NetgalleyEventually, Jane meets her Mr. Rochester when she forges credentials as a governess to go work at Highgate House. There she hopes to search for proof of her mother’s claim that the house belongs to her. She finds herself in an unusual environment. The house belongs to Mr. Charles Thornfield, a nephew of Patience Barbary. Her charge is a little Sikh girl named Sahjara, and the entire household is Sikh. This household has its own secrets, to do with the betrayal of the Khaba, the Sikh military, by its own leaders.

This novel is a romping good read, full of adventure. It features a missing treasure, secret identities, several oily villains, and the resurrection of the heroine’s self-esteem. Yes, Jane kills five men. Do we still like her? Absolutely. I think you’re going to love this book.

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Day 865: Arctic Summer

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Cover for Arctic SummerFrom its description, I thought that Arctic Summer might be one of the most interesting books I’m reading from the Walter Scott Prize list. It is described as a fictional biography of E. M. Forster, particularly leading up to his publication of A Passage to India.

That is certainly the time period the novel covers, and A Passage to India is one of its preoccupations. But the novel spends most of its time on Forster’s obsession with his homosexuality and his desire for sexual experience. As I’m not all that interested in reading about anyone’s obsession with sexuality, this novel was not the best fit for me.

The novel begins in 1912 on Forster’s first trip to India. While he is there, he will visit a good friend, Masood, and he has hopes that his life will open up, particularly in regard to sex. At the age of 33, he is still a virgin, his fear of disgrace holding him back from expressing his sexuality at home. Perhaps in India he will have an experience, maybe with Masood, whom he loves.

Unfortunately, Forster, who goes by Morgan, has a tendency to fall in love with heterosexual men and prefers men from a lower class, so nothing quite works out the way he wishes. Even when he finally has some encounters, years later, what he is actually looking for is love, which he never finds. The novel follows him during the long gestation of his novel about India, back to England, to Alexandria during World War I, and back to India again. During this time, his most significant relationships are with two friends who do not return his feelings.

The novel is extremely well written, and Galgut deeply characterizes Morgan, if not the other characters. It did make me wonder if any person could be so relentlessly focused on sex, although of course he is also lonely. It also made me wonder how, if he really felt this unrelenting focus, he ever got anything written. Certainly this novel makes you feel for Forster—he was a sad man.

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Day 844: Tess of the D’Urbervilles

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Cover for Tess of the D'UrbervillesBest Book of the Week!
I love Thomas Hardy’s rural novels set in southwest England, and one of the highlights of a trip to England years ago was visiting his cottage in Dorset. My favorite of his novels has long been Tess of the D’Urbervilles, which I recently reread. I don’t mind admitting that in this reread, I was picturing scenes from Roman Polanski’s wonderful movie Tess, which follows the novel carefully and envisions it beautifully.

There is no doubt about it, Tess is a real tear-jerker, so if you prefer novels with happy endings, this is not the one for you. Still, in its own way, the novel ends hopefully.

The novel spans about five or six years, and we meet Tess as a naive young country girl attending a club dance. There she first sees a young man who will be important to her, Angel Clare, but he does not dance with her.

Hardy can be quite the fatalist, though, and Tess’ fate is sealed already, when her father John Durbeyfield meets a clergyman who dabbles in genealogy. Parson Tringham ironically addresses him as “Sir John” and tells him his family is the remains of the once-powerful D’Urbervilles. Her father immediately sets off to celebrate.

Tess’ foolish and feckless parents learn there is a rich old lady by the name of D’Urberville some counties away, so when Tess is partially responsible for the death of her father’s horse (because her father was too drunk to take the bees to town), they push her to go visit the old lady and claim kinship with her in hope of financial benefit. There she meets the charming wastrel Alec D’Urberville, who knows perfectly well they are not related, his family having bought the name and titles.

Tess gets a job from Mrs. D’Urberville as a poultry keeper, but Alec is always pursing her with his attentions. Tess finds these attentions unpleasant, but she is too naive to know what they mean or what she might fear.

Tess returns home with a past that is obvious to everyone and heartache ahead of her. Eventually, she gets another chance, as a dairymaid. There she meets Angel Clare, a gentleman studying to be a farmer, and finally falls deeply in love. But Angel is an idealist who has fantasized her into the embodiment of a pure child of nature. So, he is the last person to forgive her past.

Tess of the D’Urbervilles was a controversial book when it was published in 1891, because Hardy subtitled it “A Pure Woman.” This subtitle caused an uproar with the Victorians. Hardy’s message is strongly against the societal and religious laws that would condemn Tess.

Another aspect of the novel that I found more interesting this time through is that it depicts a rural way of life that is long gone. Although many of Hardy’s novels are rurally based, this one has more about the customs, work, and lifestyle as we follow Tess from one workplace to another than any of his novels except Far from the Madding Crowd. Tess’ father is a freeholder, a step up from a migrant farm worker, one whose family has leased the same land for generations. But when John Durbeyfield dies, the lease is up, and his widow and family are abruptly evicted so that the landlord can make room for someone who works for him. Such activities, Hardy makes clear, are the root cause of people migrating from the country to towns and cities, not that they were unsatisfied with country life.

Years after reading this novel last, I still became thoroughly engrossed in the story. It is a powerful one, poetically written, with gorgeous descriptions of the countryside and vivid imagery. I just love this novel.

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